Thesis Barnes - History of the world Achebe - Things fall apart Carroll - Alice Smith - Autograph Man Amis

- Einstein's Monsters Jay McInerney - Bright lights big city EN 6564 3.0: Shakespeare and Contemporary Drama: Redressing Shakespeare Instructor: Elizabeth Pentland William Shakespeare, Hamlet, Othello, The Tempest Tom Stoppard, Rosencrantz and Guildenstern Are Dead Heiner Mller, Hamletmachine Charlotte Jones, Humble Boy Paula Vogel, Desdemona: A Play About a Handkerchief Ann-Marie MacDonald, Goodnight Desdemona (Good Morning Juliet) Djanet Sears, Harlem Duet Aim Csaire, A Tempest Philip Osment, This Islands Mine Dev Virahsawmy, Toufann EN 6215 3.0: Shakespeare: The Histories Instructor: Igor Djordjevic Richard III Coriolanus EN 6420 3.0: Romantic Texts:The Language of Origins Instructor: Ian Balfour Rousseau, Jean-Jacques, First and Second Discourses [On the Origin of Inequality] Together with Replies to his Critics, and the Essay on the Origin of Languages, ed. Gourevitch [Harper Collins] Adam Smith Considerations Concerning the First Formation of Languages plus passages from The Wealth of Nations (handout) plus short passages on origins of language from Locke, Condillac, Herder, and Diderot Godwin, selections from Political Justice (Handout) plus passages on the social contract from Locke, Rousseau, and Hume (Handout) Coleridge , Kubla Khan (Handout)

Hegel, section on the fall of man from the Encyclopedia (Handout) Shelley, Mary, Frankenstein, the 1818 Text (Oxford), ed. Marilyn Butler Shelley, Percy. Selected essays, including ones on vegetarianism (handout) Wordsworth, The Prelude, books 1-5 EN 6320 3.0 18th Century Intellectual Texts: Richardson's Clarissa Instructor: Karen Valihora Samuel Richardson, Clarissa; or, The History of a Young Lady. Shaftesbury, selections from Sensus Communis: An Essay on the Freedom of Wit and Humour, and Inquiry Concerning Virtue, or Merit, fromCharacteristicks. Longinus. On the Sublime. David Hume, Enquiry Concerning the Principles of Morals. Adam Smith, The Impartial Spectator, from The Theory of Moral Sentiments. Kant, Deduction of Pure Aesthetic Judgments, from The Critique of Judgment.