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There are two stages to completing the logbook: 1. Download the file called AS Logbook template then complete questions 1, 2, 3, 7, 8, 9 & 10 as a GOOGLE DOC. You will need to upload the AS Logbook template to your google docs. Then please rename the file to include your surname i.e. Smith Unit 1 Logbook. Now SHARE this renamed document with fisherd and ausitnd. 2. Complete questions 4, 5 & 6 on the printed log book templates. If you dont have one they are available as a link via the blog. Once you have completed this draft copy, submit this to the music tech. department. We will review and mark your logbooks and return them to you with any suggested alterations. You will then have to write them up in full during a class lesson after Easter. This document contains detailed guidance on how to complete each question in the logbook. Please make sure you have a copy of this to hand when you are completing you draft copy.
Notes from the 2009 & 2010 examiners report on completion of Log books: Many examiners commented on the disappointing standard of response to questions 9 and 10. This part of the portfolio carries 20 marks half those allocated to the other tasks and it is therefore to be expected that care and attention is given to it, the more so since it does not have to be completed under exam conditions and notes may be referred to whilst writing up the questions. Moreover, the necessity to meet criteria for QWC (Quality of Written Communication) resulted in a loss of marks when answers were disorganised and full of elementary spelling errors. Many candidates achieved less than half marks. Whilst the first part of the log is not marked it is worth remembering that the examiner may not be able to credit a particular feature of the work if the logbook documentation is missing or inaccurate. An example of this is given above, where details of edited timbres in the sequence need to be clear if they are to receive marks. Most answers suffered from a lack of detail. There is no requirement to write long passages of critical prose (bullet points are acceptable) but references need to be supported by clear examples and locations. For example, a response such as the one below is simply not specific enough for a high mark: The songs [sic] texture varies a lot in the song starting off thin then getting thicker building up to a bigger emphasis on the bridge and chorus On the other hand this is far more illuminating and shows evidence of thought and planning: The original Light my Fire had 2-3 minute guitar and organ solos but this structure was suited to the time the song was composed and doesnt suit an 80s rock song so I changed
QUESTION 1 & 2
Questions 1 & 2 focuses on Task 1a. When answering question 2, please make sure that you list ALL the instruments (including drum sounds and any sample used). This question gives you the opportunity to explain to the examiner the detailed work you have put into editing and shaping the timbres (software instruments) in Logic. So here you can talk about how you have used the various software synths, (i.e. ES1, ES2 etc) to sculpt sounds that accurately imitate the timbres used in the original recording. The answers to question 2 come from one of last years submissions, this should give you some idea of the level of detail required. Please note the answer below is NOT THE COMPLETE answer but an excerpt, outlining timbres of just some of the parts:
Electric Guitar I found it difficult to recreate the guitar sound in the original track with any one sample library, so I used a combination of the Heavy Metal Guitar and Crunchy Muted Guitar in EXS24, and then used Flanger, Guitar Amp Pro and Stereo Delay effect plugins to complete it.
Vocals I chose a tenor saxophone virtual instrument from Logics EXS24 sample library because the timbre of a reed is the most similar to a human voice of the available instruments. I used the EQ to boost the higher frequencies and liken the sound to the almost whiney voice in the original track. Lead Synth I used the Another Comp preset in EXS24, and applied the Bitcrusher plug-in to reduce the fidelity of the sound, then shelved the higher frequencies using the EQ to produce the restricted frequency range of the original part.
QUESTIONS 3, 4, 5 & 6
THESE all refer to Task 1B. You have already had a printed copy of this part of the log book. Question 4. You MUST USE PHOTOGRAPHS for this question. If you did not take any while recording, take some NOW to show the examiner how you set up mic placements for all the instruments recorded in your task. This does not need to include anything D.I.d. Question 5. List all instruments recorded, including D.I. capture. Add more sheets if necessary.
(LPanning R) Level
-38
QUESTION 7
Computer and processor: Apple iMac 5.2 - 1.83 GHz Intel Core 2 Duo Main Digital Audio Workstation software: Logic Express 9 Additional software: Logic native software instruments Audio/MIDI interface: M-audio Fast track pro Keyboard: M-Audio keystation 49e
QUESTION 8
Here you must list ALL the instruments used in your arrangement and clearly include any editing of software instrument parameters and any effects processing used reverb/delay/guitar amp pro, etc. Make sure you include and use of loops/samples and any processing that you applied to these too.
Form & Structure: Have you used a different structure from the original stimulus, if so outline in detail, explain why you made those choices.
QUESTION 10
Question 10 requires you to focus on the ngerprints of your chosen style. To gain the highest available marks for this question, you must link the stylistic ngerprints to examples in your arrangement using high levels of detail to justify. Additional pages may be used if required. Please ensure that you have at least 10 clearly identified points that link the stylistic aspects of your chosen style for the arrangement with demonstrable aspects of your arrangement.
INSTRUMENTATION Extensive use of sampled sounds. 1970s influence - electric piano, beats. Processed vocals. Some use of guitars often sampled parts. Some guitar FX wah, distortion. Some use of synths TONALITY & HARMONY Minor keys are common Simple chord sequences. Some jazz/blues influence with use of extended chords and bluesy figures. Common root note bass lines. Some use of pedal.
PRODUCTION & USE OF FX Use of Slap-back echo common for guitars and vocals. Use of overdriven valve guitar amps. Some use of tremolo for guitar. Some use of echo chambers for reverb/delay effects.
On the following two pages there are the criteria from the mark scheme for completion of the logbook: