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Burle Marx
Art and ecology in public open spaces in Brasil
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1909 BorninSoPaulo,movedtoRiodeJaneiroin1913 1927 enrolmentattheNationalSchoolofBeauxArts Architecture 1927/1928 livesinGermany(Dahlems Botanicalgardenand paintingclassesinBerlin) 1929/1933 enrolmentatNationalSchoolofBeauxArts 1929 /1933 enrolment at National School of Beaux Arts Painting 1933 1st residentialgardendesign(Lcio Costa) 1934 DirectorofParksandGardensinRecife Euclides da CunhaSquare CasaForteSquare 1937 MES 1939 GardenoftheBrazilianPavillion attheNewYorkWorldFair 1941 1st individualpaintingexhibition 1949 boughta365,000m2estateinBarra deGuaratiba,RJ 1950 Pampulha 1962 Flamengos Landfill 1985 DonatedhisstatetoIPHAN
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CasaForteSquare,Recife 1934
CasaForteSquare,Recife 1934
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MES,1937
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NewYorkWorld'sFair,Aprilof1939 "BuildingTheWorldofTomorrow
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SalgadoFilho Square RJ
1938
SalgadoFilho Square,1938
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Brazilwood
Caesalpinia echinata
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Function Collective lung Respite Educational (especially fro children) Principles T idi Tridimensionality: garden as architecture and landscape i li d hi dl d Temporality: seasonal and climate changes Dinamics life cycle
Freedom of form: either geometrical or meandering (romantic), but without pretending to simulate an ideal natural landscape
Use of color (vegetation and floor materials) Use of painting's principles: rhythm, harmony, contrast, and texture Non representational Use of native species
Form When I work on a project I have to know the place; if it has a hot or temperate climate; what are the plants that grow in the region. It is necessary to know the user as well. One should g y take all of this into consideration. But esthetics is a sine qua non condition. If there is a garden, it is because there is esthetical composition (Burle Marx 1991) Color It is mainly in our ability to use the color that we diverge from the old landscape architects, and its proper use is one of the most difficult tasks It is necessary to look for it in the great tasks. paintings of this century, in the work of Braque and Picassoin the work of flamenco tapestries, in the rugs of Teer and Tabriz; and in the porcelain of the great Chinese dynasties (1991;62)
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Flamengos Landfill,RiodeJaneiro,1960
IPHAN1964
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Stio RBM
1970
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Orthophytum burlemarxii
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Anthurium burle-marxii Begonia burle-marxii Chaetostoma burle-marxii Ctenanthe b l Ct th burle-marxii ii Encyclia burle-marxii Mandevilla burle-marxii Microlicia burle-marxii Philodendron burle-marxii Pitcairnia burle-marxii, Pleurostima burle marxii burle-marxii Pontederia burle-marxii Vellozia burle-marxii novo gnero: Burlemarxia spiralis
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Allamanda purpurea
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Philodendronbipinatifidum guaimb
Philodendronerubescens
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Houtan Park
References
Burle Marx, Roberto e Tabacow, Jos. Roberto Burle Marx - Arte & Paisagem. Rio De Janeiro: Nobel. 2004. Cludia Pessoa, Ana; Carneiro, Ana Rita S. Burle Marx nas praas do Recife. Arquitextos, So Paulo, 04.042,Vitruvius, nov 2003. Disponvel em: <http://www.vitruvius.com.br/revistas/read/arquitextos/04.042/638>. Farah, I.; Schlee, M.; Tardin, R. (orgs.). Arquitetura Paisagstica Contempornea no Brasil. So Paulo: Editora Senac So Paulo. 2010. Segawa, Hugo e Dourado, Guilherme. De Mestre Valentim a Roberto Burle Marx: los jardines histricos brasileros. s/d. Siqueira,Vera Beatriz. Burle Marx. Rio de Janeiro: Cosac&Naify. 2004(2 impresso).
(6) Tarsila do Amaral, "Roberto Burle Marx", Dirio de So Paulo, 10dez. 1948.
Terra, Carlos; Trindade, Jeanne; Andrade, Rubens (org.). Do imaginrio a matria: a Obra de Roberto Burle Marx (Leituras Paisagsticas 3: teoria e prxis). RJ: Universidade Federal do Rio de Janeiro. 2009. Treib, M.(ed.) Modern Landscape Architecture: A critical review. Cambridge, Massachusetts: The MIT Press. 1992. http://nucleoap.blogspot.com/search/label/Roberto%20Burle%20Marx
Thank you!
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