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With a broad scope of work spanning her three decades as an independent documentary filmmaker, Krawitz has devoted a huge portion of her life to educating documentary filmmakers. Shes taught 24 years at Stanford Universitys Graduate Program in Documentary Film & Video. Her films run the gamut and include documentaries about dwarves, circus performers, altruistic kidney donation and two films dealing directly with womens issues: Mirror Mirror and In Harms Way.
The honesty of these womens answers is visually contrasted with reoccurring images of disrobed mannequins that, as Krawitz put it in a discussion after the screening, have no relationship to women whatsoever in terms of the veracity of their body-types. Krawitz said she decided to mask the interviewees because she, wanted the film to be about bodies, not faces. I had this idea of a collective lament of women, a Greek chorus, Krawitz said. As the viewer no matter their gender considers the film, it is easy to see their own reflection in the way that these women view their bodies. While the film roots itself wholly in the voice and perspective of women, Krawitz suggested the message might have increased meaning for men in recent years as well. Ive been interested in the current surge of plastic surgery among men anorexia is affecting more men and boys as well, she said. I think our whole culture is really oppressed by these idealized body images.
she hopes society can be more frank about the issue. It didnt feel brave to (make the film,) she said. It felt like more of a responsibility. It was this defining thing in my life but it was still invisible, hiding under the surface. I had this story. I had this experience and I had the tools aesthetically and conceptually to create something so I did.
While readily admitting that these films represent her own distinct perspective and experiences and not necessarily those of all women, Krawitz has come into contact with many individuals that echo the emotions described in both her films. Ultimately, she said, you have to have realistic expectations about the kind of influence your film can truly have on the world. I just want people to think about the issue from a different perspective than they otherwise might or to think about it for the first time.
___________ Jan Krawitz is a filmmaker and the director of Stanfords M.F.A. Program in Documentary Film & Video in the Department of Art & Art History. She screened two films Mirror Mirror and In Harms Way as part of the quarter-long symposium Ms. at 40 and the Future of Feminism. The screening event was organized by Stanford's American Studies Program and the StanfordProgram in Feminist Studies and it was co-sponsored by the Clayman Institute for Gender Research. This article was written by J. Christian Jensen, a reporter on the Clayman Institute Student Writing Team and an MFA candidate in the Documentary Film program within the Department of Art & Art History. Christian has several years of experience working in documentary film including work for PBS and National Geographic Film & Television.
Founded in 1974, the Clayman Institute for Gender Research at Stanford University creates knowledge and seeks to implement change that promotes gender equality at Stanford, nationally, and internationally.
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