Unavailable Hai-Dang Phan reads “My Father’s ‘Norton Introduction to Literature,’ Third Edition (1981)”

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Hai-Dang Phan reads “My Father’s ‘Norton Introduction to Literature,’ Third Edition (1981)”

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Hai-Dang Phan reads “My Father’s ‘Norton Introduction to Literature,’ Third Edition (1981)”

FromThe Poetry Magazine Podcast

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Length:

11 minutes

Released:

Oct 28, 2019

Format:

Podcast episode

Description

In this archival episode, the editors discuss Hai-Dang Phan’s poem “My Father’s ‘Norton Introduction to Literature,’ Third Edition (1981)” from the November 2015 issue of Poetry.

Released:

Oct 28, 2019

Format:

Podcast episode

Titles in the series (99)

The editors go inside the pages of Poetry, talking to poets and critics, debating the issues, and sharing their poem selections with listeners.

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Srikanth Reddy with Liesl Olson and Ed Roberson on Margaret Danner’s “The Elevator Man Adheres to Form”: This week, we return to the little-known world of Margaret Danner with guest editor Srikanth Reddy, historian Liesl Olson, and poet Ed Roberson. Olson and Roberson were the people who first introduced Reddy to Margaret Danner’s poetry. Olson is the Director of Chicago Studies at the Newberry Library, the building where Margaret Danner worked as an editor of Poetry magazine from 1951 to 1956. Roberson is a celebrated poet living in the South Side of Chicago—probably not far from where Danner grew up and wrote much of her poetry. Born in 1915, Danner was a contemporary of Gwendolyn Brooks and Langston Hughes—and knew them personally—but she never achieved the recognition she deserved in her lifetime. It’s hard to find her poetry in print; in fact, Reddy might have borrowed one of the last copies of her collected poems left in Chicago in preparation for this podcast. Danner wrote a by The Poetry Magazine Podcast
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Leila Chatti and Sharon Olds in Conversation: When we asked Leila Chatti who she wished to speak with most, she chose one of the poets who gave her permission to be a poet herself: Sharon Olds. And not just to be a poet, but to write from a voice she thought wasn’t possible. You’ll hear why. This episode features more poems than we’ve ever had on the Poetry Magazine Podcast. Chatti asked Sharon to read a selection of poems that span 40 years – ranging from her first book, Satan Says, to her most recent book, Arias. Leila also reads from the December issue of Poetry, and her latest collection, Deluge, a chronicle of illness, womanhood, and faith. by The Poetry Magazine Podcast
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André Naffis-Sahely and LeAnne Howe in Conversation: This week, we hear from one of the co-editors of the first historically comprehensive Native poetry anthology – yes the very first. It’s called When The Light of The World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. It was edited by Poet Laureate Joy Harjo with Jennifer Elise Foerster and LeAnne Howe. Organized by geographical region, each section begins with a poem from traditional oral literatures and closes with an emerging poet. Contributors range from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a Diné poet born in 1991. The poet, translator, and critic André Naffis-Sahely reviewed the anthology in the April 2021 issue of Poetry. Today he speaks with co-editor LeAnne Howe about how the anthology came to be, and why it took so long to get here. Howe, a member of the Choctaw Nation of Oklahoma, opens the conversation with a Choctaw chant. You’ll hear two poems by The Poetry Magazine Podcast
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Ashley M. Jones and Sidney Clifton in Conversation: One thing Ashley M. Jones knows to be absolutely true is that her work is made possible by the poetry and spirit of Lucille Clifton. This week, Jones speaks with Sidney Clifton, one of Lucille Clifton’s daughters. Sidney Clifton is the President of the Clifton House, a new endeavour to transform her childhood home in Baltimore into a gathering place for writers and artists. They speak about mothers, their impenetrable connection to family, and how important it is to honor our journeys, no matter how winding they might be. Jones says, “It was unreal for me to get to spend time with Sidney, and what a joy to also get to invite Ms. Clifton’s poems into the room to join the conversation. What a celebration, indeed.” by The Poetry Magazine Podcast
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Alison C. Rollins and Latria Graham in Conversation: Poet Alison C. Rollins recently finished her first outdoor survival training program. Part of her preparation was to read Latria Graham’s essays about the experience of being a Black woman in the outdoors. Graham is a journalist and fifth-generation farmer living in South Carolina. In “Out There, Nobody Can Hear You Scream,” published in Outdoor Magazine, Graham describes a moment when—right before leaving for the Great Smoky Mountains—her mother handed her the gun of her late father for protection. Rollins had a very similar experience. Her mother’s first question, when hearing of her daughter's desire to journey into the outdoors, was, “How are you going to protect yourself?” This moment of recognition led Rollins and Graham together, to talk about writing, survival, and, as Rollins calls it, “Black nature joy.” by The Poetry Magazine Podcast
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A Conversation with Oli Rodriguez and Xandria Phillips: Oli Rodriguez and Xandria Phillips on queer familia, ephemeral cruising spots, McDonald’s polaroid film, and much more. Rodriguez’s “Papi, Papi, Papi” appears in the October 2020 issue of Poetry. by The Poetry Magazine Podcast
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Tishani Doshi and Holly Amos on Shape Poetry and Loving the Process, PLUS a Writing Prompt: For the month of January, we’re focusing on what keeps us writing. How do poets sustain their writing practices? Are there generative tips and tricks we can learn from them? Today, Holly Amos enlists the help of poet, writer, and dancer Tishani Doshi, whose essay in the December 2022 issue of Poetry is about shape or concrete poetry. Doshi lives in Tamil Nadu, India, and is joining us today from Abu Dhabi, where she is a New York University visiting associate professor. Doshi’s latest book of poetry is A God at the Door (Copper Canyon Press, 2021) and her latest novel is Small Days and Nights (W.W. Norton, 2020). Today, she offers listeners a wonderful writing prompt drawn from one of her favorite concrete poems, which, fascinatingly, is not technically a poem but the dedication that E.E. Cummings included in his book No Thanks. by The Poetry Magazine Podcast
48 min listen
Esther Belin and Tacey M. Atsitty on Monsters: This week, Esther Belin speaks with Diné poet Tacey M. Atsitty. Atsitty’s debut full-length collection, Rain Scald, was published in 2018, and Arthur Sze described the book as filled with a poetry “where rain, expected to be nourishing, is also a torrent, burning with sensation.” Today, we’ll hear two new poems by Atsitty, “Things to Do with a Monster” and “Lady Birds’ Evening Meetings” from the December issue of Poetry. Atsitty’s new poems come out of her desire to create a bestiary of Diné monsters. The poems explore how and why we create and abandon monsters, what we learn from them, how monsters humble us, and more. by The Poetry Magazine Podcast
35 min listen
Esther Belin and Diamond Forde on poetry as self-definition, self-reclamation, and biomythography: This week, Esther Belin speaks with Diamond Forde, who joins us from Asheville, North Carolina, which she describes as a sort of homecoming. One of five recent recipients of the 2022 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships, Forde’s debut collection, Mother Body, is described as “an intersectional exploration of the trauma and agency held within a body defined by its potential to mother.” Today we’ll hear from a new series of poems by Forde, which appear in the December 2022 issue of Poetry. The poems continue an exploration of maternal lineage, this time centering Forde's grandmother and addressing the complex processes of self-definition, self-reclamation, and biomythography. Belin and Forde also discuss the practice of joy and how poetry is an “assertion of love.” by The Poetry Magazine Podcast
40 min listen
Ashley M. Jones and Marcus Wicker on Afrofuturism, OutKast, and Living in the American South: This week, Ashley M. Jones speaks with Marcus Wicker about a project he began early in the pandemic while looking for sources of calm in books and music. Many of these were space-influenced—OutKast’s album ATLiens, Robert Hayden’s poem “American Journal”—and Wicker began exploring what an extraterrestrial who lands in Atlanta in 2020 would think of America and the way humans treat one another. We’ll hear two poems from this project, “Dear Mothership,” and “How did you learn to speak English?” which appear in Poetry’s December 2022 issue. Like much of Wicker’s poetry, these pieces incorporate popular culture and music references alongside unflinching observations and exciting wordplay. by The Poetry Magazine Podcast
43 min listen
Su Cho and Tariq Luthun on Joy, Apocalypse, Crying, and Pokémon by The Poetry Magazine Podcast
36 min listen
Taneum Bambrick and Su Cho on Intimacy and Poetry: This week, Su Cho sits down with Taneum Bambrick to talk about two of her favorite things: poetry and intimacy. Bambrick is the author of Intimacies, Received, recently out from Copper Canyon Press, and Vantage. Their chapbook, Reservoir, was selected by Ocean Vuong for the Yemassee Chapbook Prize. Vuong wrote, “This is poetry that encompasses, that let's no one turn away.” That’s exactly how Cho felt reading Bambrick’s poems in the November 2022 issue of Poetry. Cho says, “Bambrick’s poems make me feel incredibly shy and brave at the same time. I say make me because I can’t look away from them. The poems are telling me to sit down and listen.” Join us for a conversation about break ups, vulnerability, rodeos, and so much more. by The Poetry Magazine Podcast
41 min listen

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Hai-Dang Phan reads “My Father’s ‘Norton Introduction to Literature,’ Third Edition (1981)”

Hai-Dang Phan reads “My Father’s ‘Norton Introduction to Literature,’ Third Edition (1981)”

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