Escolar Documentos
Profissional Documentos
Cultura Documentos
ROUTINE
He had been for many years cashier of a private bank in Baggot Street. Every morning he came in from Chapelizod by tram. At midday he went to Dan Burke's and took his lunch - a bottle of lager beer and a small trayful of arrowroot biscuits. At four o'clock he was set free. He dined in an eatinghouse in George's Street where he felt himself safe from the society of Dublin's gilded youth and where there was a certain plain honesty in the bill of fare. His evenings were spent either before his landlady's piano or roaming about the outskirts of the city. His liking for Mozart's music brought him sometimes to an opera or a concert: these were the only dissipations of his life. James Joyce, A Painful Case in Dubliners
OCTOBER 25, 1929 AMERICAN STOCKMARKET COLLAPSES MOST IMPORTANT FINANCIAL NEWS STORY OF THE FIRST HALF OF THE 20TH CENTURY
THE SCREAM EXPRESSIONISM 1893 Edvard Munch - 15 years before the term was invented
"I was walking along the road with two friends. The sun set. I felt a tinge of melancholy. Suddenly the sky became a bloody red. I stopped, leaned against the railing, dead tired. And I looked at the flaming clouds that hung like blood and a sword over the blue-black fjord and city. My friends walked on. I stood there, trembling with fright. And I felt a loud, unending scream piercing nature."
DER BLAUE REITER (THE BLUE RIDER) GROUP MUNICH, GERMANY 1911-1914
ITALIAN FUTURISM 1909-1914 We rebel against that spineless worshipping of old canvases, old statues and old bric-abrac, against everything which is filthy and wormridden and corroded by time. We consider the habitual contempt for everything which is young, new and burning with life to be unjust and even criminal. Filippo Marinetti, Manifesto of the Futurist Painters, 1910
Marcel Duchamps Nude Descending a Staircase, No. 2 (1912) and the Machine Aesthetic
Successive superimposed images, similar to stroboscopic motion photography A visual expression of what Henry Adams called the twentieth century multiplicity, showing elements of both Cubist (fragmentation) and Futurist (dynamism) styles
Duchamp submitted the painting to the 1913 Armory Show in New York City where Americans, accustomed to naturalistic art, were scandalized. Julian Street, an art critic for The New York Times wrote that the work resembled an explosion in a shingle factory"
IGOR STRAVINSKY THE FIRE BIRD (1910), PETROUSHKA (1912), RITE OF SPRING (1913)
Whether Stravinsky's music be permanent or ephemeral I do not know; but it did seem to transform the rhythm of the steppes into the scream of the motor horn, the rattle of machinery, the grind of wheels, the beating of iron and steel, the roar of the underground railway, and the other barbaric cries of modern life; and to transform these despairing noises into music. T. S. Eliot
THANK YOU!
QUESTIONS?