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  • Friday Lunchtime Lecture: Data As Culture 2014, With Julie Freeman & Shiri Shalmy

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    Open Data Institute
    553 visualizações23 páginas
    The ODI’s Data as Culture art programme aims to engage diverse audiences with artists and works that use data as an art material. The 2014 commission explores our relationship with surveillance, privacy, and personal data, taking a critical and sometimes comedic look at the power of open data. Works include pneumatic contraptions, satellite imagery, data collection performances, and knitted data discrepancies. Art curator Shiri Shalmy talked to Open Data institute’s Art Associate Julie Freeman about the curatorial process behind the 2014 Data as Culture exhibition. Julie Freeman is the Art Associate at the ODI and heads up the Data as Culture art programme. She is a PhD student at Queen Mary University of London researching the convergence of biological data and kinetic art.* Shiri Shalmy is an independent contemporary art curator working with artists and public art organisations nationally and internationally. You can find audio from this lecture here - https://soundcloud.com/theodi/odi-fridays-data-as-culture-1

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    Friday lunchtime lecture: Data as culture 2014, with Julie Freeman & Shiri Shalmy

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    The ODI’s Data as Culture art programme aims to engage diverse audiences with artists and works that use data as an art material. The 2014 commission explores our relationship with surveillance, privacy, and personal data, taking a critical and sometimes comedic look at the power of open data. Works include pneumatic contraptions, satellite imagery, data collection performances, and knitted data discrepancies. Art curator Shiri Shalmy talked to Open Data institute’s Art Associate Julie Freeman about the curatorial process behind the 2014 Data as Culture exhibition. Julie Freeman is the Art Associate at the ODI and heads up the Data as Culture art programme. She is a PhD student at Queen Mary University of London researching the convergence of biological data and kinetic art.* Shiri Shalmy is an independent contemporary art curator working with artists and public art organisations nationally and internationally. You can find audio from this lecture here - https://soundcloud.com/theodi/odi-fridays-data-as-culture-1

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    © All Rights Reserved
    Baixe no formato PPTX, PDF, TXT ou leia online no Scribd
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    553 visualizações23 páginas

    Friday Lunchtime Lecture: Data As Culture 2014, With Julie Freeman & Shiri Shalmy

    Enviado por

    Open Data Institute
    The ODI’s Data as Culture art programme aims to engage diverse audiences with artists and works that use data as an art material. The 2014 commission explores our relationship with surveillance, privacy, and personal data, taking a critical and sometimes comedic look at the power of open data. Works include pneumatic contraptions, satellite imagery, data collection performances, and knitted data discrepancies. Art curator Shiri Shalmy talked to Open Data institute’s Art Associate Julie Freeman about the curatorial process behind the 2014 Data as Culture exhibition. Julie Freeman is the Art Associate at the ODI and heads up the Data as Culture art programme. She is a PhD student at Queen Mary University of London researching the convergence of biological data and kinetic art.* Shiri Shalmy is an independent contemporary art curator working with artists and public art organisations nationally and internationally. You can find audio from this lecture here - https://soundcloud.com/theodi/odi-fridays-data-as-culture-1

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    © All Rights Reserved
    Baixe no formato PPTX, PDF, TXT ou leia online no Scribd
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    ODI mission statement

    Catalyse the evolution of open data culture to create economic, environmental, and social value

    Cultural data
    Data as an art material used by artists & designers (and other creatives) Data that is cultural media moving image, photos, audio, BBC archives, Europeana, etc Data about the cultural sector museums, galleries, audiences

    Data as an art material


    What data is, what is its meaning, how is it used, and what is the impact on society?
    As data is opened up, the information it holds must be reflected back from many angles We are exploring and exposing processes ...understanding process leads to progress

    Data as Culture 2012


    First decision by Gavin Starks (CEO) Open call for artists: 89 respondents from 20 countries in 2 weeks 9 artists, 3 new commissions Global coverage (WSJ, main TED conference in LA) 4,000+ visitors to the ODI London space

    Integrated into ODI presentations (inc to Cabinet Office, World Bank, Aspen)
    Significant response from cultural leaders 3 artists winners of the Japan Media Arts Festival Awards The Body by Stanza to be exhibited in Norway Finalist in DATA 2014, the National Creative Technologies Summit, Pittsburgh Shortlisted with MzTEK for an Arts & Business Award 2014

    Data as Culture 2014


    Open call for curators: 48 respondents New partnerships - Lighthouse (Brighton) and FutureEverything (Manchester) Curator appointed: Shiri Shalmy 6 artists, 8 works, 3 new commissions James Bridle

    Paolo Cirio
    YoHa Sam Meech James Brooks Thickear

    Invisible Airs YoHa

    Bristol.gov.uk

    Endless War Yoha with Matthew Fuller

    wardiary.wikileaks.org

    Punchcard Economy Sam Meech

    Watching the Watchers James Bridle

    Pink Sheet Method (Stage 1, Future Everything) Thickear

    Pillars of Hercules James Brooks

    dataasculture.org - Paolo Cirio

    Coming Up
    16 & 17 May - Open Data as Creative Material seminar + data jam with Central St Martins May / June - knitting workshop with Sam Meech at ODI 13 June - opening of Data as Culture at Lighthouse, ODI Node Brighton (for 1 month)
    SIGN UP!

    June - launch of major new ODI data art partnerships


    June/July - workshops in Brighton (thickear & Sam Meech) August - launch of new commission by James Bridle, London September - launch of new data art commission (artist TBA) International reach - Data as Culture integration into Node network (20 countries ++) Open data live coding music performance

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