In the previous lecture we answered two basic questions:
1. what is news? and 2. what are news values? i.e. those factors influencing a journalist's exercise of news judgment. 2 In this lecture we will answer the question: where does news come from?
Do journalists smell news, like dogs smell their food? In a way yes, hence the journalistic adages "a nose for news" and "seeing the news story coming or the story to write". 3
In order to prepare todays lecture, I used different books as sources. In academia sources are very important.
So are in journalism. Journalists are surrounded by sources of potential news stories or features. 4
A conversation with a friend, or a conversation between two unknown people at the bus stop,
a poster on a wall,
an unexpected juxtaposition, 5
something observed on the way,
a conversation at a party,
or something read in other media that triggers a memory or idea 6
- all might result in a story if you keep your eyes, ears and mind open,
i.e. if you observe, see and listen. 7 Then you must decide, whether the idea needs further investigation
(take notes, ask questions, check and verify information).
This is the internal process of professional decision making. 8 Should I pursue (follow) the story? Questions to ease final decision 1. Would people be interested to know about this? 2. What are the news values attached? 3. What do I already know? 4. What other information do I reasonably expect to get? 5. What are the facts? 9
Finally, you reach the point of deciding, Is there a story worth telling here?
How this question is answered is a reflection of the sum of the decisions already made about the relative values associated with the story. 10
Throughout, you have been making decisions based on your understanding of the audience, and the public interest. 11
In the workplace you also consider the news values given priority by your news organization. 12
News organizations usually have a particular Media Agenda and Relative News Values. 13
This relativity is not just ideological, as we already discussed. It is also practical.
14
For example, some splendidly events, like a firework display, are considered more important as 'TV stories',
because the visual medium displays the spectacle of fireworks to best effect. 15
Color photographs can also record the images,
but they lack the sound of the fireworks exploding
or the gasps from the spectators. 16
Relative news values on the other hand are stronger for print than for broadcast medium
when it comes to disseminating complex information. 17
Print media can present in-depth stories and analyses, including tables and charts,
in a form that readers can digest at their own pace. 18
Journalists have 3 types of sources: 1. Stored (information in books, reports, libraries, and so on, in print or electronic forms) 2. Personal (people) and 3. Observational (events, places and so on). 19
Most of the information that a reporter uses comes from personal sources, that is, people whom the reporter talks to. 20
People have more recent information than can usually be found in stored sources, and journalists can rarely be on every scene, when news events actually occur. 21 Thus sources are central to the practice of journalism.
Sources are the people, places or organizations from whom potential news stories originate 22
and the people, places or organizations to whom journalists turn when checking potential stories. 23
Allan Bell argues that
the ideal news source is also a news actor, someone whose own words make news 24
He lists the following figures: officials, celebrities, sportspeople, professionals, criminals, human interest figures, and participants, such as victims or witnesses. 25
Bell points to a series of research studies suggesting that, to a very large extent,
news is what an authoritative source tells a journalists; alternative sources, including minorities and the socially disadvantaged, tend to be ignored. 26
When assessing sources, a journalist's over-riding consideration is efficiency, according to Hebert Gans. 27
Gans says the following:
Reporters who have only a short time to gather information must therefore attempt to obtain the most suitable news from the fewest number of sources as quickly and easily as possible. 28
He has identified 6 interrelated source considerations used by journalists to evaluate sources of news.
They may be summarized as follows: 29
Past suitability: sources whose information has led to stories in the past are likely to be chosen again
and to become regular sources (although journalists could eventually become bored of them, or the opposite. or the people). 30
Productivity: sources will be favored if they are able to supply a lot of information with minimum effort by the journalist. 31
Reliability: journalists want reliable sources, whose information requires the least amount of checking. 32
Trustworthiness: journalists evaluate sources' trustworthiness over time and look favorably on those who are honest and do not limit themselves to self- serving information. 33
Authoritativeness: everything else being equal, a journalist will prefer a source in an official position of authority. 34
Articulateness: sources capable of expressing themselves in articulate (clear), concise
and dramatic soundbites or quotes, will be favored when journalists need somebody to be interviewed. 35 36 News access
The question of who gets 'on' the news is important to considerations of the public sphere, and journalists' tendency to rely on official sources is frequently said to benefit the powerful,
according to Cottle and McQuail 37
Unequal access to the news has damaging social effects, argues Stuart Hall. 38
Some things, people, events, relationships, always get represented: always center-stage, always in the position to define, to set the agenda, to establish terms of the conversation. 39
Some others sometimes get represented - but always at the margin, always responding to a question whose terms and conditions have been defined elsewhere: never 'centred'. 40
Still others are always 'represented' only by their eloquent absence, their silences: or refracted through the glance or the gaze of others. 41
If you are white, male, a businessman or politician or a professional or a celebrity, your chances of getting represented will be very high. 42
If you are black, or a woman without social status, or poor or working class or gay, or powerless,
because you are marginal, you will always have to fight to get heard or seen (you make bad news more often). 43
This does not mean that no one from the latter groups will ever find their way into the media.
44
But it does mean that the structure of access to the media is systematically skewed* in relation to certain social categories, according to Hall. *placed at an angle (see also Media Agenda and Relative News Values). 45 Such media representations do not necessarily remain unchanged over time, says Schudson.
With change, black and gay voices are now heard more frequently than when Hall wrote the above words, back in 1986. 46
Tony Harcup points to the example of the alternative press, via the web,
which may have prompted mainstream media to use a wider range of non- official and community-based sources. 47
However, according to Manning,
notwithstanding that relationships between journalists and sources may be complex and subject to change over time 48
and that there will be occasions when the voices of the powerless take center stage - there remains a tendency for the powerful to enjoy 'routine advantages' in news access.
49
Access to information vs.
Access to news
50
Primary definers For some cultural critics, notably Stuart Hall, the 'skewing' of access to the media privileges the dominant forces in society by allowing them to establish the parameters of debate on social issues. 51
Politicians, employers, the police and so-called experts become 'primary definers' of events whose 'primary definition sets the limit for all subsequent discussion by framing what the problem is. 52
According to this analysis, journalists play the role of 'secondary definers', circulating the interpretations of the powerful 53
not because of any conspiracy, but because 'the hierarchy of credibility' reflects the social power structure, Paul Manning adds. 54
However this concept of primary and secondary definition has been criticized
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A. By Critchers, for neglecting the potential of media themselves to become primary definers and
56
B. By Schlesinger, Manning, and Khun for downplaying some of the complexities of relationships between journalists and sources.
57
Catalogue of news sources The sources listed will form the backbone of any journalists contacts books. Contacts books come in many shapes and sizes, electronic or paper.
58
In whatever form, contacts books have one thing in common:
they can be the difference between meeting the deadline or missing the boat.
59 60 61 62
Although not exhaustive, the list covers the major sources used by journalists to originate or check stories. 63
How journalists first obtain, then evaluate and finally present information is a matter of judgment, leading to a decision making procedure that is affected by different variables 64
For example possible pressures or admonitions,
media agenda 65
and of course the negotiating and struggling with your inner self (nature vs. nurture),
that define your understanding of the truth.
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An understanding that in turn affects subjectivity and objectivity, impartiality, neutrality and balance, common sense, opinion and bias.