Escolar Documentos
Profissional Documentos
Cultura Documentos
Wonder
the power of the displayed object to stop the
viewer in his or her tracks, to convey an
arresting sense of uniqueness, to evoke an
exalted attention (Stephen Greenblatt 1991)
Resonance
the power of the displayed object to reach out
beyond its formal boundaries to a larger world,
to evoke in the viewer the complex, dynamic
cultural forces from which it has emerged and
for which it may be taken by a viewer to stand
(Stephen Greenblatt 1991)
Art/Visuality
Art museums
Artifacts
Context/Narrative
History/Culture Museums
(i.e., ethnographic museums)
Cultural heritage
Contact Zones
Mary Louise Pratt, Imperial Eyes: Travel Writing and Transculturation, 1992
Social spaces where disparate cultures meet, clash, and grapple with
each other, often in highly asymmetrical relations of domination and
subordination --- like colonialism, slavery, or their aftermaths as they are
lived out across the globe today (Pratt 1992: 4)
The space of colonial encounters, the space in which peoples
geographically and historically separated come into contact with each
other and establish ongoing relations, usually involving conditions of
coercion, radical inequality, and intractable conflict (Pratt 1992: 6).
'Contact zone is an attempt to invoke the spatial and temporal copresence
of subjects previously separated by geographic and historical disjunctures,
and whose trajectories now intersect... I am to foreground the interactive,
improvisational dimensions of colonial encounter... How subjects are
constituted in and by their relations to each other... In terms of
copresence, interaction, interlocking understandings and practices,
often within radically asymmetrical relations of power (Pratt 1992: 7).