What is Modern Art

Modern Art includes an element of progress, an element of newness and innovations. It is broadening
of horizons.
This leads to concepts of Avant-garde (Forward looking who revolt and replace the old with new
innovations)
A new and fresh sorting out of relevant from irrelevant, the significant from insignificant Therefore
art reflects the social characteristics of a society of a given era or epoch.

Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status
quo, primarily in the cultural realm.
The notion of the existence of the avant-garde is considered by some to be a hallmark of modernism.

The Rock Drill by Jacob

Epstein (191314).

Guggenheim Hermitage Museum MTC Theatre in Melboune by ARM

in Vilnius, Lithuania

SYMBOLISM
Symbolism -One of the most significant and
notable layers in the history of art was the
emerge of symbolism movement.
The scale of the movement was large
enough to touch not visual arts only, but
also psychology, literature, etc. the term
itself symbolism appeared in 1886 when
Jean Moras used symbolism to define the
reaction against naturalism and decadent.
Symbolism had especially influenced
French poetics and different forms of the
movement can be noticed in other
literatures.

Symbolism initially developed as a French literary movement

in the 1880s, gaining popular credence with the publication in
1886 of Jean Moras' manifesto inLe Figaro. Reacting against
the rationalism and materialism that had come to dominate
Western European culture, Moras proclaimed the validity of
pure subjectivity and the expression of an idea over a realistic
description of the natural world.

Modern art and symbolism

Modern art and symbolism - Symbolism In modern art rejects
traditional iconography and replaces it with subjects that
express ideas beyond the literal objects depicted. The notion
of the expressive potential of simplified forms and pure
colour provided the freedom and directness that young,
academically trained students were looking for, and it
became one of the two stylistic options in Symbolism

IMPRESSIONISM
(Late 1860-late 1890)

What is
IMPRESSIONISM

Impressionism is a 19th-century in
paris, France. The name of this
movement comes from title of Claude
Monet's work impression, sunrise

Claude Monet, Impression Sunrise, 1872.

Characteristics
Impressionist paintings tend to have small, thin brush strokes
with an emphasis on accuracy over precision. Li is also a
significant factor and how it is captured is key impressionist
work.

Claude Monet, Haystacks, (sunset), 18901891,

Museum of Fine Arts, Boston

Beginnings
In the middle of the 19th century
a time of change, as EmperorNapoleon III
Rebuilt Paris and waged war
theAcadmie des Beaux-Arts
dominated French art
traditional French painting
standards of content and style.
The Acadmie was the preserver of

douard Manet,The Luncheon on the

Grass(Le djeuner sur l'herbe), 1863

Impressionist techniques

Short, thick strokes of paint quickly capture the essence of the subject,
rather than its details. The paint is often appliedimpasto.
Colours are applied side-by-side with as little mixing as possible
Grays and dark tones are produced by mixingcomplementary colors. Pure
impressionsm avoids the use of black paint.
Wet paint is placed into wet paintwithout waiting for successive applications
to dry, producing softer edges and intermingling of colour.
Impressionist paintings do not exploit the transparency of thin paint films
(glazes), which earlier artists manipulated carefully to produce effects. The
impressionist painting surface is typically opaque.
The paint is applied to a white or light-coloured ground. Previously, painters
often used dark grey or strongly coloured grounds.

 Artist
Edouard Manet
Father of Impressionism joined the group in 1873, but never stopped using
black

Claude Monet
Impression: Sunrise, most committed Impressionist painter, repeatedly
painted objects over and over to observe how light affects color

Pierre-Auguste Renoir
Rosy-cheeked people in social settings

Mary Cassatt
America-born, known for women & children in natural domestic settings,
eventually influenced by Ukiyo-e Japanese prints

Berthe Morisot
Sister-in-Law of Manet, painted posed women in interior and outdoor
settings

Edouard Man

Luncheon on the Grass, 1862-63.

Edouard Manet

Le Chemin de Fer (The Railroad), 1872-73.

A Bar at the Folies-Bergre, 1882.

Olympia, 1863.

Claude Monet, Rouen Cathedral, 1894.

Claude Monet, Rocks At BelleIle, Port-Dormois, 1886.

Pierre-Auguste Renoir, Oarsmen at Chatou, 1879.

Pierre Renoir, Luncheon of the Boating Party, 1881.

Mary CassattSummertime,1894.

Contrast how Renoir and Cassatt

view a mother and child!

Post-Impressionism
Post-Impressionism developed from Impressionism. From the 1880s several
artists began to develop different precepts for the use of colour, pattern, form,
and line, derived from the Impressionist example:Vincent van Gogh,Paul
Gauguin,Georges Seurat, andHenri de Toulouse-Lautrec
These artists were slightly younger than the Impressionists, and their work is
known as post-Impressionism. Some of the original Impressionist artists also
ventured into this new territory;Camille Pissarrobriefly painted in
apointillistmanner, and even Monet abandoned strictplein airpainting

Pointillism
Pointillism is done by
using hundreds of
tiny dots to make a
picture. From a
distance the colors
come together to
form the patterns,
lines and shapes.

Artist
George Seurat was a
famous pointillism artist

Pointllis
m

EXPRESSIONISM
1901-1927

ToExpressionism!
Expressionism is a term that was first coined in 1901 to distinguish
paintings done by neo-impressionists who tried to capture the
appearance of objects under a particular light and moment
Expressionism in painting emphasizes strong inner feelings about an
object
Portrays life as modified, twisted, and distorted by the artists personal
perception of reality
Does not try to imitate reality, but transform it.

what is expressionism?
Expressionism seeks to discover and examine the
essence of life, the internal, eternal meanings of facts,
objects, and people.
Expressionism seeks to find a deeper reality than on the
surface
Expressionism is not sight; it is vision

Expression in Visual
Arts:
Starry Night, Vincent
Van Gogh 1889z

The TempestOscar Kokoschka,1914

The Scream- Edvard Munch,1893

interpretedasan
EXPRESSION
ofMunchspersonal
tormentandmental
illness.Thispaintingin
often

Fauvism
Fauvism is the style of painting that flourished in France around the turn of the 20th century. Fauve artists used pure,
brilliant colour aggressively applied straight from the paint tubes to create a sense of an explosion on the canvas. Their
works emphasized painterly qualities and strong colour over the representational or realistic values retained by
Impressionism. Although fauvism was a short-lived movement (190508), its influence was international and basic to the
evolution of 20th-century art.

Origin
The paintings of the Fauves (Les Fauves) were characterized by seemingly wild brush work and strident colors. Fauvism
can be classified as an extreme development of Van Gogh's Post-Impressionism fused with the pointillism of Seurat and
other Neo-Impressionist painters, in particular Paul Signac.
Fauvism can also be seen as a mode of Expressionism.
After viewing the boldly colored canvases and the crude paint application, which left areas of raw canvas exposed, was
appalling to viewers at the time of Henri Matisse, Andr Derain, Albert Marquet, Maurice de Vlaminck, Kees van
Dongen, Charles Camoin, and Jean Puy at the Salon d'Automne of 1905, the critic Louis Vauxcelles disparaged the
painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism.

Van Gogh,The Starry Night, June

1889

Paul Signac, Portrait of Flix

Fnon, 1890

Georges Seurat, A Sunday

Afternoon on the Island of La

Characteristics
In fauvism feeling is given grater prominence than thought.
Artists did not use medium to describe situations but to express emotion. So the manipulation goes beyond the accepted aesthetic
conventions.
It was essentially an expressionist style, characterized by bold distortion of forms and exuberant color. They used violent colours, which were
non realistic (displacement of colours)
Their draftsmanship was crude, through their unusual colours and shapes Fauves discovered new ways of expressing feeling.
They were chiefly influenced by the expressiveness of Van Gogh.

The artists in Fauvism

Henri Matisse (Leader of the group)
Andre Derain
Maurice De Vlaminck
Georges Rouault

Henri Matisse, The

Dance (La Danse),1910

Maurice de Vlaminck. The River Seine at

Chatou, 1906

Henri Matisse, The Joy of

Life, 1905-6

Henri Matisse, Self Potrait,

1906

Henri Matisse, Luxe, Calme et Volupt,

1904

Andre Derain, Potrait of

Henri Matisse, 1905

Andre Derain, London Bridge

Decline
For most of artists, Fauvism was a transitional, learning stage. By 1908 a revived interest in Paul
Czannes vision of the order and structure of nature had led many of them to reject the turbulent
emotionalism of Fauvism in favour of the logic of Cubism. Matisse alone pursued the course he
had pioneered, achieving a sophisticated balance between his own emotions and the world he
painted.
Only Matisse continued to explore its possibilities after 1908. Most of the others contributed to the
development of new styles, such as cubism, which immediately followed the fauvist movement.
Georges Rouault, Head
of Christ, 1905

ORIGIN
Cubism began between
1907 and 1911.

By 1911 Picasso was

recognized as the
inventor of Cubism.
Pablo Picasso, Les
Demoiselles d'Avignon, 1907,
considered to be a major step
towards the founding of the
Cubist movement.

ARTIST WHO STARTED CUBISM

The leading artists of the time were
Pablo Picasso and George Braque,and the
movement evolved into seperating 3-D
subjects before analytically reshaping there
forms into view points.

The main influences were said to be tribal

art of
Paul Cezanne.

 Pable Picasso
Famous Cubist Work
Les Demoiselles dAvignon (1907)
Dryad (1908)
Bread and Fruit dish on Table (1909)
Portrait of Ambroise Vollard (1910)
Guitar (1911)
Three Musicians (1921)

GEORGE BRAQUE

Picasso

Famous cubist work

The villon and the Palette (1909)
Viollen and Pitches (1910)
The Portugese (man) (1911)

Braque

Pablo Picasso, Les Demoiselles

major step towards the founding of the Cubist movement

d'Avignon, 1907, considered to be a

PAINTINGS

Guitar,picasso (1911)

Portrait of Ambroic vollard,

picasso(1910)

The Portugese(man), Braque,(1911)

Juan Gris, Portrait of Picasso,

1912

OTHER ARTISTS OF CUBISM

Juan Gris
Jourge Braque
Robest Delaunay
Albert Gleizes
Fernand Legar
Jean Metzingar

Two Phases Of Cubism

Analytical (1907-1912)- Very abstract,
mostly made up of overlapping planes and
geometrical figure.

Synthetic (1912-1919)- Tended to use new

mediums, such as clips form newspaper, on
top of the canvas; took away all three
dimensional aspects left Analytical.

Analytical cubism show

similarity to one another

Portrait of daniel-henry
kahnweiler,picasso (1910)

They also share of many colours.

Bread and fruit dish on

table,picasso (1909)

Synthetic cubism is
much easier interpret

Women in an
armchair,picasso(1913)

Colours used in synthetic cubism is

much more different than analytical
because,it is more brighter

Three musicians,picasso(1921)

CUBISM SCULPTURE
Cubist sculpture
developed in parallel
to Cubist painting.
The first true Cubist
sculpture was
Picasso's impressive
Woman's Head,
modeled in (1909-10).

 Cubism
formed
an
CUBISM
important
link
between
ARCHITECTURE
early-20th-century
art and
architecture

Cubism had become an influential

factor in the development of
modern architecture from 1912
(La Maison Cubiste, by Raymond
The
Cubo-Futurist ideas
of Filippo
Duchamp-Villon
and
Andr Mare)
Tommaso Marinetti influenced attitudes
in avant-garde architecture.

Kurt Schwitters,Marzbau,Hangover(1924)

(La Maison Cubiste, by Raymond Duchamp-Villon and

Andr Mare)(1912)

vorticism

Vorticism was a short-lived modernist

movement in British art and poetry of the early
20th century. It was partly inspired by Cubism.
The movement was announced in 1914 in the
first issue of BLAST, which contained its
manifesto and the movement's rejection of
landscape and nudes in favour of a geometric
style tending towards abstraction
Vorticism was based in London but
was international in make-up and
ambition.

David Bomberg, The Mud Bath, 1914, Tate

The Vorticists published two issues of

the literary magazine BLAST, edited by
Lewis, in June 1914 and July 1915. It
contained work by Ezra Pound and T. S.
Eliot as well as by the Vorticists
themselves. Its typographical
adventurousness was cited by El
Lissitzky as one of the major forerunners
of the revolution in graphic design in the
1920s and 1930s.

The cover of the 1915 BLAST

Wyndhan-lewsi_redduvet_191.

Richard warres

Vorticism Performs New Realism

Photography as Renaissance

Dazzle Camouflage

futurism
Futurism (Italian: Futurismo) was an
artistic and social movement that
originated in Italy in the early 20th century.
It emphasized and glorified themes
associated with contemporary concepts of
the future, including speed, technology,
youth and violence, and objects such as the
car, the aeroplane and the industrial city.
The Futurists practised in every medium of
art, including painting, sculpture, ceramics,
graphic design, industrial design, interior
design, urban design, theatre, film, fashion,
textiles, literature, music, architecture and
even gastronomy.

Futurism & futurist artists

Giacomo Balla, Abstract

Speed + Sound, 1913
1914

Tate Modern presenta exposicin que

recoge los 100 aos del Arte Futurista

Italian
Futurism

Marinetti expressed a passionate loathing of everything old, especially political and artistic
tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!"

Futurism is an avant-garde movement

founded in Milan in 1909 by the Italian
poet Filippo Tommaso Marinetti.]
Marinetti launched the movement in his
Futurist Manifesto, which he published
for the first time on 5 February 1909 in
La gazzetta dell'Emilia,
The Futurists admired speed,
technology, youth and violence, the
car, the airplane and the industrial
city, all that represented the
technological triumph of humanity
over nature, and they were
passionate nationalists.

Umberto Boccioni, sketch of The City Rises (1910)

Umberto Boccioni,
Unique Forms of
Continuity in Space

(1913)

Fortunato Depero, Skyscrapers and

Tunnels (Gratticieli e tunnel),
1930

Dynamism of a Dog on a Leash

[Credit: Collection Albright-Knox Art
Gallery, Buffalo, New York; bequest
of A. Conger Goodyear and Gift of

Futurist
architecture
The Futurist architect Antonio
Sant'Elia expressed his ideas of
modernity in his drawings for La
Citt Nuova (The New City) (1912
1914).
Futurist architects were
sometimes at odds with the
Fascist state's tendency towards
Roman imperial-classical
aesthetic patterns. Nevertheless,
several Futurist buildings were
built in the years 19201940,
including public buildings such as
railway stations, maritime resorts
and post offices.
An example of Futurist architecture
by Antonio Sant'Elia

Antonio Sant'Elia (18881916)

progetto per citta' futurista di

Antonio Sant'Elia. Stazione di
aeroplani e treni ferroviari con

Russian Futurism
The Russian Futurists sought
controversy by repudiating the art
of the past, saying that Pushkin
and Dostoevsky should be "heaved
overboard from the steamship of
modernity". They acknowledged
no authority and professed not to
owe anything even to Marinetti,
whose principles they had earlier
adopted, obstructing him when he
came to Russia to proselytize in
1914.
The movement began to decline
after the revolution of 1917.

Natalia Goncharova, Cyclist, 1913

Russian Futurism "working in the years .Russian Futurism and David Burliuk

Dadaism
Dada or Dadaism was an art movement of the European avant-garde in the early 20th century. Dada activities included public
gatherings, demonstrations, and publication of art/literary journals; passionate coverage of art, politics, and culture were topics
often discussed in a variety of media.

Origin and Philosophy

The beginnings of Dada correspond to the outbreak of World War I in Europe.
Many Dadaists believed that the 'reason' and 'logic' of capitalist society had led people into war. They expressed their rejection of
that ideology in artistic expression that appeared to reject logic and embrace chaos and irrationality
Dada attacked conventional standards of aesthetics and behavior and stressed absurdity and the role of the unpredictable in
artistic creation.
The literary manifestations of Dada were mostly nonsense poemsmeaningless random combinations of wordswhich were read
in public.
Dada principles were eventually modified to become the basis of surrealism in 1924.

Hugo Ball in Cabaret Voltaire, 1916

Marcel Duchamp, The

Bycle Wheel 1917

Marcel Duchamp, Fountain, 1917

Nude Descending a
Staircase, 1912

Key figures in the movement included Hugo Ball, Emmy Hennings, Hans Arp, Raoul Hausmann, Hannah Hch, Johannes
Baader, Tristan Tzara, Francis Picabia, Richard Huelsenbeck, George Grosz, John Heartfield, Marcel Duchamp, Beatrice
Wood, Kurt Schwitters, and Hans Richter, among others.

Art techniques
Collage: The Dadaists imitated the techniques developed during the cubist movement through the pasting of cut pieces of
paper items, but extended their art to encompass items such as transportation tickets, maps, plastic wrappers, etc. to
portray aspects of life, rather than representing objects viewed as still life.
Assemblage: The assemblages were three-dimensional variations of the collage the assembly of everyday objects to
produce meaningful or meaningless (relative to the war) pieces of work including war objects and trash. Objects were
nailed, screwed or fastened together in different fashions.
Readymades: Marcel Duchamp began to view the manufactured objects of his collection as objects of art, which he called
"readymades". One such example of Duchamp's readymade works is the urinal that was turned onto its back, signed "R.
Mutt", titled "Fountain.

Hannah Hch, Cut with

the Dada Kitchen Knife,
1919

Raoul Hausmann, Mechanical Head

[The Spirit of Our Age], 1920

Raoul Hausmann ABCD

(Self-portrait), 1923-24

Jean Arp,
Bird

Kurt Schwitters,
Merz Collage

Dada is the groundwork to abstract art and sound poetry, a starting point for
performance art, a prelude to postmodernism, an influence on pop art, a
celebration of antiart to be later embraced for anarcho-political uses in the 1960s
and the movement that laid the foundation for Surrealism.

More than
real ,better than

Surrealism

Origin
Surrealismis acultural
movementthat began in the early
1920s, and is best known for its
visual artworks and writings.
The aim was to "resolve the
previously contradictory conditions
of dream and reality."
Artists painted unnerving, illogical
scenes with photographic precision,
created strange creatures from
everyday objects and developed
painting techniques that allowed
the unconscious to express itself
and/or an idea/concept

Surrealism developed out of theDadaactivities during World

War I and the most important center of the movement was
Paris.

From the 1920s onward, the movement spread around the

globe, eventually affecting the visual arts, literature, film,
andmusic of many countries and languages, as well as
political thought and practice, philosophy, and social theory

Surrealism means super realism

Characteristics
Reaction to chaos of WW1
Influence of Freud:Of Surrealist
Dreams and subconscious
Paintings
Impossible scale
Reversal of natural laws
Double images
juxtaposition

The elephants, Salvdor Dali

Techniques
Surrealism has the same
lack of prejudice of
dadaism both in the use of
photographic procedures
and object production out
of their normal use
Traditional techniques,
because those can be
appropriate for depicting
imagination
Rob gonslave

Sigmund Freud(1856-1939)
The father of psychoanalysis
In 1900, freud published The
Interpretation Of Dreams, and
introduced the wider public to the
nation of the unconscious mind
Theorized that forgetfulness or slips
of the tongue (now called Freudian
slips ) were not accidental at all,
but it was the dynamics
unconscious "revealing something
meaningful.
He said Dreams are often most
profound when they seem the most
crazy.
Sigmund Freud

Andre Breton
Surrealism is based on the belief in
the superior reality of the dream
French artist and founder of
surrealism
One of the original dadaist
movement artists
He says: You know the dada
moment we would like to
spend about and this
surrealism was liked dada
with program. Essentially
with a concept manifesto and
not just creating that would
just shock but creating
something out of ordinary
and dream like type stage.

The African mask, Andre Breton

Two main types of Surrealists

Automatic Surrealism

Without thought, and was meant to show the workings of the

subconscious mind.

Was adopted by many Surrealists, who painted whatever

came into their heads.

All about FEELINGS.

Veristic Surrealists

Used very familiar everyday objects painted in aformal,

realistic style

Believed Subconscious images had meanings.

Thought that artworks were like metaphors

All about MEANINGS

Automatic
Surrealism

Veristic Surrealists

Joan Miro,La Leconde ski,1966

One second before awaking from a dream caused by the flight

of a bee around a pomegranate ,1944,salvador dali

Rene Magritte
He is the artist who worked in
a deepest way the lack of
logic of the image
He invented the anti history
He discovered the nonsense
of the normal
He created with great details
and reailsm images of
ambiguous significance that
could have a double sense
Rene magritte

His work

The lovers,1928
Golconde,1953

The Son Of Man,1964

The Black signature

Salvador Dali
Highly rhetorical works
Mix of lubricous and holy
Very complicated
compositions his view is
full of sexual connotations
He overcame cynically the
bolshevism
Ambiguous mix of reaction
and anarchy.

The metamorphosis of narcissus,1937

Persistence of memory,1931
Sleep,salvador dali

About pop art

Pop art presented a challenge to
traditions of fine arts by including
imagery from popular culture such
as advertising, news, etc.
In Pop art ,materials is sometimes
visually removed from its known
context, isolated and /or combined
with unrelated materials.
Visual art movement that began
mid 1950s in Britain, late 1950s in
the U.S.
The Independent Group founded in
London in 1952 was precursor to the
Pop Art Movement.
Lawrence alloways- The Arts and
the Mass Media
The concept of pop art refers not as
much to the art itself as to the
attitude that led to it.

Roy Lichtenstein

History
1950s!
Period of optimism
Consumer boom
Products mass marketed,
advertised

Independent Group

Coca-Cola Andy Warhol

Aimed at symbols/images from

media

Coincided with youth and

pop music phenomenon.
Free stamp, laes Oldenbyrg

Influences
Pop art widely interpreted
reversal or reaction to Abstract
Expression
Emotional expression with particular
emphasis on the spontaneous ac

Drew upon dadaist elements

Movements that mocked artistic
and social conventions.
Emphasized the illogical and
absurd.
Favored montage/ collage and
the readymade

Andy Warhol, intimate confession

Characteristic
Brings back the subject
Questions art as a commodity
and as a unique art form
Everyday subject matter
Marked by
Clear lines
Bold and loud colours
Sharp paintwork
Clear representations of symbols,
objects, and people common in
pop culture.

Techniques
Central focus on= commercial art
Styles of popular culture and the mass
media
News papers, comics, advertising,
consumer goods
Mass production
Low cost
Expendable

Like a joke without humor ,told over

and over again until it sounds like a
threat..advertising art which
advertises itself as art that hates
advertising. Harold Rosenberg
Coca cola, Andy Warhol

ROY
LICHTENSTEIN

Began firstpop painting using

cartoon images and
techniques derived from the
appearance of commercial
printing

Roy Lichtenstein

Some of his works

The drowning girl Roy lichttenstein,1963

whaam! Roy lichtensttein,1963

Ohh .. Alright ,Roy lichtenstein,1964

Thunderbolt,1966

Andy Warhol

Born on 8th
Aughust,1928
One of the most
influential artists on the
20th century
Famous for :Avant-guard
popart paintings and
Screen printings

Andy

Some of his works

Peel slowly and see Andy warhol1967

Green coca bottles, Andy warhol,1963

Marilyn Monroe ,screen print on white sheet, Andy Warhol,1967

Campbells soup can silkscreen on

canvas , Andy Warhol ,1964

WHAT IS MINIMALISM
Minimalism is a style
that uses pared down
design element.
Minimalism began
during 50s and 70s.
Minimalism artist use
simple geometric
shapes in reapted
patterns to create art.

ORIGIN
Primarily an American Art movement.
Minimalism began in post World War II.
Works surfaced primarily in 1950s and
1960s.

GOAL

Minimalism allows the

viewer to experience the
work more intensely without
distract of composition and
theme.

MINIMALISM ART
Minimalism art derived
from the reductive
aspect of modernism.
Minimalism art is also
inspired in part by the
paintings of Barnrtt
Newman,Josef Alber.
Kazimir Malevich,Black square(1915)

MINIMALISM
DESIGN
Minimalist
design is any
design where
the simplest
and fewest
elements are
used to create
the maximum
value.

Pyramid,Care Andre(1959)

Untitled,Donald Judd
(1965)

MINIMLISM
ARCHITECTURE
Minimalism
architecture
simplifies living
space to reveal
the essential
quality of
buildings and
conveys
simplicity in
attitudes towards
life.
It became
popular in the
late 1980s in
London and New
York.

SOME PROJECT OF MINIMALISM

In the collection of City House,they are design
some houses,that are minimalism .
FOR EXAMPLE

House T
Helechos
Ombues
House G
Loft forest

About

The last third of the 19th

century saw the development
of a fundamentally approach to
architecture and interior design
All over Europe there was a
need for librating change of
direction, a desire to break
away from set formulas based
on pastiche of historical styles
and a search for original ideas ,
all of these resulted in 1890
the birth of art nouveau

It embraces all forms of art

and design architecture,
jewelry, glassware, metalwork

season

Hallmark of art nouveau

Flat, decorative patterns
Intertwined organic forms
such as stem or flowers
An emphasis on
handcrafting as opposed
to machine manufacturing
The use of new material
The rejection of earlier
styles

Features
Very much inspired from
Japan flowing art ,stained
glass, curved glass, plant
like embellishment,
asymmetrical shapes,
mosaics
Pierre Francastel divides
art nouveau on organic
and rationalists

Presented by
Aman dean ambroz
Akash kumar
Anamika sonai
Nidhi Chauhan
Rimjhim bharati
Shaheb kumar