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OF LITERARY
CRITICISM
Classical
Literary
Criticism
Plato
Ca. 427-347 BC
Whitehead all of
Western Philosophy
is but a footnote to
Plato
Born in Athens,
student of
Socrates, founded
an Academy
He systematically
started the study of
literary theory and
criticism
Republic,
Ion, Crito
Issues in
philosophy and
literature: truth,
beauty,
goodness,
reality, structure
of society, nature
and relations of
being,
epistemology
(how we know
what we know),
ethics, morality
Platos doctrine
doctrine of essences, ideas, forms
Ultimate reality is spiritual
Without the existence of The Ideal Form (spiritual
Actual
tree
The Ideal
Form
Trees (Joyce Kilmer)
I think that I shall never see
A poem as lovely as the tree...
A poem about
trees = art
But....later
Poets are needed for crafts that celebrate the
Aristotle
(384-322 BC)
Pupil of Plato,
founded the
Lyceum
Reveled in the
physical world;
scientific method of
investigation
Focus:elements or
characteristics or
structure of art
Plato: content
morality of
literature
wrote Poetics
The cornerstone of
Western Literary
criticism
Aristotle
agrees with Plato that art is a form of imitation because
people are imitative creatures who enjoy imitating.
Unlike Plato, he does not consider that the pleasure of
imitation can undermine society.
He posits that poetry is more universal, more general. It
is the duty of the poet to relate not what happened but
what may happen according to the law of probability or
necessity.
Poets are not historians. They present things (imitation of
the ideal form) as they should be.
Not all imitations are of noble actions: comedy is an
imitation of inferior men.
The POETICS
oPoetics = Things that are made or crafted; the
Tenets
tragedy or work of art is an imitation of
Richard Cory
Whenever Richard Cory went down town,
Quintus Horatius
Flaccus
Horace
(65-8 BC)
Tenets
poets must imitate other poets, particularly of the
Plato
Art is false
imitation
Aristotle
Art is imitation
Noble
characters
Horace
Art is realistic
imitation
Real men and
women
Poets present
things as they
should be
Art is socially
useful: Poets
teach and
delight
Subject matter
of poetry and
its effects on
the readers
Literary form/
structure,
tragedy
Longinus
(1st cent A.D.)
Greek or
Latin
On the
Sublime
What is a
literary
classic?
SUBLIME
Focus: author,
the work,
readers
response
SUBLIME...consists
in a consummate excellence and distinction of
language, and...this alone gave to the greatest poets
and historians their pre-eminence....For the effect of
genius is not to persuade the audience but rather to
transport them out of themselves.
what inspires wonder casts a spell upon us and is
always superior to what is merely convincing and
pleasing
SUBLIME...consists
Homer: Nature has appointed us men to be no base or
Influential:
His recognition of the power of language
Middle Ages
Early Middle
Ages
St. Augustine
Confessions
Only the
scriptures are
truly liberating
Later Middle
Ages
St. Thomas
Aquinas
Medieval
Allegory
Semiotic
interpretations
of signs
(scriptures)
Dante Alighieri
Dante Alighieri
(1265-1321)
Born in
Florence, Italy
The Divine
Comedy
WORKS
Letter to Can
Grande della
Scala
Focus: Proper
language of
poetry
De Vulgari
Eloquentia
Tenets
The faculties of speech and reason distinguish man
from animals
It is necessary that the human race should have
some sign, at once rational and sensible, for the
intercommunication of its thoughts
Language(sound and meaning) is the external
instrument of thought rather than determining the
process of thought.
Vernacular: natural speech acquired when we were
children, through the practice of imitation without
following rules
Grammar: secondary speech, which arises form the
first
audience
Renaissance
Eclectic: theories of
Horace, Aristotle
Deconstructs the three most important amputations laid to the poor poets:
Deconstructs the three most important imputations laid to the poor poets:
Deconstructs the three most important imputations laid to the poor poets:
Neo-classicism
English poet
laureate, dramatist,
critic
John Dryden
(1631-1700)
Neo-classicist
An Essay of
Dramatic Poesy
the improvement,
perhaps the
completion of our
meter, the refinement
of our language, and
much of the
correctness of our
sentiments S.
Johnson
S. Johnson: He is
the father of English
criticism.
John Dryden
on the Thames
English, literary
voice of the neoclassical period
Alexander
Pope
WORKS
(1688-1744)
The literary
pope of
England
Alexander Pope
English poet Alexander Pope is known
for the brilliant verse and stinging
satire he wrote during the early and
mid-18th century. Pope emulated the
classical style of the poets of antiquity
and further developed the poetic form
known as the heroic couplet. He first
earned fame with the work An Essay
on Criticism (1711), in which he wrote
the now famous line, To err is human,
to forgive divine.
Culver Pictures
classical writers.
Critics task: to validate and maintain classical values in the
18th Century
19th century
emphasized intuition as
a guide to truth
The world was a living
organism that was
always growing and
eternally becoming
The rural setting as the
place where people learn
about and discover their
inner selves
Truth could be
discovered by tapping
into the core of our
humanity
Romanticism
William Wordsworth
(1770-1850)
English writer
Collection of
poems that
heralded British
Romanticism
A new vision of
poetry and the
beginnings of
radical change in
literary theory
In Lyrical ballads
his purpose: to choose incidents and situations from
feelings.
Highlights poetrys emotional quality: Imagination, not reason or
Poetry
the spontaneous overflow of powerful
Poetry
The reader: he/she relies on his own feelings and
(Expressive art)
TRUTH: emotion, individualism, intuition
Victorian Era
(1830s)
The rise of reason, science and historical
Hippolyte
Adolphe Taine
(1828-1893)
French
historian and
literary critic
The History of
English
Literature
1863
Historical
approach to
literary analysis
founding figures of
modern English
criticism
Matthew Arnold (18221888)
Matthew Arnold
Arnolds literary criticism is the problem of living adequately
a well-articulated
theory of the novel
in English literature