Escolar Documentos
Profissional Documentos
Cultura Documentos
1919 -1933
PRINCIPLES
A forward-thinking over an
academically qualified faculty,
including purely creative artists
as spiritual counterpoints to the
practical technicians.
creativity of
COURSE METHODOLOGY:
Experiments with actual
materials.
2 Analyses of old masters.
3 Color and form theory.
1
Johanne
FIRST YEAR: PRELIMINARY COURSE
Itten
s
Horizontal/Vertikal
, 1915
Vogelthema,
1918
Josef
Albers
Discover specific
qualities of materials.
Produce no waste.
Month 1: GLASS.
Month 2: PAPER
Month 3: TWO
MATERIAL
COMBINATION.
Month 4: STUDENT
CHOICE.
Grid Mounted,
glass assemblage
1922
Josef
Albers
Bundled,
1925
1888-1976
Homage to a Square,
1971
Lszl
Moholy
1: Combine elements to
corresponded to
preconceived idea. Response
manifested on tactile
charts.
2: Distinguish composition
(balance between parts)
from construction.
3: 3D studies to sharpen
sense of volume: simple
elements
Grid Mounted,and materials used
glass
to assemblage
construct objects in
1922
both visual
and real
Lszl
Moholy-Nagy 1895-1946
Eifersucht
(Jealousy), 1927
Leuk 5, 1946
Dual Form with Chromium
Rods, 1946
MASTERS
From left:
Josef Albers, Hinnerk
Scheper, Georg Muche,
Laszlo Moholy-Nagy, Herbert
Bayer, Joost Schmidt,
Walter Gropius, Marcel
Breuer, Vassily Kandinsky,
Paul Klee, Lyonel
Feininger, Gunta Stozl and
Oskar Schlemmer.
w/ Marcel Breuer
African Chair, 1921
textile
design
&
weaving
woman-run
weaving
technique
coupled well
with Bauhaus
aesthetic
contrasting
material,
thick /
thin, glossy
/ matte
Gunta
Stlzl
Kitty Fischer-van
der Mijll-Dekker
woollen blanket
design, gouache
1932
18711956
Street in
Arceuil 1915
Gables I,
Lueneberg, 1925
graphic
design
&
typography
HERBERT
BAYER
ALL CAPS or
all lower
case
Universal Type
1926
sans serif
grid
structures
geometric
forms
&
Bauhaus Journal
Cover
1928
Impression
III 1911
Untitled
1922
Swinging
1925
metalwork
&
photography
Marianne
Brandt
Self
portrait
with
jewelry
for
metal
party
Marianne
cont.
BildergalerieTeapot, 1930
Ashtrays
Touch desk
lamp 1930
18791940
Senecio 1922
Zitronin
1932
AFTERMATH
The
Bauhaus
dissolved
itself under Nazi pressure
in 1933.
Gropius, Mies van der Rohe,
and other Bauhaus masters
migrated
to
the
United
States.
1932 MOMA had an exhibition
of
contemporary
architecture.
The accompanying Hitchcock
and Johnson catalogue was
entitled The International
Style: Architecture Since
1922.
International
Style
now
the
BAUHAUS 1919-1925: WEIMAR 1926-1932: DESSAU 1932-1933: BERLIN
school
PRINCIPLES
Founded by
Walter Gropius.
Became
International
Style in U.S.
Wilhelm Wagenfeld
Bauhaus Lamp
MART STAM
first
cantalievered
chair,
prototype from
steel tubes
GUNTA STLZL
weaving
Lszl MaholyNagy
preliminary
course painter,
photographer,
graphic design
PAUL KLEE
painter
HERBERT BAYER
graphic design,
typography
Marianne Brandt
photographer,
metalwork
Vassily Kandinsky,
painter abstract
expressionist
JOHANNES ITTEN
preliminary
course painter
JOSEF ALBERS
preliminary
course painter