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ARCHITECTURE
9TH BCE 6TH CENTURY CE
PRESENTED BY:
BERNADETTE SISON
GREEK ARCHITECTURE
produced by theGreek-speaking people(Hellenicpeople)
whosecultureflourished on the Greek mainland, the
Peloponnese, theAegean Islands, and in colonies in
Anatoliaand Italy for a period from about 900 BC until the
1st century AD.
Ancient Greek architecture is best known fromits temples
, many of which are found throughout the region, mostly
as ruins but many substantially intact.
Created equilibrate and proportional works.
Greeks are credited with originating the three orders of
the classical language of architecture, Doric, Ionic and
Corinthian.
INFLUENCES
GEOGRAPHICAL
GEOLOGICAL
CLIMATICAL
HISTORICAL
RELIGION
GEOGRAPHY
Their mainland and
islands are rocky,
mountainous with
few substantial
forests.
Almost completely
surrounded by
theMediterranean
Sea.
Greece has more
than 1400 islands.
GEOLOGY
The most freely available building
material is stone.
Limestone was readily available and
easily worked.
There is an abundance of high quality
whitemarbleboth on the mainland and
islands, particularlyParos andNaxos.
CLIMATE
HISTORY
Greek civilization is the first major civilization
in Europe
The period of ancient Greek history can be
divided into four as follows:
750 B. C. 500 B. C. Archaic Period
5000 B. C. 323 B. C. Classical Period
323 B. C. 147 B. C. Hellenistic Period
Archaic Period
(750 B.C. - 500 B.C.)
The revival of Greece from the dark ages
started during the eight century BC
The Greeks developed a new political
form called city states(POLIS)- ruled as
independent nations
The archaic period saw the renewal
interest in overseas trading contact
The archaic period marked the rise of the
aristocratic families; families that are
considered noble or of higher status
Such tyrants stimulated the development
of the arts through their patronage
Classical Period
(500 - 323 BC)
Hellenistic Period
(323 - 147 BC)
RELIGION
Ancient Greektheologywaspolytheistic,
based on the assumption that there were
many gods and goddesses.
THE ORDERS
THE ORDERS
Refer to the entire set of form that
makes up the principal elevation of a
temple.
Base
Upright column or support
with its capital
Horizontal entablature
THE ORDERS
Columns were understood by the
Greeks to be anthropomorphic or
representative of the body of a human
The base suggests the feet, the shaft
the torso and the capital the head.
Each order had its own conventions
about the design of the entablature and
divided into 3 sections:
CORNICE
FRIEZE
ARCHITRAVE
DORIC ORDER
Represents the proportions of a mans
body, its strength and beauty.
Made up of three elements
Stylobate - a podium raised three
steps on which the temple sits
Column
Entablature
A square capital
Had a height of between 5 and 6
times its diameter
Shaft is usually divided into 20 shallow flutes.
DORIC ORDER
A characteristic of the Doric
order is the use of entasis
Entasis - refers to the practice
of optical correction in Greek
Doric temples
The best example of the
application of entasis is found in
the Parthenon
IONIC ORDER
The Ionic column is said to
represent
the shape of a women with its
delicacy and feminine slenderness.
The Ionic order evolved and its
name from Ionia in modern
day Turkey
IONIC ORDER
CORINTHIAN ORDER
The Corinthian column, the most
beautifully ornate of the three orders
represents the figure of a maiden
The Corinthian order takes its name
from the city of Corinth in Greece
It however appeared to have been
developed in Athens in the 5th
century BC
This order is similar in its
proportions to the Ionic order but has
a different capital
CORINTHIAN ORDER
The core of the capital is shaped
like an inverted bell.
The bell-like capital is decorated
with rows of carved acanthus leaves
Because of its symmetry, the
Corinthian capital unlike the ionic
capital is designed to be seen from
all directions
ARCHITECTURE: BASIS
It is an architecture to be seen (temple)
Sculptural values, volumes
Building is conceived as an sculpture
is anti-colossal
BUILDING SYSTEM
STRUCTURES