Jay Ann Toledo Pilar

Subject Teacher
 Contemporary- Current, now, the present.
Art- Art is creation. Creating something
new, something original and something
different. It is doing something to change
a subject, to build. Art is life. It is creating
life on a material and making inanimate
objects to have life. To create art is to give
life (RAMON ORLINA-Glass Sculptor)
 RUBRICS

B Group- CRITERIA PERCENTAGE

Content 50%
A Group-
Creativity 50%
What is
Art?
 ART

AR
(Aryan to join or put together)

Artizein Arkiskein
(Greek to prepare) (Greek to put together)

ARS/ARTIS SKILL TECHNE

(Latin) (Greek)
 Contemporary Art
Produce by living artist and
contemporary to us.
Contemporary Art may become
Traditional and Academic art at some
point.
Instruction: Activity for 3 mins
Group of male and female.
CONTEMPORARY
PERIOD
Fill up the timeline using the ART CARD.
ROMANTIC
PERIOD

MODERN
PERIOD

RENAISSANCE
PERIOD

CHRISTIAN
PERIOD

ROMAN
PERIOD

GREEK
PERIOD
ARTS through the Ages New Art Forms

Self Expression
T
CONTEMPORARY
Fine Arts PERIOD I
Genius and
Design
ROMANTIC
PERIOD M
Craftmanship
MODERN
PERIOD
E
Skill
RENAISSANCE L
PERIOD

Technique
CHRISTIAN I
PERIOD
ROMAN
N
GREEK
PERIOD
E
PERIOD

1050 31 BC 753-509 BC 350 -1450AD 1400-1500 1700 - 1800 1800 - 1900 20th 21st Century
HISTORICAL OVERVIEW:
PHILIPPINE ART
 Historical Overview
VISUAL Pre- COLONIAL PERIODS INDEPENDENT REPUBLIC
ARTS Conquest Spanish American Japanese Post-War Contemporary

1521-1898 1898-1940 1941-1945 1946-1969 1970s present

Painting Pottery, Religious Landscape, Wartime Modern,

Body Portraiture portrait, still life Scenes conservative, Figurative, non
Adornment abstract, figurative, art for
and Propaganda experimental, public art sake ,multi-
Ornament art media, mixed
Sculpture Pottery, Religious figures Free Standing, Indigenizing media and
wood and and carving relief, public and transmedia
metal Orientalizing
carving works

Architecture Dwellings Church, plaza, City planning, Public works Real Estate, safe housing,
and houses Civic building, public works, condominiums, subdivisions, villages,
(Bahay fortress, road and structures and malls, commercial/business/convention
kubo) lighthouse infrastructures buildings
construction
 Stylistic overview
Form Pre-colonial Spanish/Islamic American colonial Modern Post
colonial contemporary
Painting Classical, Idylitic, Incipient Collaborative,
Religious/devotio Nostalgic Triumvirate hyper-realist, new
nal 13 moderns, painting
Secular abstract,
Formal Surreal
Naturalistic, Expressionist
Sculpture Religious (Homegrown Abstract Junk scrap, neo-
(animalist or miniaturismo, Expressionism indigenous, site-
Islamic) guild) specific,
Community-based Academic performance art,
Inter-ethic hybrid
Architecture relations Workship-related Neoclassic, art International Filipino
Collective history and residential deco Industrializing, Architecture
Earthquake eclectic Urban planning
baroque Economic zone,
Hispanic revivalist Neovernacular,
(neogothic, Prefab,
neoromanesque, Regionalist
Islamic cosmopolitan
 Cultural Overview
Form Indigenous Islamic or Folk or lowland Fine or world- Popular or urban
southeast Asian Philippine Muslim based and mass based
Painting Museum-
Sculpture Colonial and post circulated, artist Mass produced
Rituals and governance
colonial centered gallery market oriented
Architect distributed
Painting
The Philippine artist Fernando
Amorsolo (1892 -1972) was a
portraitist and painter of rural
landscapes. He is best known
for his craftsmanship and
mastery in the use of light.
Lavandera
 Lavendera (1957)
Amorsolo's bather represent the
epitome of Philippine beauty.
The wet drapery on this young
woman is both revealing and
sensuous. The flower is symbolic
of the woman herself.
Sculpture
Sculpture in the Philippines mirrors its culture
complex and diverse. The art in this area has been
influenced by many different cultures, the most
prevalent being the east Asian nations, such as
China. In Islamic traditions began to be shown in
these areas in the Philippine Islands near the 14th
century. However, its culture began to expand in
the recent decades from influences in the United
States and other western nations.
The sacred and the mythical, the physical and
the erotic, the magical and the mundane, the
religious and the profane, and music and
song all permeate the art of Filipina artist
Agnes Arellano. Drawing from rich personal
experience and an extraordinary range of
influences, she makes some of the most
dramatic art in Asia.
Best known for surrealist and expressionist
work in plaster (cast and directly modeled),
bronze, and cold-cast marble, Her work tends
to stress the integration of individual
elements into one totality or "inscape".
She has participated in international group
exhibitions in Berlin, Fukuoka, Havana,
Johannesburg, New York, Brisbane and
Singapore.
Temple to the Moon Goddess
Architecture
Tausug House: To the seafaring Tausug, Sulu, a house built on flat dry land or a
site that slopes towards Mecca is lucky. The one-room, gabled roof house is
known as bay sinug has a separate kitchen accessible through a side porch.
 Ivatan House

Ivatans houses are up

made of limestone walls,
reeds, and cogon roofs
In your own opinion, what is your impression to the
given picture sculpture. (50 words)
The privileged dwelling of beauty in
our universe is the HUMAN
PERSON with its perfect body,
marvelous memory, capacity for the
arts, its love, virtue and wisdom.
For what do we praise in bodies?
Nothing else but beauty.
St. Augustine
Bishop and Doctor of the Church
Assignment

1. Give five(5) examples of Art in

Region 2.