only one answer for each item by shading the letter of your choice on your answer sheet. STRICTLY NO ERASURES. Use pencil number 2 only. 1. The ratio of the focal length of the lens to the diameter of the opening of the aperture is called a. f-number b. lens opening c. f-stop d. aperture 2. The larger the numerical value of the f- stop, the smaller the opening of the aperture. This statement is a. correct b. doubtful c. incorrect d. absolute 3.The speed of a lens is determined by its largest f-stop value(smallest number). Thus, the larger the aperture, a. the slower the lens b. the smaller the lens c. the bigger the lens d. the faster the lens 4. Wider apertures or fast lenses allows for brighter images in low-light situations. This is a. False b. True c. not modifiable d. both a and b 5. A prime lens also known as fixed lens, has a fixed focal length that is a. modifiable b. adjustable c. not modifiable d. both a and b 6. Which of the following has the capacity of changing its focal length? a. telephoto lens b. normal lens c. fixed lens d. zoom lens 7. A lens with a short focal length that takes in a wide view is called a. wide angle lens b. zoom lens c. telephoto lens d. normal lens 8. A lens with a long focal length that magnifies the subject typically used in shooting subjects from great distances. a. macro lens b. close-up lens c. telephoto lens d. zoom lens e. all of the above 9. When a lens is capable of transmitting more light than the other lenses of the same focal length, that lens is referred to as a. slow b. fast c. big d. sensitive 10. Is the area of the image that appears in focus from foreground to background and is determined by a combination of the opening of the aperture and the focal length of the lens. a. Focal distance b. hyperfocal distance c. field of view d. depth of field 11. Which of the following controls the depth of field? a. shutter speed b. focal point c. aperture d. lens 12. Which of the following is NOT true? a. a smaller aperture (a larger f-number) increases the depth of field b. a longer distance between the camera and subject increases the depth of field c. when subject distance remains the same, a lens with a shorter focal length decreases the depth of field d. the depth of field behind the point of optimum focus is longer than the depth of field in front of the point of optimum focus 13. The correct exposure is adjusted with the cameras a. sensitivity to light b. shutter speed and aperture c. proper handling d. all of the forgoing e. none of these 14. Which of the following indicates the films sensitivity to light? a. film speed b. lens speed c. shutter speed d. all of the above 15. In this mode, you set the aperture and the camera sets the shutter speed automatically to suit the brightness of the subject. a. shutter-priority b. lens priority c. film speed priority d. lens opening priority 16. A large aperture has a. large f-number b. small opening c. fast f-number d. small f-number 17.Higher speed films are suited for a. low-light conditions b. bright-light conditions c. high-light conditions d. none of the forgoing 18. Which of the following indicates the size of the aperture opening the lens? a. lens opening b. f-number c. Aperture d. lens speed 19 . The amount of time the cameras shutter opens to expose the film to the light coming through the lens is called a. shutter speed b. shutter c. aperture d. exposure 20. It is used to adjust the amount of light striking the film. a. lens opening b. aperture priority c. diaphragm d. lens 21. In this mode, you set the shutter speed and the camera sets the aperture automatically to suit the brightness of the scene. a. aperture priority b. lens priority c. shutter priority d. both A and B 22.Which of the following statement is correct a. a large aperture will be blur the background and make the subject stand out. b. a small f-number will increase the depth of field to make both the foreground and background look sharp c. a small aperture will blur the background and make the subject stand out d. a large f-number will increase the depth of field to make both the foreground and background look sharp. e. statement A and D are correct 23. The larger the aperture, the more blurred the background will look. This is a. True b. Absolutely correct c. False d. both B and C 24. Which of the following activates the cameras shutter? a. shutter speed b. f-number c. f-stop d. shutter release button 25. The relationship between the aperture and shutter is known as a. mutual b. reciprocity c. give and take d. exposure 26. Closing the aperture by one stop and increasing the shutter speed by one stop achieves the same exposure. This statement is a. correct b. doubtful c. incorrect d. unusual 27. Images with color elements derived from the light source itself are considered to have a. additive colors b. subtractive color c. secondary color d. both B and C 28. What should be used to record details in the shadow area? a. ISO 400 b. fast shutter speed c. ISO 700 d. Flash fill 29. Direct lighting method uses normal copy lighting with one or more light sources at a. 90 degree angle b. parallel c. right angle d. 45 degree angle 30. Images that subtract or absorb certain wavelengths of light, reflecting back specific colors to the viewer, are considered to have a. additive color b. both primary and secondary c. subtractive color d. 45-degree angle 31. A lighting method for copy and evidence close-up photography that uses light source at a low angle, usually to show detail by creating shadows in the subject surface. It is commonly used when photographing impressions, tool marks and certain types of fingerprints a. direct reflective lighting b. bounce lighting c. oblique lighting d. transmitted lighting 32. This lighting technique is effective when photographing fingerprints on mirrors and into glasses or cups. a. bounce lighting b. diffused lighting c. transmitted lighting d. front directional or axis lighting 33. The cardinal rule of crime scene photography is a. get a complete series of pictures b. pay attention to camera angles c. record all data d. do not disturb the scene e. all of the above 34. What photograph covers the entire scene to bring out the relationships between the objects? a. overview b. close-up c. mid-range d. four corner approach 35. One practical way to assure complete coverage and to provide correct perspective is a. to follow the correct lighting method b. to follow the four corner approach c. apply proper camera handling d. to have preliminary photograph 36. Which of the following photographs shows a key detail clearly? a. overview b. mid-range c. close-up d. four corner photograph 37. A close-up shot alone does not indicate where the object was located. Thus, you need to get a. data b, the four corners c. an overview shot d. a mid-range shot 38. In crime scene photography, shoot most pictures with the camera at a. shoulder level b. chest level c. head level d. eye level 39. Which of the following can cause fire? a. front lighting b. back lighting c. side lighting d. top lighting 40. What lighting create shadows on the unit side of the subject which are often essential to bring out the fine texture that found in a cloth sample, a footprint or a tool mark? a. front lighting b. back lighting c. side lighting d. top lighting 41. Aiming your flash at highly polished surfaced may cause a. flare b. glare c. silhouettes d. shadow 42. It is normally the best in police work a. front lighting b. back lighting c. side lighting d. top lighting 43. Which of the following is NOT a purpose of crime scene photography? a. to record the original scene and related cases b. to record the initial appearance of physical evidence c. it will provide investigators and others with temporary visual record of the scene for later use d. photographs are also used in court trials and hearings e. none of the forgoing 44. The following are the major points of qualification of a photograph in court EXCEPT; a. object pictures must be material or relevant top the point in issue b. the photograph must appeal to the emotions or tend to prejudice the court or judge c. the photograph must be free from distortion and not misrepresent the scene or the object it purports to reproduce d. none of the foregoing 45. Which of the following is the purpose of taking preliminary photographs? a. to show the scene exactly as it was when you first saw it b. to reconstruct the crime c. to record each item of evidence d. to reconstruct the scene as it was e. all of the above 46. This shot shows how the items are related to its surroundings. a. overview shot b. mid-range shot c. close-up shot d. preliminary shot 47. Which of the following best explains why a crime scene photographer should photograph items of evidence with and without marking or measuring device? a. so the defense will not question the measurement of the physical evidence submitted b. so the court or defense will not feel in doubt as to the exact location of the items of evidence gathered c. so the defense will not question the actual description or characteristics of the evidence d. so the defense cant claim that the scene was altered or that the marking or measuring device was concealing anything important 48. Which of the following photographs is not included in cases of robbery? a. exterior of the building b. body from five angle c. point of entry d. interior views e. area from which valuable articles were removed 49. In photographing items of evidence the film plane should be a. parallel to the plane of the item b. 45-degree angle relative to the plane of the item c. 90-degree angle to the plane of the item d. at right angle to the plane of the item e. A,C and D are correct 50. In a bloodstain photography, the photographer should use a. color film b. black and white film c. monochrome film d. infrared film 51. Which of the following provides more contrast and is preferred for latent print photography? a. color film b. orthochromatic film c. black and white film d. non-chromatic film 52. The darkroom device used to hold the paper flat while exposing it to light from an enlarger is called a. easel b. paper holder c. paper cutter d. specimen slide 53. The removal of parts of an image in order to improve the images composition called a. burning b. printing in c. dodging d. cropping 54. In a darkroom, blocking a portion of the light when printing a photograph so that an area of the print will be made lighter is called a. burning b. printing in c. dodging d. cropping e. both A and B 55. Projection printing generally refers to a. diffusion b. condensing c. reducing d. enlarging 56. When the print images are smaller than the negative images, the process is called
a. reducing b. projection c. enlarging d. cropping 57. This is produced by exposing a sheet of photographic printing paper through a negative with the paper emulsion and the emulsion side of the negative in contact with each other. a. print b. projection c. positive d. projection print 58. What mode of printing will always produced a print exactly the same image size as the negative? a. reducing b. contact print c. contact printing d. projection printing e. both B and C 59. It is the process of making positive prints by projecting the negative image into photosensitive paper. a. enlarging b. projection printing c. reducing d. contact printing 60. Which of the following is generally known as proof printers consisting of sheet glass, a light source, and some sort of padding? a. contact printing b. contact printer c. contact print d. projection printing 61. In photography, is the term used to describe the process of making positive images from negatives. a. printing b. photographic print c. print d. printer 62. Which of the following photographic paper according to its weight is use for all ordinary photographic purpose? a. lightweight b. double weight c. single weight d. heavy weight 63. Which of the following is suitable for projection printing? a. chloride paper b. chlorobromide paper c. Velox no. 5 d. bromide paper 64. A positive image from a negative is generally called a. photograph b. print c. picture d. printing 65. The chemical designed to reduce the surface tension of water, thus reducing the possibility of water spots forming on film as its dries is called a. wetting agent b. Photo-Flo c. wash d. potassium alum e. both A and B 66. In photographic processing, this is used as hardening agent. a. sodium sulfite b. potassium bromide c. acetic acid d. potassium alum 67. The solution commonly found in main ingredient of the fixer formula is a. sodium thiosulfate b. hyposulfate c. sodium sulfite d. both A and B 68. Which of the following is used to convert the silver halides not changed to metallic silver in the developer into soluble form? a. acetic acid b. water c. fixer or fixing agent d. photo-flo 69. Which of the following is the most commonly used stop bath? a. running water b. acetic acid diluted with water c. hypo d. potassium bromide 70. The solution that causes the affected silver halides to change into metallic silver while having to effect on the unexposed silver halides is the a. developer b. fixer c. rinse bath d. restrainer 71.Which of the following is the basic and most important ingredient in the developing solution? a. developing agent or reducer b. restrainer c. accelerator d. preservative 72. Which of the following film speed is used for dim light or with moving subject? a. ISO 25 b. ISO 400 c. ISO 100 d. ISO 1000 73. If ISO 100 is exposed at f/8, then ISO 200 would be exposed at to produce the same negative quality. a. f/16 b. f/22 c. f/11 d. f/5.6 74. A film sensitive to blue and green but not to red a. Non-chromatic film b. Panchromatic film c. orthochromatic film d. infrared film 75. It is the coating between the top and second layer of the color film emulsion to absorb any penetrating blue light but freely passes green and red light a. blue sensitive layer b. red sensitive layer c. green sensitive layer d. yellow filter or carey lea silver 76. The light sensitive portion of a film or paper that records the image is the a. film b. halation c. top coating d. emulsion layer 77. The large view of a crime scene, including things such as location s, the victims body, cars, and buildings. a. microscopic scene b. macroscopic scene c. large format d. fish-eye lens 78. A crime scene viewed in terms of specific objects and pieces of evidence associated with crime, such as knives, guns, hairs, fibers, and biological fluids. a. microscopic scene b. macroscopic scene c. large format d. fish-eye lens 79. A written record listing the photographs taken at a crime scene and detailing who took them, where and when they were taken, and under what conditions. a. logbook b. photographic tags c. photographic records d. photographic log 80. Specialist who records forensic evidence on film at the crime scene or in the forensic laboratory a. Legal photographer b. Forensic photographer c. Crime scene photographer d. Forensic photography 81. A specialist who breaks down photographic images to identify suspects, and to measure items and people within those images a. Forensic photographer b. Photograph analyst c. Professional photographer d. criminal profiler 82. Free from chromatic aberration. a. Panchromatic b. Nonchromatic c. Orthochromatic d. Achromatic 83.Gentle movement of liquid photo- processing chemicals (developer, stop- bath, fixer) during processing of film or paper in order to achieve uniform results. a. Agitation b. developing c. shake d. exposure 84. Existing light surrounding a subject; the light that is illuminating a scene without any additional light supplied by the photographer. a. Existing light b. Ambient light c. available light d. all of the above 85. Light striking a surface is called a. incident light b. angle of incidence c. reflected light d. flash light 86. Is the angle at which incident light strikes the surface, and is measured from a line that is perpendicular to the surface. a. angle of view b. field of view c. angle of incidence d. none of these 87. It is usually created by an iris diaphragm that is adjustable. a. aperture b. diaphragm c. Lens opening d. angle of view e. both a and c 88. Means corrected for spherical and chromatic aberration. a. chromatic b. non-chromatic c. apochromatic d. orthochromatic