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[1700 - 1830]
JOHN NEWBERY AND CHILDREN’S BOOK PUBLISHING
The serious publishing of children’s books began notably by John Newbery (1713-1778), a clever English bookseller. Newbery first
successfully promoted children’s literature.
His books were largely collections of stories and poems with crude woodblock illustrations by various (usually anonymous) writers
(including himself)
A Little Pretty Pocket Book (1744): one of the first published children’s books designed particularly to entertain children as well as to teach
them.
Rousseau and the Moral Tale
Rousseau expressed his ideas about education in Emile (1762), in which he emphasized the importance of moral development that could
be best accomplished through living a simple life.
Rousseau’s followers wrote didactic and moralistic books to teach children how to be good and proper human beings.
Most writers of children’s moralistic tales were women because children’s writing was considered inferior to adult writing by men (see more
information on Moralistic Tales). For example, The Purple Jar” (1796) by Maria Edgeworth.
THE REVIVAL OF OLD FOLKTALES
The didactic element in children’s books persisted through the early 19th century, but the old folktales from oral tradition revived during this time.
Tales of Mother Goose, originally retold and published by the Frenchman Charles Parrault (1697) and then translated and published in
English in 1729. The retellings, including Cinderella, Little Red Riding Hood, and Sleeping Beauty, soon became staples in English nurseries
(see more information on Mother Goose Origins, Selected Poetry of Mother Goose in the 18th century, Charles Perrault's Mother Goose
Tales,pictures from Charles Perrault's Mother Goose Tales). These stories were usually retold for a moral purpose.
THE REVIVAL OF OLD FOLKTALES
The didactic element in children’s books persisted through the early 19th century, but the old folktales from oral tradition revived during this time.
Tales from the Arabian Nights, published by Elizabeth Newbery (1791), the first children’s edition of the Middle Eastern tales, featuring
Sinbad the Sailor and Aladdin and his lamp (see Tales from the Arabian Nights 1888 by Sir Richard Burton, Arabian Nights from Candlelight
THE REVIVAL OF OLD FOLKTALES
The didactic element in children’s books persisted through the early 19th century, but the old folktales from oral tradition revived during this time.
Hans Christian Anderson’s Fairy Tales (1835, Denmark), considered the first book containing modern fairy tales (i.e. all the fairy tales
created and written, but not collected, by Anderson).
THE REVIVAL OF OLD FOLKTALES
.
Hans Christian Anderson’s Fairy Tales (1835, Denmark), considered the first book containing modern fairy tales (i.e. all the fairy tales
created and written, but not collected, by Anderson).
THE REVIVAL OF OLD FOLKTALES
Some adults felt them unsuitable for children as they contained adult themes, alarming frankness and violence, lack of moral messages
THE VICTORIANS: THE GOLDEN AGE
1830-1900
During the reign of Queen Victoria (1837-1901) children's literature first blossomed.
Excellent writers and illustrators were committed to writing entertaining stories for children, as
opposed to morality tales.
This phenomenon was influenced by the strengthening of the family unit, the rapid development
of full-color printing technology, the inexorable rise of the status of women, the growth of
educational opportunities, and the continued growth of the middle class.
Fantasy Stories
Alice's Adventures in Wonderland (1865) by Lewis Carroll (i.e., Charles Dodgson): This book is an extraordinary fantasy filled with a
delightful mixture of satire and nonsense and almost devoid of instructional moralizing (the first work for children that completely broke the
bonds of didacticism), beginning a new era in children’s literature.
Other outstanding Victorian fantasists:
The Princess and the Goblin (1872) by George MacDonald (England) – a literary fairy tale with Princess Irene as the heroine.
The Adventures of Pinocchio (1883) by Carlo Collodi’s (Italy) – the most famous puppet story.
The Wonderful Wizard of Oz (1900) by Frank Baum (U.S.) – the first classic U.S. modern fantasy.
The Tale of Peter Rabbit (1901) by Beatrix Potter (England) – early important modern picture storybook in English; a book of talking
animal tales that have set a high standard for children’s illustrated books.
Peter Pan (1904) by J. M. Barrie (England) – originally a play and then adapted to a prose story.
The Wind in the Willows (1908) by Kenneth Grahame (England) – an animal fantasy and an episodic adventure work.
Adventure Stories (for boys)
Treasure Island (1883) by Robert Louis Stevenson (U.K.)
The Adventures of Tom Sawyer (1876) and The Adventures of Huckleberry Finn(1884) by Mark Twain (U.S.)
Domestic Stories (for girls)
Tales of home and family life focusing on the activities of a virtuous heroine, usually coming from difficulties and achieving good fortune and
ultimate happiness in the person of a handsome young man
Little Women (1868) by Louisa May Alcott (U.S.)
Anne of Green Gables (1908) by Lucy Maud Montgomery (Canda)
The Secret Garden (1911) by Frances Hodgson Burnett (U.S.)
Children's Book Illustration
Books of the 18th century and earlier either lacked illustrations altogether or contained crude woodblock illustration, because serious artists
did not draw for children's books.
At the end of the 19th century, changes in publishing and printing attracted great illustrators.
By the end of the 19th century, stunningly illustrated children's books were available at reasonable prices.
THE TWENTIETH CENTURY: WIDENING WORLDS