Art Nouveau, 1890-1914, explores a new style in the visual arts and architecture

that developed in Europe and North America at the end of the nineteenth century.
The exhibition is divided into three sections: the first focuses on the 1900 World's
Fair in Paris, where Art Nouveau was established as the first new decorative style of
the twentieth century; the second examines the sources that influenced the style;
and the third looks at its development and fruition in major cities in Europe and
North America.
At its height exactly one hundred years ago, Art Nouveau was a concerted attempt
to create an international style based on decoration. It was developed by a brilliant
and energetic generation of artists and designers, who sought to fashion an art
form appropriate to the modern age. During this extraordinary time, urban life as
we now understand it was established. Old customs, habits, and artistic styles sat
alongside new, combining a wide range of contradictory images and ideas. Many
artists, designers, and architects were excited by new technologies and lifestyles,
while others retreated into the past, embracing the spirit world, fantasy, and myth.
Art Nouveau was in many ways a response to the Industrial Revolution. Some artists
welcomed technological progress and embraced the aesthetic possibilities of new
materials such as cast iron. Others deplored the shoddiness of mass-produced
machine-made goods and aimed to elevate the decorative arts to the level of fine
art by applying the highest standards of craftsmanship and design to everyday
objects. Art Nouveau designers also believed that all the arts should work in
harmony to create a "total work of art," or Gesamtkunstwerk: buildings, furniture,
textiles, clothes, and jewelry all conformed to the principles of Art Nouveau.
René Lalique
French (1860-1945)
Dragonfly woman corsage ornament, c.
1897-1898
gold, enamel, chrysoprase,
moonstones, and diamonds
Calouste Gulbenkian Foundation,
Lisbon
© 2000 Artists Rights Society (ARS),
New York/ADAGP, Paris
Victor Horta (January 6, 1861 - September 9, 1947) was a
Belgian architect. John Julius Norwich described him as
"undoubtedly the key European Art Nouveau architect."
Indeed, Horta is one of the most important names in Art
Nouveau architecture; the construction of his Hôtel Tassel
in Brussels in 1892-3 means that he is sometimes credited
as the first to introduce the style to architecture from the
decorative arts. Born in Ghent, he was first attracted to the
architectural profession when he helped his uncle on a
building site at the age of twelve. He studied in Ghent, but
left to become an interior designer living in Montmartre in
Paris. There, he was inspired by the emerging impressionist
and pointillist artists, and also by the possibilities of working
in steel and glass.
Gustav Klimt (July 14, 1862 – February 6, 1918) was an
Austrian Symbolist painter and one of the most
prominent members of the Vienna Art Nouveau (Vienna
Secession) movement. His major works include
paintings, murals, sketches, and other art objects, many
of which are on display in the Vienna Secession gallery.
Klimt's primary subject was the female body,[1] and his
works are marked by a frank eroticism--nowhere is this
more apparent than in his numerous drawings in pencil