- DocumentoConcerning the "Mechanical Parts of Painting" and the Artistic Culture of 17th-Century France" by Donald Posnerenviado porFrank Hobbs
- DocumentoUnknown Corotenviado porFrank Hobbs
- DocumentoWolf Kahnenviado porFrank Hobbs
- DocumentoTradition and the Individual Talentenviado porFrank Hobbs
- DocumentoEye and Mind, by Maurice Merleu-Pontyenviado porFrank Hobbs
- DocumentoObservation and Inventionenviado porFrank Hobbs
- DocumentoA Woman of Valor-Freidl Dicker-Brandeis, Art Teacher in Theresienstaddt Concentration Camp.enviado porFrank Hobbs
- DocumentoTo Take Paper, To Draw, by John Bergerenviado porFrank Hobbs
- DocumentoJewett and Marinenviado porFrank Hobbs
- DocumentoThe Painter of Modern Life and Other Essays, by Charles Baudelaireenviado porFrank Hobbs
- DocumentoShameenviado porFrank Hobbs
- DocumentoFormal Analysisenviado porFrank Hobbs
- DocumentoTwo Ways of Seeing a Riverenviado porFrank Hobbs
- DocumentoColour Studyenviado porFrank Hobbs
- DocumentoPictorial Cues in Art and in Visual Perceptionenviado porFrank Hobbs
- DocumentoMatisse on Artenviado porFrank Hobbs
- DocumentoWhat the Sixties Meant to Meenviado porFrank Hobbs
- DocumentoTracing Shadowsenviado porFrank Hobbs
- DocumentoWhat Have We Made of the Landscapeenviado porFrank Hobbs
- DocumentoPerspective Drawing Handbookenviado porFrank Hobbs
- DocumentoOur Landscapeenviado porFrank Hobbs
- DocumentoDrawn to That Momentenviado porFrank Hobbs
- DocumentoTo Take Paper, To Drawenviado porFrank Hobbs
- DocumentoThe Training of the Memory in Artenviado porFrank Hobbs
- DocumentoThe Technical Aspects of Degas's Artenviado porFrank Hobbs
- DocumentoStuart Shils.between Earth & Sky, 2005enviado porFrank Hobbs
- DocumentoThe Emergence of Tonal Drawingenviado porFrank Hobbs
- Documento6641659 the Natural Way to Draw Kimon Nicolaidesenviado porFrank Hobbs
- DocumentoPhilipPearlstein on Stylistic Censorshipenviado porFrank Hobbs
- DocumentoMercedes Matter Articleenviado porFrank Hobbs
- DocumentoLearning From Poussinenviado porFrank Hobbs