- DocumentoHyperprism by Varese - A Guide to the Pitch and TImbre Analysis of the Wind Sectionenviado porYork R
- DocumentoHow Ionisation Went Nuclear - Varese and the Technological Sublimeenviado porYork R
- DocumentoInto The Music - The Clout of Edgard Varèse’s ‘Ionisation’enviado porYork R
- DocumentoReal Time Vibraphone Pitch and Timbre Classificationenviado porYork R
- DocumentoVibes Physics and Harmonicsenviado porYork R
- DocumentoVibe Dampening & Pedalingenviado porYork R
- Documentozee kay pq16enviado porYork R
- DocumentoConductors Guide to the Performance of Varese's Wind:Percussion Musicenviado porYork R
- DocumentoEnchancing Orchestration Technique via Spectrally Based Linear Algebra Methods 2enviado porYork R
- DocumentoString Harmonics in Ravel's Orchestral Worksenviado porYork R
- DocumentoTranspositionenviado porYork R
- DocumentoIntroduction to Spectral Musicenviado porYork R
- DocumentoWebern and Luigi Nono - The Genesis of a New Compositional Morphology and Syntaxenviado porYork R
- DocumentoThe Harmonic Series - A Path to Understanding Intervals, Scales, Tuning, And Timbreenviado porYork R
- DocumentoIsaacson - The Idea of Counterpoint in Film Musicenviado porYork R
- DocumentoMOVIE MUSIC - Lacking Counterpoint - NYTimes.comenviado porYork R
- DocumentoStudies in the History of the Cadenceenviado porYork R
- DocumentoNeuwirth - What is a Cadence - Theoretical and Analytical Perspectivesenviado porYork R
- DocumentoMcCarty - The Hocket Cadenceenviado porYork R
- DocumentoLiminality as a Framework for Composition - Rhythmic Thresholds, Spectral Harmonies, And Afrological Improvisationenviado porYork R
- DocumentoRebuilding a Culture- Studies in Italian Music After Fascism, 1943-1953enviado porYork R
- DocumentoAbel - 20th Century Orchestra Studies for Percussion | The Boston Conservatoryenviado porYork R
- DocumentoIdiomatic Writing for Percussionenviado porYork R
- DocumentoVibraphone - Clearly Speaking | Composer • Performer • Educatorenviado porYork R
- DocumentoMid-Term Reviewenviado porYork R
- Documento372 Study Guideenviado porYork R
- DocumentoInterview on Orchestration, Etcenviado porYork R
- DocumentoKoch, Periods, Cadenceenviado porYork R
- DocumentoTwelve-Tone Rhythmic Structure and Its Application to Form - Time-Point Nesting and Rotation in 'Spin'enviado porYork R
- DocumentoThe Unity of Xenakis' Instrumental and Electroacoustical Music - The Case for %22Brownian Movements'enviado porYork R
- DocumentoA Tonnetz Model for Pentachordsenviado porYork R
- DocumentoFilm Education - Psychoenviado porYork R
- DocumentoThe ROle of Segmentation and Expectation in the Perception of Closureenviado porYork R
- DocumentoFraser Exploring 2013enviado porYork R
- DocumentoDebussy Symbolismenviado porYork R
- DocumentoHarmonic Analysis of Orchestral Works? - Orchestration - Composition - Instruments - ForUMS - Viennaenviado porYork R
- DocumentoDo not go gentle into that good night | Academy of American Poetsenviado porYork R
- DocumentoGuidelines for the Analysis of 20th Century Music (Handout- Brinkman Class Notes)enviado porYork R
- DocumentoCharles Rosen, Pianist, Polymath and Author, Dies at 85 - The New York Timesenviado porYork R
- DocumentoThe End of a Beginning - The Diabelli Variationsenviado porYork R
- DocumentoMatrix for Schoenberg 33aenviado porYork R
- DocumentoMediating the Idea of One - Arvo Part's Pre-Existing Music in Filmenviado porYork R
- DocumentoDo not go gentle into that good night | Academy of American Poetsenviado porYork R