Poetry Ebooks
We’ve rounded up some of the best poetry ebooks, from classic favorites like X to newer phenomenal poets like X. Great poetry often explores shared human experiences of love, heartbreak, loss, and self-fulfilment while soothing our spirits with life’s hard-won lessons. Read on below to discover our collection of the best poetry books available.
We’ve rounded up some of the best poetry ebooks, from classic favorites like X to newer phenomenal poets like X. Great poetry often explores shared human experiences of love, heartbreak, loss, and self-fulfilment while soothing our spirits with life’s hard-won lessons. Read on below to discover our collection of the best poetry books available.
Spotlight
From “one of the essential voices in American poetry” (New York Times) comes a rich new collection of expansive, light-footed, and cheerfully foreboding poems oddly in tune with our strange and evolving present The first new collection since Evolution from the prolific poet, activist, and writer Eileen Myles, a “Working Life” unerringly captures the measure of life. Whether alone or in relationship, on city sidewalks or in the country, their lyrics always engage with permanence and mortality, danger and safety, fear and wonder. a “Working Life” is a book transfixed by the everyday: the “sweet accumulation” of birds outside a window, a cup of coffee and a slice of pizza, a lover’s foot on the bed. These poems arise in the close quarters of air travel, the flashing of a landscape through a train window, or simply in a truck tooling around town, or on foot with a dog in all the places that held us during the pandemic lockdowns. Myles’s lines unabashedly sing both the happy contradictions of love and sex, spill over with warnings about the not-so future world threatened by climate change and capitalism, and also find transcendent wonder in the landscapes and animals around us, and in the solitary and collective act of caring for one another and our world. With intelligence, heart, and singular vision, a “Working Life” shows Eileen Myles working at a thrilling new pitch of their poetic and philosophical powers.
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Dante's Divine Comedy: Inferno Rating: 4 out of 5 stars4/5Beowulf Rating: 4 out of 5 stars4/5The Divine Comedy: Inferno Rating: 4 out of 5 stars4/5The Iliad: The Fitzgerald Translation Rating: 4 out of 5 stars4/5The Sun and Her Flowers Rating: 4 out of 5 stars4/5Gilgamesh: A New English Version Rating: 4 out of 5 stars4/5Dante's Inferno: The Divine Comedy, Book One Rating: 4 out of 5 stars4/5The Odyssey: (The Stephen Mitchell Translation) Rating: 4 out of 5 stars4/5Gilgamesh: A Verse Narrative Rating: 4 out of 5 stars4/5The Complete Poems of Emily Dickinson Rating: 4 out of 5 stars4/5The Iliad of Homer Rating: 4 out of 5 stars4/5The Canterbury Tales Rating: 4 out of 5 stars4/5Leaves of Grass: 1855 Edition Rating: 4 out of 5 stars4/5The Complete Poems of John Keats (with an Introduction by Robert Bridges) Rating: 4 out of 5 stars4/5Letters to a Young Poet (Rediscovered Books): With linked Table of Contents Rating: 4 out of 5 stars4/5The Collected Poems of Emily Dickinson (Series First through Third) Rating: 4 out of 5 stars4/5Howl and Other Poems Rating: 4 out of 5 stars4/5Gilgamesh (Zongo Classics) Rating: 4 out of 5 stars4/5Gilgamesh: A New Rendering in English Verse Rating: 4 out of 5 stars4/5The Collected Poems of Emily Dickinson Rating: 4 out of 5 stars4/5Paradise Lost and Its Sequel, Paradise Regained (Illustrated Edition) Rating: 4 out of 5 stars4/5The Collected Poems of Emily Dickinson (Barnes & Noble Classics Series) Rating: 4 out of 5 stars4/5Eugene Onegin: A Novel in Verse Rating: 4 out of 5 stars4/5The Complete Poems of Emily Dickinson (ReadOn Classics) Rating: 4 out of 5 stars4/5Leaves of Grass: 1855 First Edition Text Rating: 4 out of 5 stars4/5One Thousand Gifts 10th Anniversary Edition: A Dare to Live Fully Right Where You Are Rating: 4 out of 5 stars4/5The Dhammapada Rating: 4 out of 5 stars4/5The Collected Poetry of William Butler Yeats Rating: 4 out of 5 stars4/5The Complete Poems of John Milton Rating: 4 out of 5 stars4/5Leaves of Grass: The Original 1855 Unabridged and Complete Edition (A Walt Whitman Classics) Rating: 4 out of 5 stars4/5
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In a Few Minutes Before Later Finalist for the Four Quartets Prize, given by Poetry Society of America, 2023 An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the life Do you love a living person absolutely? Tell them now. In a half-unwieldy life you made, under the hyaline sky, while the dead drank from zigzag pools nearby, if they saved you in your wild incapacities, in timing of the world's harm in a little pettiness in your own heart while others took your madrigals in shreds to a tribunal, when others said you should feel grateful to be minimally adequate for the world's triple exposure or some tired committee... The ones who love us, how do they break through our defenses? We're tired today. Come back later. Their baffled voices melting our wax walls with a candle, the ones who understand what being is—the glowing, the broken, the wheels, the brave ones— they have their courage, you have yours,,,; when you meet the one you love, it is so rare. When you meet the one who loves you, it is extremely rare.
Rating: 4 out of 5 stars4/5Alive at the End of the World Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses. In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us. Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what’s within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we’ve been living on top of fault lines. As these poems seek ways to love and survive through America’s existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.
Rating: 4 out of 5 stars4/5The Hurting Kind Author is a highly acclaimed poet whose last collection of poems The Carrying won the National Book Critics Circle Award, was a finalist for the PEN/Jean Stein Book Award and was named an ALA Notable Book of 2018 Author was appointed the new host of the daily poetry podcast The Slowdown, taking over from former U.S. Poet Laureate Tracy K Smith Author's previous collection Bright Dead Things was a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award Author's last collection The Carrying was widely reviewed by the New York Times, the Washington Post, O, the Oprah Magazine, the Guardian, and NPR, among other prominent publications, and was praised by bestselling authors Tracy K Smith and Roxane Gay Author's last collection The Carrying has sold almost 20K copies in hardcover and paperback We expect major blurbs and major press, with a two-page profile already seeded in Publishers Weekly and early coverage in the New Yorker, CNN, Lit Hub, and Books Are Magic The book's engagement with pain, family, the natural world, generational trauma, grief, and hope will invite a wide readership and provide opportunities for rich coverage Author worked as a bookseller at Readers' Books in Sonoma, CA, and is deeply engaged in the independent bookselling community Preorder coop available to indie accounts (order 5+, get $25)
Rating: 5 out of 5 stars5/5Your Emergency Contact Has Experienced an Emergency What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness. Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.
Rating: 5 out of 5 stars5/5So, Stranger 2021 Button Poetry Short Form Poetry Contest Winner Topaz Winters' third poetry collection spans three countries & three generations. In a far-reaching & deftly woven series of ars poeticas, Winters questions the boundary between the things we inherit & those we owe. Topaz arrives at the grave of the American dream, & unspools the enormous grace & guilt of being loved. So, Stranger stands as a fixed mark between the shifting histories & futures of being a daughter, being an artist, & being an immigrant. If its reader begins as a stranger, they end as part of a lineage: one both of grief & glory, of distance & arrival.
Rating: 3 out of 5 stars3/5Now Do You Know Where You Are Previously selected for major prizes by Nobel prize-winning poet Louise Glück Levin’s book are consistently well reviewed and critically-acclaimed Has published with Copper Canyon Press since her debut in 1999 This particular book has many poems sparked, informed, or reshaped by the 2016 presidential election and its aftermath The book hinges upon the poet’s move from Santa Fe to St. Louis Memoir hybrid: personal meditations on the body, grief, and place Poems about the poet’s own medical and homeopathic history The book revolves around three key sequences: “Two Autumns, Saint Louis,” “Pledge,” and “Appointment”—the first two are very much poems “about” America/place post-election, and “Appointment” is very much about healing and the body
Rating: 4 out of 5 stars4/5The Engineers In her long-anticipated fourth collection, The Engineers, Katy Lederer draws on the newfangled languages of reproductive technology, genetic engineering, and global warming to ask the age-old questions: What is “ the self” ? What is “ the other” ? And how to reproduce “ one' s self” ? In poems that are both lyrical and playfully autobiographical, Lederer imagines form as a kind of genetics, synthesizing lines out of a rigorous constraint. Things can go wrong. The body— or poem— malfunctions, evacuating crucial parts of itself (miscarriage), or growing too aggressively or quickly (cancer). The body— or poem— attacks or even eats itself (autoimmune dysfunction; autophagy). Written almost entirely in the choral “ we,” the poems move among the perspectives of the bewildered parent, the unborn child, and the inscrutable God who looks down upon the human world. In a post-Roe landscape, the poems complicate and ultimately refashion our pre-conceived notions of the self— and of life. Radical, uncanny, and stunningly original, The Engineers takes us on a journey to a place we' ve never been, but that is hauntingly familiar.
Rating: 0 out of 5 stars0 ratingsBuffalo Girl In these hybrid poems, Jessica Q. Stark explores her mother’s fraught immigration to the United States from Vietnam at the end of war through the lens of the Little Red Riding Hood fairy tale. Told through personal, national, and cultural histories, Buffalo Girl is a feminist indictment of the violence used to define and control women's bodies. Interspersed throughout this hybrid work are a series of collaged photographs, featuring Stark’s mother’s black-and-white photography from Vietnam beautifully and hauntingly layered over various natural landscapes — lush tropical plants, dense forests, pockets of wildflowers. Several illustrations from old Red Riding Hood children’s books can also be found embedded into these pieces. Juxtaposing the moral implications of Little Red Riding Hood with her mother's photography, Stark creates an image-text conversation that attends to the wolves lurking in the forests of our everyday lives. Opening the whispered frames around sexuality and sex work, immersed in the unflattering symptoms of survival, Buffalo Girl burgeons with matrilineal love and corporeal rage while censuring the white gaze and the violence enacted through the English language. Here is an inversion of diasporic victimhood. Here is an unwavering attention to the burdens suffered by the women of this world. Here is a reimagination, a reclamation, a way out of the woods.
Rating: 3 out of 5 stars3/5Sweet, Young, & Worried Sweet, Young, & Worried is the highly anticipated sophomore collection by author Blythe Baird Following her widely successful debut, Baird wastes no time as she reels in her reader with breathtaking imagery and punching narratives. With expert precision and vulnerability, Baird guides us on an expedition embracing queerness, love, loss, mental health, feminism & healing along the way.
Rating: 4 out of 5 stars4/5Names and Rivers A bilingual Japanese-English presentation of Shuri Kido’s poetry, co-translated by Pulitzer prize-winner Forrest Gander Shuri Kido, known as the “far north poet,” is one of the most influential contemporary poets in Japan. Names and Rivers brings the poems of Shuri Kido to readers in North America for the first time, thanks to star translator team Tomoyuki Endo and Pulitzer Prize winner Forrest Gander. Drawing influence from Japanese culture and geography, Buddhist teachings, and modernist poets, Kido presents a mesmerizing view of the world and our human position in it. This is a world “that isn’t ours”—where the trees are sirens while the people are silent, where snow lingers while language crumbles. Names and Rivers is made of crossings, questionings, and mysteries as unanswered and open as the sky. Bilingual Japanese-English production.
Rating: 0 out of 5 stars0 ratingsBrother Sleep Brother Sleep is a collection of grievances through which a speaker mourns the loss of a brother, grandfather, and a sense of self as they navigate a landscape of desire marred by violence against queer and Mexican people. Set in the border cities of El Paso, TX, and Ciudad Juarez, Mexico, these poems navigate the liminal space between language and silence. As the poems grieve the loss of family, the violence perpetrated against queerness, the bodies lost border-side, and the cruelty against tenderness, Amparan's words bloom in evocation. Reflecting on lovers, friends, family, classmates, and others of impact, they navigate personal reconciliation in response to imposed definitions of their personhood. These poems evoke an equal sense of sorrow and tenderness amidst a complex landscape of the self.
Rating: 4 out of 5 stars4/5Hotel Oblivion A specter, haunting the edges of society: because neoliberalism insists there are no social classes, thus, there is no working class, the main subject of Hotel Oblivion, a working class subject, does not exist. With no access to a past, she has no home, no history, no memory. And yet, despite all this, she will not assimilate. Instead, this book chronicles the subject’s repeated attempts at locating an exit from capitalist society via acts of negative freedom and through engagement with the death drive, whose aim is complete destruction in order to begin all over again. In the end, of course, the only true exit and only possibility for emancipation for the working class subject is through a return to one’s self. In Hotel Oblivion, through a series of fragments and interrelated poems, Cruz resists invisibilizing forces, undergoing numerous attempts at transfiguration in a concerted effort to escape her fate.
Rating: 4 out of 5 stars4/5The All + Flesh: Poems I am made of centuries & carbohydrates the development of my molars the hunger the teeth grew has been with me since childhood I can’t escape the mouths of others Brandi Bird’s long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.
Rating: 5 out of 5 stars5/5Passengers The sixth and, on the surface, most innovative poetry collection from Scotiabank Giller Prize finalist Michael Crummey. Eclectic, unpredictable, and strange, Passengers follows Swedish poet Tomas Tranströmer on an imagined circumnavigation of Newfoundland; traces the island escapades of Lucifer from the time of his arrival as a stowaway in the Middle Ages; and wanders the pre-pandemic cities of Europe, touching down in Stockholm’s ABBA museum, the Belfast Public Library, Austria’s plague cemeteries, and the Czech Republic’s Punkva Caves. Widely considered “one of Canada's finest writers” (Globe and Mail), Crummey is noted for the immediacy and emotional impact of his poetry and fiction and for his ability to raise the vernacular to planes of “exquisite beauty.” Part travelogue, part archeological dig, Passengers is an eccentric guide to the wild geography, folklore, and misbegotten history of the human heart.
Rating: 4 out of 5 stars4/5[To] The Last [Be] Human [To] The Last [Be] Human collects four extraordinary poetry books—Sea Change, Place, Fast, and Runaway—by Pulitzer Prize winner Jorie Graham. From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, written from within the New Climatic Regime (as Bruno Latour names the present), rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience … Graham’s poems are turned to face our planet’s deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, they are very far from passive, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when ‘the future / takes shape / too quickly,’ when we are entering ‘a time / beyond belief.’ They know, these poems, and what they tell is precise to their form…. Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a ‘whirling robe humming with firstness,’ there to ‘greet you if you eye-up.’ I know not to mistake the pleasures of this poetry for presentist consolation; the situation has moved far beyond that: ‘Wind would be nice but / it’s only us shaking.’ … To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book: The earth said remember me. The earth said don’t let go, said it one day when I was accidentally listening…
Rating: 4 out of 5 stars4/5More Sure A book of poems and augmentations, recording instances of love, self-realization, and recovery in non-binary, queer, and autistic lives. In their stunning debut collection, A. Light Zachary draws power from a vision of life―especially queer and neurodivergent life―as a journey of continuous self-realization. These poems record the experience of locating oneself over and over again, within gender, language, family, labour, sexuality, fear, and love. Reaching back to claim queer space in the oldest Western canon, Zachary interrupts famous quotations from ancient Greek and Roman thinkers, asking: what advice might Juvenal or Seneca have handed down to non-binary citizens? Elsewhere, in concise and fluid verses that draw from punk rock and quantum physics, they ground the work firmly in the present. Come: invade the alien. Evade with the coyote. These poems propose a certain supremacy: in these unending journeys of discovery and alienation, “we become more sure of who we are than you.” This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Rating: 4 out of 5 stars4/5Smoking the Bible An award-winning author of numerous books, Chris Abani moves between his Igbo ancestry and migration to the United States in poems that evoke the holiness of grief through the startling, central practice of inhaling an immolated Bible. Smoking the Bible is an arresting collection of poems thick with feeling, shaped by Chris Abani’s astounding command of form and metaphor. These poems reveal the personal story of two brothers—one elegizing the other—and the larger story of a man in exile: exile of geography, culture, and memory. What we experience in this emotionally generous collection is a deep spiritual reckoning that draws on ancient African traditions of belief, and an intellectual vivacity drawing on various wisdom literatures and traditions. Abani illustrates the connective geography between harm, regret, and release, as poems move through landscapes of Nigeria, the Midwestern United States, adulthood, and childhood. One has the sense of entering a whole and complex world of the imagination in reading this collection. There is no artifice here, no affectation; and these poems are a study in the very grace of image.
Rating: 0 out of 5 stars0 ratingsMotherfield: Poems & Belarusian Protest Diary A poetry collection where personal is inevitably political and ecological, Motherfield is a poet’s insistence on self-determination in authoritarian, patriarchal Belarus. Julia Cimafiejeva was born in an area of rural Belarus that became a Chernobyl zone during her childhood. The book opens with a poet’s diary recording the course of violence unfolding in Belarus since its 2020 presidential election. Motherfield paints an intimate portrait of the poet’s struggle with fear, despair, and guilt as she goes to protests, escapes police, longs for readership, learns about the detention of family and friends, and ultimately chooses life in exile. But can she really escape the contaminated farmlands of her youth and her Belarusian mother tongue? Can she escape the radiation of her motherfield? This is the first collection of Julia Cimafiejeva’s poetry in English, prepared by cotranslators and poets Valzhyna Mort and Hanif Abdurraqib.
Rating: 0 out of 5 stars0 ratingsVillage Part poetry collection, part soundscape, Village uses dark humor and keen observation to explore the roots of memory, grief, and estrangement. In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.
Rating: 1 out of 5 stars1/5English as a Second Language and Other Poems Past collections have won prizes such as the Green Rose Prize in Poetry (2012), and Colorado Prize for Poetry (2006) Most recent collection The 44th of July was a finalist for the 2019 Big other Book Award and long-listed for the 2019 PEN America Open Book Award Emerging Poet-in-Residence at Columbia College in Chicago (2010-2011) Is an Associate Professor at University of Miami Holds a Ph.D from Ohio University Potential audiences: readers who enjoy poetry about immigration, the American immigrant experience, and multi-generational families; readers who identify with Arab-American culture; fans of poetry that comments on politics and utilizes dark, dry humor
Rating: 0 out of 5 stars0 ratingsTrace Written by the former Milwaukee Poet Laureate! WINNER of the Letras Latinas Prize, in partnership with the University of Notre Dame Poems inspired by Latinx artists such as Ana Mendieta and Erik Ricardo de Luna Genel! COURSE ADOPTION POTENTIAL: For university courses on Latinx literature.
Rating: 0 out of 5 stars0 ratingsfox woman get out! Take the body and split it wide open. Fill it with light. See the multiple interiors, the layered death, the familial mythology, the throb and splendor of being, the shedding of the body altogether: this is fox woman get out! Traveling from the corporeal to the cosmic, from life to death and back again, fox woman get out! is a full-throated performance of humanity in search of truth, ancestry, and artistic authenticity. Moving through themes of lineage, twinship, femininity and masculinity, reclamation of Indigeneity, dance, gender roles, and longing, González’s poems are a crescendo on the page. Part ecstatic elegy, part spell, this is a betwixt poetics, a kaleidoscopic, disruptive, and meditative work.
Rating: 0 out of 5 stars0 ratings
Moving Collections from U.S. Poet Laureates
Splitting an Order Rating: 5 out of 5 stars5/5Time and Materials: Poems 1997-2005: A Pulitzer Prize Winner Rating: 3 out of 5 stars3/5Faithful and Virtuous Night: Poems Rating: 4 out of 5 stars4/5The Apple That Astonished Paris: Poems Rating: 5 out of 5 stars5/5Every Day We Get More Illegal Rating: 3 out of 5 stars3/5A Time of Bees Rating: 0 out of 5 stars0 ratingsThe Old Life: New Poems Rating: 5 out of 5 stars5/5Oblivion Banjo: The Poetry of Charles Wright Rating: 0 out of 5 stars0 ratingsCollected Poems of Howard Nemerov Rating: 0 out of 5 stars0 ratingsSelected Poems, 1968-1996 Rating: 4 out of 5 stars4/5At the Foundling Hospital: Poems Rating: 4 out of 5 stars4/5
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About Poetry
Don’t tell me the moon is shining; show me the glint of light on broken glass.” This quote by Anton Chekov illustrates the heart of the poetry genre: an ability to show rather than tell. Poetry expresses a range of feelings and emotions touching on both light and dark, joy and sadness, anger and peace. It offers social commentary in compactness of expression and can be short and punchy or lengthy and profound. Like music, it’s got rhythm whether it’s a Shakespearean sonnet in iambic pentameter, a nursery rhyme, an epic story, or free verse, Alexander Pope, Robert Frost. Emily Dickinson. Maya Angelou. Sylvia Plath. These are some great examples of well-known poets. Add contemporary sensations like Alicia Cook and Rupi Kaur and you can see how poetry continues to be a vital art form. Some bestselling poetry books online are Dante's Inferno, The Iliad of Homer, The Sun and Her Flowers, and Sorry I Haven’t Texted You Back. These titles will move you in unexpected ways. Dive in and see where a new poetry volume takes you.
Don’t tell me the moon is shining; show me the glint of light on broken glass.” This quote by Anton Chekov illustrates the heart of the poetry genre: an ability to show rather than tell. Poetry expresses a range of feelings and emotions touching on both light and dark, joy and sadness, anger and peace. It offers social commentary in compactness of expression and can be short and punchy or lengthy and profound. Like music, it’s got rhythm whether it’s a Shakespearean sonnet in iambic pentameter, a nursery rhyme, an epic story, or free verse, Alexander Pope, Robert Frost. Emily Dickinson. Maya Angelou. Sylvia Plath. These are some great examples of well-known poets. Add contemporary sensations like Alicia Cook and Rupi Kaur and you can see how poetry continues to be a vital art form. Some bestselling poetry books online are Dante's Inferno, The Iliad of Homer, The Sun and Her Flowers, and Sorry I Haven’t Texted You Back. These titles will move you in unexpected ways. Dive in and see where a new poetry volume takes you.