2
BELWIN
YOUNG
BAND
CLARINET
BOOGIE
Featuring the Clarinet Section
JAMES D. PLOYHAR, ASCAP
—
Program Notes
The “boogie” beat stil survives, although its over a half century since It was
fist heard in contemporary piano performance. In CLARINET BOOGTE the
stars are the entire clarinet section with occasional help fom the utes and
saxophones, The melody bas all ofthe elements of big-band jarz withthe car
nets leading the way.
Notes to the Conductor
‘CLARINET BOOGIE presents an deal opportunity to showcase the entire clar-
Inet section, Ideally the clarinets should standin front ofthe band for maxi-
‘mum volume. When fits and saxophones enter onthe same melody you may
choose to fave them stand in place. Be sure to instruct the band members|
thatthe dotted eighth and gixteenth note figure is played in the style of a
triplet: ST TFYh] A Also the melodc tine should be played
Ina legato (So tongue) Style this piece the larnets ae the "stars."
INSTRUMENTATION
conductor
crite
Oboe
Ist Bb Garnet
2nd Bb Carnet
Bb Bass Carnet
Bassoon
[Alto Saxophone
‘Bb Tenor Saxophone
Eb Baritone Saxophone
1st Bb Trumpet
2nd Bb Trumpet
Horn nt
‘Trombone
Baritone
Baritone TC.
Tubal
Malet Percussion
(Gals)
2 Timpani
2 Percussion
(Snare Drum, Bass Drum)
2 Suspended CymbalCLARINET BOOGIE
connueron ing Cet Sete
Agr maid 9.53 033 MES. FLOYHAR ASCAP
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Featuring the Clarinet Section
JAMES D. PLOYHAR, ASCAP
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Featuring the Clarinet Section
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JAMES D. PLOYHAR, ASCAP
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