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2 BELWIN YOUNG BAND CLARINET BOOGIE Featuring the Clarinet Section JAMES D. PLOYHAR, ASCAP — Program Notes The “boogie” beat stil survives, although its over a half century since It was fist heard in contemporary piano performance. In CLARINET BOOGTE the stars are the entire clarinet section with occasional help fom the utes and saxophones, The melody bas all ofthe elements of big-band jarz withthe car nets leading the way. Notes to the Conductor ‘CLARINET BOOGIE presents an deal opportunity to showcase the entire clar- Inet section, Ideally the clarinets should standin front ofthe band for maxi- ‘mum volume. When fits and saxophones enter onthe same melody you may choose to fave them stand in place. Be sure to instruct the band members| thatthe dotted eighth and gixteenth note figure is played in the style of a triplet: ST TFYh] A Also the melodc tine should be played Ina legato (So tongue) Style this piece the larnets ae the "stars." INSTRUMENTATION conductor crite Oboe Ist Bb Garnet 2nd Bb Carnet Bb Bass Carnet Bassoon [Alto Saxophone ‘Bb Tenor Saxophone Eb Baritone Saxophone 1st Bb Trumpet 2nd Bb Trumpet Horn nt ‘Trombone Baritone Baritone TC. Tubal Malet Percussion (Gals) 2 Timpani 2 Percussion (Snare Drum, Bass Drum) 2 Suspended Cymbal CLARINET BOOGIE connueron ing Cet Sete Agr maid 9.53 033 MES. FLOYHAR ASCAP o o 1 Ate apn Pe cd : A Allegro maderat(d = 1121573 =d 1 Tape Sun Oa om + / ee a cera aaa ciao conduc cade 3 Pot ih bal Z an i iat t Conductor 11 is bt Pit ttle Fri ontop eit fone Contr 15 Contactor 16 a Deo alten! CLARINET BOOGIE Featuring the Clarinet Section CLARINET BOOGIE Featuring the Clarinet Section JAMES D. PLOYHAR, ASCAP arama le ra 1s¢B5 CLARINET Allegro moderato ‘conto pneu srugmccen cr CLARINET BOOGIE Featuring the Clarinet Section saan rss 8. RC JAMES D. PLOYHAR, ASCAP [sou 1st Bb Clarinet-2 Ss

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