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Orango-Tango - Parte 8 (percusión)

Conjunto de guitarras Ricardo Barceló

Andantino
        
 

                        
        

                        
         

                        
         

                        
                

                   
         

    
              
              

3      



    

  
 
 

  

2

                        
         


                        
         


         
4     
      

                        
         

                        
         

                        
         

                        
                


                    
       
cresc
. Rallentando

Nota: la percusión puede ser realizada con diferentes efectos de la guitarra o con instrumentos propios.