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Universidade Federal da Bahia

Programa de Pós-Graduação em Geofı́sica


Área de Concentração de Geofı́sica Aplicada
Processo Seletivo 2014.1

Data: 17 de janeiro de 2014


Horário de inı́cio: 9:00 horas (Salvador)
Duração total: 4 horas
Nome:
Assinatura:

Questões de Fı́sica

(1) Um caminhão de massa m está sendo embarcado num navio por um


guindaste que exerce uma força de F1 para cima, sobre o caminhão. Esta
força, suficiente para provocar o inı́cio da subida do caminhão, atua sobre uma
distância igual a ∆x.
(a) Determine o trabalho efetuado pelo guindaste neste deslocamento.
(b) Determine o trabalho da gravidade.
(c) Determine a velocidade de subida do caminhão depois de ∆x.

(2) Considere que a seguinte expressão é uma solução da equação da onda:


y = y(x, t) = a1 cos(a2 x − a3 t).
(a) Determine a velocidade de fase c.
(b) Determine a máxima velocidade de partı́cula desta onda transversal.

(3) Um pêndulo simples tem uma massa m e um comprimento l. Ele é


deslocado por um ângulo de θ0 e então liberado.
(a) Determine a velocidade angular máxima.
(b) Determine a aceleração angular máxima.
(c) Determine a força restauradora máxima.

(4) O ar (densidade ρ) de um furacão sopra sobre o telhado horizontal de


uma casa com uma velocidade v. O telhado tem uma área de A.
(a) Determine a diferença de pressão entre o lado interno e o lado externo
do telhado, diferença essa que tende a levantar o telhado.
(b) Que considerações você precisou fazer para resolver o item (a)?
(c) Determine a massa do telhado.

(5) A densidade absoluta, ou massa relativa é o quociente entre massa e


volume: ρ = m/V. Se a massa m é constante, mostre que ∆ρ = −ργ∆T, onde
γ é coeficiente de dilatação volumétrica.

1
Universidade Federal da Bahia
Programa de Pós-Graduação em Geofı́sica
Área de Concentração de Geofı́sica Aplicada
Processo Seletivo 2014.1

Data: 17 de janeiro de 2014


Horário de inı́cio: 9:00 horas (Salvador)
Duração total: 4 horas
Nome:
Assinatura:

Questões de Matemática

(1) No sistema de equações abaixo, qual o valor de x e y?



 4x = 16y,
 2x+1 = 4y.

(2) Encontre o determinante da matriz abaixo por qualquer método:


 

1 1 1 0 
 
 2 2 0 2 
A=  .
 
 0 3 3 0 
 
4 4 0 4

(3) Calcule o produto escalar e o produto vetorial entre os vetores u e v,


sendo:
u = 2 i + 3 j + 4 k; e
v = 6 i + 5 j + 4 k.
(4) O vetor u da questão acima é ortogonal ao vetor w = 1 i + α j + α k,
sendo α um número real. Calcule o valor de α.
(5) Calcule d2 y/dx2 , sendo y(x) = (4 − 3x)−1 .
(6) Dentre todos os retângulos de perı́metro de 64 cm, encontre as medidas
de um retângulo em que sua área seja máxima.
(7) Calcule a integral
∫ ln 2 e4x
dx.
0 1 + e4x
(8) Determine a área limitada pela curva y = sen ( πx
2 ) e a reta y = x.
(9) Se z = f (x, y) = e2x ln(2y)+sen(2y) ln(2x), determine ∂ 2 z/∂x2 e ∂ 2 z/∂x∂y.
(10) Ache a solução geral da equação diferencial ordinária
d2 y dy
− 4 + 13y = 0.
dx2 dx
Universidade Federal da Bahia
Programa de Pós-Graduação em Geofísica
Área de Concentração de Geofísica Aplicada
Processo Seletivo 2014.1

Data: 17 de janeiro de 2014


Horário de início: 9:00 horas (Salvador)
Duração total: 4 horas

Nome:_______________________________________________________________

Assinatura:___________________________________________________________

Questões de Geologia

Questão 1. Descreva o significado geológico, o processo de formação e o tipo principal de


rocha associada ao termo Turbidito.

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Su importancia de las turbiditas radica en que estas deposiciones nos indican


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condiciones paleogeográficas, tectónicas y deposicionales de secuencias
sedimentarias antiguas.
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Las turbiditas son sedimentos transportados y depositados por una corriente marina
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generada por la inestabilidad en la distribución de densidad del flujo de agua debida al
contenido irregular de sedimento en suspensión. El flujo de densidad se produce por
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licuefacción de los sedimentos durante el transporte, los cuales provocan un cambio en
la densidad del sistema fluido agua+sedimento. En estas circunstancias se pueden
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transportar grandes fragmentos de roca a velocidades que de otra manera serían
demasiado bajas
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Questão 2. Descreva o significado dos termos: diagênese, porosidade e permeabilidade e a


influência da diagênese sobre a porosidade e permeabilidade.

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Questão 3. Descreva a relação entre: (i) a forma, a granulometria e a textura dos


grãos/partículas de sedimentos, e (ii) a energia (alta e baixa) dos ambientes
deposicionais.

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Questão 4. Descreva o significado do termo “Cadeias Mesoceânicas”, o processo de


formação e o principal tipo de rocha formadora.

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Questão 5. Represente esquematicamente o interior da Terra. Indique as profundidades e
nomes das regiões onde ocorrem descontinuidade das propriedades físicas. Indique os
nomes e espessuras das camadas que formam o interior do planeta Terra.

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UNIVERSIDADE FEDERAL DA BAHIA
CURSO DE PÓS-GRADUAÇÃO EM GEOFÍSICA
Instituto de Geociências e Instituto de Física
Rua Barão de Jeremoabo s/n, Instituto de Geociências, sala 315-C, Campus de Ondina
40170-115 Salvador, Bahia - (71) 3283-8544; Fax: 3283-8501
Endereço eletrônico: pgeof@cpgg.ufba.br

Processo Seletivo — 2014.1


Área de concentração – Oceanografia Física e Geofísica Aplicada

Nome:_________________________________________________________________

Assinatura:_____________________________________________________________

PROVA DE INGLÊS

This section has a reading passage about the photographer Robert Capa and 13 questions.
Think carefully before you select an answer.

Robert Capa
1
Robert Capa is a name that has for many years been synonymous with war photography.
2
Born in Hungary in 1913 as Friedmann Endre Ernő, Capa was forced to leave his native
country after his involvement in anti government protests. Capa had originally wanted to
become a writer, but after his arrival in Berlin had first found work as a photographer. He
later left Germany and moved to France due to the rise in Nazism. He tried to find work as a
freelance journalist and it was here that he changed his name to Robert Capa, mainly
because he thought it would sound more American.
3
In 1936, after the breakout of the Spanish Civil war, Capa went to Spain and it was here
over the next three years that he built his reputation as a war photographer. It was here too
in 1936 that he took one of his most famous pictures, The Death of a Loyalist Soldier. One of
Capa’s most famous quotes was 'If your pictures aren't good enough, you're not close
enough.' And he took his attitude of getting close to the action to an extreme. His
photograph, The Death of a Loyalist Soldier is a prime example of this as Capa captures the
very moment the soldier falls. However, many have questioned the authenticity of this
photograph, claiming that it was staged.
4
When World war II broke out, Capa was in New York, but he was soon back in Europe
covering the war for Life magazine. Some of his most famous work was created on 6th June
1944 when he swam ashore with the first assault on Omaha Beach in the D-Day invasion of
Normandy. Capa, armed only with two cameras, took more than one hundred photographs in
the first hour of the landing, but a mistake in the darkroom during the drying of the film
destroyed all but eight frames. It was the images from these frames however that inspired
the visual style of Steven Spielberg's Oscar winning movie ‘Saving Private Ryan’. When Life
magazine published the photographs, they claimed that they were slightly out of focus, and
Capa later used this as the title of his autobiographical account of the war.
5
Capa’s private life was no less dramatic. He was friend to many of Hollywood’s directors,
actors and actresses. In 1943 he fell in love with the wife of actor John Austin. His affair with
her lasted until the end of the war and became the subject of his war memoirs. He was at
one time lover to actress Ingrid Bergman. Their relationship finally ended in 1946 when he
refused to settle in Hollywood and went off to Turkey.
6
In 1947 Capa was among a group of photojournalists who founded Magnum Photos. This
was a co-operative organisation set up to support photographers and help them to retain
ownership of the copyright to their work.
7
Capa went on to document many other wars. He never attempted to glamorise war though,
but to record the horror. He once said, "The desire of any war photographer is to be put out
of business."
8
Capa died as he had lived. After promising not to photograph any more wars, he accepted
an assignment to go to Indochina to cover the first Indochina war. On May 25th 1954 Capa
was accompanying a French regiment when he left his jeep to take some photographs of the
advance and stepped on a land mine. He was taken to a nearby hospital, still clutching his
camera, but was pronounced dead on arrival. He left behind him a testament to the horrors
of war and a standard for photojournalism that few others have been able to reach.
9
Capa’s legacy has lived on though and in 1966 his brother Cornell founded the International
Fund for Concerned Photography in his honor. There is also a Robert Capa Gold Medal,
which is given to the photographer who publishes the best photographic reporting from
abroad with evidence of exceptional courage. But perhaps his greatest legacy of all are the
haunting images of the human struggles that he captured.
Q1 - Why did Capa change his name?

( ) To hide his identity


( ) Because he had been involved in protests
( ) To sound more American
( ) Because he had to leave Hungary

Q2 - Capa originally wanted to be

( ) A photojournalist
( ) A writer
( ) American
( ) A protestor

Q3 - Capa went to Spain to

( ) fight in the civil war.


( ) build his reputation.
( ) have a holiday.
( ) take photographs.

Q4 - Capa’s famous picture Death of a Loyalist Soldier

( ) was taken by someone else.


( ) was definitely genuine.
( ) wasn’t even taken in Spain.
( ) cannot be proven genuine or staged.

Q5 - When World War II broke out Capa

( ) went to New York.


( ) swam ashore on Omaha Beach.
( ) went to Europe.
( ) went to Normandy.

Q6 - A mistake meant that

( ) only one hundred of Capa’s photographs were published.


( ) Capa lost both of his two cameras.
( ) Capa’s images inspired an Oscar winning movie.
( ) Most of Capa’s images of the D-Day landing were destroyed.

Q7 - Capa’s private life was

( ) less dramatic than his professional life.


( ) spent mostly in Hollywood.
( ) very glamorous.
( ) spent in Turkey.
Q8 - Capa wanted his work to

( ) be very famous.
( ) show how glamorous war can be.
( ) show the true horror of war.
( ) make lots of money.

Q9 - Which sentence best paraphrases paragraph 5?

( ) Capa had a tragic private life and was never able to settle down and find happiness.
( ) Despite having many good friends and lovers, Capa always put his work first.
( ) Capa wanted to make friends with important people in Hollywood so that he could move
into the movie industry.
( ) Capa’s private life was very complicated. He could not choose between the two women
he loved, so he went off to work in Turkey.

Q10 - Which sentence best paraphrases paragraph 4?

( ) Capa never tried to avoid danger. He risked his life to take photographs of the D-Day
invasion, but then destroyed most of them.
( ) Capa took some of his most famous photographs during the D-Day invasion, but most
were tragically destroyed in an accident.
( ) Capa only kept the best eight D-Day photographs as the others were out of focus. These
inspired the visual style of a Hollywood film.
( ) Capa left Europe when the war broke out and went to take his most famous photographs
of the D-Day invasion.

Q11 - Q13 - Which THREE sentences best summarise the passage?

( ) A Capa’s work tried to show the beauty within the horror of war, that’s why so many
photographers have tried to copy his work.
( ) B From his earliest years Capa was active in political journalism and reporting. This often
got him into trouble with the authorities.
( ) C Capa was not afraid to get close to his work and often risked his life to ensure that his
photographs were as good as they could be.
( ) D Capa wanted to have a glamorous life style and so he made friends with Hollywood
film stars and even had a film, ‘Saving Private Ryan’ made about him.
( ) E Capa was deeply committed to trying to stop war and he left behind him a legacy that
continued to support and inspire other photojournalists to continue this work.
( ) F Capa had always wanted to be as American as possible, so after the war he changed
his name and went to live in America.

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