MUSIC AND CHANTS FOR MANGALA ARATI $RI SRI GURV-ASTAKA by Srila Vivanatha Cakruvarti Thakura (also known as the Sanisara Pravers) DULDDUELLUUD Verse 1 (Lead and Response) coe F i eS — _— = = pS = a & = Zs eas sah osh ore db. na ta ha. To ni ya Bb c F Gm —SS—= SSS | kao munya = ghana = gh = nat = vam yb na rr Dm Gm c F | vas = ya van de gu = rob Sti . casrasmi ra vin dam Verse 2 F Bb - ——— 2 mma hi pra hob Kir ane = art yu vidi ua ma - dyan‘SRI SRI GURV-ASTAKA, \ Dm bhakta . sah ghan ket vai c = te => = — dha. i tha vat» pra Twas van na - F Gm ti bha ja tah sa F von dogs rohan oni vin -dam Dm Gm Sse: = os ki. mi = dhasva yor a. pa mid hry lk F 4 * i: =5 * | nim im pra i dana to Ww Gm F van deg toh a To vin dam a = 7 = — yo fo mG ke yas ti F 2 — oo i dak ys ad Dm Gm F S > 7 is ve 7 wa van-de go rob rane = ra - vin = domSVEPIEPIIILILAELLUL LVL EES VETS TTI U PST P PEPPER URNA MUSIC AND CHANTS FOR MANGALA ARATI Verse 3 ‘Thisis a variation ofthe mclody as sung by Srila Prabhupada It can be sung for any ofthe verses as demonstrated here for verse 3. F Lead and ResponseMUSIC AND CHANTS FOR M: SRILA PRABHUPADA PRANATI a Prabbupida Founder-Acarya of ISKCON Obeicances All the melodies sung at Marigata Arai are based on the morning melody Lead and respon Verse! Dolce e piano — — = — —_ -— — = Moderato o c —— an a Verse 2 F tee ae a 3 —_ : eau a & pic yas de BL |e = oLULL | DEERE LEED MUSIC AND CHANTS FOR MANGALA ARATI 4 PANCA-TATTVA MAHA-MANTRA ‘Oheisances to Sri Caitanya Mahaprabhu and His Main Associates (Get to the morning melody) Andante Lead and Response F €B SEATY SS SS = > —F vw on ec tan Gm a + =SS=e SS Sis ad = vai = ta ga = did» hana i kis =a cai tanya pra bhu nit - yd an di ad = vat ga = dad -ar(a) sth va sks Isttime all repeats 2nd ime for finish F avrta) bhak-ta ven * (a) The final ais not pronounce.MUSIC AND CHANTS FOR MANGALA ARATI HARE KRSNA MAHA-MANTRA (set 10 the morning melody) ————= == Krona Has re Ha ”~ - - - -~ ~ —_ _ —_ — - F Gm > c == z = = SS =e = re Hare RA ma Ha - te Ra - ma Rama Rao ma Hate Ha Ist time [2nd time 1 F F F ee SAE == = ete ore Hare Koos Ha re Krys 9a Kn c F Gm c Dm 3 = = Ses t= jas JS= SSS SS Se pa Krona Hare Has re Hare RA- oma re Ri - ma Rama is time 2nd ime 1 c ¥ IP ana c c = Rima Ha. re Hare Haste re Has re Kena “Ha re F é ee ; Kr He Keon Kea Ha ve Ha re” Hare Ra isttime [ane Gm c E We Ha ore RA. me Rima Rima Ha. fe He - re Hare re by Srila Narottam dia Thakur c F Gm Ss = 5 SS F 2 has si haraye nama hip-na "Yas daa. ya “na Tah 20 pla) go - vin «da ram(a) Figtime 7 peatime SSS == | SSS sti- ma-dhu-si - dan(a) ha dan(a) F Bb hha-raye nas mabkys-na yl da va yaNAMA-SANKIRTANA F M == + SSS = ee mama go pila) go. vine da rama) bara sama kis pa yk da vayama ma-b go ila) go vin da = rbm(a) set ma dh 50 [ist time ‘2nd time r Bb Gm —— ——— Et + = anja) ha dan(a) ha = araye na mab gy na ya dacvds ya mas mah F c F F : — =SSSss = 1 go pala) go = in da rim(a) et ma dha 63 dana) ha dante) a (1) O Lord Hari, © Lord Krsna, offer my hari haraye namah krsna yadavaya namah yadavaya madhavaya kesavaya namah @) gopala govinda rima Sri-madhusiidana giridhari gopindtha madana-mohana @ sricaitanya-nitydnanda Sri-adwaitasité hari guru vaisnaba bhagavasa gid « sri-ripa sandtana bafta raghundth Sri-jiva gopala-bhatta dasa-raghundth 6) ei chay gosdir kori carana vandan jaha hoite bighna-nas abhispa-piiran © oo i chay gosai jr mui tér das td-sabdra pade-renu mora parica-gris o taderacaranasebi-bhakta-sane bas janame janame hoy ei abhilds 8) ei chay gosai jabe braje Koil bas nidhd-krsva-nitya-tild korila prakas 0 nande bolo hari bhaja bendaban Sreguru-vaisnaba-pade majaiya man (10) Sri-gurw-vaignaba-pada-padma kori as nama-saikirtana kohe naronama das obeisances to You, who are known as Yadava, Hii, Madhava, and Kesava 2) 0 Gopata, Govinda, Rima, Sri Madhu- sidana, Giridhar, Gopinatha, Madana-mohana! (3) All glories to $4 Caitanya and Nityananda, All glories to Sri Advaita Acarya and His consort, Sri Sita Thakurani, All glories to Lord Hari, the spiritual master, the Vatsnavas. Srimad-Bhagavatam, and Srimad Bhagavad: site (4) All glories to $1 Rapa Gosvami, Sa Gosviimi, Raghonatha Bhatta Gosvami siva Goswami, Gopia Bhatla Gosvami, and Ragunatha dasa Gosvami (5) Lotfer my obeisances tothe feet ofthese six Gosvamis. By offering them my obeisances all obstacles to devotion are destroyed and all Spiritual desires ae fulfilled. (6) 1 am the servant of that person who is 8 servant of these six Goswimis, The dust oftheir holy fet is my five kinds of foodstutfs, (9) This is my desire; that bitth after birth T ‘may live with those devotees who serve the Jotus fet of these six Gosvamis (8) When these ix Gosvmis lived in Veaja they revealed and explained the eternal pastimes of Radha and Krsna. (9) Absorbing your mind in meditation upon the divine fect of the spiritual master and the holy Vaisnavas, chant the names of Lord Hari im ecstasy. and worship the transcendental realm of Vendavana (10) Desiring the lotus feet of Sri Guru and the Vaisnavas, Narottama isa sings the saikirana of the holy name.SRI NRSIMHA PRANAMA TUULEEEED Andante 0AM sad Respe : E = =S ve. fim = — c = = ya “ 2 no kha E = —— rer SS ny + sit = hab pas F s SS SS sith < hab ba ira sith ho hy da yep sith ho or Bb \ s hir on = sim = ho hr = da c F SSS ach pra-pa - dye and straight intoMUSIC AND CHANTS FOR MANGALA ARATI amas te narasiahdya prahladahlada-dayine siranyakasipor vaksah. Silé-jarika-nakhiilave ito nrsirthak parato nysiniho ato yato yami taro nrsirithal bahir nrsinaho hrdave nysiniho rnysimham adinn Saranarh prapadye I offer my obeisances to Lord Narasitha, who gives joy to Prablads Maharaja and whose nails are like chisels on the stonelike chest of the demon Hiranyakasipu, Lord Nrsiha is here and also there. Wherever I go Lord Nrsiiha is there. He is in the heart and is outside as well. I surrender to Lord Nysitnha, the origin of all things and the supreme refuge. PRAYER TO LORD NRSIMHA (om Sei Dasavataras bby Jayadeva Gosvami SS tesva kas ra kao mala. va =f Khamad- Shue - sph - gah F Gm c F ee ye ere ° == f =n. Finish - or can be extended cca ae ee pees if desired, by the following jay(alja-ga- di. Sa hare jayfadja-ga dh - &@ ha rePRAYER TO LORD NRSIMHA. ha 5 ——————— = ya prab-ldda mahi = raja prabldda maha - raja ja - ya prah-lida ma - a c on te = —= F F oeoeaceees otk SS = [isttime torallrepeats dT @ F & = =: q + — = - eee oe ‘ava kara-kamala-vare nakham adbhuta-sprigam dalita hiranyakasipu-tanu-bhriigam kesava dhrta-narahari-ripa java jagadisa hare © Kesava! O Lord of the universe! O Lord Hari, who have assumed the form of half-man, hhalf-lion! All glories to You! Just as one can easily crush a wasp between one’s fingernails, so in the same way the body of the wasplike demon Hiranyakasipu has been ripped apart by the wonderful pointed nails on Your beautiful Totus hands,MUSIC AND CHANTS FOR TULASI ARATI SRI TULASI PRANAMA “This is 8 short chant and as chants are individual and different with ‘each person, this music is only meant to be a guide. Chants are usually sung round three oF four noves, mostly starting on middle C. Rhythmically ————— = = = ¢ wee 2S Qi yal Ta da Sh de yal he ta vas-y0 ca =k we ‘at ya ‘This should be repeated three times vrndayat tulasi-devyai riydyai kesavasya ca krsna-bhakti-prade devi ‘atyavatyai namo namah 1 offer my repeated obeisances unto Vrnda, Srimati Tulasi-devi, who is very dear to Lord Kesava, O goddess. you bestow devotional service to Lord Krsna and possess the highest truth, SRI TULASI-KIRTANA ‘The frst par of tis song is often sung asa chorus ater each verse. Here itis used a the beginning ofthe song and also to finish after the fifth yerse. IL quite correct todo it either way: Verse 1 Andante © Lead and Response $3 = = - = = # m mo oe re Bb c G c x -4ESs = “3 $e ee 7S + PF pe. yt “ mmo mame boSRI TULASL-KIRTANA VALLIDD SELUL c F : : ~ 2S = = = ye me | me ky, as van cha F Bb : c x = zs = BS = ra hoy keep kori kom oe Bb F = = S= = = = SS = = = bm di va soma ba 8 a 35 = = =a = =‘MUSIC AND CHANTS FOR TULASI ARATIa namo namal tulast krsna-preyasi namo namah ridhi-krsna-seva pibo et abhilist e je tomara arana loy, tira vatichd piirna hoy krpd kori’ koro tare byndavana-basi @) mor ef abhilds,bildsa kuilje dio vas nayane heribo sada jugala-ripa-rasi o ei nivedana dharo, sakhir anugata koro sevd-adhikira diye koro nija dast ©) dina krgna-dase koy, ei jena mora hoy srevadha-govinda-preme sada jena bhasi Rhythmically Gm Lead and Response SRI TULAST- IRTANA (1) © Tulasi, beloved of Kryna, I bow before you again and again, My desire is to obtain the service of Sri Sri Radha-Krsna. (2) Whoever takes shelter of you has his wishes fulfilled. Bestowing your mercy on him, you ‘make him a resident of Vendavana, (G) My desire is that you will also grant me 8 residence in the pleasure groves of Sri Vrndvana-dhima, Thus, within my vision I will abways behold the beautiful pastimes of Radha and Krsoa (4) [ beg you to make me a follower of the cowherd damsels of Vraj. Please give me the privilege of devotional service and make me your own maidservant. (8) This very fallen and lowly servant of Krsna prays, "May I always swim in the love of Sri Radha and Govinda.” SRI TULAST PRADAKSINA MANTRA (To be chanted while walking around Tulasi Devi) ‘Three alternative melodies are notated here. Any ofthese can be sung, brah -ma-hat = yi Lead and Response Dm Gm tA so s = ss : jh Se é Geni = ni pra nas yan i pradak- si-oab pa - de pa = deMUSIC AND CHANTS FOR TULAS! ARATI pra dak - si = nah pa. de Wen w= oak pra = mas = yan i ‘yani kani ca papani ‘brahma-hatyadikani ca ‘ani tani pranasyanti pradaksinah pade pade By the circumambulation of Srimati Tulasi Devi 7 all the sins that one may have committed are destroyed at every step, even the sin of killing a brahimana. PANCA-TATIVA MAHA-MANTRA Lead and Response c EE aRPANCA-TATTVA MAHA-MANTRA bhakta sin ham dim ara Bb Cm Response Ab Bb z —— = i SS oS sue papa. yer ssh ohm. dh fa ma gah papa dyePESEEEDTITEDULELLLESLULICU UIST U PEP U RUE P UR ULUe MUSIC AND CHANTS FOR RAJA BHOGA ARATI PRAYER TO LORD NRSIMHA (ram $11 Dasivatire-stotr) by Jayadeva Gosvami & S= = ow ws oS — ap jew de hee nom ie Bb Cm This song is usually finished as shown below. BT Eb pk 2s — * = # SS SSF = oS ja yar sth ha = dewey ja sya Bb ES 2 = sa —S ———— Se dev(a)— ja - ya op sith ~ ha - dev(a) ja yaar sith - ha - dev(a)— ja y= sim ha dex(a) r= sith SS = rah-tid maha = ofa) jas ya peah-lad- ma =h& = (a) prab-lad maha - raja) a Eb Bb7 prabelid «ma hd raj(a) ja = ya prah-Id = maha - rli(a) ja - ya prah-lad - ma 66,eee PRAYER TO LORD NRSIMHA Bb Eb x & st yg aS ==> —s = = (a) rah -ad(a) ma = i raja) ja = yo prahlad(a) ma «ha = ala) ja = ya pra. bhu pi. da jas ya pra hu pi = da pra = bhu prayer and I have given a different one foreach Srati where thisis sung, & = SS <=} == = da ja - ya pra. bhu pa da ja - ya pra - bhu pa da (@) not pronounced “This melody for $ri Npsitiha Prandma is the most usual one. However there are many melodies that are sung to thisMUSIC AND CHANTS FOR RAJA BHOGA ARATI : | SRILA PRABHUPADA PRANATI 4 : SPomnaer hear of BRCM =| = Moderato = ~ Ss ne ) tha - ya bhi ta Ie Sri-ma-te — bhak-ti ve - din ta - sv - min i Eb Eb ee , SS == —— == axa) ~ si as [sttime allrepeats Eb a din - [Spa time for finish Eb appa Ga (a) not pronounced.HARE KRSNA MAHA-MANTRA “The melody is up tothe lead singer. PREMA-DHVANI PRAYERS (for text see page 28) SRI NRSIMHA PRANAMA Moderato e ritmico C Verse 1 Lead and Response G c DUDDESSSTTTELEAD pe@ por akg bis mp sya. ka por ovakest he gah peo Sor sith hah pare. toms Sih ho = tome Sih hah pa ea G c G fe = a a SS fo ape sh ho Ye tO yk YR ms top sh ah = ya tyeTPA AAA TAAL EDD MUSIC AND CHANTS FOR THE AFTERNOON ARATT c F c G $ SSS ee pg x = ho. bas hier sim ho hr da ye mrs si hoon = ith = ham & = dim Sas ra pai prepa - dye ar = sit hamea din Sas ra - mah pra-pa- dye And straight into the following PRAYER TO LORD NRSIMHA (rom Si Dasavatra-stotra) by Jayadeva Gosvami jaya ea di Sa has re jaya) ja < ga sa ha = te Finish or can be extended by a F co dev(a)— ja = ya np sith ~ ha - dev(a) ja - ya co devia) nr = sith ha - dev(a) ja - ya np - sith - ha - dovfa) ja - ya prahad(a) ma - haPRAYER TO LORD NRSIMHA raja ja - ya prab-lad(a)ma hi - rai(a) ca prab-lad(a) me - ha F aja) eS St Se ss) ja = ya prab-thda)an = F = = ya prahdic(ayma he - aj(a) ja da prabhu - pi - da ja (2) not pronounced y ist time F prab-lad(a) ma cr pra bhu ha rata) prahad(a)ma ha F da jas ya pra. bho ][ Spa time for finish FAndante D SRILA PRABHUPADA PRANATI Odcisancest Founder Aci Sung tothe evening melody. pie EE SS z ——— na-ma oh vig = u- pada - ya kry-na - pres gna - ya = SS = = a a Se ak fei-mate bhak - i. ve din Sicmini Bm of = = aaa SSS sberassvacti de. ve gauras vi - ai pra A ~ D z = Ss ae Hoe ninvise = ja-s00 ya va Ol Pis-ca-tya -de-sa = and straight into: GAURA ARATI jahMUSIC AND CHANTS FOR SANDHYA ARATI Verse 2 Bm _ * * —_ ae Se <= = = = Seige SS SSS SS da khi ne ni - tai_____ cad, ba-me ga da - dha na G A D — ee eee : 7 - vues + = To gieka fe ad val Tv cha-tra- dba = 1-Lb-1-L14 4144444444004 ‘ a a fai-kha ba je ghap 1a ba - je ma-dhu - ra mp - dai. ga. ba - je Pa-faoma so. laGAURA ARATI 1 | on | —F * t = — G A D A eS he == = == 4 ~ a = x hh ep SSSS5 =—=s G A D A SS = —— = ~ ewe a> a a a ed = a bha ka tis wi no» da de» khe—— go-ra- ra sam - pa da i) is taking place in a grove on the banks of the jdhnavi-taja-vane jaga-mana-lobhd all living entities in the universe. q (2) On Lord Caitanya’s right side is Lord Nitydnanda, and on His left is Sri Gadadhara, Nearby stands Sri Advaita, and Srivisa ‘Thakura is holding an umbrella over Lord ® Caitanya’s head, (3) Lord Caitanya has sat down on a jeweled throne, and the demigods, headed by Lord Brahma, perform the drat! ceremony. @ dakhine nitdicaid, bame gadadhara nikage advaita, srinivasa chatra-dhara bosivdche gordcarid raina-simhdsane Grati koren brahmad-ddi deva-gane ® (4) Narahari Sarakara and other associates of naraharisidi kor" camara dhulaya Lord Caitanya fan Him with cdmaras, and ‘jaya muleunda-ds ghos-adi ga devotees headed by Sanjaya Pandita, Mukunda Datta, and Vasu Ghosa sing sweet kinana, © (5) Conchshells, bells, and karadlas resound. Sarikha baje ghanta baje baje karadla and the mrdariges play very sweetly. This imadhura mrdaiga baje parama rasdla krtana musi is supremely sweet and relishable to hear. Oy bahu-kow candra jini’ vadana ujjoata ‘gala-dese bana-mala kore jhalamala (6) The brilliance of Lord Caitanya's face conquers millions upon millions of moons, and the garland of forest flowers around His neck o shines ‘iva-Suka-ndrada preme gada-gada (7) Lord Siva, Sukadeva Goswiim, and Narada phakauinoda dethe gortra sempada Muni are all there, and their voices are choked with the estasy of transcendental love. Thus (1) All glories al glories to the beautiful dri —‘Thakura Bhaktivinoda envisions the glory of ceremony of Lord Caitanya, This Gaura-arati Lord Sri Caitanya. 9FA EEE CEE MUSIC AND CHANTS FOR SANDHYA ARATI PANCA-TATTVA MAHA-MANTRA D Bm si kg oma cal lan = ya pracbhu nit. ya nan a G A D A Siicad-vai st ga-di-dhacra Seiwa Sa gau-ra bhakia vin da [Repeat as desired and then straight into HARE KRSNA MAHA-MANTRA (Sung to the evening melody) D Bm 4, so ; CBE = OPS Hate Krvoa Hasse Kip os Rigas ipa Ha. re Hare [isaine arepexs——] A D a Repeat as desir SH] then extend re a a F = oE Se desired with Hare Ri ma Ha- te Ra- ME Rima Rama Hate — Hare — Ha. following [Paine Ta oreReR |g D AT x == x x = 7 SS SSS SS SS | Mace Haste Hacre Ris - 9a Ha-re Kiss na Krg na Kp = oa Haste im ‘7 Wi gusra ha i bol has AT = poppe = = eH ni th gau-ra hari bol has‘HARE KRSNA MAHA-MANTRA A [ae aaa ——] D =e = = RRR SEER = = =i =: aes Se =F bol hari bol ni tai gauera ha-wibol nh 18) gauera hari bol jn ya AT D asttime Repeat as many times as pes = SS] cles snaceones oe aa rr + of the Deities asocated fh Ghd gockulisnanda rd - hi -go-kuli-nanda dhe jaya wit the temple and finish with Pad time lay + ae = chi jas yap hu pis da jas ya pra thu pe da AT D [isttime allepeats [ad dime is] +: = - = SE — SS Pa ins ya pe ds ja yn od PREMA-DHVANI PRAYERS (for text see page 28) SRI NRSIMHA PRANAMA Moderato Verse 1 Fim Lead and Response D Fem ize === pass =] = mas ms tena ra sith ha va na masMUSIC AND CHANTS FOR SANDHYA ARATI Sth ho § + 10 ape sith hab pasta - to mp sim ho = to mr-sim-ho | i = to apes hab - pare tongs Fim Bm ce pA = x = SSS nr sit hab ba = ir Fem sth hoy ath pra pa dye and straight in PRAYER TO LORD NRSIMHA (trom Sri Dasivatira-stotra) by Jayadeva Gosvaml Fim tas vaskasra = kamal va = re = na-Kham_ad-bhu-ta Fim kas mala va = re - na kham ad bhu-taPRAYER TO LORD NRSIMHA pe jaya) ja - ga - a sa ha = re jaya) ja ga dl. ha Tsttime for repeats finish || 2nd time (it desired) Bm AT D ia ya ay-sth = ha. dev(a) ja yap sh Ra “Thote are a wide variety of melodies for the Mabi-mantea sung atthe Sayan Ava the only proibion beng that the tempo should be on the slow side and it shouldbe sung softy and sweetly. PREMA-DHVANI PRAYERS (for text see page 28) 87 Repeat as desiredi AL i « ‘MUSIC AND CHANTS FOR SAYANA ARATI SRI NRSIMHA PRANAMA verse1 Moderato Eb Lead and Response Fm = SS oS Fm Bb i Kc ——— Per ern dis yi. ne prada td Eb F Eb _| eran Ge == é SSF S= = dey me A rap yh ke por akg rag ya Fm FI + ——== por vak 1h tah ke poh ls ye tah kn Verse 2 Fin ES + © = nresivho top sin hah SSS tone sineh Bb . . Bb . —— < SS S a ‘ Eb B ‘ a" hon F cm Eb a tia pag AAA AA AR aos ‘r- sith-ho hy da ~ ye Eb nr sithsho ba hir np sith-ho Bb ss = A) SS ye mre stivho np = sit am a= dik - < nath pra-pa-dye or sity ham a - ditPRAYER TO LORD NRSIMHA (rom Sri Dassvatara-stotra) by Jayadeva Gosvami TEBETD LEU E> Eb cm Fm SSS SON SNE == = SSS H 2 ain pra-pa. dye Gov kasrakasmactasva sre nackham - ad-bhu-ta = én - gah ’ c . Bb E> cm ‘ hone St ‘ ES = ie oe rs = SSS G5 tabi van ya ki Sis po. tamu. hem > gam ke-ta-va hy = ta say a) ja - ga - di ha - re Fisttime Eb jay(a) jas ga di ad time Wa eee (optional ending) Ab =i hha + dev(a) ja ba devla) ja» ya prah-lad(a)— maha raj(a) ja» ya Eb Ab prahd(a)ma ha. rijfa) x SSS i rabid) ma ha raja) = jas yap ah ad(a) maha raj(a) ja pra hu da jaya [isttime ~——\[Zndtime | allrepeats| finish =f