ESCALAS E ACORDES

Escala/modo

Grau de origem

Construo no tom de C

Trade (tenses comumente associadas), acordes ou funes

PRINCIPAIS
Jnico
I
CDEFGABC
C (6, 7M, 9, 13)
Drico
II
C D Eb F G A Bb C
C- (6, 7, 9, 11, 13)
Frgio
III
C Db Eb F G Ab Bb C
C- (7, 11), Csus (7, b9)
Ldio
IV
C D E F# G A B C
C (6, 7M, 9, #11, 13)
Mixoldio
V
C D E F G A Bb C
C, Csus (7, 9, 13), V, V_IV, V_V
Elio
VI
C D Eb F G Ab Bb C
C- (7, 9, 11)
Lcrio
VII
C Db Eb F Gb Ab Bb C
C (7, 11, b13)
Diminuta tom inteiro
sim.
C D Eb F Gb Ab A B C
C (b7)
DOMINANTES
Mixo b13 hindu
V m.m.
C D E F G Ab Bb C
C (7, 9, b13), V_II
Mixo b9 b13 espanhola
V m.h.
C Db E F G Ab Bb C
C (7, b9, b13), V_III, V_VI
Mixo #11
IV m.m
C D E F# G A Bb C
C (7, 9, #11, 13), subV
Tons inteiros
sim.
C D E F# G# Bb C
C (7, 9, #11, #5), V, V_IV, V_V
Alterada
VII m.m.
C Db D# E F#(Gb) G# Bb C
C (7, b9, #9, b5, #5), V, V_IV, V_V
Diminuta meio tom
sim.
C Db D# E F# G A Bb C
C (7, b9, #9, #11, 13)
Mixo b9 13
V M.h.
C Db E F G A Bb C
C (7, b9, 13)
Drico b9 (sus)
II m.m.
C Db D# F G A Bb C
Csus (7, b9)
OUTROS MODOS (m.m. e m.h.)
Menor harmnica
I m.h.
C D Eb F G Ab B C
C- (7M, 9, 11)
Menor meldica
I m.m.
C D Eb F G A B C
C- (7M, 9, 11, 13)
Jnico aumentado
III m.h.
C D E F G# A B C
C+ (7M, 9)
Ldio aumentado
III m.m.
C D E F# G# A B C
C+ (7M, 9, #11)
Semi lcrio
VI m.m.
C D Eb F Gb Ab Bb C
C (7, 9, 11, b13)
Drico #11 romena
IV m.h.
C D Eb F# G A Bb C
C- (6, 7, 9, 13)
BLUES E BEBOP
Pentatnica maior
I
CDEGAC
C, C7
Pentatnica menor
VI
C Eb F G Bb C
C-, C-7
Blues
VI
C Eb F F# G Bb C
C, C7, C-7
Bebop (dominante)
V
C D E F G A Bb B C
C7, C7sus
Bebop (maior)
I
C D E F G G# A B C
C7M
Bebop (menor)
II
C D Eb E F G A Bb C
C-, C-7
Bebop (menor II)
I m.m.
C D Eb F G G# A B C
C-, C-6, C-7M
Bebop (meio-diminuto)
VII
C Db Eb F Gb G Ab Bb C
C-7(b5)
m.m. = menor meldica | m.h. = menor harmnica | M.h. = maior harmnica | sim. = escala simtrica | C = C(b5) | C+ = C(#5) | b7 = stima diminuta