Romance

sem palavras, nº 1
À Lúcia Fleury de Araújo

  
Arranjo: Tauan Taiguara Elpídio Pereira

 
     
Moderato

Violino

   
       
  
 3

   
3 3 3 3 3

 
      
 

  
     
 33

 
3
3 3 3

   
Piano 3

    
3

   
               
4

 
       


 
rall. molto


3

    
       
   
      
rall. 

      
molto
3


3 3 3

3 3 3 3 

         
      
7




    
3

   
a tempo

 
3 3 3

  3 
  

             
    

3
 3

 
3

 
3 3
a tempo

 3 3
3
        
        

10


        

rall. a tempo

   3  3
3 3

  3  
     
         
 
rall.


3 a tempo

    
3

 
         
   
3 3

 
13 3

  3    
      
           
3

   
3   allarg.



3

 
         
3  3

      

   
3 allarg.

    
3 3 3

  
3

  
 
         
3 3 3

          


  
16 3 3

              

  
         
   
a tempo allarg.


3

 
        
3


3 3

 
allarg.
a tempo

 
   
     
19 Più mosso

           
            
       
a tempo rit. 
3 3 3 3

     
     
   
3 3 3 3 3



a tempo 3

  
rit.

7
7
2
   
      
     
22


   
          
                        
   
3 3 3 3 3 3 3 3 3 3 3 3

       
     
    
                
   
  
25

 
                     
 
3

       
 rall.
3

3 3 3 3

                          

rall.

    
3

 
3 3
3 3 3 3
3

 



           
28

   
     

a tempo

                       
3 3 3 3 3 3 3 3 3 3 3 3

        
 
a tempo

         
 
31

  3  3  3  3  3  3          

              
       

                
3 3 3 3 3


3

     

3
  
        

34

   3  3
            
  3         
3 3 3 3 3 3

                      
 
3 3 3


          
37
Tempo I


     
       

 

 

 

    
  
  
rall. molto

         
3 3 3 3 3 3 3 3 Tempo I

             
  
rall. molto

          
  
40

    
     
                   
3

 
3

              
    


   
             
42


                  
                  
rall.  molto a tempo

 
                 
  
rall. 

      
molto

  

4
  
          
     
45 3

   
                 
 
3

   
3 

     
allarg.


3 3

               
           
 3 3

 
3 allarg.

    
  
 
      
3 3 3

             
   
3


48

   
             
a tempo 


cresc.

      
3

     
   
            
  
a tempo cresc.



       
    
51 3


      
3

    
rall. molto a tempo

    
           
3 3 3 3 3 3 3 3

  
         
   
3 rall. molto

    
3


a tempo

 
    
    

53


    
                       
                
3 3 3 3 3 3 3 3 3 3 3 3

    
   

5
     
  
56

 3 3 3 3
                                    
                
3 3 3 3 3 3 3 3

      
  
  

      

59

     3
                                     
rall.

           
3 3 3 3 3 3
3 3 3 3

         
  
3

  

  

62

 
              


         
3 3 3 3

   
 