Flute Danças Brasileiras

1. Humaitá Rami Levin

q = 96
    
 
             

mf

    
    
7
   
         
    

      legato
                
 
13

          

  mf

  
21  
                     
f mf

          
31
    
         
  
f mp f

     legato
     
  
38
           
      
f  mp

    
45
        
     

     
56
           
         
  

mf

   
           
63
       
 
f mp

 
  
73

           
©2005 Rami Y. Levin ASCAP All rights reserved
2 Flute
       
                     
84
     
  
f

    
 
              
90


    
f

   
           
 
96

   
     
  
mf

     
  
       
102

          
 

111


         
              
  


121     
           
        

   

128
          
  
         
f

Flute 3
Danças Brasileiras Rami Levin
2. Lagoa
h = 84
   
 
        
3

mf

 
        
3
   

40


mf

48     
    
   
mp mf

66

         
  

76
        
   

mp

85          
       
    
mp

97
     
       

 

    

103
              
           

     
109
       
 
f
4

118          
   

mp

131

        
         

        
137

            

 
    


         
143
       
     

 

      
149
    
            
    
f mp


155

                       

   

161

     
   
     
          


168
   
         


173

         


  
             
5
     
  
3
178
 


    
185
          

 
f


      3 
3
192
   
3
  
  
f

199      
        

208
 
            
     
mp mf

        

215

        

       

220
  

6
Flute Danças Brasileiras
3. Botafogo
     
Rami Levin
q = 172 
         
            
3

    
f

             
6

               
p mp

   
             
12
     
     

17               
    
3

     
f p

   
  
23 
        
mp f

         
3
            
31 3

    
      
mp

   
           
36
   
            
f
 Flute 7

  
40
    
                           
mf


                        
44

       
  

48 
                         
mp

52
              
                    
      

56
   3     3 
          
3

    
f mp

     3
     
61

               

       
3
     

66
     
  
mf

 
69
   
3
       
    

f
8 Flute
         

73
                  
   
 
f

78
                 
         

p mp

3  
84
                     
       

f
 3
                   3 3 
         
89 3

 


94 
               
mp

107
      
    
    
     
mf

    
113
   
                  
p

  

118

    
   
               
 f

         3         
3

       
   
123
 

f
        3   3
  
127
             

 Flute 9
133
     3
  
3

3

         
f mp

139
       
        
    
mf

         
145

              

mp

        3 
          
151

          
f
 3
       3                
      
156

 

   3 3    3  
 
  
            3 
161

    
ff
 3
               3 3     
     

166
  

f

 
     
           
172
      
        
ff

  
 3 
               
3

177

    
      
  
f

 
      
         
181

           
fff
Oboe
Danças Brasileiras
Rami Levin
q = 96

1. Humaitá
            
           

  

mp

  
13

                     
 
legato
          
     mf

21

                  

33
  
                 
        
mp
f

42
       
legato

             
   
mp

53
 
                  
 

    
64
      
           
mf f


74

         
mp

 
        
83

               
p ©2005 Rami Y. Levin ASCAP All rights reserved
2 Oboe

      
91

   
                    
  
f
 
       
98

       
     

mf

              
106
 
       



                           
116

    
          
 
                
123

  

  
      
128
     
        
 

f
Oboe 3
Danças Brasileiras
h = 84
2. Lagoa Rami Levin
legato 3

  
3
      
     
mp

8 3
 
3
       
     

16
 
3 3
        
    

24
   
3 3
      
     

32
   
3 3
           

mf

40
   
3 3
      
     
mf

48 
      
     p
f pp
62

       
    
mf

70

         
 
mp

78
   
      
4 Oboe

     
90

              

mp

             

96

      

       
102

                 
108
      
        
 
 
 

 

114
        
              


        
  
120
      
       

126

       
   
   
     
 
mf mp
132

            
              


138

                      
     


144

               
    


149

                   
       
154

              
         

 
 Oboe 5

   
160
     
           
f

167
   
        
3
   
f

174
    
  
     
3
    
f

 
181

          
3
   

 
188
      
3
       
 

195

            

  
        

 
202
      
 
3

         

209

            
    
 
mf
mp

215
        
       
  

220
  
     
  
 
Oboe 7
Danças Brasileiras
3. Botafogo Rami Levin


                    
q = 172 3

   
   
f


6

                        
   
p mp


12

                         
 

         
17

             
   
f p

  
23

              

mp p
  3
          
31 3

                   
f

                 
36

    
        
f mf

41
 
                           
   

 
45
 
                         

          
50
   
                     
mp

       
54
 3 
             
  3
 

8 Oboe
58
    3  
    3
             
f mp

            
3
         
63

          
mf

      
   3      
68 3

            
 
 
f
 
              
 
73

          
f p

       
 
79
       
 
mp
       

                     
84

       
mp

          
     
89

         
   
94  

          

       
mf

3  
       
102
        
 
   
3 3

   
    
 
mf

   3   3
             
108

      
      
mf

    
113
 
               
f
 Oboe 9


130
    
3

    
3 3
    
    
f
mp mf

 
136 3

    3
            

 
mf


142

          
     
mp


     
148
 
                   
  


153
     
                   

mp

     
    
158
   
            

 
163

                            
f

      
          
168
   
           
ff

         3
     
173

                 
 
ff

  
 
              
178
        
       
f

 
   
        
182

    

fff
Clarinet in Bb
Danças Brasileiras
Rami Levin
1. Humaitá
 
q = 96

           
               
mp  


        
13

                
       
f


19

       
legato

         
    mf 


30

               
       
f 

    
39
 
legato
                     
   
f


  
48

        
      


              
59

      
        
   
mf


64

                 
mp


76    
             
   

   
 
f mp p

  
85
      
                        
f
©2005 Rami Y. Levin ASCAP All rights reserved
2 Clarinet in Bb

    
92

                 
              
f

    
99

                         

mf 
  
109
 
                             
 
                 
117


                  

   
123   
                



129   
     
            
 
f
Clarinet in Bb 3
Danças Brasileiras
Rami Levin
h = 84 2. Lagoa
  
             
mp


24

          
  


32

            
mf


40

          
  
mf


48

     
 
  
 
f ppp mf


56 3

         
3

     
 


63

      
3
    
3
    

          3
70

3

      

f


77

     


82 
 

 
4 Clarinet in Bb

       
88

            
mp

           
94

        

       
100

              

       
106

                

       
112

            
     

 

 
   
118

          

 
 



124
     
            
 
 

f


133
      
             

 
     
139

      3 
  
3
 

 
  
 
145
  
    
3
         

  p

        
152

                         


158

                                

 Clarinet in Bb 5


164

               
   
     


170

       
                


176

    
            
 
    


182

                     

 


188

                         

 
194

             
  

f


200

      
         

   


207

          


  
mp         


214
 
3 3 3
     
          
   
mf
  3

220


3
  
    
Clarinet in Bb Danças Brasileiras 7
Rami Levin
3. Botafogo
q = 172
    3      
        

  

    
f mf

   
      
   
7

3

       
     
mp

             
  
13

         
    

         
18
  
         
  
f
p


24

     

        
 mp p

     
31
       
                   
mp

  
35

          
                        
 
f

      
     3   
40

3

    
f

3 

  
        3     
44

    
8 Clarinet in Bb


49

                 
            
mf mp

       
53
  
       
3

3
  
          

       3
58

   
3

               
f

mp

  
63
     
                   
 
mf

68
          3  
      
3

         
  
f 


73
 
  
 

          

 
 
      
  f

              
78

           
p mp

  
83

              
         
 Clarinet in Bb 9

 
87
    
               
 
     
   
mp

      
92

         
   
         
      
 


98

  
  
     
 
    

     
mp

  
104

           
        

         
    3      

110

      
f

   
3

  
118  3
  
3
               
       

 
122
         3     
    
3

    
mp


127

          3
3
         
   
mp mf

  3
133

    
       
3

    
f mp


139

     
   
 
  
mf

 
143

       
 


 
10 Clarinet in Bb

 
147

           
         
  
mp

 
 
152
 
        
       
     
   mp

 
157
    
                       


 
162

3

                     
3

    
ff


     3 
167
       
3
        
3
    

f

                 

172
  
             

ff

         3  
176

                    

  f 

  
   
180

                
 

 
     
183

        
  
fff
Horn in F
Danças Brasileiras
Rami Levin
1. Humaitá

q = 96
        
                      
mp

 
                     
13

            
mf

 
21

                 


 
33

                     

mp 

        
43 legato

         
mf

54
    
  
      
  mp
mf


70

             

  
83

            
         
p
 

89
  
       
mf
  
©2005 Rami Y. Levin ASCAP All rights reserved
2 Horn in F


99

     
                
mf


110

                     
 


120
 
                 
    
f
 3
Horn in F
Danças Brasileiras
h = 84

2. Lagoa
  
        

mp


32

        
   
mf


41

        
   
mf mf
50
 
           
pp p


63

          
mp


72

    
       
mp
81
 
        
  
mf

  
97

        
   


105

       
  
p 

114

     
   
123
  
    
          
mf
4 Horn in F


138

         
    
mp


145

  
           

153
  

        
      p
mf


172

                  
   


179

             
 
  
  


      
186
       

   
    
193
      

201
  
    
   

210
  
    
 
mp

220
 
      
 
6
Horn in F Danças Brasileiras
Rami Levin
3. Botafogo
q = 172
  
          
3
    
      
f p
7
   
                
    
3

  
mf

           
16

    
3
    
    f


21

     
3 3
         
 p
   
mf mf p


28

              
 mp
     
  
p

 
34

                            
mp   f

                        
39

     

mf       
 


44 
                   
   
 

   3 
      
51
 3 3
  
      
f
57
   3
     
    
3

mp

  3
62

   
             
 Horn in F 7
66
              
  
       
3

  
  
mf

 
71
3
            
       
  
f  f


76

                     
  
mp

 
81

                          
   


86
   
                           
mp

     
91

                    

    
f
97
     

         
       

          
110
   
         

mp mf

      
115
          
        
p
120
   
            
       
f   
mp

127

            
mp
131
   3

  
3
      
3

mf
  
f
8 Horn in F


137

          
      
  
mp mf

     
143

      
      
mp


              
149

             


  
154
       
              
mp
   


159
            
             
f


164

                       

  
169

                          
 

  
174

                          

3

 ff

   
 
179

      
       
fff

Bassoon Danças Brasileiras
1. Humaitá Rami Levin
q = 96
        
                       
mp mf


        
  
13
  
                     
 
  mp

             
19
   
 mf   

     
   
30
        
  mp

40
   legato
  
                    

f mp

 
        
49

    

60
               
           
       
mf

  
   
68
      
mp

81
 
          
           
 
    
p

  
  
91
    
              
f
 
©2005 Rami Y. Levin ASCAP All rights reserved
    
2 Bassoon
  
            
98

            
mf

      
    
107
      
  
 
                             
117


124  
        
      

   
             
129

    
f
 3
Bassoon Danças Brasileiras
Rami Levin


h = 84    2. Lagoa

       
 
p

       
15
    
3
 

       
23
    
3
 

    
31
        
mf

    
39
        

47   
        
f p
pp


     
57
   
mf mp

69
   
       
mp

78
       
 

f


82
    3
    
4 Bassoon
86      
   









mp
92                 
        
98      
              
104      
               
110                  
           
116                 
            

         
 
122
          

  
mf
   
           
128
 
mp

                             

134
       

     
         
    
140

      
              
145
        


150
                   
        
  
155 3 f
   

   
     

 Bassoon 5


161
      
      
mp

168
    
       
  
mp

175
   
       
   

         
 
182
  
     

189
                 
   
 

                

   
196
    
mf

       
203
        
  

210
        
           
mp mf

216
     
  
    

220
   

   
 
 
Bassoon 7
Danças Brasileiras
3. Botafogo
q = 172
    
3
 
                  
f p
7
          
         
3
      
   
mf

         
        
12 3

    
f

 
           3
20
    
     
p

mf

      3   
   
26

  
         
p mp p
mf

              
31

               
mp

    
      
36
               
   
f mf

                           
41

        

      
           
45

             
  
  
                           
49

mp

      3 
   3
                      
53
  
   
8 Bassoon

         
58

3 3
   
f
     
   

63
    
3

    3

       
 

mf

3  
        

69 3

             
 
f

        
      
75

              
f
   
mf f

  3   
80
    
3

 
3

 
       
 


      
86
          
         
mp

                   mf    
91

      

mf

                   
97

         


103           
    
mp

    

107
     
 Bassoon 9
111               
                 
mf p

               
    
116

     

 
    

121
               
       
f
   
mp

 

126
           
3

         
mp mf

      3     
  

132
  
3
   
3

 
f mp

         
138

                
mf

     
144
       
        
f

 3 
149
   
3
 
       
3

       

10 Bassoon
155
                  
          
 
mp

 
160
              
           
f

165
                        
  

   
         
170
           
       

 
           
174 3
   
                  
ff ff

  
178
          

3
                  
   

f

182
   
           
  
fff  