Moonlight

Sonata
for AMS ensemle

 4                   
arr. Peter Abell

   
 4                 
       
 = 50

   
3 3 3 3 3 3 3 3

Alto Saxophone

 4
 4    
 3 3 3 3

Baritone Saxophone

4   
 4


B♭ Trumpet

4
Horn in F  4    
  44



  
Tuba

            
          
                    
       
4 3 3 3 3 3 3 Simile articulation
3

 
A. Sax.

   
3


3 3 3 3


Bar. Sax.

           

Espressivo
B♭ Tpt.


    



F Hn.


   



Tba.


             
                                    
7 3 3 3 3 3 3 3 3 3 3 3 3


A. Sax.

    

 
Bar. Sax.

    
B♭ Tpt.  

     
F Hn.

   
Tba.  

     

                       
  
              

10 3 3 3 3 3 3 3 3


A. Sax.

   


  
3 3 3 3

 
Bar. Sax.

               


B♭ Tpt.

     


F Hn.





     
Tba.



2
 
  
  
       
  
   
             

                      
13
3 3 3 3 3 3 33


A. Sax.

    

 3 3 3 3


 
Bar. Sax.

      


Hushed intensity

  
B♭ Tpt.

  


 


F Hn.


  


 

Tba.

                                      
            
16

 
A. Sax.

  
   
3 3 3
Belltone-like 3 3 3 3 3 3 3 3 3

  
 
Bar. Sax.

    



    
B♭ Tpt.

    
  
Belltone-like


F Hn.


     

Belltone-like

  
Tba.



3
                           
                           
 
19
3 3 3 3


A. Sax.

      
3 3 3 3 3 3 3 3 

 
Bar. Sax.

    



B♭ Tpt.

     



F Hn.




     
Tba.



              3                     
               
22

 
A. Sax.

  

3 3 3 3 3


3 3 Dramatically
3 3 3 3


Bar. Sax.

         
   
  
Espressivo
B♭ Tpt.


    
 Dramatically


F Hn.


 
  

 
Dramatically

Tba.

  

4
  
                                    
    
25


A. Sax.

    
 
3 3 3 3 3 3 3 3

  
3 3 3 3

        
 
Bar. Sax.



B♭ Tpt.

     
F Hn.  


     
 
Tba.

   

                      
     
28 3


A. Sax.

 
3 3 3

 
3 3 3 3

    
Bar. Sax.

   
 
 
Belltone-like


 
B♭ Tpt.

  
            
  
3 3 3

F Hn.



3

 
Tba.

5
  
    
    
  3 3 
Molto espressivo,

        
      
stress natural shaping

   
31 through phrase
3
3 3


A. Sax.

 
3 3

 
3


Bar. Sax.

  
   

          
B♭ Tpt.

    
                 
  
Molto espressivo, stress natural shaping through phrase
3 3 3


3 3 3 3 3
F Hn.


3 3

  
Tba.

 
         3 
 3               3
                    
    3   3  

34
3 3 3 3


A. Sax.

 
3 3

 
3


Bar. Sax.

  


  3           3 
B♭ Tpt.

              
             3  
3
3 3 3 3
F Hn.


3
3

  
Tba.

6
       3  
     
     
37
3 3


A. Sax.

   
3


Bar. Sax.

   
       
Belltone-like
3

   3
B♭ Tpt.

  3                               

         
3 3 3 3 3 3 3 3 3 3
F Hn.


  
Tba.

    
       
40 3
Fade in 3


A. Sax.

     



Bar. Sax.

     
   

Fade out

B♭ Tpt.

                                
  3

       


 
Fade out

 
3 3

   
3 3 3 3 3 3 3 3 3
F Hn.


    
Tba.

7
                              
          
Simile articulation

         

43 3 3 3 3 3 3


A. Sax.

    

3 3 3 3 3 3 

 
Bar. Sax.

        


B♭ Tpt.

F Hn.      
  


Tba.
   

    
            
         

               
46 3


A. Sax.

  
3 3 3 3 3 3 3 3 3 3 3

   
      
Bar. Sax.

     
   


B♭ Tpt.




    
F Hn.


 


  
Tba.

8
  
                                      
      
49


A. Sax.

   
3 3 3 3 3 3


3 3  3 3 3 3


   
Bar. Sax.

  



B♭ Tpt.

    



F Hn.


   

Tba.

                                     
            
52


A. Sax.

      
3 3 3 3 3 3 3 3 3 3 3 3

  
    
Bar. Sax.

   
B♭ Tpt. 

  
      
F Hn.


Tba.
        

9
                                    
            
55


A. Sax.

  

3 3

 
3 3 3 3 3 3

  
3 3 3 3

 
Bar. Sax.

      
B♭ Tpt. 

   
    
F Hn.


Tba.
       

                   
 
          
    
          
58
3 3 3 3 3 3 3 3 3 3 3
3


A. Sax.

      



Bar. Sax.

      


B♭ Tpt.

      


F Hn.


  


     
Tba.

 

10
 
        

                     
 
          
61 3
3


A. Sax.

  
3 3 3 3


3
3 3 3 3 3


Bar. Sax.

   
 


B♭ Tpt.

   
 

F Hn.


            


Tba.

 
    
    
 
         
      
  
        3 
         
3


64
3 3 3
3


A. Sax.

  
3 3 3 3


3
3


Bar. Sax.

    
B♭ Tpt.


   


F Hn.

 
Tba.         

11
        
       
67

  
A. Sax.

    
3
3  

  
Bar. Sax.

  
 
 

 
B♭ Tpt.

 
  
 

  
F Hn.


      
 

  
3
3
Tba.

 

12