All Possible Scales

Tones Scale (steps + n-tonic) Iteration Shape Degree Names Steps 1 ♭2 2 ♭3 3 4 ♯4/♭5 5 ♯5/♭6 6 ♭7 7 1
1 12 monotonic 1 A I Monotonic 12
2 1-11 ditonic 1 A I See, and it's sharp! (Ron
1-11
Jarzombek)
2 1-11 ditonic 2 A II 11-1
2 2-10 ditonic 1 A I Vietnamese ditonic 2-10
2 2-10 ditonic 2 A II Warao ditonic: South America
10-2
2 3-9 ditonic 1 A I 3-9
2 3-9 ditonic 2 A II 9-3
2 4-8 ditonic 1 A I 4-8
2 4-8 ditonic 2 A II 8-4
2 5-7 ditonic 1 A I Honchoshi: Japan 5-7
2 5-7 ditonic 2 A II Niagari: Japan 7-5
2 6-6 ditonic 1 A I Tritone 6-6
3 1-1-10 tritonic 1 A I 1-1-10
3 1-1-10 tritonic 2 A II 1-10-1
3 1-1-10 tritonic 3 A III 10-1-1
3 1-2-9 tritonic 1 A I 1-2-9
3 1-2-9 tritonic 2 A II 2-9-1
3 1-2-9 tritonic 3 A III 9-1-2
3 1-2-9 tritonic 4 B I 1-9-2
3 1-2-9 tritonic 5 B II 9-2-1
3 1-2-9 tritonic 6 B III 2-1-9
3 1-3-8 tritonic 1 A I 1-3-8
3 1-3-8 tritonic 2 A II 3-8-1
3 1-3-8 tritonic 4 B I 1-8-3
3 1-3-8 tritonic 5 B II 8-3-1
3 1-4-7 tritonic 1 A I 1-4-7
3 1-4-7 tritonic 2 A II 4-7-1
3 1-4-7 tritonic 4 B I 1-7-4
3 1-4-7 tritonic 5 B II 7-4-1
3 1-5-6 tritonic 1 A I 1-5-6
3 1-5-6 tritonic 2 A II 5-6-1
3 1-5-6 tritonic 3 A III Raga Ongkari 6-1-5
3 1-5-6 tritonic 4 B I 1-6-5
3 1-5-6 tritonic 5 B II 6-5-1
3 2-2-8 tritonic 1 A I 2-2-8
3 2-2-8 tritonic 2 A II 2-8-2
3 2-3-7 tritonic 1 A I 2-3-7
3 2-3-7 tritonic 2 A II 3-7-2
3 2-3-7 tritonic 4 B I 2-7-3
3 2-3-7 tritonic 5 B II 7-3-2
3 2-3-7 tritonic 6 B III Vietnamese tritonic 3-2-7
3 2-4-6 tritonic 1 A I 2-4-6
3 2-4-6 tritonic 2 A II 4-6-2
3 2-4-6 tritonic 4 B I 2-6-4
3 2-4-6 tritonic 5 B II 6-4-2
3 2-5-5 tritonic 1 A I 2-5-5
3 2-5-5 tritonic 2 A II Sansagari: Japan 5-5-2
3 2-5-5 tritonic 3 A III Raga Sarvasri, Warao tritonic:
5-2-5 South America
3 3-3-6 tritonic 1 A I 3-3-6
3 3-3-6 tritonic 2 A II 3-6-3
3 3-4-5 tritonic 1 A I Ute tritonic, Peruvian tritonic
3-4-5 2
3 3-4-5 tritonic 2 A II Raga Bilswadala 4-5-3
3 3-4-5 tritonic 4 B I 3-5-4
3 3-4-5 tritonic 5 B I 5-4-3
3 3-4-5 tritonic 6 B III Raga Malasri, Peruvian tritonic
4-3-5 1
3 4-4-4 tritonic 1 A I Augmented triad 4-4-4
4 1-1-1-9 tetratonic 1 A I 1-1-1-9
4 1-1-1-9 tetratonic 2 A II 1-1-9-1
4 1-1-1-9 tetratonic 3 A III 1-9-1-1
4 1-1-1-9 tetratonic 4 A IV 9-1-1-1
4 1-1-2-8 tetratonic 1 A I 1-1-2-8
4 1-1-2-8 tetratonic 2 A II 1-2-8-1
4 1-1-2-8 tetratonic 3 A III 2-8-1-1
4 1-1-2-8 tetratonic 4 A IV 8-1-1-2
4 1-1-2-8 tetratonic 5 B I 1-1-8-2
4 1-1-2-8 tetratonic 6 B II 1-8-2-1
4 1-1-2-8 tetratonic 7 B III 8-2-1-1
4 1-1-2-8 tetratonic 8 B IV 2-1-1-8
4 1-1-2-8 tetratonic 9 C I 1-2-1-8
4 1-1-2-8 tetratonic 10 C II 2-1-8-1
4 1-1-2-8 tetratonic 11 C III 1-8-1-2
4 1-1-2-8 tetratonic 12 C IV 8-1-2-1
4 1-1-3-7 tetratonic 1 A I 1-1-3-7
4 1-1-3-7 tetratonic 2 A II 1-3-7-1
4 1-1-3-7 tetratonic 3 A III 3-7-1-1
4 1-1-3-7 tetratonic 4 A IV 7-1-1-3
4 1-1-3-7 tetratonic 5 B I 1-1-7-3
4 1-1-3-7 tetratonic 6 B II 1-7-3-1
4 1-1-3-7 tetratonic 7 B III 7-3-1-1
4 1-1-3-7 tetratonic 8 B IV 3-1-1-7
4 1-1-3-7 tetratonic 9 C I 1-3-1-7
4 1-1-3-7 tetratonic 10 C II 3-1-7-1
4 1-1-3-7 tetratonic 11 C III 1-7-1-3
4 1-1-3-7 tetratonic 12 C IV 7-1-3-1
4 1-1-4-6 tetratonic 1 A I 1-1-4-6
4 1-1-4-6 tetratonic 2 A II 1-4-6-1
4 1-1-4-6 tetratonic 3 A III 4-6-1-1
4 1-1-4-6 tetratonic 4 A IV 6-1-1-4
4 1-1-4-6 tetratonic 5 B I 1-1-6-4
4 1-1-4-6 tetratonic 6 B II 1-6-4-1
4 1-1-4-6 tetratonic 7 B III 6-4-1-1
4 1-1-4-6 tetratonic 8 B IV 4-1-1-6
4 1-1-4-6 tetratonic 9 C I 1-4-1-6
4 1-1-4-6 tetratonic 10 C II 4-1-6-1
4 1-1-4-6 tetratonic 11 C III 1-6-1-4
4 1-1-4-6 tetratonic 12 C IV 6-1-4-1
4 1-1-5-5 tetratonic 1 A I 1-1-5-5
4 1-1-5-5 tetratonic 2 A II 1-5-5-1
4 1-1-5-5 tetratonic 3 A III 5-5-1-1
4 1-1-5-5 tetratonic 4 A IV 5-1-1-5
4 1-1-5-5 tetratonic 5 B I Messiaen truncated mode 1-5-1-5
5
4 1-1-5-5 tetratonic 6 B II Messiaen truncated mode 5-1-5-1
5 inverse
4 1-2-2-7 tetratonic 1 A I 1-2-2-7
4 1-2-2-7 tetratonic 2 A II 2-2-7-1
4 1-2-2-7 tetratonic 3 A III 2-7-1-2
4 1-2-2-7 tetratonic 4 A IV 7-1-2-2
4 1-2-2-7 tetratonic 5 B I 1-2-7-2
4 1-2-2-7 tetratonic 6 B II 2-7-2-1
4 1-2-2-7 tetratonic 7 B III 7-2-1-2
4 1-2-2-7 tetratonic 8 B IV 2-1-2-7
4 1-2-2-7 tetratonic 9 C I 1-7-2-2
4 1-2-2-7 tetratonic 10 C II 7-2-2-1
4 1-2-2-7 tetratonic 11 C III 2-2-1-7
4 1-2-2-7 tetratonic 12 C IV Warao tetratonic: South 2-1-7-2
America
4 1-2-3-6 tetratonic 1 A I 1-2-3-6
4 1-2-3-6 tetratonic 2 A II 2-3-6-1
4 1-2-3-6 tetratonic 3 A III 3-6-1-2
4 1-2-3-6 tetratonic 4 A IV 6-1-2-3
4 1-2-3-6 tetratonic 5 B I 1-2-6-3
4 1-2-3-6 tetratonic 6 B II 2-6-3-1
4 1-2-3-6 tetratonic 7 B III 6-3-1-2
4 1-2-3-6 tetratonic 8 B IV 3-1-2-6
4 1-2-3-6 tetratonic 9 C I 1-3-2-6
4 1-2-3-6 tetratonic 10 C II 3-2-6-1
4 1-2-3-6 tetratonic 11 C III 2-6-1-3
4 1-2-3-6 tetratonic 12 C IV 6-1-3-2
4 1-2-3-6 tetratonic 13 D I 1-3-6-2
4 1-2-3-6 tetratonic 14 D II 3-6-2-1
4 1-2-3-6 tetratonic 15 D III 6-2-1-3
4 1-2-3-6 tetratonic 16 D IV 2-1-3-6
4 1-2-3-6 tetratonic 17 E I 1-6-2-3
4 1-2-3-6 tetratonic 18 E II 6-2-3-1
4 1-2-3-6 tetratonic 19 E III 2-3-1-6
4 1-2-3-6 tetratonic 20 E IV 3-1-6-2
4 1-2-3-6 tetratonic 21 F I 1-6-3-2
4 1-2-3-6 tetratonic 22 F II 6-3-2-1
4 1-2-3-6 tetratonic 23 F III 3-2-1-6
4 1-2-3-6 tetratonic 24 F IV 2-1-6-3
4 1-2-4-5 tetratonic 1 A I 1-2-4-5
4 1-2-4-5 tetratonic 2 A II Raga Sumukam 2-4-5-1
4 1-2-4-5 tetratonic 3 A III 4-5-1-2
4 1-2-4-5 tetratonic 4 A IV 5-1-2-4
4 1-2-4-5 tetratonic 5 B I 1-2-5-4
4 1-2-4-5 tetratonic 6 B II 2-5-4-1
4 1-2-4-5 tetratonic 7 B III 5-4-1-2
4 1-2-4-5 tetratonic 8 B IV 4-1-2-5
4 1-2-4-5 tetratonic 9 C I 1-4-2-5
4 1-2-4-5 tetratonic 10 C II Raga Nigamagamini 4-2-5-1
4 1-2-4-5 tetratonic 11 C III 2-5-1-4
4 1-2-4-5 tetratonic 12 C IV 5-1-4-2
4 1-2-4-5 tetratonic 13 D I 1-4-5-2
4 1-2-4-5 tetratonic 14 D II 4-5-2-1
4 1-2-4-5 tetratonic 15 D III 5-2-1-4
4 1-2-4-5 tetratonic 16 D IV 2-1-4-5
4 1-2-4-5 tetratonic 17 E I 1-5-2-4
4 1-2-4-5 tetratonic 18 E II 5-2-4-1
4 1-2-4-5 tetratonic 19 E III 2-4-1-5
4 1-2-4-5 tetratonic 20 E IV 4-1-5-2
4 1-2-4-5 tetratonic 21 F I 1-5-4-2
4 1-2-4-5 tetratonic 22 F II 5-4-2-1
4 1-2-4-5 tetratonic 23 F III 4-2-1-5
4 1-2-4-5 tetratonic 24 F IV 2-1-5-4
4 1-3-3-5 tetratonic 1 A I 1-3-3-5
4 1-3-3-5 tetratonic 2 A II 3-3-5-1
4 1-3-3-5 tetratonic 3 A III 3-5-1-3
4 1-3-3-5 tetratonic 4 A IV 5-1-3-3
4 1-3-3-5 tetratonic 5 B I 1-3-5-3
4 1-3-3-5 tetratonic 6 B II 3-5-3-1
4 1-3-3-5 tetratonic 7 B III 5-3-1-3
4 1-3-3-5 tetratonic 8 B IV 3-1-3-5
4 1-3-3-5 tetratonic 9 C I 1-5-3-3
4 1-3-3-5 tetratonic 10 C II 5-3-3-1
4 1-3-3-5 tetratonic 11 C III 3-3-1-5
4 1-3-3-5 tetratonic 12 C IV 3-1-5-3
4 1-3-4-4 tetratonic 1 A I 1-3-4-4
4 1-3-4-4 tetratonic 2 A II 3-4-4-1
4 1-3-4-4 tetratonic 3 A III 4-4-1-3
4 1-3-4-4 tetratonic 4 A IV 4-1-3-4
4 1-3-4-4 tetratonic 5 B I Raga Lavangi, Gowleeswari
1-4-3-4
4 1-3-4-4 tetratonic 6 B II 4-3-4-1
4 1-3-4-4 tetratonic 7 B III 3-4-1-4
4 1-3-4-4 tetratonic 8 B IV 4-1-4-3
4 1-3-4-4 tetratonic 9 C I 1-4-4-3
4 1-3-4-4 tetratonic 10 C II 4-4-3-1
4 1-3-4-4 tetratonic 11 C III 4-3-1-4
4 1-3-4-4 tetratonic 12 C IV 3-1-4-4
4 2-2-2-6 tetratonic 1 A I 2-2-2-6
4 2-2-2-6 tetratonic 2 A II 2-2-6-2
4 2-2-2-6 tetratonic 3 A III 2-6-2-2
4 2-2-2-6 tetratonic 4 A IV 6-2-2-2
4 2-2-3-5 tetratonic 1 A I Eskimo tetratonic (Alaska:
2-2-3-5
Bethel)
4 2-2-3-5 tetratonic 2 A II 2-3-5-2
4 2-2-3-5 tetratonic 3 A III 3-5-2-2
4 2-2-3-5 tetratonic 4 A IV 5-2-2-3
4 2-2-3-5 tetratonic 5 B I 2-2-5-3
4 2-2-3-5 tetratonic 6 B II 2-5-3-2
4 2-2-3-5 tetratonic 7 B III 5-3-2-2
4 2-2-3-5 tetratonic 8 B IV Vietnamese tetratonic 3-2-2-5
4 2-2-3-5 tetratonic 9 C I Genus primum 2-3-2-5
4 2-2-3-5 tetratonic 10 C II 3-2-5-2
4 2-2-3-5 tetratonic 11 C III 2-5-2-3
4 2-2-3-5 tetratonic 12 C IV Genus primum inverse 5-2-3-2
4 2-2-4-4 tetratonic 1 A I 2-2-4-4
4 2-2-4-4 tetratonic 2 A II 2-4-4-2
4 2-2-4-4 tetratonic 3 A III 4-4-2-2
4 2-2-4-4 tetratonic 4 A IV 4-2-2-4
4 2-2-4-4 tetratonic 5 B I Messiaen truncated mode 2-4-2-4
6
4 2-2-4-4 tetratonic 6 B II Messiaen truncated mode 4-2-4-2
6 inverse
4 2-3-3-4 tetratonic 1 A I Raga Haripriya 2-3-3-4
4 2-3-3-4 tetratonic 2 A II 3-3-4-2
4 2-3-3-4 tetratonic 3 A III 3-4-2-3
4 2-3-3-4 tetratonic 4 A IV 4-2-3-3
4 2-3-3-4 tetratonic 5 B I Raga Bhavani 2-3-4-3
4 2-3-3-4 tetratonic 6 B II Bi Yu: China 3-4-3-2
4 2-3-3-4 tetratonic 7 B III 4-3-2-3
4 2-3-3-4 tetratonic 8 B IV 3-2-3-4
4 2-3-3-4 tetratonic 9 C I 2-4-3-3
4 2-3-3-4 tetratonic 10 C II Raga Mahathi, Antara Kaishiaki
4-3-3-2
4 2-3-3-4 tetratonic 11 C III 3-3-2-4
4 2-3-3-4 tetratonic 12 C IV 3-2-4-3
4 3-3-3-3 tetratonic 1 A I Diminished 3-3-3-3
5 1-1-1-1-8 pentatonic 1 A I 1-1-1-1-8
5 1-1-1-1-8 pentatonic 2 A II 1-1-1-8-1
5 1-1-1-1-8 pentatonic 3 A III 1-1-8-1-1
5 1-1-1-1-8 pentatonic 4 A IV 1-8-1-1-1
5 1-1-1-1-8 pentatonic 5 A V 8-1-1-1-1
5 1-1-1-2-7 pentatonic 1 A I 1-1-1-2-7
5 1-1-1-2-7 pentatonic 2 A II 1-1-2-7-1
5 1-1-1-2-7 pentatonic 3 A III 1-2-7-1-1
5 1-1-1-2-7 pentatonic 4 A IV 2-7-1-1-1
5 1-1-1-2-7 pentatonic 5 A V 7-1-1-1-2
5 1-1-1-2-7 pentatonic 6 B I 1-1-1-7-2
5 1-1-1-2-7 pentatonic 7 B II 1-1-7-2-1
5 1-1-1-2-7 pentatonic 8 B III 1-7-2-1-1
5 1-1-1-2-7 pentatonic 9 B IV 7-2-1-1-1
5 1-1-1-2-7 pentatonic 10 B V 2-1-1-1-7
5 1-1-1-2-7 pentatonic 11 C I 1-1-2-1-7
5 1-1-1-2-7 pentatonic 12 C II 1-2-1-7-1
5 1-1-1-2-7 pentatonic 13 C III 2-1-7-1-1
5 1-1-1-2-7 pentatonic 14 C IV 1-7-1-1-2
5 1-1-1-2-7 pentatonic 15 C V 7-1-1-2-1
5 1-1-1-2-7 pentatonic 16 D I 1-1-7-1-2
5 1-1-1-2-7 pentatonic 17 D II 1-7-1-2-1
5 1-1-1-2-7 pentatonic 18 D III 7-1-2-1-1
5 1-1-1-2-7 pentatonic 19 D IV 1-2-1-1-7
5 1-1-1-2-7 pentatonic 20 D V 2-1-1-7-1
5 1-1-1-3-6 pentatonic 1 A I 1-1-1-3-6
5 1-1-1-3-6 pentatonic 2 A II 1-1-3-6-1
5 1-1-1-3-6 pentatonic 3 A III 1-3-6-1-1
5 1-1-1-3-6 pentatonic 4 A IV 3-6-1-1-1
5 1-1-1-3-6 pentatonic 5 A V 6-1-1-1-3
5 1-1-1-3-6 pentatonic 6 B I 1-1-1-6-3
5 1-1-1-3-6 pentatonic 7 B II Raga Kumarapriya 1-1-6-3-1
5 1-1-1-3-6 pentatonic 8 B III 1-6-3-1-1
5 1-1-1-3-6 pentatonic 9 B IV 6-3-1-1-1
5 1-1-1-3-6 pentatonic 10 B V 3-1-1-1-6
5 1-1-1-3-6 pentatonic 11 C I 1-1-3-1-6
5 1-1-1-3-6 pentatonic 12 C II Raga Megharanji 1-3-1-6-1
5 1-1-1-3-6 pentatonic 13 C III 3-1-6-1-1
5 1-1-1-3-6 pentatonic 14 C IV 1-6-1-1-3
5 1-1-1-3-6 pentatonic 15 C V 6-1-1-3-1
5 1-1-1-3-6 pentatonic 16 D I Raga Putrika 1-1-6-1-3
5 1-1-1-3-6 pentatonic 17 D II Raga Deshgaur 1-6-1-3-1
5 1-1-1-3-6 pentatonic 18 D III 6-1-3-1-1
5 1-1-1-3-6 pentatonic 19 D IV 1-3-1-1-6
5 1-1-1-3-6 pentatonic 20 D V 3-1-1-6-1
5 1-1-1-4-5 pentatonic 1 A I 1-1-1-4-5
5 1-1-1-4-5 pentatonic 2 A II 1-1-4-5-1
5 1-1-1-4-5 pentatonic 3 A III 1-4-5-1-1
5 1-1-1-4-5 pentatonic 4 A IV 4-5-1-1-1
5 1-1-1-4-5 pentatonic 5 A V 5-1-1-1-4
5 1-1-1-4-5 pentatonic 6 B I 1-1-1-5-4
5 1-1-1-4-5 pentatonic 7 B II 1-1-5-4-1
5 1-1-1-4-5 pentatonic 8 B III 1-5-4-1-1
5 1-1-1-4-5 pentatonic 9 B IV 5-4-1-1-1
5 1-1-1-4-5 pentatonic 10 B V 4-1-1-1-5
5 1-1-1-4-5 pentatonic 11 C I Raga Nabhomani 1-1-4-1-5
5 1-1-1-4-5 pentatonic 12 C II 1-4-1-5-1
5 1-1-1-4-5 pentatonic 13 C III 4-1-5-1-1
5 1-1-1-4-5 pentatonic 14 C IV Raga Saugandhini, Yashranjani
1-5-1-1-4
5 1-1-1-4-5 pentatonic 15 C V 5-1-1-4-1
5 1-1-1-4-5 pentatonic 16 D I 1-1-5-1-4
5 1-1-1-4-5 pentatonic 17 D II 1-5-1-4-1
5 1-1-1-4-5 pentatonic 18 D III 5-1-4-1-1
5 1-1-1-4-5 pentatonic 19 D IV 1-4-1-1-5
5 1-1-1-4-5 pentatonic 20 D V 4-1-1-5-1
5 1-1-2-2-6 pentatonic 1 A I 1-1-2-2-6
5 1-1-2-2-6 pentatonic 2 A II 1-2-2-6-1
5 1-1-2-2-6 pentatonic 3 A III 2-2-6-1-1
5 1-1-2-2-6 pentatonic 4 A IV 2-6-1-1-2
5 1-1-2-2-6 pentatonic 5 A V 6-1-1-2-2
5 1-1-2-2-6 pentatonic 6 B I 1-1-2-6-2
5 1-1-2-2-6 pentatonic 7 B II 1-2-6-2-1
5 1-1-2-2-6 pentatonic 8 B III 2-6-2-1-1
5 1-1-2-2-6 pentatonic 9 B IV 6-2-1-1-2
5 1-1-2-2-6 pentatonic 10 B V 2-1-1-2-6
5 1-1-2-2-6 pentatonic 11 C I 1-1-6-2-2
5 1-1-2-2-6 pentatonic 12 C II 1-6-2-2-1
5 1-1-2-2-6 pentatonic 13 C III 6-2-2-1-1
5 1-1-2-2-6 pentatonic 14 C IV 2-2-1-1-6
5 1-1-2-2-6 pentatonic 15 C V 2-1-1-6-2
5 1-1-2-2-6 pentatonic 16 D I 1-2-1-2-6
5 1-1-2-2-6 pentatonic 17 D II 2-1-2-6-1
5 1-1-2-2-6 pentatonic 18 D III 1-2-6-1-2
5 1-1-2-2-6 pentatonic 19 D IV 2-6-1-2-1
5 1-1-2-2-6 pentatonic 20 D V 6-1-2-1-2
5 1-1-2-2-6 pentatonic 21 E I 1-2-1-6-2
5 1-1-2-2-6 pentatonic 22 E II 2-1-6-2-1
5 1-1-2-2-6 pentatonic 23 E III 1-6-2-1-2
5 1-1-2-2-6 pentatonic 24 E IV 6-2-1-2-1
5 1-1-2-2-6 pentatonic 25 E V 2-1-2-1-6
5 1-1-2-2-6 pentatonic 26 F I 1-2-2-1-6
5 1-1-2-2-6 pentatonic 27 F II 2-2-1-6-1
5 1-1-2-2-6 pentatonic 28 F III 2-1-6-1-2
5 1-1-2-2-6 pentatonic 29 F IV 1-6-1-2-2
5 1-1-2-2-6 pentatonic 30 F V 6-1-2-2-1
5 1-1-2-3-5 pentatonic 1 A I 1-1-2-3-5
5 1-1-2-3-5 pentatonic 2 A II 1-2-3-5-1
5 1-1-2-3-5 pentatonic 3 A III 2-3-5-1-1
5 1-1-2-3-5 pentatonic 4 A IV 3-5-1-1-2
5 1-1-2-3-5 pentatonic 5 A V 5-1-1-2-3
5 1-1-2-3-5 pentatonic 6 B I 1-1-2-5-3
5 1-1-2-3-5 pentatonic 7 B II 1-2-5-3-1
5 1-1-2-3-5 pentatonic 8 B III 2-5-3-1-1
5 1-1-2-3-5 pentatonic 9 B IV 5-3-1-1-2
5 1-1-2-3-5 pentatonic 10 B V 3-1-1-2-5
5 1-1-2-3-5 pentatonic 11 C I 1-1-3-2-5
5 1-1-2-3-5 pentatonic 12 C II 1-3-2-5-1
5 1-1-2-3-5 pentatonic 13 C III 3-2-5-1-1
5 1-1-2-3-5 pentatonic 14 C IV 2-5-1-1-3
5 1-1-2-3-5 pentatonic 15 C V 5-1-1-3-2
5 1-1-2-3-5 pentatonic 16 D I 1-1-3-5-2
5 1-1-2-3-5 pentatonic 17 D II 1-3-5-2-1
5 1-1-2-3-5 pentatonic 18 D III 3-5-2-1-1
5 1-1-2-3-5 pentatonic 19 D IV 5-2-1-1-3
5 1-1-2-3-5 pentatonic 20 D V 2-1-1-3-5
5 1-1-2-3-5 pentatonic 21 E I 1-2-1-3-5
5 1-1-2-3-5 pentatonic 22 E II 2-1-3-5-1
5 1-1-2-3-5 pentatonic 23 E III 1-3-5-1-2
5 1-1-2-3-5 pentatonic 24 E IV 3-5-1-2-1
5 1-1-2-3-5 pentatonic 25 E V 5-1-2-1-3
5 1-1-2-3-5 pentatonic 26 F I 1-1-5-2-3
5 1-1-2-3-5 pentatonic 27 F II 1-5-2-3-1
5 1-1-2-3-5 pentatonic 28 F III 5-2-3-1-1
5 1-1-2-3-5 pentatonic 29 F IV 2-3-1-1-5
5 1-1-2-3-5 pentatonic 30 F V 3-1-1-5-2
5 1-1-2-3-5 pentatonic 31 G I 1-1-5-3-2
5 1-1-2-3-5 pentatonic 32 G II 1-5-3-2-1
5 1-1-2-3-5 pentatonic 33 G III 5-3-2-1-1
5 1-1-2-3-5 pentatonic 34 G IV 3-2-1-1-5
5 1-1-2-3-5 pentatonic 35 G V 2-1-1-5-3
5 1-1-2-3-5 pentatonic 36 H I 1-2-1-5-3
5 1-1-2-3-5 pentatonic 37 H II 2-1-5-3-1
5 1-1-2-3-5 pentatonic 38 H III 1-5-3-1-2
5 1-1-2-3-5 pentatonic 39 H IV 5-3-1-2-1
5 1-1-2-3-5 pentatonic 40 H V 3-1-2-1-5
5 1-1-2-3-5 pentatonic 41 I I 1-2-3-1-5
5 1-1-2-3-5 pentatonic 42 I II 2-3-1-5-1
5 1-1-2-3-5 pentatonic 43 I III 3-1-5-1-2
5 1-1-2-3-5 pentatonic 44 I IV 1-5-1-2-3
5 1-1-2-3-5 pentatonic 45 I V 5-1-2-3-1
5 1-1-2-3-5 pentatonic 46 J I 1-2-5-1-3
5 1-1-2-3-5 pentatonic 47 J II 2-5-1-3-1
5 1-1-2-3-5 pentatonic 48 J III 5-1-3-1-2
5 1-1-2-3-5 pentatonic 49 J IV 1-3-1-2-5
5 1-1-2-3-5 pentatonic 50 J V 3-1-2-5-1
5 1-1-2-3-5 pentatonic 51 K I 1-3-1-5-2
5 1-1-2-3-5 pentatonic 52 K II 3-1-5-2-1
5 1-1-2-3-5 pentatonic 53 K III 1-5-2-1-3
5 1-1-2-3-5 pentatonic 54 K IV Raga Devaranjani (Devaranji)
5-2-1-3-1
5 1-1-2-3-5 pentatonic 55 K V 2-1-3-1-5
5 1-1-2-3-5 pentatonic 56 L I 1-3-2-1-5
5 1-1-2-3-5 pentatonic 57 L II 3-2-1-5-1
5 1-1-2-3-5 pentatonic 58 L III 2-1-5-1-3
5 1-1-2-3-5 pentatonic 59 L IV 1-5-1-3-2
5 1-1-2-3-5 pentatonic 60 L V 5-1-3-2-1
5 1-1-2-4-4 pentatonic 1 A I 1-1-2-4-4
5 1-1-2-4-4 pentatonic 2 A II 1-2-4-4-1
5 1-1-2-4-4 pentatonic 3 A III 2-4-4-1-1
5 1-1-2-4-4 pentatonic 4 A IV 4-4-1-1-2
5 1-1-2-4-4 pentatonic 5 A V 4-1-1-2-4
5 1-1-2-4-4 pentatonic 6 B I 1-1-4-2-4
5 1-1-2-4-4 pentatonic 7 B II Raga Gauri 1-4-2-4-1
5 1-1-2-4-4 pentatonic 8 B III 4-2-4-1-1
5 1-1-2-4-4 pentatonic 9 B IV 2-4-1-1-4
5 1-1-2-4-4 pentatonic 10 B V 4-1-1-4-2
5 1-1-2-4-4 pentatonic 11 C I 1-1-4-4-2
5 1-1-2-4-4 pentatonic 12 C II 1-4-4-2-1
5 1-1-2-4-4 pentatonic 13 C III 4-4-2-1-1
5 1-1-2-4-4 pentatonic 14 C IV 4-2-1-1-4
5 1-1-2-4-4 pentatonic 15 C V 2-1-1-4-4
5 1-1-2-4-4 pentatonic 16 D I 1-2-1-4-4
5 1-1-2-4-4 pentatonic 17 D II 2-1-4-4-1
5 1-1-2-4-4 pentatonic 18 D III 1-4-4-1-2
5 1-1-2-4-4 pentatonic 19 D IV 4-4-1-2-1
5 1-1-2-4-4 pentatonic 20 D V Raga Zilaf 4-1-2-1-4
5 1-1-2-4-4 pentatonic 21 E I Phrygian Pentatonic, Balinese
1-2-4-1-4
Pelog, Madenda Modern, Raga Bhupalam, Bhupala Todi, Bibhas
5 1-1-2-4-4 pentatonic 22 E II Raga Vaijayanti, Hamsanada
2-4-1-4-1
5 1-1-2-4-4 pentatonic 23 E III Raga Khamaji Durga 4-1-4-1-2
5 1-1-2-4-4 pentatonic 24 E IV 1-4-1-2-4
5 1-1-2-4-4 pentatonic 25 E V Ionian Pentatonic, Raga 4-1-2-4-1
Gambhiranata, Pelog Degung Modern, Ryukyu: Japan, Vong co: Vietnam, Batti Major: Ethiopia
5 1-1-2-4-4 pentatonic 26 F I Iwato: Japan 1-4-1-4-2
5 1-1-2-4-4 pentatonic 27 F II Raga Bhinna Shadja, Kaushikdhvani,
4-1-4-2-1 Hindolita
5 1-1-2-4-4 pentatonic 28 F III Hon-kumoi-joshi, Sakura,1-4-2-1-4
Akebono II: Japan, Olympos Enharmonic, Raga Salanganata, Saveri, Gunakri (Gunakali), Latantapriya, Ambassel: Ethiopia
5 1-1-2-4-4 pentatonic 29 F IV Lydian Pentatonic, Raga 4-2-1-4-1
Amritavarshini, Malashri, Shilangi, Batti Lydian: Ethiopia
5 1-1-2-4-4 pentatonic 30 F V Aeolian Pentatonic, Hira-joshi,
2-1-4-1-4Kata-kumoi, Yona Nuki Minor: Japan, Tizita Minor (Half tizita): Ethiopia
5 1-1-3-3-4 pentatonic 1 A I 1-1-3-3-4
5 1-1-3-3-4 pentatonic 2 A II 1-3-3-4-1
5 1-1-3-3-4 pentatonic 3 A III 3-3-4-1-1
5 1-1-3-3-4 pentatonic 4 A IV 3-4-1-1-3
5 1-1-3-3-4 pentatonic 5 A V 4-1-1-3-3
5 1-1-3-3-4 pentatonic 6 B I 1-1-3-4-3
5 1-1-3-3-4 pentatonic 7 B II 1-3-4-3-1
5 1-1-3-3-4 pentatonic 8 B III 3-4-3-1-1
5 1-1-3-3-4 pentatonic 9 B IV 4-3-1-1-3
5 1-1-3-3-4 pentatonic 10 B V 3-1-1-3-4
5 1-1-3-3-4 pentatonic 11 C I 1-1-4-3-3
5 1-1-3-3-4 pentatonic 12 C II Raga Kshanika 1-4-3-3-1
5 1-1-3-3-4 pentatonic 13 C III 4-3-3-1-1
5 1-1-3-3-4 pentatonic 14 C IV 3-3-1-1-4
5 1-1-3-3-4 pentatonic 15 C V 3-1-1-4-3
5 1-1-3-3-4 pentatonic 16 D I Raga Megharanjani, Syrian
1-3-1-3-4
Pentatonic
5 1-1-3-3-4 pentatonic 17 D II 3-1-3-4-1
5 1-1-3-3-4 pentatonic 18 D III 1-3-4-1-3
5 1-1-3-3-4 pentatonic 19 D IV 3-4-1-3-1
5 1-1-3-3-4 pentatonic 20 D V 4-1-3-1-3
5 1-1-3-3-4 pentatonic 21 E I 1-3-1-4-3
5 1-1-3-3-4 pentatonic 22 E II 3-1-4-3-1
5 1-1-3-3-4 pentatonic 23 E III 1-4-3-1-3
5 1-1-3-3-4 pentatonic 24 E IV 4-3-1-3-1
5 1-1-3-3-4 pentatonic 25 E V 3-1-3-1-4
5 1-1-3-3-4 pentatonic 26 F I Raga Reva, Revagupti, Ramkali,
1-3-3-1-4
Vibhas (Bhairava)
5 1-1-3-3-4 pentatonic 27 F II Raga Multani, Batti mineur
3-3-1-4-1
5 1-1-3-3-4 pentatonic 28 F III 3-1-4-1-3
5 1-1-3-3-4 pentatonic 29 F IV 1-4-1-3-3
5 1-1-3-3-4 pentatonic 30 F V Raga Girija, Bacovia: Romania,
4-1-3-3-1
Batti Major sharp 5: Ethiopia
5 1-2-2-2-5 pentatonic 1 A I 1-2-2-2-5
5 1-2-2-2-5 pentatonic 2 A II Raga Kumurdaki (Kumudki)2-2-2-5-1
5 1-2-2-2-5 pentatonic 3 A III 2-2-5-1-2
5 1-2-2-2-5 pentatonic 4 A IV 2-5-1-2-2
5 1-2-2-2-5 pentatonic 5 A V 5-1-2-2-2
5 1-2-2-2-5 pentatonic 6 B I 1-2-2-5-2
5 1-2-2-2-5 pentatonic 7 B II Raga Neroshta 2-2-5-2-1
5 1-2-2-2-5 pentatonic 8 B III Raga Matha Kokila (Matkokil)
2-5-2-1-2
5 1-2-2-2-5 pentatonic 9 B IV 5-2-1-2-2
5 1-2-2-2-5 pentatonic 10 B V Raga Purnalalita, Chad Gadyo:
2-1-2-2-5
Jewish, Ghana Pentatonic 1, Nando-kyemyonjo: Korea
5 1-2-2-2-5 pentatonic 11 C I 1-2-5-2-2
5 1-2-2-2-5 pentatonic 12 C II 2-5-2-2-1
5 1-2-2-2-5 pentatonic 13 C III Raga Kuntvarali (Kuntalavarali)
5-2-2-1-2
5 1-2-2-2-5 pentatonic 14 C IV Raga Budhamanohari 2-2-1-2-5
5 1-2-2-2-5 pentatonic 15 C V 2-1-2-5-2
5 1-2-2-2-5 pentatonic 16 D I 1-5-2-2-2
5 1-2-2-2-5 pentatonic 17 D II Raga Puruhutika, Purvaholika
5-2-2-2-1
5 1-2-2-2-5 pentatonic 18 D III 2-2-2-1-5
5 1-2-2-2-5 pentatonic 19 D IV 2-2-1-5-2
5 1-2-2-2-5 pentatonic 20 D V 2-1-5-2-2
5 1-2-2-3-4 pentatonic 1 A I Raga Chitthakarshini 1-2-2-3-4
5 1-2-2-3-4 pentatonic 2 A II Raga Hamsadhvani (Hansdhwani,
2-2-3-4-1
Haunsadhwani)
5 1-2-2-3-4 pentatonic 3 A III Raga Guhamanohari 2-3-4-1-2
5 1-2-2-3-4 pentatonic 4 A IV Raga Shailaja, Varini 3-4-1-2-2
5 1-2-2-3-4 pentatonic 5 A V Raga Nagasvaravali, Raga4-1-2-2-3
Mand
5 1-2-2-3-4 pentatonic 6 B I 1-2-2-4-3
5 1-2-2-3-4 pentatonic 7 B II 2-2-4-3-1
5 1-2-2-3-4 pentatonic 8 B III 2-4-3-1-2
5 1-2-2-3-4 pentatonic 9 B IV 4-3-1-2-2
5 1-2-2-3-4 pentatonic 10 B V 3-1-2-2-4
5 1-2-2-3-4 pentatonic 11 C I Raga Chhaya Todi, Locrian
1-2-3-2-4
Pentatonic 1
5 1-2-2-3-4 pentatonic 12 C II Raga Desh, Tcherepnin Major
2-3-2-4-1
Pentatonic, Nam xuan: Vietnam
5 1-2-2-3-4 pentatonic 13 C III Raga Chandrakauns (Kafi),
3-2-4-1-2
Surya, Varamu
5 1-2-2-3-4 pentatonic 14 C IV Raga Shri Kalyan 2-4-1-2-3
5 1-2-2-3-4 pentatonic 15 C V Mixolydian Pentatonic, Nam
4-1-2-3-2
ai, Oan: Vietnam, Raga Savethri
5 1-2-2-3-4 pentatonic 16 D I 1-2-3-4-2
5 1-2-2-3-4 pentatonic 17 D II Raga Rasranjani 2-3-4-2-1
5 1-2-2-3-4 pentatonic 18 D III 3-4-2-1-2
5 1-2-2-3-4 pentatonic 19 D IV Raga Dhavalashri 4-2-1-2-3
5 1-2-2-3-4 pentatonic 20 D V Raga Audav Tukhari 2-1-2-3-4
5 1-2-2-3-4 pentatonic 21 E I 1-2-4-2-3
5 1-2-2-3-4 pentatonic 22 E II 2-4-2-3-1
5 1-2-2-3-4 pentatonic 23 E III 4-2-3-1-2
5 1-2-2-3-4 pentatonic 24 E IV 2-3-1-2-4
5 1-2-2-3-4 pentatonic 25 E V Locrian Pentatonic 2 3-1-2-4-2
5 1-2-2-3-4 pentatonic 26 F I Raga Rukmangi 1-2-4-3-2
5 1-2-2-3-4 pentatonic 27 F II Raga Shubravarni 2-4-3-2-1
5 1-2-2-3-4 pentatonic 28 F III Raga Valaji 4-3-2-1-2
5 1-2-2-3-4 pentatonic 29 F IV 3-2-1-2-4
5 1-2-2-3-4 pentatonic 30 F V Raga Abhogi 2-1-2-4-3
5 1-2-2-3-4 pentatonic 31 G I 1-3-2-2-4
5 1-2-2-3-4 pentatonic 32 G II Raga Nata, Udayaravicandrika,
3-2-2-4-1
Madhuranjani
5 1-2-2-3-4 pentatonic 33 G III 2-2-4-1-3
5 1-2-2-3-4 pentatonic 34 G IV 2-4-1-3-2
5 1-2-2-3-4 pentatonic 35 G V 4-1-3-2-2
5 1-2-2-3-4 pentatonic 36 H I 1-3-2-4-2
5 1-2-2-3-4 pentatonic 37 H II Raga Chandrakauns (modern),
3-2-4-2-1
Marga Hindola, Rajeshwari
5 1-2-2-3-4 pentatonic 38 H III 2-4-2-1-3
5 1-2-2-3-4 pentatonic 39 H IV 4-2-1-3-2
5 1-2-2-3-4 pentatonic 40 H V 2-1-3-2-4
5 1-2-2-3-4 pentatonic 41 I I 1-3-4-2-2
5 1-2-2-3-4 pentatonic 42 I II 3-4-2-2-1
5 1-2-2-3-4 pentatonic 43 I III 4-2-2-1-3
5 1-2-2-3-4 pentatonic 44 I IV 2-2-1-3-4
5 1-2-2-3-4 pentatonic 45 I V 2-1-3-4-2
5 1-2-2-3-4 pentatonic 46 J I Altered Pentatonic, Raga1-4-2-2-3
Manaranjani II
5 1-2-2-3-4 pentatonic 47 J II 4-2-2-3-1
5 1-2-2-3-4 pentatonic 48 J III Raga Bhupeshwari, Janasammodini
2-2-3-1-4
5 1-2-2-3-4 pentatonic 49 J IV 2-3-1-4-2
5 1-2-2-3-4 pentatonic 50 J V 3-1-4-2-2
5 1-2-2-3-4 pentatonic 51 K I Kokin-joshi, Miyakobushi,
1-4-2-3-2
Han-Iwato, In Sen: Japan, Raga Vibhavari (Revati), Bairagi, Lasaki
5 1-2-2-3-4 pentatonic 52 K II Raga Hindol (Sunada Vinodini),
4-2-3-2-1
Sanjh ka Hindol
5 1-2-2-3-4 pentatonic 53 K III 2-3-2-1-4
5 1-2-2-3-4 pentatonic 54 K IV Raga Jayakauns 3-2-1-4-2
5 1-2-2-3-4 pentatonic 55 K V Dorian Pentatonic, Raga 2-1-4-2-3
Sivaranjini (Shivranjani), Akebono I: Japan
5 1-2-2-3-4 pentatonic 56 L I 1-4-3-2-2
5 1-2-2-3-4 pentatonic 57 L II Raga Mamata 4-3-2-2-1
5 1-2-2-3-4 pentatonic 58 L III Raga Kokil Pancham 3-2-2-1-4
5 1-2-2-3-4 pentatonic 59 L IV 2-2-1-4-3
5 1-2-2-3-4 pentatonic 60 L V 2-1-4-3-2
5 1-2-3-3-3 pentatonic 1 A I 1-2-3-3-3
5 1-2-3-3-3 pentatonic 2 A II Raga Priyadharshini 2-3-3-3-1
5 1-2-3-3-3 pentatonic 3 A III 3-3-3-1-2
5 1-2-3-3-3 pentatonic 4 A IV 3-3-1-2-3
5 1-2-3-3-3 pentatonic 5 A V 3-1-2-3-3
5 1-2-3-3-3 pentatonic 6 B I 1-3-2-3-3
5 1-2-3-3-3 pentatonic 7 B II Raga Chandrakauns (Kiravani)
3-2-3-3-1
5 1-2-3-3-3 pentatonic 8 B III 2-3-3-1-3
5 1-2-3-3-3 pentatonic 9 B IV Raga Samudhra Priya, Madhukauns
3-3-1-3-2(pentatonic)
5 1-2-3-3-3 pentatonic 10 B V Raga Mohanangi 3-1-3-2-3
5 1-2-3-3-3 pentatonic 11 C I Raga Rasika Ranjani, Vibhas
1-3-3-2-3
(Marva), Scriabin
5 1-2-3-3-3 pentatonic 12 C II 3-3-2-3-1
5 1-2-3-3-3 pentatonic 13 C III 3-2-3-1-3
5 1-2-3-3-3 pentatonic 14 C IV 2-3-1-3-3
5 1-2-3-3-3 pentatonic 15 C V 3-1-3-3-2
5 1-2-3-3-3 pentatonic 16 D I Raga Manaranjani I 1-3-3-3-2
5 1-2-3-3-3 pentatonic 17 D II 3-3-3-2-1
5 1-2-3-3-3 pentatonic 18 D III 3-3-2-1-3
5 1-2-3-3-3 pentatonic 19 D IV 3-2-1-3-3
5 1-2-3-3-3 pentatonic 20 D V 2-1-3-3-3
5 2-2-2-2-4 pentatonic 1 A I 2-2-2-2-4
5 2-2-2-2-4 pentatonic 2 A II 2-2-2-4-2
5 2-2-2-2-4 pentatonic 3 A III 2-2-4-2-2
5 2-2-2-2-4 pentatonic 4 A IV 2-4-2-2-2
5 2-2-2-2-4 pentatonic 5 A V 4-2-2-2-2
5 2-2-2-3-3 pentatonic 1 A I Kung: China 2-2-2-3-3
5 2-2-2-3-3 pentatonic 2 A II Dominant Pentatonic 2-2-3-3-2
5 2-2-2-3-3 pentatonic 3 A III Chaio: China 2-3-3-2-2
5 2-2-2-3-3 pentatonic 4 A IV Raga Harikauns, Chin: China
3-3-2-2-2
5 2-2-2-3-3 pentatonic 5 A V Minor added sixth Pentatonic,
3-2-2-2-3
Kyemyonjo: Korea
5 2-2-2-3-3 pentatonic 6 B I Major Pentatonic, Ryosen,
2-2-3-2-3
Yona Nuki Major: Japan, Man Jue, Gong: China, Raga Bhopali (Bhup), Mohanam, Deskar, Bilahari, Kokila, Jait Kalyan, Peruvian
5 2-2-2-3-3 pentatonic 7 B II Suspended Pentatonic, Raga
2-3-2-3-2
Madhyamavati, Madhmat Sarang, Megh, Egyptian, Shang, Rui Bin, Jin Yu, Qing Yu: China, Yo: Japan, Ngu Cung Dao: Vietnam, Ye
5 2-2-2-3-3 pentatonic 8 B III Blues Minor, Raga Malkauns
3-2-3-2-2
(Malakosh), Raga Hindola, Man Gong, Quan Ming, Yi Ze, Jiao: China, Shegaye: Ethiopia
5 2-2-2-3-3 pentatonic 9 B IV Slendro, Scottish Pentatonic,
2-3-2-2-3
Blues Major, Ritusen, Ritsu (Gagaku): Japan, Zhi, Zheng: China, Ujo, P'yongjo: Korea, Bac: Vietnam, Lai Soutsanaen, Lai
5 2-2-2-3-3 pentatonic 10 B V Minor Pentatonic, Blues 3-2-2-3-2
Pentatonic, Raga Dhani (Suddha Dhanyasi), Abheri, Udhayaravi Chandrika, Qing Shang, Gu Xian, Jia Zhong, Yu: China, P'yongjo-k
6 1-1-1-1-1-7 hexatonic 1 A I 1-1-1-1-1-7
6 1-1-1-1-1-7 hexatonic 2 A II 1-1-1-1-7-1
6 1-1-1-1-1-7 hexatonic 3 A III 1-1-1-7-1-1
6 1-1-1-1-1-7 hexatonic 4 A IV 1-1-7-1-1-1
6 1-1-1-1-1-7 hexatonic 5 A V 1-7-1-1-1-1
6 1-1-1-1-1-7 hexatonic 6 A VI 7-1-1-1-1-1
6 1-1-1-1-2-6 hexatonic 1 A I 1-1-1-1-2-6
6 1-1-1-1-2-6 hexatonic 2 A II 1-1-1-2-6-1
6 1-1-1-1-2-6 hexatonic 3 A III 1-1-2-6-1-1
6 1-1-1-1-2-6 hexatonic 4 A IV 1-2-6-1-1-1
6 1-1-1-1-2-6 hexatonic 5 A V 2-6-1-1-1-1
6 1-1-1-1-2-6 hexatonic 6 A VI 6-1-1-1-1-2
6 1-1-1-1-2-6 hexatonic 7 B I 1-1-1-1-6-2
6 1-1-1-1-2-6 hexatonic 8 B II 1-1-1-6-2-1
6 1-1-1-1-2-6 hexatonic 9 B III 1-1-6-2-1-1
6 1-1-1-1-2-6 hexatonic 10 B IV 1-6-2-1-1-1
6 1-1-1-1-2-6 hexatonic 11 B V 6-2-1-1-1-1
6 1-1-1-1-2-6 hexatonic 12 B VI 2-1-1-1-1-6
6 1-1-1-1-2-6 hexatonic 13 C I 1-1-1-2-1-6
6 1-1-1-1-2-6 hexatonic 14 C II 1-1-2-1-6-1
6 1-1-1-1-2-6 hexatonic 15 C III 1-2-1-6-1-1
6 1-1-1-1-2-6 hexatonic 16 C IV 2-1-6-1-1-1
6 1-1-1-1-2-6 hexatonic 17 C V 1-6-1-1-1-2
6 1-1-1-1-2-6 hexatonic 18 C VI 6-1-1-1-2-1
6 1-1-1-1-2-6 hexatonic 19 D I 1-1-1-6-1-2
6 1-1-1-1-2-6 hexatonic 20 D II 1-1-6-1-2-1
6 1-1-1-1-2-6 hexatonic 21 D III 1-6-1-2-1-1
6 1-1-1-1-2-6 hexatonic 22 D IV 6-1-2-1-1-1
6 1-1-1-1-2-6 hexatonic 23 D V 1-2-1-1-1-6
6 1-1-1-1-2-6 hexatonic 24 D VI 2-1-1-1-6-1
6 1-1-1-1-2-6 hexatonic 25 E I 1-1-2-1-1-6
6 1-1-1-1-2-6 hexatonic 26 E II 1-2-1-1-6-1
6 1-1-1-1-2-6 hexatonic 27 E III 2-1-1-6-1-1
6 1-1-1-1-2-6 hexatonic 28 E IV 1-1-6-1-1-2
6 1-1-1-1-2-6 hexatonic 29 E V 1-6-1-1-2-1
6 1-1-1-1-2-6 hexatonic 30 E VI 6-1-1-2-1-1
6 1-1-1-1-3-5 hexatonic 1 A I 1-1-1-1-3-5
6 1-1-1-1-3-5 hexatonic 2 A II 1-1-1-3-5-1
6 1-1-1-1-3-5 hexatonic 3 A III 1-1-3-5-1-1
6 1-1-1-1-3-5 hexatonic 4 A IV 1-3-5-1-1-1
6 1-1-1-1-3-5 hexatonic 5 A V 3-5-1-1-1-1
6 1-1-1-1-3-5 hexatonic 6 A VI 5-1-1-1-1-3
6 1-1-1-1-3-5 hexatonic 7 B I 1-1-1-1-5-3
6 1-1-1-1-3-5 hexatonic 8 B II 1-1-1-5-3-1
6 1-1-1-1-3-5 hexatonic 9 B III 1-1-5-3-1-1
6 1-1-1-1-3-5 hexatonic 10 B IV 1-5-3-1-1-1
6 1-1-1-1-3-5 hexatonic 11 B V 5-3-1-1-1-1
6 1-1-1-1-3-5 hexatonic 12 B VI 3-1-1-1-1-5
6 1-1-1-1-3-5 hexatonic 13 C I 1-1-1-3-1-5
6 1-1-1-1-3-5 hexatonic 14 C II 1-1-3-1-5-1
6 1-1-1-1-3-5 hexatonic 15 C III 1-3-1-5-1-1
6 1-1-1-1-3-5 hexatonic 16 C IV 3-1-5-1-1-1
6 1-1-1-1-3-5 hexatonic 17 C V 1-5-1-1-1-3
6 1-1-1-1-3-5 hexatonic 18 C VI 5-1-1-1-3-1
6 1-1-1-1-3-5 hexatonic 19 D I 1-1-1-5-1-3
6 1-1-1-1-3-5 hexatonic 20 D II 1-1-5-1-3-1
6 1-1-1-1-3-5 hexatonic 21 D III 1-5-1-3-1-1
6 1-1-1-1-3-5 hexatonic 22 D IV 5-1-3-1-1-1
6 1-1-1-1-3-5 hexatonic 23 D V 1-3-1-1-1-5
6 1-1-1-1-3-5 hexatonic 24 D VI 3-1-1-1-5-1
6 1-1-1-1-3-5 hexatonic 25 E I 1-1-3-1-1-5
6 1-1-1-1-3-5 hexatonic 26 E II 1-3-1-1-5-1
6 1-1-1-1-3-5 hexatonic 27 E III 3-1-1-5-1-1
6 1-1-1-1-3-5 hexatonic 28 E IV 1-1-5-1-1-3
6 1-1-1-1-3-5 hexatonic 29 E V 1-5-1-1-3-1
6 1-1-1-1-3-5 hexatonic 30 E VI 5-1-1-3-1-1
6 1-1-1-1-4-4 hexatonic 1 A I 1-1-1-1-4-4
6 1-1-1-1-4-4 hexatonic 2 A II 1-1-1-4-4-1
6 1-1-1-1-4-4 hexatonic 3 A III 1-1-4-4-1-1
6 1-1-1-1-4-4 hexatonic 4 A IV 1-4-4-1-1-1
6 1-1-1-1-4-4 hexatonic 5 A V 4-4-1-1-1-1
6 1-1-1-1-4-4 hexatonic 6 A VI 4-1-1-1-1-4
6 1-1-1-1-4-4 hexatonic 7 B I 1-1-1-4-1-4
6 1-1-1-1-4-4 hexatonic 8 B II Raga Vijayasri 1-1-4-1-4-1
6 1-1-1-1-4-4 hexatonic 9 B III 1-4-1-4-1-1
6 1-1-1-1-4-4 hexatonic 10 B IV 4-1-4-1-1-1
6 1-1-1-1-4-4 hexatonic 11 B V 1-4-1-1-1-4
6 1-1-1-1-4-4 hexatonic 12 B VI 4-1-1-1-4-1
6 1-1-1-1-4-4 hexatonic 13 C I Messiaen mode 5, Two-semitone
1-1-4-1-1-4
Tritone scale
6 1-1-1-1-4-4 hexatonic 14 C II 1-4-1-1-4-1
6 1-1-1-1-4-4 hexatonic 15 C III Messiaen mode 5 inverse 4-1-1-4-1-1
6 1-1-1-2-2-5 hexatonic 1 A I 1-1-1-2-2-5
6 1-1-1-2-2-5 hexatonic 2 A II 1-1-2-2-5-1
6 1-1-1-2-2-5 hexatonic 3 A III 1-2-2-5-1-1
6 1-1-1-2-2-5 hexatonic 4 A IV 2-2-5-1-1-1
6 1-1-1-2-2-5 hexatonic 5 A V 2-5-1-1-1-2
6 1-1-1-2-2-5 hexatonic 6 A VI 5-1-1-1-2-2
6 1-1-1-2-2-5 hexatonic 7 B I 1-1-1-2-5-2
6 1-1-1-2-2-5 hexatonic 8 B II 1-1-2-5-2-1
6 1-1-1-2-2-5 hexatonic 9 B III 1-2-5-2-1-1
6 1-1-1-2-2-5 hexatonic 10 B IV 2-5-2-1-1-1
6 1-1-1-2-2-5 hexatonic 11 B V 5-2-1-1-1-2
6 1-1-1-2-2-5 hexatonic 12 B VI 2-1-1-1-2-5
6 1-1-1-2-2-5 hexatonic 13 C I 1-1-1-5-2-2
6 1-1-1-2-2-5 hexatonic 14 C II 1-1-5-2-2-1
6 1-1-1-2-2-5 hexatonic 15 C III 1-5-2-2-1-1
6 1-1-1-2-2-5 hexatonic 16 C IV 5-2-2-1-1-1
6 1-1-1-2-2-5 hexatonic 17 C V Raga Dipak 2-2-1-1-1-5
6 1-1-1-2-2-5 hexatonic 18 C VI 2-1-1-1-5-2
6 1-1-1-2-2-5 hexatonic 19 D I 1-1-2-1-2-5
6 1-1-1-2-2-5 hexatonic 20 D II 1-2-1-2-5-1
6 1-1-1-2-2-5 hexatonic 21 D III 2-1-2-5-1-1
6 1-1-1-2-2-5 hexatonic 22 D IV 1-2-5-1-1-2
6 1-1-1-2-2-5 hexatonic 23 D V 2-5-1-1-2-1
6 1-1-1-2-2-5 hexatonic 24 D VI 5-1-1-2-1-2
6 1-1-1-2-2-5 hexatonic 25 E I 1-1-2-1-5-2
6 1-1-1-2-2-5 hexatonic 26 E II 1-2-1-5-2-1
6 1-1-1-2-2-5 hexatonic 27 E III 2-1-5-2-1-1
6 1-1-1-2-2-5 hexatonic 28 E IV 1-5-2-1-1-2
6 1-1-1-2-2-5 hexatonic 29 E V 5-2-1-1-2-1
6 1-1-1-2-2-5 hexatonic 30 E VI 2-1-1-2-1-5
6 1-1-1-2-2-5 hexatonic 31 F I 1-1-2-2-1-5
6 1-1-1-2-2-5 hexatonic 32 F II 1-2-2-1-5-1
6 1-1-1-2-2-5 hexatonic 33 F III 2-2-1-5-1-1
6 1-1-1-2-2-5 hexatonic 34 F IV 2-1-5-1-1-2
6 1-1-1-2-2-5 hexatonic 35 F V 1-5-1-1-2-2
6 1-1-1-2-2-5 hexatonic 36 F VI 5-1-1-2-2-1
6 1-1-1-2-2-5 hexatonic 37 G I 1-1-2-5-1-2
6 1-1-1-2-2-5 hexatonic 38 G II 1-2-5-1-2-1
6 1-1-1-2-2-5 hexatonic 39 G III 2-5-1-2-1-1
6 1-1-1-2-2-5 hexatonic 40 G IV 5-1-2-1-1-2
6 1-1-1-2-2-5 hexatonic 41 G V 1-2-1-1-2-5
6 1-1-1-2-2-5 hexatonic 42 G VI 2-1-1-2-5-1
6 1-1-1-2-2-5 hexatonic 43 H I 1-1-5-1-2-2
6 1-1-1-2-2-5 hexatonic 44 H II 1-5-1-2-2-1
6 1-1-1-2-2-5 hexatonic 45 H III 5-1-2-2-1-1
6 1-1-1-2-2-5 hexatonic 46 H IV 1-2-2-1-1-5
6 1-1-1-2-2-5 hexatonic 47 H V 2-2-1-1-5-1
6 1-1-1-2-2-5 hexatonic 48 H VI 2-1-1-5-1-2
6 1-1-1-2-2-5 hexatonic 49 I I 1-1-5-2-1-2
6 1-1-1-2-2-5 hexatonic 50 I II 1-5-2-1-2-1
6 1-1-1-2-2-5 hexatonic 51 I III 5-2-1-2-1-1
6 1-1-1-2-2-5 hexatonic 52 I IV 2-1-2-1-1-5
6 1-1-1-2-2-5 hexatonic 53 I V 1-2-1-1-5-2
6 1-1-1-2-2-5 hexatonic 54 I VI 2-1-1-5-2-1
6 1-1-1-2-2-5 hexatonic 55 J I Istrian: Croatia 1-2-1-2-1-5
6 1-1-1-2-2-5 hexatonic 56 J II 2-1-2-1-5-1
6 1-1-1-2-2-5 hexatonic 57 J III 1-2-1-5-1-2
6 1-1-1-2-2-5 hexatonic 58 J IV 2-1-5-1-2-1
6 1-1-1-2-2-5 hexatonic 59 J V 1-5-1-2-1-2
6 1-1-1-2-2-5 hexatonic 60 J VI 5-1-2-1-2-1
6 1-1-1-2-3-4 hexatonic 1 A I 1-1-1-2-3-4
6 1-1-1-2-3-4 hexatonic 2 A II 1-1-2-3-4-1
6 1-1-1-2-3-4 hexatonic 3 A III 1-2-3-4-1-1
6 1-1-1-2-3-4 hexatonic 4 A IV 2-3-4-1-1-1
6 1-1-1-2-3-4 hexatonic 5 A V 3-4-1-1-1-2
6 1-1-1-2-3-4 hexatonic 6 A VI 4-1-1-1-2-3
6 1-1-1-2-3-4 hexatonic 7 B I 1-1-1-2-4-3
6 1-1-1-2-3-4 hexatonic 8 B II 1-1-2-4-3-1
6 1-1-1-2-3-4 hexatonic 9 B III 1-2-4-3-1-1
6 1-1-1-2-3-4 hexatonic 10 B IV 2-4-3-1-1-1
6 1-1-1-2-3-4 hexatonic 11 B V 4-3-1-1-1-2
6 1-1-1-2-3-4 hexatonic 12 B VI 3-1-1-1-2-4
6 1-1-1-2-3-4 hexatonic 13 C I 1-1-1-3-2-4
6 1-1-1-2-3-4 hexatonic 14 C II 1-1-3-2-4-1
6 1-1-1-2-3-4 hexatonic 15 C III 1-3-2-4-1-1
6 1-1-1-2-3-4 hexatonic 16 C IV 3-2-4-1-1-1
6 1-1-1-2-3-4 hexatonic 17 C V 2-4-1-1-1-3
6 1-1-1-2-3-4 hexatonic 18 C VI 4-1-1-1-3-2
6 1-1-1-2-3-4 hexatonic 19 D I 1-1-1-3-4-2
6 1-1-1-2-3-4 hexatonic 20 D II 1-1-3-4-2-1
6 1-1-1-2-3-4 hexatonic 21 D III 1-3-4-2-1-1
6 1-1-1-2-3-4 hexatonic 22 D IV 3-4-2-1-1-1
6 1-1-1-2-3-4 hexatonic 23 D V 4-2-1-1-1-3
6 1-1-1-2-3-4 hexatonic 24 D VI 2-1-1-1-3-4
6 1-1-1-2-3-4 hexatonic 25 E I 1-1-1-4-2-3
6 1-1-1-2-3-4 hexatonic 26 E II 1-1-4-2-3-1
6 1-1-1-2-3-4 hexatonic 27 E III 1-4-2-3-1-1
6 1-1-1-2-3-4 hexatonic 28 E IV 4-2-3-1-1-1
6 1-1-1-2-3-4 hexatonic 29 E V 2-3-1-1-1-4
6 1-1-1-2-3-4 hexatonic 30 E VI 3-1-1-1-4-2
6 1-1-1-2-3-4 hexatonic 31 F I 1-1-1-4-3-2
6 1-1-1-2-3-4 hexatonic 32 F II 1-1-4-3-2-1
6 1-1-1-2-3-4 hexatonic 33 F III 1-4-3-2-1-1
6 1-1-1-2-3-4 hexatonic 34 F IV 4-3-2-1-1-1
6 1-1-1-2-3-4 hexatonic 35 F V 3-2-1-1-1-4
6 1-1-1-2-3-4 hexatonic 36 F VI 2-1-1-1-4-3
6 1-1-1-2-3-4 hexatonic 37 G I 1-1-2-1-3-4
6 1-1-1-2-3-4 hexatonic 38 G II 1-2-1-3-4-1
6 1-1-1-2-3-4 hexatonic 39 G III 2-1-3-4-1-1
6 1-1-1-2-3-4 hexatonic 40 G IV 1-3-4-1-1-2
6 1-1-1-2-3-4 hexatonic 41 G V 3-4-1-1-2-1
6 1-1-1-2-3-4 hexatonic 42 G VI 4-1-1-2-1-3
6 1-1-1-2-3-4 hexatonic 43 H I 1-1-2-1-4-3
6 1-1-1-2-3-4 hexatonic 44 H II 1-2-1-4-3-1
6 1-1-1-2-3-4 hexatonic 45 H III 2-1-4-3-1-1
6 1-1-1-2-3-4 hexatonic 46 H IV 1-4-3-1-1-2
6 1-1-1-2-3-4 hexatonic 47 H V 4-3-1-1-2-1
6 1-1-1-2-3-4 hexatonic 48 H VI 3-1-1-2-1-4
6 1-1-1-2-3-4 hexatonic 49 I I 1-1-2-3-1-4
6 1-1-1-2-3-4 hexatonic 50 I II 1-2-3-1-4-1
6 1-1-1-2-3-4 hexatonic 51 I III 2-3-1-4-1-1
6 1-1-1-2-3-4 hexatonic 52 I IV 3-1-4-1-1-2
6 1-1-1-2-3-4 hexatonic 53 I V 1-4-1-1-2-3
6 1-1-1-2-3-4 hexatonic 54 I VI 4-1-1-2-3-1
6 1-1-1-2-3-4 hexatonic 55 J I 1-1-2-4-1-3
6 1-1-1-2-3-4 hexatonic 56 J II 1-2-4-1-3-1
6 1-1-1-2-3-4 hexatonic 57 J III Raga Malarani, Hamsanada2-4-1-3-1-1
6 1-1-1-2-3-4 hexatonic 58 J IV 4-1-3-1-1-2
6 1-1-1-2-3-4 hexatonic 59 J V 1-3-1-1-2-4
6 1-1-1-2-3-4 hexatonic 60 J VI 3-1-1-2-4-1
6 1-1-1-2-3-4 hexatonic 61 K I 1-1-3-1-2-4
6 1-1-1-2-3-4 hexatonic 62 K II Raga Gaula 1-3-1-2-4-1
6 1-1-1-2-3-4 hexatonic 63 K III 3-1-2-4-1-1
6 1-1-1-2-3-4 hexatonic 64 K IV 1-2-4-1-1-3
6 1-1-1-2-3-4 hexatonic 65 K V 2-4-1-1-3-1
6 1-1-1-2-3-4 hexatonic 66 K VI 4-1-1-3-1-2
6 1-1-1-2-3-4 hexatonic 67 L I 1-1-3-1-4-2
6 1-1-1-2-3-4 hexatonic 68 L II Raga Vasanta, Chayavati 1-3-1-4-2-1
6 1-1-1-2-3-4 hexatonic 69 L III 3-1-4-2-1-1
6 1-1-1-2-3-4 hexatonic 70 L IV Raga Kalakanthi 1-4-2-1-1-3
6 1-1-1-2-3-4 hexatonic 71 L V 4-2-1-1-3-1
6 1-1-1-2-3-4 hexatonic 72 L VI 2-1-1-3-1-4
6 1-1-1-2-3-4 hexatonic 73 M I 1-1-3-2-1-4
6 1-1-1-2-3-4 hexatonic 74 M II Raga Mandari, Gamakakriya,
1-3-2-1-4-1
Hamsanarayani
6 1-1-1-2-3-4 hexatonic 75 M III 3-2-1-4-1-1
6 1-1-1-2-3-4 hexatonic 76 M IV 2-1-4-1-1-3
6 1-1-1-2-3-4 hexatonic 77 M V 1-4-1-1-3-2
6 1-1-1-2-3-4 hexatonic 78 M VI 4-1-1-3-2-1
6 1-1-1-2-3-4 hexatonic 79 N I 1-1-3-4-1-2
6 1-1-1-2-3-4 hexatonic 80 N II 1-3-4-1-2-1
6 1-1-1-2-3-4 hexatonic 81 N III 3-4-1-2-1-1
6 1-1-1-2-3-4 hexatonic 82 N IV Raga Saravati (Sharavati)
4-1-2-1-1-3
6 1-1-1-2-3-4 hexatonic 83 N V 1-2-1-1-3-4
6 1-1-1-2-3-4 hexatonic 84 N VI 2-1-1-3-4-1
6 1-1-1-2-3-4 hexatonic 85 O I Raga Chandrajyoti 1-1-4-1-2-3
6 1-1-1-2-3-4 hexatonic 86 O II 1-4-1-2-3-1
6 1-1-1-2-3-4 hexatonic 87 O III Raga Tilang, Savitri, Brindabani
4-1-2-3-1-1
Tilang
6 1-1-1-2-3-4 hexatonic 88 O IV 1-2-3-1-1-4
6 1-1-1-2-3-4 hexatonic 89 O V 2-3-1-1-4-1
6 1-1-1-2-3-4 hexatonic 90 O VI 3-1-1-4-1-2
6 1-1-1-2-3-4 hexatonic 91 P I 1-1-4-1-3-2
6 1-1-1-2-3-4 hexatonic 92 P II 1-4-1-3-2-1
6 1-1-1-2-3-4 hexatonic 93 P III 4-1-3-2-1-1
6 1-1-1-2-3-4 hexatonic 94 P IV Raga Dhavalangam 1-3-2-1-1-4
6 1-1-1-2-3-4 hexatonic 95 P V 3-2-1-1-4-1
6 1-1-1-2-3-4 hexatonic 96 P VI 2-1-1-4-1-3
6 1-1-1-2-3-4 hexatonic 97 Q I 1-1-4-2-1-3
6 1-1-1-2-3-4 hexatonic 98 Q II Raga Padi 1-4-2-1-3-1
6 1-1-1-2-3-4 hexatonic 99 Q III Raga Vijayavasanta 4-2-1-3-1-1
6 1-1-1-2-3-4 hexatonic 100 Q IV Raga Syamalam 2-1-3-1-1-4
6 1-1-1-2-3-4 hexatonic 101 Q V 1-3-1-1-4-2
6 1-1-1-2-3-4 hexatonic 102 Q VI 3-1-1-4-2-1
6 1-1-1-2-3-4 hexatonic 103 R I 1-1-4-3-1-2
6 1-1-1-2-3-4 hexatonic 104 R II 1-4-3-1-2-1
6 1-1-1-2-3-4 hexatonic 105 R III 4-3-1-2-1-1
6 1-1-1-2-3-4 hexatonic 106 R IV 3-1-2-1-1-4
6 1-1-1-2-3-4 hexatonic 107 R V 1-2-1-1-4-3
6 1-1-1-2-3-4 hexatonic 108 R VI 2-1-1-4-3-1
6 1-1-1-2-3-4 hexatonic 109 S I 1-2-1-3-1-4
6 1-1-1-2-3-4 hexatonic 110 S II Raga Amarasenapriya 2-1-3-1-4-1
6 1-1-1-2-3-4 hexatonic 111 S III Raga Rudra Pancama 1-3-1-4-1-2
6 1-1-1-2-3-4 hexatonic 112 S IV 3-1-4-1-2-1
6 1-1-1-2-3-4 hexatonic 113 S V 1-4-1-2-1-3
6 1-1-1-2-3-4 hexatonic 114 S VI Raga Paraju (Paraz, Pharas),
4-1-2-1-3-1
Ramamanohari, Sindhu Ramakriya, Kamalamanohari
6 1-1-1-2-3-4 hexatonic 115 T I 1-2-1-4-1-3
6 1-1-1-2-3-4 hexatonic 116 T II 2-1-4-1-3-1
6 1-1-1-2-3-4 hexatonic 117 T III 1-4-1-3-1-2
6 1-1-1-2-3-4 hexatonic 118 T IV 4-1-3-1-2-1
6 1-1-1-2-3-4 hexatonic 119 T V Raga Purna Pancama, Malahari,
1-3-1-2-1-4
Geyahejjajji, Kannadabangala
6 1-1-1-2-3-4 hexatonic 120 T VI Raga Rasamanjari 3-1-2-1-4-1
6 1-1-1-3-3-3 hexatonic 1 A I 1-1-1-3-3-3
6 1-1-1-3-3-3 hexatonic 2 A II 1-1-3-3-3-1
6 1-1-1-3-3-3 hexatonic 3 A III 1-3-3-3-1-1
6 1-1-1-3-3-3 hexatonic 4 A IV 3-3-3-1-1-1
6 1-1-1-3-3-3 hexatonic 5 A V 3-3-1-1-1-3
6 1-1-1-3-3-3 hexatonic 6 A VI 3-1-1-1-3-3
6 1-1-1-3-3-3 hexatonic 7 B I 1-1-3-1-3-3
6 1-1-1-3-3-3 hexatonic 8 B II Raga Lalita, Sohini, Hamsanandi,
1-3-1-3-3-1
Lalit Bhairav
6 1-1-1-3-3-3 hexatonic 9 B III 3-1-3-3-1-1
6 1-1-1-3-3-3 hexatonic 10 B IV Raga Kalagada (Kalgada) 1-3-3-1-1-3
6 1-1-1-3-3-3 hexatonic 11 B V 3-3-1-1-3-1
6 1-1-1-3-3-3 hexatonic 12 B VI 3-1-1-3-1-3
6 1-1-1-3-3-3 hexatonic 13 C I Raga Suddha Mukhari 1-1-3-3-1-3
6 1-1-1-3-3-3 hexatonic 14 C II Raga Bauli 1-3-3-1-3-1
6 1-1-1-3-3-3 hexatonic 15 C III Raga Jivantini, Gaurikriya
3-3-1-3-1-1
6 1-1-1-3-3-3 hexatonic 16 C IV 3-1-3-1-1-3
6 1-1-1-3-3-3 hexatonic 17 C V 1-3-1-1-3-3
6 1-1-1-3-3-3 hexatonic 18 C VI 3-1-1-3-3-1
6 1-1-1-3-3-3 hexatonic 19 D I Messiaen truncated mode 1-3-1-3-1-3
3, Prometheus (Liszt)
6 1-1-1-3-3-3 hexatonic 20 D II Messiaen truncated mode 3-1-3-1-3-1
3 inverse, Major Augmented, Genus tertium, Raga Devamani
6 1-1-2-2-2-4 hexatonic 1 A I 1-1-2-2-2-4
6 1-1-2-2-2-4 hexatonic 2 A II 1-2-2-2-4-1
6 1-1-2-2-2-4 hexatonic 3 A III 2-2-2-4-1-1
6 1-1-2-2-2-4 hexatonic 4 A IV 2-2-4-1-1-2
6 1-1-2-2-2-4 hexatonic 5 A V Raga Jaganmohanam 2-4-1-1-2-2
6 1-1-2-2-2-4 hexatonic 6 A VI 4-1-1-2-2-2
6 1-1-2-2-2-4 hexatonic 7 B I 1-1-2-2-4-2
6 1-1-2-2-2-4 hexatonic 8 B II 1-2-2-4-2-1
6 1-1-2-2-2-4 hexatonic 9 B III 2-2-4-2-1-1
6 1-1-2-2-2-4 hexatonic 10 B IV 2-4-2-1-1-2
6 1-1-2-2-2-4 hexatonic 11 B V Raga Jyoti 4-2-1-1-2-2
6 1-1-2-2-2-4 hexatonic 12 B VI 2-1-1-2-2-4
6 1-1-2-2-2-4 hexatonic 13 C I 1-1-2-4-2-2
6 1-1-2-2-2-4 hexatonic 14 C II 1-2-4-2-2-1
6 1-1-2-2-2-4 hexatonic 15 C III 2-4-2-2-1-1
6 1-1-2-2-2-4 hexatonic 16 C IV 4-2-2-1-1-2
6 1-1-2-2-2-4 hexatonic 17 C V 2-2-1-1-2-4
6 1-1-2-2-2-4 hexatonic 18 C VI 2-1-1-2-4-2
6 1-1-2-2-2-4 hexatonic 19 D I 1-1-4-2-2-2
6 1-1-2-2-2-4 hexatonic 20 D II Raga Jivantika 1-4-2-2-2-1
6 1-1-2-2-2-4 hexatonic 21 D III 4-2-2-2-1-1
6 1-1-2-2-2-4 hexatonic 22 D IV 2-2-2-1-1-4
6 1-1-2-2-2-4 hexatonic 23 D V 2-2-1-1-4-2
6 1-1-2-2-2-4 hexatonic 24 D VI 2-1-1-4-2-2
6 1-1-2-2-2-4 hexatonic 25 E I 1-2-1-2-2-4
6 1-1-2-2-2-4 hexatonic 26 E II Raga Sindhura Kafi 2-1-2-2-4-1
6 1-1-2-2-2-4 hexatonic 27 E III 1-2-2-4-1-2
6 1-1-2-2-2-4 hexatonic 28 E IV 2-2-4-1-2-1
6 1-1-2-2-2-4 hexatonic 29 E V Raga Sarasvati 2-4-1-2-1-2
6 1-1-2-2-2-4 hexatonic 30 E VI Raga Kamalamanohari 4-1-2-1-2-2
6 1-1-2-2-2-4 hexatonic 31 F I Superlocrian Hexamirror 1-2-1-2-4-2
6 1-1-2-2-2-4 hexatonic 32 F II 2-1-2-4-2-1
6 1-1-2-2-2-4 hexatonic 33 F III Raga Salagavarali 1-2-4-2-1-2
6 1-1-2-2-2-4 hexatonic 34 F IV 2-4-2-1-2-1
6 1-1-2-2-2-4 hexatonic 35 F V Raga Vutari 4-2-1-2-1-2
6 1-1-2-2-2-4 hexatonic 36 F VI 2-1-2-1-2-4
6 1-1-2-2-2-4 hexatonic 37 G I 1-2-1-4-2-2
6 1-1-2-2-2-4 hexatonic 38 G II Hawaiian 2-1-4-2-2-1
6 1-1-2-2-2-4 hexatonic 39 G III Raga Rasavali 1-4-2-2-1-2
6 1-1-2-2-2-4 hexatonic 40 G IV 4-2-2-1-2-1
6 1-1-2-2-2-4 hexatonic 41 G V 2-2-1-2-1-4
6 1-1-2-2-2-4 hexatonic 42 G VI 2-1-2-1-4-2
6 1-1-2-2-2-4 hexatonic 43 H I 1-2-2-1-2-4
6 1-1-2-2-2-4 hexatonic 44 H II Raga Nalinakanti, Kedaram,
2-2-1-2-4-1
Vilasini
6 1-1-2-2-2-4 hexatonic 45 H III Raga Bagesri, Sriranjani,
2-1-2-4-1-2
Kapijingla, Jayamanohari
6 1-1-2-2-2-4 hexatonic 46 H IV Raga Kashyapi 1-2-4-1-2-2
6 1-1-2-2-2-4 hexatonic 47 H V Raga Nishadi 2-4-1-2-2-1
6 1-1-2-2-2-4 hexatonic 48 H VI Raga Khamas, Desya Khamas,
4-1-2-2-1-2
Bahudari
6 1-1-2-2-2-4 hexatonic 49 I I Honchoshi plagal form: Japan
1-2-2-1-4-2
6 1-1-2-2-2-4 hexatonic 50 I II Raga Hamsa Vinodini 2-2-1-4-2-1
6 1-1-2-2-2-4 hexatonic 51 I III Raga Manavi 2-1-4-2-1-2
6 1-1-2-2-2-4 hexatonic 52 I IV Raga Phenadyuti, Insen, 1-4-2-1-2-2
Honchoshi, Niagari: Japan
6 1-1-2-2-2-4 hexatonic 53 I V 4-2-1-2-2-1
6 1-1-2-2-2-4 hexatonic 54 I VI 2-1-2-2-1-4
6 1-1-2-2-2-4 hexatonic 55 J I Raga Suddha Simantini 1-2-2-2-1-4
6 1-1-2-2-2-4 hexatonic 56 J II Raga Caturangini, Ratnakanthi
2-2-2-1-4-1
6 1-1-2-2-2-4 hexatonic 57 J III Raga Rageshri (Rageshwari),
2-2-1-4-1-2
Nattaikurinji (Natakuranji)
6 1-1-2-2-2-4 hexatonic 58 J IV Raga Trimurti 2-1-4-1-2-2
6 1-1-2-2-2-4 hexatonic 59 J V 1-4-1-2-2-2
6 1-1-2-2-2-4 hexatonic 60 J VI Raga Hari Nata, Genus secundum
4-1-2-2-2-1
6 1-1-2-2-3-3 hexatonic 1 A I 1-1-2-2-3-3
6 1-1-2-2-3-3 hexatonic 2 A II Raga Viyogavarali 1-2-2-3-3-1
6 1-1-2-2-3-3 hexatonic 3 A III 2-2-3-3-1-1
6 1-1-2-2-3-3 hexatonic 4 A IV 2-3-3-1-1-2
6 1-1-2-2-3-3 hexatonic 5 A V 3-3-1-1-2-2
6 1-1-2-2-3-3 hexatonic 6 A VI 3-1-1-2-2-3
6 1-1-2-2-3-3 hexatonic 7 B I 1-1-2-3-2-3
6 1-1-2-2-3-3 hexatonic 8 B II Raga Gurjari Todi 1-2-3-2-3-1
6 1-1-2-2-3-3 hexatonic 9 B III Raga Brindabani Sarang, 2-3-2-3-1-1
Megh (Megh Malhar)
6 1-1-2-2-3-3 hexatonic 10 B IV 3-2-3-1-1-2
6 1-1-2-2-3-3 hexatonic 11 B V 2-3-1-1-2-3
6 1-1-2-2-3-3 hexatonic 12 B VI Raga Bhanumanjari, Jog 3-1-1-2-3-2
6 1-1-2-2-3-3 hexatonic 13 C I 1-1-2-3-3-2
6 1-1-2-2-3-3 hexatonic 14 C II 1-2-3-3-2-1
6 1-1-2-2-3-3 hexatonic 15 C III 2-3-3-2-1-1
6 1-1-2-2-3-3 hexatonic 16 C IV 3-3-2-1-1-2
6 1-1-2-2-3-3 hexatonic 17 C V 3-2-1-1-2-3
6 1-1-2-2-3-3 hexatonic 18 C VI 2-1-1-2-3-3
6 1-1-2-2-3-3 hexatonic 19 D I 1-1-3-2-2-3
6 1-1-2-2-3-3 hexatonic 20 D II 1-3-2-2-3-1
6 1-1-2-2-3-3 hexatonic 21 D III 3-2-2-3-1-1
6 1-1-2-2-3-3 hexatonic 22 D IV 2-2-3-1-1-3
6 1-1-2-2-3-3 hexatonic 23 D V 2-3-1-1-3-2
6 1-1-2-2-3-3 hexatonic 24 D VI 3-1-1-3-2-2
6 1-1-2-2-3-3 hexatonic 25 E I 1-1-3-2-3-2
6 1-1-2-2-3-3 hexatonic 26 E II Raga Hamsanandi, Marva, 1-3-2-3-2-1
Pancama, Puriya, Sohni
6 1-1-2-2-3-3 hexatonic 27 E III 3-2-3-2-1-1
6 1-1-2-2-3-3 hexatonic 28 E IV 2-3-2-1-1-3
6 1-1-2-2-3-3 hexatonic 29 E V Blues scale I, Raga Nileshwari
3-2-1-1-3-2
6 1-1-2-2-3-3 hexatonic 30 E VI 2-1-1-3-2-3
6 1-1-2-2-3-3 hexatonic 31 F I 1-1-3-3-2-2
6 1-1-2-2-3-3 hexatonic 32 F II 1-3-3-2-2-1
6 1-1-2-2-3-3 hexatonic 33 F III 3-3-2-2-1-1
6 1-1-2-2-3-3 hexatonic 34 F IV 3-2-2-1-1-3
6 1-1-2-2-3-3 hexatonic 35 F V 2-2-1-1-3-3
6 1-1-2-2-3-3 hexatonic 36 F VI 2-1-1-3-3-2
6 1-1-2-2-3-3 hexatonic 37 G I 1-2-1-2-3-3
6 1-1-2-2-3-3 hexatonic 38 G II Raga Ghantana, Kaushiranjani
2-1-2-3-3-1
(Kaishikiranjani)
6 1-1-2-2-3-3 hexatonic 39 G III 1-2-3-3-1-2
6 1-1-2-2-3-3 hexatonic 40 G IV 2-3-3-1-2-1
6 1-1-2-2-3-3 hexatonic 41 G V Raga Madhukauns (hexatonic)
3-3-1-2-1-2
6 1-1-2-2-3-3 hexatonic 42 G VI 3-1-2-1-2-3
6 1-1-2-2-3-3 hexatonic 43 H I 1-2-1-3-2-3
6 1-1-2-2-3-3 hexatonic 44 H II Takemitsu Tree Line mode2-1-3-2-3-1
1
6 1-1-2-2-3-3 hexatonic 45 H III Prometheus Neapolitan 1-3-2-3-1-2
6 1-1-2-2-3-3 hexatonic 46 H IV 3-2-3-1-2-1
6 1-1-2-2-3-3 hexatonic 47 H V 2-3-1-2-1-3
6 1-1-2-2-3-3 hexatonic 48 H VI 3-1-2-1-3-2
6 1-1-2-2-3-3 hexatonic 49 I I 1-2-1-3-3-2
6 1-1-2-2-3-3 hexatonic 50 I II Raga Ranjani, Rangini 2-1-3-3-2-1
6 1-1-2-2-3-3 hexatonic 51 I III Raga Malayamarutam 1-3-3-2-1-2
6 1-1-2-2-3-3 hexatonic 52 I IV 3-3-2-1-2-1
6 1-1-2-2-3-3 hexatonic 53 I V 3-2-1-2-1-3
6 1-1-2-2-3-3 hexatonic 54 I VI Pyramid Hexatonic 2-1-2-1-3-3
6 1-1-2-2-3-3 hexatonic 55 J I Double-Phrygian Hexatonic
1-2-2-1-3-3
6 1-1-2-2-3-3 hexatonic 56 J II Raga Sarasanana 2-2-1-3-3-1
6 1-1-2-2-3-3 hexatonic 57 J III 2-1-3-3-1-2
6 1-1-2-2-3-3 hexatonic 58 J IV 1-3-3-1-2-2
6 1-1-2-2-3-3 hexatonic 59 J V 3-3-1-2-2-1
6 1-1-2-2-3-3 hexatonic 60 J VI Equal temperaments 3 and3-1-2-2-1-3
4 mixed
6 1-1-2-2-3-3 hexatonic 61 K I 1-2-2-3-1-3
6 1-1-2-2-3-3 hexatonic 62 K II Raga Latika 2-2-3-1-3-1
6 1-1-2-2-3-3 hexatonic 63 K III 2-3-1-3-1-2
6 1-1-2-2-3-3 hexatonic 64 K IV 3-1-3-1-2-2
6 1-1-2-2-3-3 hexatonic 65 K V Raga Kalavati, Ragamalini
1-3-1-2-2-3
6 1-1-2-2-3-3 hexatonic 66 K VI 3-1-2-2-3-1
6 1-1-2-2-3-3 hexatonic 67 L I Messiaen truncated mode 1-2-3-1-2-3
2
6 1-1-2-2-3-3 hexatonic 68 L II 2-3-1-2-3-1
6 1-1-2-2-3-3 hexatonic 69 L III 3-1-2-3-1-2
6 1-1-2-2-3-3 hexatonic 70 M I 1-2-3-1-3-2
6 1-1-2-2-3-3 hexatonic 71 M II 2-3-1-3-2-1
6 1-1-2-2-3-3 hexatonic 72 M III 3-1-3-2-1-2
6 1-1-2-2-3-3 hexatonic 73 M IV 1-3-2-1-2-3
6 1-1-2-2-3-3 hexatonic 74 M V 3-2-1-2-3-1
6 1-1-2-2-3-3 hexatonic 75 M VI 2-1-2-3-1-3
6 1-1-2-2-3-3 hexatonic 76 N I 1-2-3-2-1-3
6 1-1-2-2-3-3 hexatonic 77 N II Raga Bhinna Pancama 2-3-2-1-3-1
6 1-1-2-2-3-3 hexatonic 78 N III 3-2-1-3-1-2
6 1-1-2-2-3-3 hexatonic 79 N IV Raga Vijayanagari 2-1-3-1-2-3
6 1-1-2-2-3-3 hexatonic 80 N V 1-3-1-2-3-2
6 1-1-2-2-3-3 hexatonic 81 N VI 3-1-2-3-2-1
6 1-1-2-2-3-3 hexatonic 82 O I Messiaen truncated mode 1-3-2-1-3-2
2, Raga Indupriya, Tritone scale
6 1-1-2-2-3-3 hexatonic 83 O II 3-2-1-3-2-1
6 1-1-2-2-3-3 hexatonic 84 O III Raga Neelangi 2-1-3-2-1-3
6 1-1-2-2-3-3 hexatonic 85 P I Raga Vasantabhairavi 1-3-1-3-2-2
6 1-1-2-2-3-3 hexatonic 86 P II 3-1-3-2-2-1
6 1-1-2-2-3-3 hexatonic 87 P III Raga Hejjajji 1-3-2-2-1-3
6 1-1-2-2-3-3 hexatonic 88 P IV Raga Takka 3-2-2-1-3-1
6 1-1-2-2-3-3 hexatonic 89 P V 2-2-1-3-1-3
6 1-1-2-2-3-3 hexatonic 90 P VI Raga Simharava (Sinharavam),
2-1-3-1-3-2
Gopikatilaka
6 1-2-2-2-2-3 hexatonic 1 A I 1-2-2-2-2-3
6 1-2-2-2-2-3 hexatonic 2 A II Eskimo Hexatonic 2 (Alaska:
2-2-2-2-3-1
Point Hope)
6 1-2-2-2-2-3 hexatonic 3 A III Prometheus (Scriabin), Mystic,
2-2-2-3-1-2
Raga Barbara
6 1-2-2-2-2-3 hexatonic 4 A IV 2-2-3-1-2-2
6 1-2-2-2-2-3 hexatonic 5 A V 2-3-1-2-2-2
6 1-2-2-2-2-3 hexatonic 6 A VI 3-1-2-2-2-2
6 1-2-2-2-2-3 hexatonic 7 B I Raga Gandharavam, Sabai 1-2-2-2-3-2
silt: Ethiopia
6 1-2-2-2-2-3 hexatonic 8 B II Raga Mruganandana 2-2-2-3-2-1
6 1-2-2-2-2-3 hexatonic 9 B III 2-2-3-2-1-2
6 1-2-2-2-2-3 hexatonic 10 B IV Raga Navamanohari 2-3-2-1-2-2
6 1-2-2-2-2-3 hexatonic 11 B V 3-2-1-2-2-2
6 1-2-2-2-2-3 hexatonic 12 B VI Raga Suddha Bangala, Gauri
2-1-2-2-2-3
Velavali
6 1-2-2-2-2-3 hexatonic 13 C I Ritsu: Japan, Raga Suddha
1-2-2-3-2-2
Todi
6 1-2-2-2-2-3 hexatonic 14 C II Raga Kumud, Sankara (Shankara),
2-2-3-2-2-1
Prabhati, Lydian Hexatonic
6 1-2-2-2-2-3 hexatonic 15 C III Mixolydian Hexatonic, P'yongjo:
2-3-2-2-1-2
Korea, Yosen: Japan, Raga Darbar, Narayani, Suposhini, Andolika, Gorakh Kalyan
6 1-2-2-2-2-3 hexatonic 16 C IV Raga Gopikavasantam, Desya
3-2-2-1-2-2
Todi, Jayantasri, Phrygian Hexatonic
6 1-2-2-2-2-3 hexatonic 17 C V Arezzo Major Diatonic Hexachord,
2-2-1-2-2-3
Raga Kambhoji, Devarangini, Sama (Syama), Scottish Hexatonic
6 1-2-2-2-2-3 hexatonic 18 C VI Minor Hexatonic, Raga Manirangu,
2-1-2-2-3-2
Nayaki, Palasi, Pushpalithika (Puspalatika), Suha Sughrai, Yo: Japan, Eskimo Hexatonic 1 (Alaska: King Island)
6 1-2-2-2-2-3 hexatonic 19 D I Raga Bhavani 1-2-3-2-2-2
6 1-2-2-2-2-3 hexatonic 20 D II Raga Nagagandhari 2-3-2-2-2-1
6 1-2-2-2-2-3 hexatonic 21 D III Raga Manohari, Malavasri3-2-2-2-1-2
6 1-2-2-2-2-3 hexatonic 22 D IV Raga Yamuna Kalyani, Kalyani
2-2-2-1-2-3
Keseri, Airavati, Ancient Chinese
6 1-2-2-2-2-3 hexatonic 23 D V Raga Siva Kambhoji, Vivardhini,
2-2-1-2-3-2
Andhali
6 1-2-2-2-2-3 hexatonic 24 D VI 2-1-2-3-2-2
6 1-2-2-2-2-3 hexatonic 25 E I 1-3-2-2-2-2
6 1-2-2-2-2-3 hexatonic 26 E II 3-2-2-2-2-1
6 1-2-2-2-2-3 hexatonic 27 E III 2-2-2-2-1-3
6 1-2-2-2-2-3 hexatonic 28 E IV 2-2-2-1-3-2
6 1-2-2-2-2-3 hexatonic 29 E V 2-2-1-3-2-2
6 1-2-2-2-2-3 hexatonic 30 E VI Takemitsu Tree Line mode2-1-3-2-2-2
2
6 2-2-2-2-2-2 hexatonic 1 A I Whole-tone, Messiaen mode
2-2-2-2-2-2
1, Raga Gopriya, Anhemitonic Hexatonic
7 1-1-1-1-1-1-6 heptatonic 1 A I 1-1-1-1-1-1-6
7 1-1-1-1-1-1-6 heptatonic 2 A II 1-1-1-1-1-6-1
7 1-1-1-1-1-1-6 heptatonic 3 A III 1-1-1-1-6-1-1
7 1-1-1-1-1-1-6 heptatonic 4 A IV 1-1-1-6-1-1-1
7 1-1-1-1-1-1-6 heptatonic 5 A V 1-1-6-1-1-1-1
7 1-1-1-1-1-1-6 heptatonic 6 A VI 1-6-1-1-1-1-1
7 1-1-1-1-1-1-6 heptatonic 7 A VII 6-1-1-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 1 A I 1-1-1-1-1-2-5
7 1-1-1-1-1-2-5 heptatonic 2 A II 1-1-1-1-2-5-1
7 1-1-1-1-1-2-5 heptatonic 3 A III 1-1-1-2-5-1-1
7 1-1-1-1-1-2-5 heptatonic 4 A IV 1-1-2-5-1-1-1
7 1-1-1-1-1-2-5 heptatonic 5 A V 1-2-5-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 6 A VI 2-5-1-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 7 A VII 5-1-1-1-1-1-2
7 1-1-1-1-1-2-5 heptatonic 8 B I 1-1-1-1-1-5-2
7 1-1-1-1-1-2-5 heptatonic 9 B II 1-1-1-1-5-2-1
7 1-1-1-1-1-2-5 heptatonic 10 B III 1-1-1-5-2-1-1
7 1-1-1-1-1-2-5 heptatonic 11 B IV 1-1-5-2-1-1-1
7 1-1-1-1-1-2-5 heptatonic 12 B V 1-5-2-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 13 B VI 5-2-1-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 14 B VII 2-1-1-1-1-1-5
7 1-1-1-1-1-2-5 heptatonic 15 C I 1-1-1-1-2-1-5
7 1-1-1-1-1-2-5 heptatonic 16 C II 1-1-1-2-1-5-1
7 1-1-1-1-1-2-5 heptatonic 17 C III 1-1-2-1-5-1-1
7 1-1-1-1-1-2-5 heptatonic 18 C IV 1-2-1-5-1-1-1
7 1-1-1-1-1-2-5 heptatonic 19 C V 2-1-5-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 20 C VI 1-5-1-1-1-1-2
7 1-1-1-1-1-2-5 heptatonic 21 C VII 5-1-1-1-1-2-1
7 1-1-1-1-1-2-5 heptatonic 22 D I 1-1-1-1-5-1-2
7 1-1-1-1-1-2-5 heptatonic 23 D II 1-1-1-5-1-2-1
7 1-1-1-1-1-2-5 heptatonic 24 D III 1-1-5-1-2-1-1
7 1-1-1-1-1-2-5 heptatonic 25 D IV 1-5-1-2-1-1-1
7 1-1-1-1-1-2-5 heptatonic 26 D V 5-1-2-1-1-1-1
7 1-1-1-1-1-2-5 heptatonic 27 D VI 1-2-1-1-1-1-5
7 1-1-1-1-1-2-5 heptatonic 28 D VII 2-1-1-1-1-5-1
7 1-1-1-1-1-2-5 heptatonic 29 E I 1-1-1-2-1-1-5
7 1-1-1-1-1-2-5 heptatonic 30 E II 1-1-2-1-1-5-1
7 1-1-1-1-1-2-5 heptatonic 31 E III 1-2-1-1-5-1-1
7 1-1-1-1-1-2-5 heptatonic 32 E IV 2-1-1-5-1-1-1
7 1-1-1-1-1-2-5 heptatonic 33 E V 1-1-5-1-1-1-2
7 1-1-1-1-1-2-5 heptatonic 34 E VI 1-5-1-1-1-2-1
7 1-1-1-1-1-2-5 heptatonic 35 E VII 5-1-1-1-2-1-1
7 1-1-1-1-1-2-5 heptatonic 36 F I 1-1-1-5-1-1-2
7 1-1-1-1-1-2-5 heptatonic 37 F II 1-1-5-1-1-2-1
7 1-1-1-1-1-2-5 heptatonic 38 F III 1-5-1-1-2-1-1
7 1-1-1-1-1-2-5 heptatonic 39 F IV 5-1-1-2-1-1-1
7 1-1-1-1-1-2-5 heptatonic 40 F V 1-1-2-1-1-1-5
7 1-1-1-1-1-2-5 heptatonic 41 F VI 1-2-1-1-1-5-1
7 1-1-1-1-1-2-5 heptatonic 42 F VII 2-1-1-1-5-1-1
7 1-1-1-1-1-3-4 heptatonic 1 A I 1-1-1-1-1-3-4
7 1-1-1-1-1-3-4 heptatonic 2 A II 1-1-1-1-3-4-1
7 1-1-1-1-1-3-4 heptatonic 3 A III 1-1-1-3-4-1-1
7 1-1-1-1-1-3-4 heptatonic 4 A IV 1-1-3-4-1-1-1
7 1-1-1-1-1-3-4 heptatonic 5 A V 1-3-4-1-1-1-1
7 1-1-1-1-1-3-4 heptatonic 6 A VI 3-4-1-1-1-1-1
7 1-1-1-1-1-3-4 heptatonic 7 A VII 4-1-1-1-1-1-3
7 1-1-1-1-1-3-4 heptatonic 8 B I 1-1-1-1-1-4-3
7 1-1-1-1-1-3-4 heptatonic 9 B II 1-1-1-1-4-3-1
7 1-1-1-1-1-3-4 heptatonic 10 B III 1-1-1-4-3-1-1
7 1-1-1-1-1-3-4 heptatonic 11 B IV 1-1-4-3-1-1-1
7 1-1-1-1-1-3-4 heptatonic 12 B V 1-4-3-1-1-1-1
7 1-1-1-1-1-3-4 heptatonic 13 B VI 4-3-1-1-1-1-1
7 1-1-1-1-1-3-4 heptatonic 14 B VII 3-1-1-1-1-1-4
7 1-1-1-1-1-3-4 heptatonic 15 C I 1-1-1-1-3-1-4
7 1-1-1-1-1-3-4 heptatonic 16 C II 1-1-1-3-1-4-1
7 1-1-1-1-1-3-4 heptatonic 17 C III 1-1-3-1-4-1-1
7 1-1-1-1-1-3-4 heptatonic 18 C IV 1-3-1-4-1-1-1
7 1-1-1-1-1-3-4 heptatonic 19 C V 3-1-4-1-1-1-1
7 1-1-1-1-1-3-4 heptatonic 20 C VI 1-4-1-1-1-1-3
7 1-1-1-1-1-3-4 heptatonic 21 C VII 4-1-1-1-1-3-1
7 1-1-1-1-1-3-4 heptatonic 22 D I 1-1-1-1-4-1-3
7 1-1-1-1-1-3-4 heptatonic 23 D II 1-1-1-4-1-3-1
7 1-1-1-1-1-3-4 heptatonic 24 D III Mela Raghupriya, Raga Ravikriya,
1-1-4-1-3-1-1
Ghandarva
7 1-1-1-1-1-3-4 heptatonic 25 D IV 1-4-1-3-1-1-1
7 1-1-1-1-1-3-4 heptatonic 26 D V 4-1-3-1-1-1-1
7 1-1-1-1-1-3-4 heptatonic 27 D VI 1-3-1-1-1-1-4
7 1-1-1-1-1-3-4 heptatonic 28 D VII 3-1-1-1-1-4-1
7 1-1-1-1-1-3-4 heptatonic 29 E I 1-1-1-3-1-1-4
7 1-1-1-1-1-3-4 heptatonic 30 E II 1-1-3-1-1-4-1
7 1-1-1-1-1-3-4 heptatonic 31 E III 1-3-1-1-4-1-1
7 1-1-1-1-1-3-4 heptatonic 32 E IV 3-1-1-4-1-1-1
7 1-1-1-1-1-3-4 heptatonic 33 E V Mela Salaga 1-1-4-1-1-1-3
7 1-1-1-1-1-3-4 heptatonic 34 E VI 1-4-1-1-1-3-1
7 1-1-1-1-1-3-4 heptatonic 35 E VII 4-1-1-1-3-1-1
7 1-1-1-1-1-3-4 heptatonic 36 F I 1-1-1-4-1-1-3
7 1-1-1-1-1-3-4 heptatonic 37 F II Mela Jhalavarali, Raga Varali,
1-1-4-1-1-3-1
Jinavali
7 1-1-1-1-1-3-4 heptatonic 38 F III 1-4-1-1-3-1-1
7 1-1-1-1-1-3-4 heptatonic 39 F IV 4-1-1-3-1-1-1
7 1-1-1-1-1-3-4 heptatonic 40 F V 1-1-3-1-1-1-4
7 1-1-1-1-1-3-4 heptatonic 41 F VI 1-3-1-1-1-4-1
7 1-1-1-1-1-3-4 heptatonic 42 F VII 3-1-1-1-4-1-1
7 1-1-1-1-2-2-4 heptatonic 1 A I 1-1-1-1-2-2-4
7 1-1-1-1-2-2-4 heptatonic 2 A II 1-1-1-2-2-4-1
7 1-1-1-1-2-2-4 heptatonic 3 A III 1-1-2-2-4-1-1
7 1-1-1-1-2-2-4 heptatonic 4 A IV 1-2-2-4-1-1-1
7 1-1-1-1-2-2-4 heptatonic 5 A V 2-2-4-1-1-1-1
7 1-1-1-1-2-2-4 heptatonic 6 A VI 2-4-1-1-1-1-2
7 1-1-1-1-2-2-4 heptatonic 7 A VII 4-1-1-1-1-2-2
7 1-1-1-1-2-2-4 heptatonic 8 B I 1-1-1-1-2-4-2
7 1-1-1-1-2-2-4 heptatonic 9 B II 1-1-1-2-4-2-1
7 1-1-1-1-2-2-4 heptatonic 10 B III 1-1-2-4-2-1-1
7 1-1-1-1-2-2-4 heptatonic 11 B IV 1-2-4-2-1-1-1
7 1-1-1-1-2-2-4 heptatonic 12 B V 2-4-2-1-1-1-1
7 1-1-1-1-2-2-4 heptatonic 13 B VI 4-2-1-1-1-1-2
7 1-1-1-1-2-2-4 heptatonic 14 B VII 2-1-1-1-1-2-4
7 1-1-1-1-2-2-4 heptatonic 15 C I 1-1-1-1-4-2-2
7 1-1-1-1-2-2-4 heptatonic 16 C II 1-1-1-4-2-2-1
7 1-1-1-1-2-2-4 heptatonic 17 C III 1-1-4-2-2-1-1
7 1-1-1-1-2-2-4 heptatonic 18 C IV 1-4-2-2-1-1-1
7 1-1-1-1-2-2-4 heptatonic 19 C V 4-2-2-1-1-1-1
7 1-1-1-1-2-2-4 heptatonic 20 C VI 2-2-1-1-1-1-4
7 1-1-1-1-2-2-4 heptatonic 21 C VII 2-1-1-1-1-4-2
7 1-1-1-1-2-2-4 heptatonic 22 D I 1-1-1-2-1-2-4
7 1-1-1-1-2-2-4 heptatonic 23 D II 1-1-2-1-2-4-1
7 1-1-1-1-2-2-4 heptatonic 24 D III 1-2-1-2-4-1-1
7 1-1-1-1-2-2-4 heptatonic 25 D IV 2-1-2-4-1-1-1
7 1-1-1-1-2-2-4 heptatonic 26 D V 1-2-4-1-1-1-2
7 1-1-1-1-2-2-4 heptatonic 27 D VI 2-4-1-1-1-2-1
7 1-1-1-1-2-2-4 heptatonic 28 D VII 4-1-1-1-2-1-2
7 1-1-1-1-2-2-4 heptatonic 29 E I 1-1-1-2-1-4-2
7 1-1-1-1-2-2-4 heptatonic 30 E II 1-1-2-1-4-2-1
7 1-1-1-1-2-2-4 heptatonic 31 E III 1-2-1-4-2-1-1
7 1-1-1-1-2-2-4 heptatonic 32 E IV 2-1-4-2-1-1-1
7 1-1-1-1-2-2-4 heptatonic 33 E V 1-4-2-1-1-1-2
7 1-1-1-1-2-2-4 heptatonic 34 E VI 4-2-1-1-1-2-1
7 1-1-1-1-2-2-4 heptatonic 35 E VII 2-1-1-1-2-1-4
7 1-1-1-1-2-2-4 heptatonic 36 F I 1-1-1-2-2-1-4
7 1-1-1-1-2-2-4 heptatonic 37 F II 1-1-2-2-1-4-1
7 1-1-1-1-2-2-4 heptatonic 38 F III 1-2-2-1-4-1-1
7 1-1-1-1-2-2-4 heptatonic 39 F IV Raga Rageshri 2-2-1-4-1-1-1
7 1-1-1-1-2-2-4 heptatonic 40 F V 2-1-4-1-1-1-2
7 1-1-1-1-2-2-4 heptatonic 41 F VI 1-4-1-1-1-2-2
7 1-1-1-1-2-2-4 heptatonic 42 F VII 4-1-1-1-2-2-1
7 1-1-1-1-2-2-4 heptatonic 43 G I 1-1-1-2-4-1-2
7 1-1-1-1-2-2-4 heptatonic 44 G II 1-1-2-4-1-2-1
7 1-1-1-1-2-2-4 heptatonic 45 G III 1-2-4-1-2-1-1
7 1-1-1-1-2-2-4 heptatonic 46 G IV 2-4-1-2-1-1-1
7 1-1-1-1-2-2-4 heptatonic 47 G V 4-1-2-1-1-1-2
7 1-1-1-1-2-2-4 heptatonic 48 G VI 1-2-1-1-1-2-4
7 1-1-1-1-2-2-4 heptatonic 49 G VII 2-1-1-1-2-4-1
7 1-1-1-1-2-2-4 heptatonic 50 H I 1-1-1-4-1-2-2
7 1-1-1-1-2-2-4 heptatonic 51 H II Mela Pavani, Raga Kumbhini
1-1-4-1-2-2-1
7 1-1-1-1-2-2-4 heptatonic 52 H III 1-4-1-2-2-1-1
7 1-1-1-1-2-2-4 heptatonic 53 H IV Raga Madhuri 4-1-2-2-1-1-1
7 1-1-1-1-2-2-4 heptatonic 54 H V 1-2-2-1-1-1-4
7 1-1-1-1-2-2-4 heptatonic 55 H VI 2-2-1-1-1-4-1
7 1-1-1-1-2-2-4 heptatonic 56 H VII 2-1-1-1-4-1-2
7 1-1-1-1-2-2-4 heptatonic 57 I I 1-1-1-4-2-1-2
7 1-1-1-1-2-2-4 heptatonic 58 I II 1-1-4-2-1-2-1
7 1-1-1-1-2-2-4 heptatonic 59 I III 1-4-2-1-2-1-1
7 1-1-1-1-2-2-4 heptatonic 60 I IV 4-2-1-2-1-1-1
7 1-1-1-1-2-2-4 heptatonic 61 I V 2-1-2-1-1-1-4
7 1-1-1-1-2-2-4 heptatonic 62 I VI 1-2-1-1-1-4-2
7 1-1-1-1-2-2-4 heptatonic 63 I VII 2-1-1-1-4-2-1
7 1-1-1-1-2-2-4 heptatonic 64 J I 1-1-2-1-1-2-4
7 1-1-1-1-2-2-4 heptatonic 65 J II 1-2-1-1-2-4-1
7 1-1-1-1-2-2-4 heptatonic 66 J III 2-1-1-2-4-1-1
7 1-1-1-1-2-2-4 heptatonic 67 J IV 1-1-2-4-1-1-2
7 1-1-1-1-2-2-4 heptatonic 68 J V 1-2-4-1-1-2-1
7 1-1-1-1-2-2-4 heptatonic 69 J VI 2-4-1-1-2-1-1
7 1-1-1-1-2-2-4 heptatonic 70 J VII 4-1-1-2-1-1-2
7 1-1-1-1-2-2-4 heptatonic 71 K I 1-1-2-1-1-4-2
7 1-1-1-1-2-2-4 heptatonic 72 K II 1-2-1-1-4-2-1
7 1-1-1-1-2-2-4 heptatonic 73 K III 2-1-1-4-2-1-1
7 1-1-1-1-2-2-4 heptatonic 74 K IV 1-1-4-2-1-1-2
7 1-1-1-1-2-2-4 heptatonic 75 K V 1-4-2-1-1-2-1
7 1-1-1-1-2-2-4 heptatonic 76 K VI 4-2-1-1-2-1-1
7 1-1-1-1-2-2-4 heptatonic 77 K VII 2-1-1-2-1-1-4
7 1-1-1-1-2-2-4 heptatonic 78 L I 1-1-2-1-2-1-4
7 1-1-1-1-2-2-4 heptatonic 79 L II 1-2-1-2-1-4-1
7 1-1-1-1-2-2-4 heptatonic 80 L III 2-1-2-1-4-1-1
7 1-1-1-1-2-2-4 heptatonic 81 L IV 1-2-1-4-1-1-2
7 1-1-1-1-2-2-4 heptatonic 82 L V 2-1-4-1-1-2-1
7 1-1-1-1-2-2-4 heptatonic 83 L VI 1-4-1-1-2-1-2
7 1-1-1-1-2-2-4 heptatonic 84 L VII 4-1-1-2-1-2-1
7 1-1-1-1-2-2-4 heptatonic 85 M I 1-1-2-1-4-1-2
7 1-1-1-1-2-2-4 heptatonic 86 M II 1-2-1-4-1-2-1
7 1-1-1-1-2-2-4 heptatonic 87 M III 2-1-4-1-2-1-1
7 1-1-1-1-2-2-4 heptatonic 88 M IV 1-4-1-2-1-1-2
7 1-1-1-1-2-2-4 heptatonic 89 M V 4-1-2-1-1-2-1
7 1-1-1-1-2-2-4 heptatonic 90 M VI 1-2-1-1-2-1-4
7 1-1-1-1-2-2-4 heptatonic 91 M VII 2-1-1-2-1-4-1
7 1-1-1-1-2-2-4 heptatonic 92 N I 1-1-2-2-1-1-4
7 1-1-1-1-2-2-4 heptatonic 93 N II 1-2-2-1-1-4-1
7 1-1-1-1-2-2-4 heptatonic 94 N III 2-2-1-1-4-1-1
7 1-1-1-1-2-2-4 heptatonic 95 N IV 2-1-1-4-1-1-2
7 1-1-1-1-2-2-4 heptatonic 96 N V Mela Jalarnava 1-1-4-1-1-2-2
7 1-1-1-1-2-2-4 heptatonic 97 N VI 1-4-1-1-2-2-1
7 1-1-1-1-2-2-4 heptatonic 98 N VII 4-1-1-2-2-1-1
7 1-1-1-1-2-2-4 heptatonic 99 O I Mela Navanitam, Raga Nabhomani
1-1-4-1-2-1-2
7 1-1-1-1-2-2-4 heptatonic 100 O II 1-4-1-2-1-2-1
7 1-1-1-1-2-2-4 heptatonic 101 O III 4-1-2-1-2-1-1
7 1-1-1-1-2-2-4 heptatonic 102 O IV 1-2-1-2-1-1-4
7 1-1-1-1-2-2-4 heptatonic 103 O V 2-1-2-1-1-4-1
7 1-1-1-1-2-2-4 heptatonic 104 O VI 1-2-1-1-4-1-2
7 1-1-1-1-2-2-4 heptatonic 105 O VII 2-1-1-4-1-2-1
7 1-1-1-1-2-3-3 heptatonic 1 A I 1-1-1-1-2-3-3
7 1-1-1-1-2-3-3 heptatonic 2 A II 1-1-1-2-3-3-1
7 1-1-1-1-2-3-3 heptatonic 3 A III 1-1-2-3-3-1-1
7 1-1-1-1-2-3-3 heptatonic 4 A IV 1-2-3-3-1-1-1
7 1-1-1-1-2-3-3 heptatonic 5 A V 2-3-3-1-1-1-1
7 1-1-1-1-2-3-3 heptatonic 6 A VI 3-3-1-1-1-1-2
7 1-1-1-1-2-3-3 heptatonic 7 A VII 3-1-1-1-1-2-3
7 1-1-1-1-2-3-3 heptatonic 8 B I 1-1-1-1-3-2-3
7 1-1-1-1-2-3-3 heptatonic 9 B II 1-1-1-3-2-3-1
7 1-1-1-1-2-3-3 heptatonic 10 B III Mela Tanarupi, Raga Tanukirti
1-1-3-2-3-1-1
7 1-1-1-1-2-3-3 heptatonic 11 B IV 1-3-2-3-1-1-1
7 1-1-1-1-2-3-3 heptatonic 12 B V 3-2-3-1-1-1-1
7 1-1-1-1-2-3-3 heptatonic 13 B VI 2-3-1-1-1-1-3
7 1-1-1-1-2-3-3 heptatonic 14 B VII 3-1-1-1-1-3-2
7 1-1-1-1-2-3-3 heptatonic 15 C I 1-1-1-1-3-3-2
7 1-1-1-1-2-3-3 heptatonic 16 C II 1-1-1-3-3-2-1
7 1-1-1-1-2-3-3 heptatonic 17 C III 1-1-3-3-2-1-1
7 1-1-1-1-2-3-3 heptatonic 18 C IV 1-3-3-2-1-1-1
7 1-1-1-1-2-3-3 heptatonic 19 C V 3-3-2-1-1-1-1
7 1-1-1-1-2-3-3 heptatonic 20 C VI 3-2-1-1-1-1-3
7 1-1-1-1-2-3-3 heptatonic 21 C VII Debussy's Heptatonic 2-1-1-1-1-3-3
7 1-1-1-1-2-3-3 heptatonic 22 D I 1-1-1-2-1-3-3
7 1-1-1-1-2-3-3 heptatonic 23 D II 1-1-2-1-3-3-1
7 1-1-1-1-2-3-3 heptatonic 24 D III 1-2-1-3-3-1-1
7 1-1-1-1-2-3-3 heptatonic 25 D IV 2-1-3-3-1-1-1
7 1-1-1-1-2-3-3 heptatonic 26 D V 1-3-3-1-1-1-2
7 1-1-1-1-2-3-3 heptatonic 27 D VI 3-3-1-1-1-2-1
7 1-1-1-1-2-3-3 heptatonic 28 D VII 3-1-1-1-2-1-3
7 1-1-1-1-2-3-3 heptatonic 29 E I 1-1-1-2-3-1-3
7 1-1-1-1-2-3-3 heptatonic 30 E II 1-1-2-3-1-3-1
7 1-1-1-1-2-3-3 heptatonic 31 E III Mela Divyamani 1-2-3-1-3-1-1
7 1-1-1-1-2-3-3 heptatonic 32 E IV 2-3-1-3-1-1-1
7 1-1-1-1-2-3-3 heptatonic 33 E V 3-1-3-1-1-1-2
7 1-1-1-1-2-3-3 heptatonic 34 E VI 1-3-1-1-1-2-3
7 1-1-1-1-2-3-3 heptatonic 35 E VII 3-1-1-1-2-3-1
7 1-1-1-1-2-3-3 heptatonic 36 F I 1-1-1-3-1-2-3
7 1-1-1-1-2-3-3 heptatonic 37 F II 1-1-3-1-2-3-1
7 1-1-1-1-2-3-3 heptatonic 38 F III Mela Hatakambari, Raga Jeyasuddhamalavi
1-3-1-2-3-1-1
7 1-1-1-1-2-3-3 heptatonic 39 F IV 3-1-2-3-1-1-1
7 1-1-1-1-2-3-3 heptatonic 40 F V Mela Gavambodhi, Raga Girvani
1-2-3-1-1-1-3
7 1-1-1-1-2-3-3 heptatonic 41 F VI 2-3-1-1-1-3-1
7 1-1-1-1-2-3-3 heptatonic 42 F VII 3-1-1-1-3-1-2
7 1-1-1-1-2-3-3 heptatonic 43 G I 1-1-1-3-1-3-2
7 1-1-1-1-2-3-3 heptatonic 44 G II 1-1-3-1-3-2-1
7 1-1-1-1-2-3-3 heptatonic 45 G III Verdi's Scala enigmatica1-3-1-3-2-1-1
descending
7 1-1-1-1-2-3-3 heptatonic 46 G IV 3-1-3-2-1-1-1
7 1-1-1-1-2-3-3 heptatonic 47 G V Mela Dhavalambari, Foulds'
1-3-2-1-1-1-3
Mantra of Will scale
7 1-1-1-1-2-3-3 heptatonic 48 G VI 3-2-1-1-1-3-1
7 1-1-1-1-2-3-3 heptatonic 49 G VII 2-1-1-1-3-1-3
7 1-1-1-1-2-3-3 heptatonic 50 H I 1-1-1-3-2-1-3
7 1-1-1-1-2-3-3 heptatonic 51 H II Mela Ganamurti, Raga Ganasamavarali
1-1-3-2-1-3-1
7 1-1-1-1-2-3-3 heptatonic 52 H III Mela Visvambhari, Raga Vamsavathi
1-3-2-1-3-1-1
7 1-1-1-1-2-3-3 heptatonic 53 H IV 3-2-1-3-1-1-1
7 1-1-1-1-2-3-3 heptatonic 54 H V Mela Syamalangi, Raga Shyamalam
2-1-3-1-1-1-3
7 1-1-1-1-2-3-3 heptatonic 55 H VI 1-3-1-1-1-3-2
7 1-1-1-1-2-3-3 heptatonic 56 H VII 3-1-1-1-3-2-1
7 1-1-1-1-2-3-3 heptatonic 57 I I 1-1-1-3-3-1-2
7 1-1-1-1-2-3-3 heptatonic 58 I II 1-1-3-3-1-2-1
7 1-1-1-1-2-3-3 heptatonic 59 I III 1-3-3-1-2-1-1
7 1-1-1-1-2-3-3 heptatonic 60 I IV 3-3-1-2-1-1-1
7 1-1-1-1-2-3-3 heptatonic 61 I V Mela Sucaritra, Raga Santanamanjari
3-1-2-1-1-1-3
7 1-1-1-1-2-3-3 heptatonic 62 I VI 1-2-1-1-1-3-3
7 1-1-1-1-2-3-3 heptatonic 63 I VII 2-1-1-1-3-3-1
7 1-1-1-1-2-3-3 heptatonic 64 J I 1-1-2-1-1-3-3
7 1-1-1-1-2-3-3 heptatonic 65 J II 1-2-1-1-3-3-1
7 1-1-1-1-2-3-3 heptatonic 66 J III 2-1-1-3-3-1-1
7 1-1-1-1-2-3-3 heptatonic 67 J IV 1-1-3-3-1-1-2
7 1-1-1-1-2-3-3 heptatonic 68 J V 1-3-3-1-1-2-1
7 1-1-1-1-2-3-3 heptatonic 69 J VI 3-3-1-1-2-1-1
7 1-1-1-1-2-3-3 heptatonic 70 J VII Mela Yagapriya, Raga Kalahamsa
3-1-1-2-1-1-3
7 1-1-1-1-2-3-3 heptatonic 71 K I 1-1-2-1-3-1-3
7 1-1-1-1-2-3-3 heptatonic 72 K II 1-2-1-3-1-3-1
7 1-1-1-1-2-3-3 heptatonic 73 K III Mela Nitimati, Raga Nisada,
2-1-3-1-3-1-1
Kaikavasi
7 1-1-1-1-2-3-3 heptatonic 74 K IV 1-3-1-3-1-1-2
7 1-1-1-1-2-3-3 heptatonic 75 K V 3-1-3-1-1-2-1
7 1-1-1-1-2-3-3 heptatonic 76 K VI 1-3-1-1-2-1-3
7 1-1-1-1-2-3-3 heptatonic 77 K VII Mela Gangeyabhusani, Raga
3-1-1-2-1-3-1
Gangatarangini, Sengiach (Sengah): Greece, Gipsy Hexatonic inverse
7 1-1-1-1-2-3-3 heptatonic 78 L I Chromatic Phrygian inverse
1-1-2-3-1-1-3
7 1-1-1-1-2-3-3 heptatonic 79 L II Todi That, Mela Shubhapantuvarali,
1-2-3-1-1-3-1
Raga Multani, Gamakasamantam, Harsh Minor, Chromatic Lydian inverse, Maqam Athar Kurd
7 1-1-1-1-2-3-3 heptatonic 80 L III Chromatic Mixolydian inverse
2-3-1-1-3-1-1
7 1-1-1-1-2-3-3 heptatonic 81 L IV Chromatic Hypodorian inverse
3-1-1-3-1-1-2
7 1-1-1-1-2-3-3 heptatonic 82 L V Chromatic Hypophrygian inverse
1-1-3-1-1-2-3
7 1-1-1-1-2-3-3 heptatonic 83 L VI Raga Lalita, Persian, Chromatic
1-3-1-1-2-3-1
Hypolydian inverse, Raga Suddha Pancama
7 1-1-1-1-2-3-3 heptatonic 84 L VII Mela Calanata, Raga None,
3-1-1-2-3-1-1
Chromatic Dorian inverse
7 1-1-1-1-2-3-3 heptatonic 85 M I Locrian diminished flat 1-1-3-1-2-1-3
3
7 1-1-1-1-2-3-3 heptatonic 86 M II Major Gipsy, Double Harmonic
1-3-1-2-1-3-1
Major, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Kalingada, Gaulipantu, Lalitapancamam, Chromatic 2nd Byzantine Li
7 1-1-1-1-2-3-3 heptatonic 87 M III Mela Rasikapriya, Raga Rasamanjari,
3-1-2-1-3-1-1Hamsagiri
7 1-1-1-1-2-3-3 heptatonic 88 M IV Super Phrygian diminished
1-2-1-3-1-1-3
7 1-1-1-1-2-3-3 heptatonic 89 M V Double Harmonic Minor, Hungarian
2-1-3-1-1-3-1
Minor, Egyptian Heptatonic, Mela Simhendramadhyama, Raga Madhava Manohari, Maqam Nawa Athar, Hisar, Flamenco Mode, N
7 1-1-1-1-2-3-3 heptatonic 90 M VI Oriental, Raga Ahira-Lalita,
1-3-1-1-3-1-2
Hungarian Minor inverse, Tsinganikos: Greece
7 1-1-1-1-2-3-3 heptatonic 91 M VII Ionian augmented sharp 23-1-1-3-1-2-1
7 1-1-1-1-2-3-3 heptatonic 92 N I 1-1-3-1-3-1-2
7 1-1-1-1-2-3-3 heptatonic 93 N II 1-3-1-3-1-2-1
7 1-1-1-1-2-3-3 heptatonic 94 N III 3-1-3-1-2-1-1
7 1-1-1-1-2-3-3 heptatonic 95 N IV Mela Gayakapriya, Raga Kalakanti,
1-3-1-2-1-1-3
Gipsy Hexatonic
7 1-1-1-1-2-3-3 heptatonic 96 N V Mela Dhatuvardhani, Raga3-1-2-1-1-3-1
Dhauta Pancama, Devarashtra
7 1-1-1-1-2-3-3 heptatonic 97 N VI 1-2-1-1-3-1-3
7 1-1-1-1-2-3-3 heptatonic 98 N VII 2-1-1-3-1-3-1
7 1-1-1-1-2-3-3 heptatonic 99 O I Chromatic Dorian, Mela Kanakangi,
1-1-3-2-1-1-3
Raga Kanakambari
7 1-1-1-1-2-3-3 heptatonic 100 O II Chromatic Hypolydian, Purvi
1-3-2-1-1-3-1
That, Mela Kamavardhani, Raga Shri, Pantuvarali, Basant, Kasiramakriya, Suddharamakriya, Puriya Dhanashri, Dhipaka, Pireo
7 1-1-1-1-2-3-3 heptatonic 101 O III Chromatic Hypophrygian, 3-2-1-1-3-1-1
Blues scale III
7 1-1-1-1-2-3-3 heptatonic 102 O IV Chromatic Hypodorian, Relative
2-1-1-3-1-1-3
Blues scale, Raga Dvigandharabushini
7 1-1-1-1-2-3-3 heptatonic 103 O V Chromatic Mixolydian 1-1-3-1-1-3-2
7 1-1-1-1-2-3-3 heptatonic 104 O VI Chromatic Lydian, Raga Lalit,
1-3-1-1-3-2-1
Bhankar
7 1-1-1-1-2-3-3 heptatonic 105 O VII Chromatic Phrygian 3-1-1-3-2-1-1
7 1-1-1-2-2-2-3 heptatonic 1 A I 1-1-1-2-2-2-3
7 1-1-1-2-2-2-3 heptatonic 2 A II 1-1-2-2-2-3-1
7 1-1-1-2-2-2-3 heptatonic 3 A III Mela Rupavati 1-2-2-2-3-1-1
7 1-1-1-2-2-2-3 heptatonic 4 A IV 2-2-2-3-1-1-1
7 1-1-1-2-2-2-3 heptatonic 5 A V 2-2-3-1-1-1-2
7 1-1-1-2-2-2-3 heptatonic 6 A VI 2-3-1-1-1-2-2
7 1-1-1-2-2-2-3 heptatonic 7 A VII 3-1-1-1-2-2-2
7 1-1-1-2-2-2-3 heptatonic 8 B I 1-1-1-2-2-3-2
7 1-1-1-2-2-2-3 heptatonic 9 B II 1-1-2-2-3-2-1
7 1-1-1-2-2-2-3 heptatonic 10 B III 1-2-2-3-2-1-1
7 1-1-1-2-2-2-3 heptatonic 11 B IV 2-2-3-2-1-1-1
7 1-1-1-2-2-2-3 heptatonic 12 B V 2-3-2-1-1-1-2
7 1-1-1-2-2-2-3 heptatonic 13 B VI 3-2-1-1-1-2-2
7 1-1-1-2-2-2-3 heptatonic 14 B VII 2-1-1-1-2-2-3
7 1-1-1-2-2-2-3 heptatonic 15 C I 1-1-1-2-3-2-2
7 1-1-1-2-2-2-3 heptatonic 16 C II 1-1-2-3-2-2-1
7 1-1-1-2-2-2-3 heptatonic 17 C III 1-2-3-2-2-1-1
7 1-1-1-2-2-2-3 heptatonic 18 C IV Raga Sorati, Sur Malhar 2-3-2-2-1-1-1
7 1-1-1-2-2-2-3 heptatonic 19 C V 3-2-2-1-1-1-2
7 1-1-1-2-2-2-3 heptatonic 20 C VI 2-2-1-1-1-2-3
7 1-1-1-2-2-2-3 heptatonic 21 C VII 2-1-1-1-2-3-2
7 1-1-1-2-2-2-3 heptatonic 22 D I 1-1-1-3-2-2-2
7 1-1-1-2-2-2-3 heptatonic 23 D II Mela Manavati, Raga Manoranjani
1-1-3-2-2-2-1
7 1-1-1-2-2-2-3 heptatonic 24 D III Verdi's Scala enigmatica1-3-2-2-2-1-1
ascending
7 1-1-1-2-2-2-3 heptatonic 25 D IV 3-2-2-2-1-1-1
7 1-1-1-2-2-2-3 heptatonic 26 D V Mela Kantamani, Raga Kuntala,
2-2-2-1-1-1-3
Srutiranjani
7 1-1-1-2-2-2-3 heptatonic 27 D VI 2-2-1-1-1-3-2
7 1-1-1-2-2-2-3 heptatonic 28 D VII 2-1-1-1-3-2-2
7 1-1-1-2-2-2-3 heptatonic 29 E I 1-1-2-1-2-2-3
7 1-1-1-2-2-2-3 heptatonic 30 E II 1-2-1-2-2-3-1
7 1-1-1-2-2-2-3 heptatonic 31 E III Mela Varunapriya, Viravasantham
2-1-2-2-3-1-1
7 1-1-1-2-2-2-3 heptatonic 32 E IV 1-2-2-3-1-1-2
7 1-1-1-2-2-2-3 heptatonic 33 E V 2-2-3-1-1-2-1
7 1-1-1-2-2-2-3 heptatonic 34 E VI 2-3-1-1-2-1-2
7 1-1-1-2-2-2-3 heptatonic 35 E VII Mela Ragavardhani, Raga 3-1-1-2-1-2-2
Cudamani
7 1-1-1-2-2-2-3 heptatonic 36 F I 1-1-2-1-2-3-2
7 1-1-1-2-2-2-3 heptatonic 37 F II 1-2-1-2-3-2-1
7 1-1-1-2-2-2-3 heptatonic 38 F III 2-1-2-3-2-1-1
7 1-1-1-2-2-2-3 heptatonic 39 F IV 1-2-3-2-1-1-2
7 1-1-1-2-2-2-3 heptatonic 40 F V 2-3-2-1-1-2-1
7 1-1-1-2-2-2-3 heptatonic 41 F VI Blues Heptatonic II 3-2-1-1-2-1-2
7 1-1-1-2-2-2-3 heptatonic 42 F VII 2-1-1-2-1-2-3
7 1-1-1-2-2-2-3 heptatonic 43 G I The Elephant Scale (12-Tone)
1-1-2-1-3-2-2
7 1-1-1-2-2-2-3 heptatonic 44 G II 1-2-1-3-2-2-1
7 1-1-1-2-2-2-3 heptatonic 45 G III 2-1-3-2-2-1-1
7 1-1-1-2-2-2-3 heptatonic 46 G IV 1-3-2-2-1-1-2
7 1-1-1-2-2-2-3 heptatonic 47 G V 3-2-2-1-1-2-1
7 1-1-1-2-2-2-3 heptatonic 48 G VI 2-2-1-1-2-1-3
7 1-1-1-2-2-2-3 heptatonic 49 G VII 2-1-1-2-1-3-2
7 1-1-1-2-2-2-3 heptatonic 50 H I Altered Minor 1-1-2-2-1-2-3
7 1-1-1-2-2-2-3 heptatonic 51 H II Harmonic Locrian 1-2-2-1-2-3-1
7 1-1-1-2-2-2-3 heptatonic 52 H III Mela Naganandini, Raga Nagabharanam,
2-2-1-2-3-1-1 Samanta, Ionian sharp 6
7 1-1-1-2-2-2-3 heptatonic 53 H IV Dorian augmented 2-1-2-3-1-1-2
7 1-1-1-2-2-2-3 heptatonic 54 H V Mela Bhavapriya, Raga Bhavani,
1-2-3-1-1-2-2
Kalamurti, Neveseri ascending: Greece, Sub Phrygian
7 1-1-1-2-2-2-3 heptatonic 55 H VI Lydian sharp 3 2-3-1-1-2-2-1
7 1-1-1-2-2-2-3 heptatonic 56 H VII Mela Vagadhisvari, Raga 3-1-1-2-2-1-2
Bhogachayanata, Nandkauns, Ganavaridhi, Chayanata, Bluesy Rock 'n Roll, Mixolydian sharp 2
7 1-1-1-2-2-2-3 heptatonic 57 I I Altered harmonic minor 1-1-2-2-1-3-2
7 1-1-1-2-2-2-3 heptatonic 58 I II Neapolitan major flat 5 1-2-2-1-3-2-1
7 1-1-1-2-2-2-3 heptatonic 59 I III 2-2-1-3-2-1-1
7 1-1-1-2-2-2-3 heptatonic 60 I IV Ukrainian Minor augmented
2-1-3-2-1-1-2
7 1-1-1-2-2-2-3 heptatonic 61 I V Mela Namanarayani, Raga 1-3-2-1-1-2-2
Narmada, Pratapa, Harsh Major-Minor, Sub Phrygian dominant
7 1-1-1-2-2-2-3 heptatonic 62 I VI 3-2-1-1-2-2-1
7 1-1-1-2-2-2-3 heptatonic 63 I VII Ultra Locrian natural 2 2-1-1-2-2-1-3
7 1-1-1-2-2-2-3 heptatonic 64 J I Ultra Locrian diminished1-1-2-2-2-1-3
7 1-1-1-2-2-2-3 heptatonic 65 J II Neapolitan Minor, Mela Dhenuka,
1-2-2-2-1-3-1
Raga Bhinnasadjam, Dhunibinnashadjam, Kirvanti, Takka, Maqam Shahnaz Kurdi, Hungarian Gipsy
7 1-1-1-2-2-2-3 heptatonic 66 J III Mela Citrambari, Raga Chaturangini,
2-2-2-1-3-1-1Lydian sharp 6
7 1-1-1-2-2-2-3 heptatonic 67 J IV Mixolydian augmented 2-2-1-3-1-1-2
7 1-1-1-2-2-2-3 heptatonic 68 J V Minor Gipsy, Ukrainian Dorian,
2-1-3-1-1-2-2
Mela Sanmukhapriya, Raga Camara, Chinthamani
7 1-1-1-2-2-2-3 heptatonic 69 J VI Locrian dominant 1-3-1-1-2-2-2
7 1-1-1-2-2-2-3 heptatonic 70 J VII Mela Sulini, Raga Sailadesakshi,
3-1-1-2-2-2-1
Raga Trishuli, Houzam: Greece, Ionian sharp 2
7 1-1-1-2-2-2-3 heptatonic 71 K I 1-1-2-2-3-1-2
7 1-1-1-2-2-2-3 heptatonic 72 K II 1-2-2-3-1-2-1
7 1-1-1-2-2-2-3 heptatonic 73 K III 2-2-3-1-2-1-1
7 1-1-1-2-2-2-3 heptatonic 74 K IV 2-3-1-2-1-1-2
7 1-1-1-2-2-2-3 heptatonic 75 K V Mela Jyotisvarupini, Raga
3-1-2-1-1-2-2
Jotismatti
7 1-1-1-2-2-2-3 heptatonic 76 K VI 1-2-1-1-2-2-3
7 1-1-1-2-2-2-3 heptatonic 77 K VII 2-1-1-2-2-3-1
7 1-1-1-2-2-2-3 heptatonic 78 L I Super Phrygian flat 3 1-1-2-3-1-2-2
7 1-1-1-2-2-2-3 heptatonic 79 L II Mela Suvarnangi, Raga Sauviram,
1-2-3-1-2-2-1
Lydian diminished flat 2
7 1-1-1-2-2-2-3 heptatonic 80 L III 2-3-1-2-2-1-1
7 1-1-1-2-2-2-3 heptatonic 81 L IV Hungarian augmented 3-1-2-2-1-1-2
7 1-1-1-2-2-2-3 heptatonic 82 L V Locrian diminished flat 1-2-2-1-1-2-3
6
7 1-1-1-2-2-2-3 heptatonic 83 L VI Harmonic major flat 5 2-2-1-1-2-3-1
7 1-1-1-2-2-2-3 heptatonic 84 L VII Super Dorian flat 5 2-1-1-2-3-1-2
7 1-1-1-2-2-2-3 heptatonic 85 M I 1-1-2-3-2-1-2
7 1-1-1-2-2-2-3 heptatonic 86 M II 1-2-3-2-1-2-1
7 1-1-1-2-2-2-3 heptatonic 87 M III 2-3-2-1-2-1-1
7 1-1-1-2-2-2-3 heptatonic 88 M IV 3-2-1-2-1-1-2
7 1-1-1-2-2-2-3 heptatonic 89 M V 2-1-2-1-1-2-3
7 1-1-1-2-2-2-3 heptatonic 90 M VI 1-2-1-1-2-3-2
7 1-1-1-2-2-2-3 heptatonic 91 M VII 2-1-1-2-3-2-1
7 1-1-1-2-2-2-3 heptatonic 92 N I Locrian flat 3 1-1-3-1-2-2-2
7 1-1-1-2-2-2-3 heptatonic 93 N II Mela Suryakanta, Bhairubahar
1-3-1-2-2-2-1
That, Raga Supradhipam, Sowrashtram, Jaganmohini, Major-Melodic Phrygian, Hungarian Gipsy inverse, Ionian flat 2
7 1-1-1-2-2-2-3 heptatonic 94 N III 3-1-2-2-2-1-1
7 1-1-1-2-2-2-3 heptatonic 95 N IV Mela Senavati, Raga Senagrani,
1-2-2-2-1-1-3
Malini, Phrygian diminished
7 1-1-1-2-2-2-3 heptatonic 96 N V Harmonic Lydian, Mela Latangi,
2-2-2-1-1-3-1
Raga Gitapriya, Hamsalata
7 1-1-1-2-2-2-3 heptatonic 97 N VI Minor Gipsy inverse, Mixolydian
2-2-1-1-3-1-2
flat 5
7 1-1-1-2-2-2-3 heptatonic 98 N VII Sabach (Sambah) ascending:
2-1-1-3-1-2-2
Greece, Super Minor
7 1-1-1-2-2-2-3 heptatonic 99 O I Mela Ratnangi, Raga Phenadyuti,
1-1-3-2-1-2-2
Phrygian flat 3
7 1-1-1-2-2-2-3 heptatonic 100 O II Marva That, Mela Gamanasrama,
1-3-2-1-2-2-1
Raga Partiravam, Puriya, Puriya Kalyan, Purvikalyani, Sohani, Bairari, Harsh-intense Major, Peiraiotikos: Greece, Lydia
7 1-1-1-2-2-2-3 heptatonic 101 O III 3-2-1-2-2-1-1
7 1-1-1-2-2-2-3 heptatonic 102 O IV Mela Jhankaradhvani, Raga
2-1-2-2-1-1-3
Jhankara Bhramavi, Minor diminished
7 1-1-1-2-2-2-3 heptatonic 103 O V Locrian flat 6 1-2-2-1-1-3-2
7 1-1-1-2-2-2-3 heptatonic 104 O VI Ionian flat 5 2-2-1-1-3-2-1
7 1-1-1-2-2-2-3 heptatonic 105 O VII Super Dorian, Bebop Minor
2-1-1-3-2-1-2
7 1-1-1-2-2-2-3 heptatonic 106 P I Mela Vanaspati, Raga Bhanumati
1-1-3-2-2-1-2
7 1-1-1-2-2-2-3 heptatonic 107 P II 1-3-2-2-1-2-1
7 1-1-1-2-2-2-3 heptatonic 108 P III 3-2-2-1-2-1-1
7 1-1-1-2-2-2-3 heptatonic 109 P IV Mela Mararanjani, Raga Keseri,
2-2-1-2-1-1-3
Major Bebop Heptatonic
7 1-1-1-2-2-2-3 heptatonic 110 P V Modified Blues 2-1-2-1-1-3-2
7 1-1-1-2-2-2-3 heptatonic 111 P VI 1-2-1-1-3-2-2
7 1-1-1-2-2-2-3 heptatonic 112 P VII 2-1-1-3-2-2-1
7 1-1-1-2-2-2-3 heptatonic 113 Q I 1-2-1-2-1-2-3
7 1-1-1-2-2-2-3 heptatonic 114 Q II Locrian nr.2, Harmonic Minor
2-1-2-1-2-3-1
flat 5
7 1-1-1-2-2-2-3 heptatonic 115 Q III Super Locrian natural 6 1-2-1-2-3-1-2
7 1-1-1-2-2-2-3 heptatonic 116 Q IV Melodic augmented 2-1-2-3-1-2-1
7 1-1-1-2-2-2-3 heptatonic 117 Q V Mela Sadvidhamargini, Raga
1-2-3-1-2-1-2
Sthavarajam, Tivravahini, Ukrainian Minor flat 2
7 1-1-1-2-2-2-3 heptatonic 118 Q VI Nohkan Flute scale: Japan,
2-3-1-2-1-2-1
Lydian augmented sharp 3
7 1-1-1-2-2-2-3 heptatonic 119 Q VII Hungarian Major, Mela Nasikabhusani,
3-1-2-1-2-1-2 Raga Nasamani
7 1-1-1-2-2-2-3 heptatonic 120 R I Altered harmonic major 1-2-1-2-1-3-2
7 1-1-1-2-2-2-3 heptatonic 121 R II Jeths' mode, Melodic Minor
2-1-2-1-3-2-1
flat 5
7 1-1-1-2-2-2-3 heptatonic 122 R III Super Dorian flat 2 1-2-1-3-2-1-2
7 1-1-1-2-2-2-3 heptatonic 123 R IV Lydian augmented-diminished
2-1-3-2-1-2-1
7 1-1-1-2-2-2-3 heptatonic 124 R V Mela Ramapriya, Raga Ramamanohari,
1-3-2-1-2-1-2
Romanian Major, Petrushka chord, Lydian dominant flat 2
7 1-1-1-2-2-2-3 heptatonic 125 R VI Super Lydian 3-2-1-2-1-2-1
7 1-1-1-2-2-2-3 heptatonic 126 R VII Moravian Pistalkova, Hungarian
2-1-2-1-2-1-3
Major inverse
7 1-1-1-2-2-2-3 heptatonic 127 S I Ultralocrian, Superlocrian
1-2-1-2-2-1-3
Diminished, Mixolydian sharp 1
7 1-1-1-2-2-2-3 heptatonic 128 S II Harmonic Minor, Mischung2-1-2-2-1-3-1
4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani, Kalyana Vasantha, Deshi(3), Maqam Bayat-e-Esfahan, Sultani Yakah, Zha
7 1-1-1-2-2-2-3 heptatonic 129 S III Locrian natural 6, Maqam1-2-2-1-3-1-2
Tarznauyn
7 1-1-1-2-2-2-3 heptatonic 130 S IV Ionian Augmented, Ionian2-2-1-3-1-2-1
sharp 5
7 1-1-1-2-2-2-3 heptatonic 131 S V Mela Hemavati, Raga Desisimharavam,
2-1-3-1-2-1-2Maqam Nakriz, Tunisian, Dorian sharp 4, Misheberekh: Jewish, Souzinak (Peiraiotikos Minor), Nigriz, Pimenikos: Gr
7 1-1-1-2-2-2-3 heptatonic 132 S VI Phrygian Dominant, Phrygian
1-3-1-2-1-2-2
Major, Mela Vakulabharanam, Raga Jogiya, Ahiri, Vativasantabhairavi, Zilof, Ahava Rabba, Freygish: Jewish, Maqam Hijaz-Na
7 1-1-1-2-2-2-3 heptatonic 133 S VII Aeolian Harmonic, Lydian3-1-2-1-2-2-1
sharp 2, Mela Kosalam, Raga Kusumakaram
7 1-1-1-2-2-2-3 heptatonic 134 T I Makam Huzzam, Maqam Saba1-2-1-3-1-2-2
Zamzam, Super Phrygian, Phrygian flat 4
7 1-1-1-2-2-2-3 heptatonic 135 T II Lydian Diminished, Mela 2-1-3-1-2-2-1
Dharmavati, Raga Arunajualita, Dumyaraga, Madhuvanti, Ambika
7 1-1-1-2-2-2-3 heptatonic 136 T III Harmonic Minor inverse, 1-3-1-2-2-1-2
Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Vegavahini, Makam Hicaz, Zanjaran, Mixolydian flat 2
7 1-1-1-2-2-2-3 heptatonic 137 T IV Aeolian flat 1, Lydian augmented
3-1-2-2-1-2-1
sharp 2
7 1-1-1-2-2-2-3 heptatonic 138 T V Locrian diminished, Locrian
1-2-2-1-2-1-3
double-flat 7
7 1-1-1-2-2-2-3 heptatonic 139 T VI Harmonic Major, Mela Sarasangi,
2-2-1-2-1-3-1
Raga Haripriya, Simhavahini, Mischung 2, Ethiopian, Tabahaniotikos: Greece
7 1-1-1-2-2-2-3 heptatonic 140 T VII Dorian flat 5, Blues Heptatonic,
2-1-2-1-3-1-2
Makam Karcigar, Maqam Nahawand Murassah, Kiourdi ascending, Kartzihiar: Greece
7 1-1-2-2-2-2-2 heptatonic 1 A I Leading Whole-tone inverse,
1-1-2-2-2-2-2
Altered melodic minor, Super Locrian flat 3
7 1-1-2-2-2-2-2 heptatonic 2 A II Neapolitan Major, Lydian1-2-2-2-2-2-1
Major, Mela Kokilapriya, Raga Kokilaravam
7 1-1-2-2-2-2-2 heptatonic 3 A III Leading Whole-tone, Lydian
2-2-2-2-2-1-1
augmented sharp 6
7 1-1-2-2-2-2-2 heptatonic 4 A IV Lydian dominant augmented
2-2-2-2-1-1-2
7 1-1-2-2-2-2-2 heptatonic 5 A V Lydian Minor, Mela Risabhapriya,
2-2-2-1-1-2-2
Raga Ratipriya
7 1-1-2-2-2-2-2 heptatonic 6 A VI Major Locrian 2-2-1-1-2-2-2
7 1-1-2-2-2-2-2 heptatonic 7 A VII Super Locrian natural 2 2-1-1-2-2-2-2
7 1-1-2-2-2-2-2 heptatonic 8 B I Superlocrian, Altered Dominant,
1-2-1-2-2-2-2
Diminished Whole-tone, Locrian flat 4, Pomeroy, Ravel
7 1-1-2-2-2-2-2 heptatonic 9 B II Melodic Minor ascending,2-1-2-2-2-2-1
Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Patdip, Velavali, Deshi(2), Mischung 1, Hawaiian
7 1-1-2-2-2-2-2 heptatonic 10 B III Mela Natakapriya, Jazz Minor
1-2-2-2-2-1-2
inverse, Phrygian-Mixolydian, Dorian flat 2, Raga Natabharanam, Ahiri Todi
7 1-1-2-2-2-2-2 heptatonic 11 B IV Lydian Augmented, Lydian2-2-2-2-1-2-1
sharp 5
7 1-1-2-2-2-2-2 heptatonic 12 B V Lydian Dominant, Mela Vacaspati,
2-2-2-1-2-1-2
Raga Bhusavati, Bhusavali, Overtone, Lydian-Mixolydian, Bartok
7 1-1-2-2-2-2-2 heptatonic 13 B VI Major-Minor, Melodic Major,
2-2-1-2-1-2-2
Mischung 6, Mixolydian flat 6, Mela Carukesi, Raga Charukeshi, Tarangini
7 1-1-2-2-2-2-2 heptatonic 14 B VII Minor Locrian, Half Diminished,
2-1-2-1-2-2-2
Locrian natural 2, Minor flat 5
7 1-1-2-2-2-2-2 heptatonic 15 C I G.Mixolydian, G.Hyperdorian,
1-2-2-1-2-2-2
M.Hypophrygian, M.Locrian, G.M.Hyperaeolian, Rut biscale descending, Pien chih: China, Makam Lami, Yishtabach: Jewish
7 1-1-2-2-2-2-2 heptatonic 16 C II G.Lydian, M.Ionian, M.Hypolydian,
2-2-1-2-2-2-1
Major, Bilaval That, Mela Shankarabharanam, Raga Atana, Ghana Heptatonic, Peruvian Major, Matzore, Rast ascending:
7 1-1-2-2-2-2-2 heptatonic 17 C III G.Phrygian, M.Dorian, M.Hypomixolydian,
2-1-2-2-2-1-2 Kafi That, Mela Kharaharapriya, Raga Bageshri, Bhimpalasi, Nayaki Kanada, Sriraga, Ritigaula, Huseni, Kanara,
7 1-1-2-2-2-2-2 heptatonic 18 C IV G.Dorian, M.Phrygian, G.M.Hypoaeolian,
1-2-2-2-1-2-2 Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Bilashkhani Todi, Ghanta, Makam Kurd, Gregorian nr.3,
7 1-1-2-2-2-2-2 heptatonic 19 C V G.Hypolydian, M.Lydian, 2-2-2-1-2-2-1
G.M.Hypolocrian, Rut biscale ascending, Kalyan That (Yaman), Mela Mecakalyani, Raga Shuddh Kalyan, Ping, Kung, Gu: China
7 1-1-2-2-2-2-2 heptatonic 20 C VI G.Hypophrygian, G.Ionian2-2-1-2-2-1-2
(Iastian), M.Mixolydian, G.M.Hypoionian, Hypermixolydian, Khamaj That, Mela Harikambhoji, Raga Harini, Janjhuti, Khambhavati
7 1-1-2-2-2-2-2 heptatonic 21 C VII G.M.Hypodorian, G.M.Aeolian,
2-1-2-2-1-2-2
G.Hyperphrygian, Natural Minor, Melodic Minor descending, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Adana, Darbari
8 1-1-1-1-1-1-1-5 octatonic 1 A I 1-1-1-1-1-1-1-5
8 1-1-1-1-1-1-1-5 octatonic 2 A II 1-1-1-1-1-1-5-1
8 1-1-1-1-1-1-1-5 octatonic 3 A III 1-1-1-1-1-5-1-1
8 1-1-1-1-1-1-1-5 octatonic 4 A IV 1-1-1-1-5-1-1-1
8 1-1-1-1-1-1-1-5 octatonic 5 A V 1-1-1-5-1-1-1-1
8 1-1-1-1-1-1-1-5 octatonic 6 A VI 1-1-5-1-1-1-1-1
8 1-1-1-1-1-1-1-5 octatonic 7 A VII 1-5-1-1-1-1-1-1
8 1-1-1-1-1-1-1-5 octatonic 8 A VIII 5-1-1-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 1 A I 1-1-1-1-1-1-2-4
8 1-1-1-1-1-1-2-4 octatonic 2 A II 1-1-1-1-1-2-4-1
8 1-1-1-1-1-1-2-4 octatonic 3 A III 1-1-1-1-2-4-1-1
8 1-1-1-1-1-1-2-4 octatonic 4 A IV 1-1-1-2-4-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 5 A V 1-1-2-4-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 6 A VI 1-2-4-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 7 A VII 2-4-1-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 8 A VIII 4-1-1-1-1-1-1-2
8 1-1-1-1-1-1-2-4 octatonic 9 B I 1-1-1-1-1-1-4-2
8 1-1-1-1-1-1-2-4 octatonic 10 B II 1-1-1-1-1-4-2-1
8 1-1-1-1-1-1-2-4 octatonic 11 B III 1-1-1-1-4-2-1-1
8 1-1-1-1-1-1-2-4 octatonic 12 B IV 1-1-1-4-2-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 13 B V 1-1-4-2-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 14 B VI 1-4-2-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 15 B VII 4-2-1-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 16 B VIII 2-1-1-1-1-1-1-4
8 1-1-1-1-1-1-2-4 octatonic 17 C I 1-1-1-1-1-2-1-4
8 1-1-1-1-1-1-2-4 octatonic 18 C II 1-1-1-1-2-1-4-1
8 1-1-1-1-1-1-2-4 octatonic 19 C III 1-1-1-2-1-4-1-1
8 1-1-1-1-1-1-2-4 octatonic 20 C IV 1-1-2-1-4-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 21 C V 1-2-1-4-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 22 C VI 2-1-4-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 23 C VII 1-4-1-1-1-1-1-2
8 1-1-1-1-1-1-2-4 octatonic 24 C VIII 4-1-1-1-1-1-2-1
8 1-1-1-1-1-1-2-4 octatonic 25 D I 1-1-1-1-1-4-1-2
8 1-1-1-1-1-1-2-4 octatonic 26 D II 1-1-1-1-4-1-2-1
8 1-1-1-1-1-1-2-4 octatonic 27 D III 1-1-1-4-1-2-1-1
8 1-1-1-1-1-1-2-4 octatonic 28 D IV 1-1-4-1-2-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 29 D V 1-4-1-2-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 30 D VI 4-1-2-1-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 31 D VII 1-2-1-1-1-1-1-4
8 1-1-1-1-1-1-2-4 octatonic 32 D VIII 2-1-1-1-1-1-4-1
8 1-1-1-1-1-1-2-4 octatonic 33 E I 1-1-1-1-2-1-1-4
8 1-1-1-1-1-1-2-4 octatonic 34 E II 1-1-1-2-1-1-4-1
8 1-1-1-1-1-1-2-4 octatonic 35 E III 1-1-2-1-1-4-1-1
8 1-1-1-1-1-1-2-4 octatonic 36 E IV 1-2-1-1-4-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 37 E V 2-1-1-4-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 38 E VI 1-1-4-1-1-1-1-2
8 1-1-1-1-1-1-2-4 octatonic 39 E VII 1-4-1-1-1-1-2-1
8 1-1-1-1-1-1-2-4 octatonic 40 E VIII 4-1-1-1-1-2-1-1
8 1-1-1-1-1-1-2-4 octatonic 41 F I 1-1-1-1-4-1-1-2
8 1-1-1-1-1-1-2-4 octatonic 42 F II 1-1-1-4-1-1-2-1
8 1-1-1-1-1-1-2-4 octatonic 43 F III 1-1-4-1-1-2-1-1
8 1-1-1-1-1-1-2-4 octatonic 44 F IV 1-4-1-1-2-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 45 F V 4-1-1-2-1-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 46 F VI 1-1-2-1-1-1-1-4
8 1-1-1-1-1-1-2-4 octatonic 47 F VII 1-2-1-1-1-1-4-1
8 1-1-1-1-1-1-2-4 octatonic 48 F VIII 2-1-1-1-1-4-1-1
8 1-1-1-1-1-1-2-4 octatonic 49 G I 1-1-1-2-1-1-1-4
8 1-1-1-1-1-1-2-4 octatonic 50 G II 1-1-2-1-1-1-4-1
8 1-1-1-1-1-1-2-4 octatonic 51 G III 1-2-1-1-1-4-1-1
8 1-1-1-1-1-1-2-4 octatonic 52 G IV 2-1-1-1-4-1-1-1
8 1-1-1-1-1-1-2-4 octatonic 53 G V 1-1-1-4-1-1-1-2
8 1-1-1-1-1-1-2-4 octatonic 54 G VI 1-1-4-1-1-1-2-1
8 1-1-1-1-1-1-2-4 octatonic 55 G VII 1-4-1-1-1-2-1-1
8 1-1-1-1-1-1-2-4 octatonic 56 G VIII 4-1-1-1-2-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 1 A I 1-1-1-1-1-1-3-3
8 1-1-1-1-1-1-3-3 octatonic 2 A II 1-1-1-1-1-3-3-1
8 1-1-1-1-1-1-3-3 octatonic 3 A III 1-1-1-1-3-3-1-1
8 1-1-1-1-1-1-3-3 octatonic 4 A IV 1-1-1-3-3-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 5 A V 1-1-3-3-1-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 6 A VI 1-3-3-1-1-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 7 A VII 3-3-1-1-1-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 8 A VIII 3-1-1-1-1-1-1-3
8 1-1-1-1-1-1-3-3 octatonic 9 B I 1-1-1-1-1-3-1-3
8 1-1-1-1-1-1-3-3 octatonic 10 B II 1-1-1-1-3-1-3-1
8 1-1-1-1-1-1-3-3 octatonic 11 B III 1-1-1-3-1-3-1-1
8 1-1-1-1-1-1-3-3 octatonic 12 B IV 1-1-3-1-3-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 13 B V 1-3-1-3-1-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 14 B VI 3-1-3-1-1-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 15 B VII 1-3-1-1-1-1-1-3
8 1-1-1-1-1-1-3-3 octatonic 16 B VIII 3-1-1-1-1-1-3-1
8 1-1-1-1-1-1-3-3 octatonic 17 C I 1-1-1-1-3-1-1-3
8 1-1-1-1-1-1-3-3 octatonic 18 C II 1-1-1-3-1-1-3-1
8 1-1-1-1-1-1-3-3 octatonic 19 C III 1-1-3-1-1-3-1-1
8 1-1-1-1-1-1-3-3 octatonic 20 C IV 1-3-1-1-3-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 21 C V 3-1-1-3-1-1-1-1
8 1-1-1-1-1-1-3-3 octatonic 22 C VI 1-1-3-1-1-1-1-3
8 1-1-1-1-1-1-3-3 octatonic 23 C VII Raga Ramkali (Ramakri) 1-3-1-1-1-1-3-1
8 1-1-1-1-1-1-3-3 octatonic 24 C VIII 3-1-1-1-1-3-1-1
8 1-1-1-1-1-1-3-3 octatonic 25 D I Messiaen mode 4, Tcherepnin
1-1-1-3-1-1-1-3
Octatonic mode 3
8 1-1-1-1-1-1-3-3 octatonic 26 D II Tcherepnin Octatonic mode
1-1-3-1-1-1-3-1
2
8 1-1-1-1-1-1-3-3 octatonic 27 D III Tcherepnin Octatonic mode
1-3-1-1-1-3-1-1
1
8 1-1-1-1-1-1-3-3 octatonic 28 D IV Messiaen mode 4 inverse,3-1-1-1-3-1-1-1
Tcherepnin Octatonic mode 4
8 1-1-1-1-1-2-2-3 octatonic 1 A I 1-1-1-1-1-2-2-3
8 1-1-1-1-1-2-2-3 octatonic 2 A II 1-1-1-1-2-2-3-1
8 1-1-1-1-1-2-2-3 octatonic 3 A III 1-1-1-2-2-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 4 A IV 1-1-2-2-3-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 5 A V 1-2-2-3-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 6 A VI 2-2-3-1-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 7 A VII 2-3-1-1-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 8 A VIII 3-1-1-1-1-1-2-2
8 1-1-1-1-1-2-2-3 octatonic 9 B I 1-1-1-1-1-2-3-2
8 1-1-1-1-1-2-2-3 octatonic 10 B II 1-1-1-1-2-3-2-1
8 1-1-1-1-1-2-2-3 octatonic 11 B III 1-1-1-2-3-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 12 B IV 1-1-2-3-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 13 B V 1-2-3-2-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 14 B VI 2-3-2-1-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 15 B VII 3-2-1-1-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 16 B VIII 2-1-1-1-1-1-2-3
8 1-1-1-1-1-2-2-3 octatonic 17 C I 1-1-1-1-1-3-2-2
8 1-1-1-1-1-2-2-3 octatonic 18 C II 1-1-1-1-3-2-2-1
8 1-1-1-1-1-2-2-3 octatonic 19 C III 1-1-1-3-2-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 20 C IV 1-1-3-2-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 21 C V 1-3-2-2-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 22 C VI 3-2-2-1-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 23 C VII 2-2-1-1-1-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 24 C VIII 2-1-1-1-1-1-3-2
8 1-1-1-1-1-2-2-3 octatonic 25 D I 1-1-1-1-2-1-2-3
8 1-1-1-1-1-2-2-3 octatonic 26 D II 1-1-1-2-1-2-3-1
8 1-1-1-1-1-2-2-3 octatonic 27 D III 1-1-2-1-2-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 28 D IV 1-2-1-2-3-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 29 D V 2-1-2-3-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 30 D VI 1-2-3-1-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 31 D VII 2-3-1-1-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 32 D VIII 3-1-1-1-1-2-1-2
8 1-1-1-1-1-2-2-3 octatonic 33 E I 1-1-1-1-2-1-3-2
8 1-1-1-1-1-2-2-3 octatonic 34 E II 1-1-1-2-1-3-2-1
8 1-1-1-1-1-2-2-3 octatonic 35 E III 1-1-2-1-3-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 36 E IV 1-2-1-3-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 37 E V 2-1-3-2-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 38 E VI 1-3-2-1-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 39 E VII 3-2-1-1-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 40 E VIII 2-1-1-1-1-2-1-3
8 1-1-1-1-1-2-2-3 octatonic 41 F I 1-1-1-1-2-2-1-3
8 1-1-1-1-1-2-2-3 octatonic 42 F II Harmonic and Neapolitan 1-1-1-2-2-1-3-1
Minor mixed
8 1-1-1-1-1-2-2-3 octatonic 43 F III 1-1-2-2-1-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 44 F IV 1-2-2-1-3-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 45 F V 2-2-1-3-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 46 F VI Raga Cintamani 2-1-3-1-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 47 F VII 1-3-1-1-1-1-2-2
8 1-1-1-1-1-2-2-3 octatonic 48 F VIII 3-1-1-1-1-2-2-1
8 1-1-1-1-1-2-2-3 octatonic 49 G I 1-1-1-1-2-3-1-2
8 1-1-1-1-1-2-2-3 octatonic 50 G II 1-1-1-2-3-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 51 G III 1-1-2-3-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 52 G IV 1-2-3-1-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 53 G V 2-3-1-2-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 54 G VI 3-1-2-1-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 55 G VII 1-2-1-1-1-1-2-3
8 1-1-1-1-1-2-2-3 octatonic 56 G VIII 2-1-1-1-1-2-3-1
8 1-1-1-1-1-2-2-3 octatonic 57 H I 1-1-1-1-3-1-2-2
8 1-1-1-1-1-2-2-3 octatonic 58 H II 1-1-1-3-1-2-2-1
8 1-1-1-1-1-2-2-3 octatonic 59 H III 1-1-3-1-2-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 60 H IV 1-3-1-2-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 61 H V 3-1-2-2-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 62 H VI 1-2-2-1-1-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 63 H VII 2-2-1-1-1-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 64 H VIII 2-1-1-1-1-3-1-2
8 1-1-1-1-1-2-2-3 octatonic 65 I I 1-1-1-1-3-2-1-2
8 1-1-1-1-1-2-2-3 octatonic 66 I II 1-1-1-3-2-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 67 I III 1-1-3-2-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 68 I IV 1-3-2-1-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 69 I V 3-2-1-2-1-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 70 I VI 2-1-2-1-1-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 71 I VII 1-2-1-1-1-1-3-2
8 1-1-1-1-1-2-2-3 octatonic 72 I VIII 2-1-1-1-1-3-2-1
8 1-1-1-1-1-2-2-3 octatonic 73 J I 1-1-1-2-1-1-2-3
8 1-1-1-1-1-2-2-3 octatonic 74 J II 1-1-2-1-1-2-3-1
8 1-1-1-1-1-2-2-3 octatonic 75 J III 1-2-1-1-2-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 76 J IV 2-1-1-2-3-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 77 J V 1-1-2-3-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 78 J VI 1-2-3-1-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 79 J VII 2-3-1-1-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 80 J VIII 3-1-1-1-2-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 81 K I 1-1-1-2-1-1-3-2
8 1-1-1-1-1-2-2-3 octatonic 82 K II 1-1-2-1-1-3-2-1
8 1-1-1-1-1-2-2-3 octatonic 83 K III 1-2-1-1-3-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 84 K IV 2-1-1-3-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 85 K V 1-1-3-2-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 86 K VI 1-3-2-1-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 87 K VII 3-2-1-1-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 88 K VIII 2-1-1-1-2-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 89 L I 1-1-1-2-1-2-1-3
8 1-1-1-1-1-2-2-3 octatonic 90 L II 1-1-2-1-2-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 91 L III 1-2-1-2-1-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 92 L IV 2-1-2-1-3-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 93 L V 1-2-1-3-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 94 L VI 2-1-3-1-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 95 L VII 1-3-1-1-1-2-1-2
8 1-1-1-1-1-2-2-3 octatonic 96 L VIII 3-1-1-1-2-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 97 M I 1-1-1-2-1-3-1-2
8 1-1-1-1-1-2-2-3 octatonic 98 M II 1-1-2-1-3-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 99 M III 1-2-1-3-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 100 M IV 2-1-3-1-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 101 M V 1-3-1-2-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 102 M VI 3-1-2-1-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 103 M VII 1-2-1-1-1-2-1-3
8 1-1-1-1-1-2-2-3 octatonic 104 M VIII 2-1-1-1-2-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 105 N I 1-1-1-2-2-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 106 N II 1-1-2-2-1-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 107 N III 1-2-2-1-1-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 108 N IV 2-2-1-1-3-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 109 N V 2-1-1-3-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 110 N VI 1-1-3-1-1-1-2-2
8 1-1-1-1-1-2-2-3 octatonic 111 N VII Raga Bhatiyar 1-3-1-1-1-2-2-1
8 1-1-1-1-1-2-2-3 octatonic 112 N VIII 3-1-1-1-2-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 113 O I 1-1-1-2-3-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 114 O II 1-1-2-3-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 115 O III Neveseri: Greece 1-2-3-1-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 116 O IV 2-3-1-1-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 117 O V 3-1-1-2-1-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 118 O VI 1-1-2-1-1-1-2-3
8 1-1-1-1-1-2-2-3 octatonic 119 O VII 1-2-1-1-1-2-3-1
8 1-1-1-1-1-2-2-3 octatonic 120 O VIII 2-1-1-1-2-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 121 P I 1-1-1-3-1-1-2-2
8 1-1-1-1-1-2-2-3 octatonic 122 P II 1-1-3-1-1-2-2-1
8 1-1-1-1-1-2-2-3 octatonic 123 P III Verdi's Scala enigmatica1-3-1-1-2-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 124 P IV 3-1-1-2-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 125 P V 1-1-2-2-1-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 126 P VI Half-diminished Bebop 1-2-2-1-1-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 127 P VII 2-2-1-1-1-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 128 P VIII 2-1-1-1-3-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 129 Q I 1-1-1-3-1-2-1-2
8 1-1-1-1-1-2-2-3 octatonic 130 Q II 1-1-3-1-2-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 131 Q III Maqam Hijaz (Hedjaz) 1-3-1-2-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 132 Q IV 3-1-2-1-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 133 Q V 1-2-1-2-1-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 134 Q VI Algerian, Sabiren 2-1-2-1-1-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 135 Q VII Maqam Shadd'araban 1-2-1-1-1-3-1-2
8 1-1-1-1-1-2-2-3 octatonic 136 Q VIII 2-1-1-1-3-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 137 R I 1-1-1-3-2-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 138 R II 1-1-3-2-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 139 R III 1-3-2-1-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 140 R IV 3-2-1-1-2-1-1-1
8 1-1-1-1-1-2-2-3 octatonic 141 R V 2-1-1-2-1-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 142 R VI 1-1-2-1-1-1-3-2
8 1-1-1-1-1-2-2-3 octatonic 143 R VII 1-2-1-1-1-3-2-1
8 1-1-1-1-1-2-2-3 octatonic 144 R VIII 2-1-1-1-3-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 145 S I 1-1-2-1-1-2-1-3
8 1-1-1-1-1-2-2-3 octatonic 146 S II 1-2-1-1-2-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 147 S III 2-1-1-2-1-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 148 S IV 1-1-2-1-3-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 149 S V 1-2-1-3-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 150 S VI 2-1-3-1-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 151 S VII 1-3-1-1-2-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 152 S VIII 3-1-1-2-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 153 T I 1-1-2-1-1-3-1-2
8 1-1-1-1-1-2-2-3 octatonic 154 T II 1-2-1-1-3-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 155 T III Sabach (Sambah): Greece 2-1-1-3-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 156 T IV 1-1-3-1-2-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 157 T V Raga Saurashtra 1-3-1-2-1-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 158 T VI 3-1-2-1-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 159 T VII 1-2-1-1-2-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 160 T VIII 2-1-1-2-1-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 161 U I 1-1-3-1-1-2-1-2
8 1-1-1-1-1-2-2-3 octatonic 162 U II 1-3-1-1-2-1-2-1
8 1-1-1-1-1-2-2-3 octatonic 163 U III 3-1-1-2-1-2-1-1
8 1-1-1-1-1-2-2-3 octatonic 164 U IV 1-1-2-1-2-1-1-3
8 1-1-1-1-1-2-2-3 octatonic 165 U V 1-2-1-2-1-1-3-1
8 1-1-1-1-1-2-2-3 octatonic 166 U VI 2-1-2-1-1-3-1-1
8 1-1-1-1-1-2-2-3 octatonic 167 U VII 1-2-1-1-3-1-1-2
8 1-1-1-1-1-2-2-3 octatonic 168 U VIII 2-1-1-3-1-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 1 A I 1-1-1-1-2-2-2-2
8 1-1-1-1-2-2-2-2 octatonic 2 A II 1-1-1-2-2-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 3 A III 1-1-2-2-2-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 4 A IV 1-2-2-2-2-1-1-1
8 1-1-1-1-2-2-2-2 octatonic 5 A V 2-2-2-2-1-1-1-1
8 1-1-1-1-2-2-2-2 octatonic 6 A VI 2-2-2-1-1-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 7 A VII 2-2-1-1-1-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 8 A VIII 2-1-1-1-1-2-2-2
8 1-1-1-1-2-2-2-2 octatonic 9 B I 1-1-1-2-1-2-2-2
8 1-1-1-1-2-2-2-2 octatonic 10 B II 1-1-2-1-2-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 11 B III 1-2-1-2-2-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 12 B IV Raga Mian Ki Malhar, Bahar,
2-1-2-2-2-1-1-1
Sindhura
8 1-1-1-1-2-2-2-2 octatonic 13 B V 1-2-2-2-1-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 14 B VI 2-2-2-1-1-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 15 B VII 2-2-1-1-1-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 16 B VIII 2-1-1-1-2-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 17 C I Phrygian/Aeolian mixed 1-1-1-2-2-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 18 C II 1-1-2-2-1-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 19 C III Prokofiev 1-2-2-1-2-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 20 C IV Genus diatonicum, Dominant
2-2-1-2-2-1-1-1
Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Devagandhari, Bihagara, Maqam Shawq Awir, Gregorian nr.6, Major/Mixolydi
8 1-1-1-1-2-2-2-2 octatonic 21 C V Raga Mukhari, Anandabhairavi,
2-1-2-2-1-1-1-2
Deshi, Manji, Gregorian nr.1, Dorian/Aeolian mixed
8 1-1-1-1-2-2-2-2 octatonic 22 C VI Phrygian/Locrian mixed 1-2-2-1-1-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 23 C VII Ishikotsucho: Japan, Raga
2-2-1-1-1-2-2-1
Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubil
8 1-1-1-1-2-2-2-2 octatonic 24 C VIII Minor Bebop, Dorian Bebop,
2-1-1-1-2-2-1-2
Raga Zilla, Mixolydian/Dorian mixed
8 1-1-1-1-2-2-2-2 octatonic 25 D I Adonai Malakh: Jewish 1-1-1-2-2-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 26 D II 1-1-2-2-2-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 27 D III Hamel 1-2-2-2-1-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 28 D IV 2-2-2-1-2-1-1-1
8 1-1-1-1-2-2-2-2 octatonic 29 D V 2-2-1-2-1-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 30 D VI 2-1-2-1-1-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 31 D VII Espla's scale, Eight-tone
1-2-1-1-1-2-2-2
Spanish
8 1-1-1-1-2-2-2-2 octatonic 32 D VIII 2-1-1-1-2-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 33 E I 1-1-2-1-1-2-2-2
8 1-1-1-1-2-2-2-2 octatonic 34 E II 1-2-1-1-2-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 35 E III 2-1-1-2-2-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 36 E IV 1-1-2-2-2-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 37 E V Neapolitan Major and Minor
1-2-2-2-1-1-2-1
mixed
8 1-1-1-1-2-2-2-2 octatonic 38 E VI 2-2-2-1-1-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 39 E VII 2-2-1-1-2-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 40 E VIII 2-1-1-2-1-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 41 F I 1-1-2-1-2-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 42 F II Shostakovich 1-2-1-2-1-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 43 F III 2-1-2-1-2-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 44 F IV 1-2-1-2-2-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 45 F V Zirafkend: Arabic, Melodic
2-1-2-2-1-1-2-1
Minor Bebop
8 1-1-1-1-2-2-2-2 octatonic 46 F VI 1-2-2-1-1-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 47 F VII 2-2-1-1-2-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 48 F VIII 2-1-1-2-1-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 49 G I 1-1-2-1-2-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 50 G II Magen Abot: Jewish 1-2-1-2-2-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 51 G III Maqam Nahawand, Farahfaza,
2-1-2-2-1-2-1-1
Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor
8 1-1-1-1-2-2-2-2 octatonic 52 G IV 1-2-2-1-2-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 53 G V Major Bebop, Altered Mixolydian
2-2-1-2-1-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 54 G VI Blues scale II 2-1-2-1-1-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 55 G VII Spanish Phrygian 1-2-1-1-2-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 56 G VIII 2-1-1-2-1-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 57 H I Messiaen mode 6 1-1-2-2-1-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 58 H II Van der Horst Octatonic 1-2-2-1-1-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 59 H III Messiaen mode 6 inverse 2-2-1-1-2-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 60 H IV Equal temperaments 4 and2-1-1-2-2-1-1-2
6 mixed
8 1-1-1-1-2-2-2-2 octatonic 61 I I 1-1-2-2-1-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 62 I II 1-2-2-1-2-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 63 I III 2-2-1-2-1-2-1-1
8 1-1-1-1-2-2-2-2 octatonic 64 I IV 2-1-2-1-2-1-1-2
8 1-1-1-1-2-2-2-2 octatonic 65 I V 1-2-1-2-1-1-2-2
8 1-1-1-1-2-2-2-2 octatonic 66 I VI 2-1-2-1-1-2-2-1
8 1-1-1-1-2-2-2-2 octatonic 67 I VII JG Octatonic 1-2-1-1-2-2-1-2
8 1-1-1-1-2-2-2-2 octatonic 68 I VIII 2-1-1-2-2-1-2-1
8 1-1-1-1-2-2-2-2 octatonic 69 J I Octatonic, Messiaen mode1-2-1-2-1-2-1-2
2, Dominant Diminished, Diminished Blues, Half-Whole step scale
8 1-1-1-1-2-2-2-2 octatonic 70 J II Diminished, Modus conjunctus,
2-1-2-1-2-1-2-1
Messiaen mode 2 inverse, Whole-Half step scale
9 1-1-1-1-1-1-1-1-4 enneatonic 1 A I 1-1-1-1-1-1-1-1-4
9 1-1-1-1-1-1-1-1-4 enneatonic 2 A II 1-1-1-1-1-1-1-4-1
9 1-1-1-1-1-1-1-1-4 enneatonic 3 A III 1-1-1-1-1-1-4-1-1
9 1-1-1-1-1-1-1-1-4 enneatonic 4 A IV 1-1-1-1-1-4-1-1-1
9 1-1-1-1-1-1-1-1-4 enneatonic 5 A V 1-1-1-1-4-1-1-1-1
9 1-1-1-1-1-1-1-1-4 enneatonic 6 A VI 1-1-1-4-1-1-1-1-1
9 1-1-1-1-1-1-1-1-4 enneatonic 7 A VII 1-1-4-1-1-1-1-1-1
9 1-1-1-1-1-1-1-1-4 enneatonic 8 A VIII 1-4-1-1-1-1-1-1-1
9 1-1-1-1-1-1-1-1-4 enneatonic 9 A IX 4-1-1-1-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 1 A I 1-1-1-1-1-1-1-2-3
9 1-1-1-1-1-1-1-2-3 enneatonic 2 A II 1-1-1-1-1-1-2-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 3 A III 1-1-1-1-1-2-3-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 4 A IV 1-1-1-1-2-3-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 5 A V 1-1-1-2-3-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 6 A VI 1-1-2-3-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 7 A VII 1-2-3-1-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 9 A IX 3-1-1-1-1-1-1-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 10 B I 1-1-1-1-1-1-1-3-2
9 1-1-1-1-1-1-1-2-3 enneatonic 11 B II 1-1-1-1-1-1-3-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 12 B III 1-1-1-1-1-3-2-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 13 B IV 1-1-1-1-3-2-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 14 B V 1-1-1-3-2-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 15 B VI 1-1-3-2-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 16 B VII 1-3-2-1-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 17 B VIII 3-2-1-1-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 18 B IX 2-1-1-1-1-1-1-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 19 C I 1-1-1-1-1-1-2-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 20 C II 1-1-1-1-1-2-1-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 21 C III 1-1-1-1-2-1-3-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 22 C IV 1-1-1-2-1-3-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 23 C V 1-1-2-1-3-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 24 C VI 1-2-1-3-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 25 C VII 2-1-3-1-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 26 C VIII 1-3-1-1-1-1-1-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 27 C IX 3-1-1-1-1-1-1-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 28 D I 1-1-1-1-1-1-3-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 29 D II 1-1-1-1-1-3-1-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 30 D III 1-1-1-1-3-1-2-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 31 D IV 1-1-1-3-1-2-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 32 D V 1-1-3-1-2-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 33 D VI 1-3-1-2-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 34 D VII 3-1-2-1-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 35 D VIII 1-2-1-1-1-1-1-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 36 D IX 2-1-1-1-1-1-1-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 37 E I 1-1-1-1-1-2-1-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 38 E II 1-1-1-1-2-1-1-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 39 E III 1-1-1-2-1-1-3-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 40 E IV 1-1-2-1-1-3-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 41 E V 1-2-1-1-3-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 42 E VI 2-1-1-3-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 43 E VII 1-1-3-1-1-1-1-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 44 E VIII 1-3-1-1-1-1-1-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 45 E IX 3-1-1-1-1-1-2-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 46 F I 1-1-1-1-1-3-1-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 47 F II 1-1-1-1-3-1-1-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 48 F III 1-1-1-3-1-1-2-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 49 F IV 1-1-3-1-1-2-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 50 F V 1-3-1-1-2-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 51 F VI 3-1-1-2-1-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 52 F VII 1-1-2-1-1-1-1-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 53 F VIII 1-2-1-1-1-1-1-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 54 F IX 2-1-1-1-1-1-3-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 55 G I 1-1-1-1-2-1-1-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 56 G II 1-1-1-2-1-1-1-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 57 G III 1-1-2-1-1-1-3-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 58 G IV 1-2-1-1-1-3-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 59 G V 2-1-1-1-3-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 60 G VI 1-1-1-3-1-1-1-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 61 G VII 1-1-3-1-1-1-1-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 62 G VIII 1-3-1-1-1-1-2-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 63 G IX 3-1-1-1-1-2-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 64 H I 1-1-1-1-3-1-1-1-2
9 1-1-1-1-1-1-1-2-3 enneatonic 65 H II 1-1-1-3-1-1-1-2-1
9 1-1-1-1-1-1-1-2-3 enneatonic 66 H III 1-1-3-1-1-1-2-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 67 H IV 1-3-1-1-1-2-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 68 H V 3-1-1-1-2-1-1-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 69 H VI 1-1-1-2-1-1-1-1-3
9 1-1-1-1-1-1-1-2-3 enneatonic 70 H VII 1-1-2-1-1-1-1-3-1
9 1-1-1-1-1-1-1-2-3 enneatonic 71 H VIII 1-2-1-1-1-1-3-1-1
9 1-1-1-1-1-1-1-2-3 enneatonic 72 H IX 2-1-1-1-1-3-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 1 A I 1-1-1-1-1-1-2-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 2 A II 1-1-1-1-1-2-2-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 3 A III 1-1-1-1-2-2-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 4 A IV 1-1-1-2-2-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 5 A V 1-1-2-2-2-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 6 A VI 1-2-2-2-1-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 7 A VII 2-2-2-1-1-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 9 A IX 2-1-1-1-1-1-1-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 10 B I 1-1-1-1-1-2-1-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 11 B II 1-1-1-1-2-1-2-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 12 B III 1-1-1-2-1-2-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 13 B IV Chromatic Bebop 1-1-2-1-2-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 14 B V 1-2-1-2-2-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 15 B VI Raga Pilu, Full Minor 2-1-2-2-1-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 16 B VII 1-2-2-1-1-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 17 B VIII 2-2-1-1-1-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 18 B IX Blues Enneatonic II 2-1-1-1-1-1-2-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 19 C I 1-1-1-1-1-2-2-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 20 C II 1-1-1-1-2-2-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 21 C III 1-1-1-2-2-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 22 C IV 1-1-2-2-1-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 23 C V 1-2-2-1-2-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 24 C VI Raga Pahadi 2-2-1-2-1-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 25 C VII Kiourdi: Greece 2-1-2-1-1-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 26 C VIII 1-2-1-1-1-1-1-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 27 C IX 2-1-1-1-1-1-2-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 28 D I 1-1-1-1-2-1-1-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 29 D II 1-1-1-2-1-1-2-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 30 D III 1-1-2-1-1-2-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 31 D IV 1-2-1-1-2-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 32 D V 2-1-1-2-2-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 33 D VI 1-1-2-2-1-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 34 D VII 1-2-2-1-1-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 35 D VIII 2-2-1-1-1-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 36 D IX 2-1-1-1-1-2-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 37 E I 1-1-1-1-2-1-2-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 38 E II 1-1-1-2-1-2-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 39 E III 1-1-2-1-2-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 40 E IV 1-2-1-2-1-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 41 E V 2-1-2-1-2-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 42 E VI 1-2-1-2-1-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 43 E VII 2-1-2-1-1-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 44 E VIII 1-2-1-1-1-1-2-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 45 E IX 2-1-1-1-1-2-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 46 F I 1-1-1-1-2-2-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 47 F II 1-1-1-2-2-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 48 F III 1-1-2-2-1-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 49 F IV 1-2-2-1-1-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 50 F V 2-2-1-1-2-1-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 51 F VI 2-1-1-2-1-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 52 F VII 1-1-2-1-1-1-1-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 53 F VIII 1-2-1-1-1-1-2-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 54 F IX 2-1-1-1-1-2-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 55 G I Locrian/Aeolian mixed 1-1-1-2-1-1-1-2-2
9 1-1-1-1-1-1-2-2-2 enneatonic 56 G II 1-1-2-1-1-1-2-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 57 G III 1-2-1-1-1-2-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 58 G IV Raga Malgunji, Ramdasi Malhar,
2-1-1-1-2-2-1-1-1
Major/Dorian mixed, Blues Enneatonic
9 1-1-1-1-1-1-2-2-2 enneatonic 59 G V Chromatic and Diatonic Dorian
1-1-1-2-2-1-1-1-2
mixed
9 1-1-1-1-1-1-2-2-2 enneatonic 60 G VI 1-1-2-2-1-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 61 G VII 1-2-2-1-1-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 62 G VIII Taishikicho, Ryo: Japan,2-2-1-1-1-2-1-1-1
Raga Chayanat, Lydian/Mixolydian mixed
9 1-1-1-1-1-1-2-2-2 enneatonic 63 G IX Houseini: Greece, Modes 2-1-1-1-2-1-1-1-2
of Major Pentatonic mixed
9 1-1-1-1-1-1-2-2-2 enneatonic 64 H I 1-1-1-2-1-1-2-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 65 H II 1-1-2-1-1-2-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 66 H III Moorish Phrygian, Phrygian/Double
1-2-1-1-2-1-2-1-1
Harmonic Major mixed
9 1-1-1-1-1-1-2-2-2 enneatonic 67 H IV 2-1-1-2-1-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 68 H V 1-1-2-1-2-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 69 H VI 1-2-1-2-1-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 70 H VII 2-1-2-1-1-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 71 H VIII 1-2-1-1-1-2-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 72 H IX 2-1-1-1-2-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 73 I I 1-1-1-2-1-2-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 74 I II Chromatic and Permuted Diatonic
1-1-2-1-2-1-1-2-1
Dorian mixed
9 1-1-1-1-1-1-2-2-2 enneatonic 75 I III 1-2-1-2-1-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 76 I IV 2-1-2-1-1-2-1-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 77 I V 1-2-1-1-2-1-1-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 78 I VI 2-1-1-2-1-1-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 79 I VII Youlan scale: China 1-1-2-1-1-1-2-1-2
9 1-1-1-1-1-1-2-2-2 enneatonic 80 I VIII 1-2-1-1-1-2-1-2-1
9 1-1-1-1-1-1-2-2-2 enneatonic 81 I IX 2-1-1-1-2-1-2-1-1
9 1-1-1-1-1-1-2-2-2 enneatonic 82 J I Messiaen mode 3, Tcherepnin
1-1-2-1-1-2-1-1-2
Nonatonic mode 3
9 1-1-1-1-1-1-2-2-2 enneatonic 83 J II Genus chromaticum, Tcherepnin
1-2-1-1-2-1-1-2-1
Nonatonic mode 1, Augmented-9
9 1-1-1-1-1-1-2-2-2 enneatonic 84 J III Messiaen mode 3 inverse,2-1-1-2-1-1-2-1-1
Tcherepnin Nonatonic mode 2
10 1-1-1-1-1-1-1-1-1-3 decatonic 1 A I 1-1-1-1-1-1-1-1-1-3
10 1-1-1-1-1-1-1-1-1-3 decatonic 2 A II 1-1-1-1-1-1-1-1-3-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 3 A III 1-1-1-1-1-1-1-3-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 4 A IV 1-1-1-1-1-1-3-1-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 5 A V 1-1-1-1-1-3-1-1-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 6 A VI 1-1-1-1-3-1-1-1-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 7 A VII 1-1-1-3-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 8 A VIII 1-1-3-1-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 9 A IX 1-3-1-1-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-1-3 decatonic 10 A X 3-1-1-1-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 1 A I 1-1-1-1-1-1-1-1-2-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 2 A II 1-1-1-1-1-1-1-2-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 3 A III 1-1-1-1-1-1-2-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 4 A IV 1-1-1-1-1-2-2-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 5 A V 1-1-1-1-2-2-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 6 A VI 1-1-1-2-2-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 7 A VII 1-1-2-2-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 8 A VIII 1-2-2-1-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 9 A IX 2-2-1-1-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 10 A X 2-1-1-1-1-1-1-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 11 B I 1-1-1-1-1-1-1-2-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 12 B II 1-1-1-1-1-1-2-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 13 B III Raga Sindhi-Bhairavi 1-1-1-1-1-2-1-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 14 B IV 1-1-1-1-2-1-2-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 15 B V 1-1-1-2-1-2-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 16 B VI 1-1-2-1-2-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 17 B VII 1-2-1-2-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 18 B VIII 2-1-2-1-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 19 B IX Maqam Tarzanuyn 1-2-1-1-1-1-1-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 20 B X Maqam Shawq Afza 2-1-1-1-1-1-1-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 21 C I 1-1-1-1-1-1-2-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 22 C II 1-1-1-1-1-2-1-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 23 C III 1-1-1-1-2-1-1-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 24 C IV 1-1-1-2-1-1-2-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 25 C V 1-1-2-1-1-2-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 26 C VI 1-2-1-1-2-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 27 C VII 2-1-1-2-1-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 28 C VIII 1-1-2-1-1-1-1-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 29 C IX 1-2-1-1-1-1-1-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 30 C X 2-1-1-1-1-1-1-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 31 D I 1-1-1-1-1-2-1-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 32 D II 1-1-1-1-2-1-1-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 33 D III 1-1-1-2-1-1-1-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 34 D IV 1-1-2-1-1-1-2-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 35 D V 1-2-1-1-1-2-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 36 D VI Major/Minor mixed 2-1-1-1-2-1-1-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 37 D VII 1-1-1-2-1-1-1-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 38 D VIII 1-1-2-1-1-1-1-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 39 D IX 1-2-1-1-1-1-1-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 40 D X Minor Pentatonic with leading
2-1-1-1-1-1-2-1-1-1
tones
10 1-1-1-1-1-1-1-1-2-2 decatonic 41 E I Messiaen mode 7 1-1-1-1-2-1-1-1-1-2
10 1-1-1-1-1-1-1-1-2-2 decatonic 42 E II 1-1-1-2-1-1-1-1-2-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 43 E III Symmetrical Decatonic 1-1-2-1-1-1-1-2-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 44 E IV 1-2-1-1-1-1-2-1-1-1
10 1-1-1-1-1-1-1-1-2-2 decatonic 45 E V Messiaen mode 7 inverse 2-1-1-1-1-2-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 1 A I 1-1-1-1-1-1-1-1-1-1-2
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 2 A II 1-1-1-1-1-1-1-1-1-2-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 3 A III 1-1-1-1-1-1-1-1-2-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 4 A IV 1-1-1-1-1-1-1-2-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 5 A V 1-1-1-1-1-1-2-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 6 A VI 1-1-1-1-1-2-1-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 7 A VII 1-1-1-1-2-1-1-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 8 A VIII 1-1-1-2-1-1-1-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 9 A IX 1-1-2-1-1-1-1-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 10 A X 1-2-1-1-1-1-1-1-1-1-1
11 1-1-1-1-1-1-1-1-1-1-2 undecatonic 11 A XI 2-1-1-1-1-1-1-1-1-1-1
12 1-1-1-1-1-1-1-1-1-1-1-1 dodecatonic 1 A I Twelve-tone Chromatic (1/11-comma)
1-1-1-1-1-1-1-1-1-1-1-1
MonotonicFormulaPossibilities
DitonicFormulaPossibilities
TritonicFormulaPossibilities
TetratonicFormula Possibilities
PentatonicFormula Possibilities
Hexatonic Formula Possibilities
Heptatonic Formula Possibilities
Octatonic Formula Possibilities
Enneatonic Formula Possibilities
Decatonic Formula Possibilities
Undecatonic FormulaPossibilities
Dodecatonic FormulaPossibilities
totalPossibilities
12 1! 1 1-11 2! 2 1-1-10 3!/2! 3 1-1-1-9 4!/3! 4 1-1-1-1-8 5!/4! 5 1-1-1-1-1-7
6!/5! 6 1-1-1-1-1-1-6
7!/6! 7 1-1-1-1-1-1-1-5
8!/7! 8 1-1-1-1-1-1-1-1-4
9!/8! 9 1-1-1-1-1-1-1-1-1-3
10!/9! 10 1-1-1-1-1-1-1-1-1-1-2
11!/10! 11 1-1-1-1-1-1-1-1-1-1-1-1
12!/12! 1 total 2048
1 2-10 2! 2 1-2-9 3! 6 1-1-2-8 4!/2! 12 1-1-1-2-7 5!/3! 20 1-1-1-1-2-6
6!/4! 30 1-1-1-1-1-2-5
7!/5! 42 1-1-1-1-1-1-2-4
8!/6! 56 1-1-1-1-1-1-1-2-3
9!/7! 72 1-1-1-1-1-1-1-1-2-2
10!/(8!*2!) 45 11 1
3-9 2! 2 1-3-8 3! 6 1-1-3-7 4!/2! 12 1-1-1-3-6 5!/3! 20 1-1-1-1-3-5
6!/4! 30 1-1-1-1-1-3-4
7!/5! 42 1-1-1-1-1-1-3-3
8!/6! 28 1-1-1-1-1-1-2-2-2
9!/(6!*3!) 84 55
4-8 2! 2 1-4-7 3! 6 1-1-4-6 4!/2! 12 1-1-1-4-5 5!/3! 20 1-1-1-1-4-4
6!/(4!*2!) 15 1-1-1-1-2-2-4
7!/(4!*2!) 105 1-1-1-1-1-2-2-3
8!/(5!*2!) 168 165
5-7 2! 2 1-5-6 3! 6 1-1-5-5 4!/(2!*2!) 6 1-1-2-2-6 5!/(2!*2!) 30 1-1-1-2-2-5
6!/(3!*2!) 60 1-1-1-1-2-3-3
7!/(4!*2!) 105 1-1-1-1-2-2-2-2
8!/(4!*4!) 70
6-6 2!/2! 1 2-2-8 3!/2! 3 1-2-2-7 4!/2! 12 1-1-2-3-5 5!/2! 60 1-1-1-2-3-4
6!/3! 120 1-1-1-2-2-2-3
7!/(3!*3!) 140 330
11 2-3-7 3! 6 1-2-3-6 4! 24 1-1-2-4-4 5!/(2!*2!) 30 1-1-1-3-3-3
6!/(3!*3!) 20 1-1-2-2-2-2-2
7!/(5!*2!) 21
2-4-6 3! 6 1-2-4-5 4! 24 1-1-3-3-4 5!/(2!*2!) 30 1-1-2-2-2-4
6!/(3!*2!) 60 462
2-5-5 3!/2! 3 1-3-3-5 4!/2! 12 1-2-2-2-5 5!/3! 20 1-1-2-2-3-3
6!/(2!*2!*2!) 90
3-3-6 3!/2! 3 1-3-4-4 4!/2! 12 1-2-2-3-4 5!/2! 60 1-2-2-2-2-3
6!/4! 30
3-4-5 3! 6 2-2-2-6 4!/3! 4 1-2-3-3-3 5!/3! 20 2-2-2-2-2-2
6!/6! 1
4-4-4 3!/3! 1 2-2-3-5 4!/2! 12 2-2-2-2-4 5!/4! 5 462
55 2-2-4-4 4!/(2!*2!) 6 2-2-2-3-3 5!/(3!*2!) 10
2-3-3-4 4!/2! 12 330
3-3-3-3 4!/4! 1
165
Source for many of the alternative names
http://www.huygens-fokker.org/docs/modename.html

All Possible Scales

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All Possible Scales

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Tones Scale (steps + n-tonic) Iteration Shape Degree Names Steps 1 ♭2 2 ♭3 3 4 ♯4/♭5 5 ♯5/♭6 6 ♭7 7 1

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