fod. tba eis ih a Ny, vn i aaa te 2Jie Violin Erin Shore (Traditional Intro) ° 1 Os ° . Me “BCT 4 > RN? eae |||) ail (P . mit I Hf saa i 2 “ “ LN | aft “ il | Le = ie dll Hh n rn alee {1 : ~° . | iT TT PT ei rT Nan A A Hil | il I < (eH | I I ll Hf. HI mW | ell U alll | = ae TT QB =i fy ig rl A ryt A ct Ta Pa SY MN TM NY Hh+ FORGIVEN, NOT FORGOTTEN + WORDS & MUSIC BY JIM CORR, SHARON CORR, CAROLINE CORR & ANDREA CORR | | UM | wm CU OT Fino Um i PS Ld [oo L_ wp: gor gO OONWwvA0A0OOv"" Po rH vw are 5 oe-~0oUd2oONNN-[°-"N7T}NY*YYY. TSE Da i a GC 7 Am C Em xO o x o r) Dy feu: OTTO "=e eee ee ee PAY [<7 re? re DTT NO eae Eve — —____—_+-—__3— — we — ‘nae 1. All a- lone,— star - ing on, watch -ing——_—— her_—s life go by.— (Verse 2 see block lyric) D Am , r + - | — | — | —“( i) ee in... |. ae | | | fo Ty PAS Ee LF ed ee |, _ oC Tr rT hr? Cr?! CCCUr?CTTTTSrY Ye) Ve — ee Ke Neer” . ___ When her days... are— grey and _ her nights__ are___ black,_ © COPYRIGHT 1995 SONGS OF POLYGRAM INTERNATIONAL INC. ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. 10=e a A | a <6 pl ing «ep pgp gn re a SS a Gl eee D> | FO a eee” | le Eee pA TN a — dif - f’rent shades of mun- dane.— And the one eyed fur - ry toy— that D Em xxO o coo ooo Fi Fe sss ee a E=E ee eee TFA Ue GC I —= PAN eee OO, ae” nd ee” lies up - on the bed_— has of - ten heard her cry, —— F | rT | ____ var mvOUUON—__————PRrercer ne ee ja ef gh lee Ff fy —— rr Ee mS py 4 — we —— and heard her whis - per of a name— long for - giv - i ST OF Oe ——— ot PA Pf I o ee o* en but not for - got - ten. You’re for - 11for - got- not you're for - giv ~ en ten, —__ _ oD a not you re xxOuP aie Am. aA iS LL A lr TF TTS [ | | ; | vo al i HH | o | - oD c = | | » —_ a) A i | I Ti __ 4h * [++ Ie WY long for-giv - man — a search-ing for As she goes TT ot & 2 i 8 5 a re PO rr es PE ET en but not for-got - ten.a | Wl a ee ee _ aA On| Pm Sd eee Pen eens et, sss ee ee OT TT eo BAS Pg gh ge =e —=e —eg a —) * Nee” enero” Pie a giv - en not for- got’ - ten, you’re for- giv - en not for- got- a | pe | — re | Pd a_i a a ee fen Pa ee SR eee ee eee] pp eg gg re Te _e S ee = ° ” Newel - ten,— you're for- giv - en_— not for-got - ten, you're not for-got - ten.— F | PT Lr Mae a. = po Lee TE eR Sa tf oe 2 — ?—7 >= FF SS eS Oe FS a — [eee se Ce eee PA e™ ee >= La —e ww FN — ee” Fy a Ce a 1 Pome a ee y LEP ee ee Eee ee TT fA Ne Te elif af dC CE “15 FER — a You’re for - You’re not for-got - _ ten, oh you’re not for-got - ten.— —o | CC as Verse 2: A bleeding heart torn apart, left on an icy bed In a room where they once lay face to face Nothing could get in the way But now the memories of a man are haunting her day And the craving never fades She’s still dreaming of a man long forgiven, but not forgotten.../-100 Heaven Knows rT |) : | I it it | My | le 1 ef oO j me II {I ae Hf Lo i l oh fi . ’ Hl i it: | I OAD TRS | [ a he Ht : I ° || rt Tr ir it rT \ ih i vg || rst ea IM ae Is * ear i f Atl Ss 18 | w° i] 5 | x IQ? TH om ED ch ct i ih , Y . if | AL It Eid yp rh HI HY e Me if AL] | a it a f Ie 1 cP TNH Th TNH@& please - come back to me, m¢ to nev - er. Am! D G/B ( 1 Em ety) can a HH a Ln HH |- out mean ing. with life a more_— no 3 No more in—. +s my— love mind, my — in to love, a - way will fly I You and just_._ Sad - ness fill on - ly . hea can’t let plight, — I oh my fruit - less—rT Lffy CC En ee ae aS eS ee Oe |, _ id we g violin I ie, I TE E—E™FTeTEToooo en ee oO L_} a G/D D Am? Em xxO00 xxO an oo ooo MW Oe Td [oe ee to fie 2 of J og ef aR 7 I (Sa 9 a to ae TAY a : Ui | & ee # _ |S Eee eee ee RT | sy? # pe T_T F—7"CH>>2j,v™-"--"""|”|.| a oT Po vl lg Cee ee "=e tS FE ye LT —; P| ee”? ee OO —__ ts xO —_— oon , i — — Lf Us OL ED el” CT LT LUCUDlLlLlhl SS |i Oy ee eee ee Ee” SF" S§s Sat 8 ee {Pes SF e=FD»n...”__._)_ _ So oT oo “emp” Pee CO a a EE CS 2 ee La "ep CCUW DY So Sad-ness fills my— life._ Sad-ness fills my— life. — Fy i | RS RD cer ————— — Pe eee ee {Ay "eg gl og _a _ _ _ J). 7 | ol ao: o. 0.60. 2.2WO 2 TD Mt eto [Nie Ss eee ee ee es hme ShlLhUmDLS:hC UBC SBS SS Sh he eS: —mUmULUMmMmCCUOCOT UCC ws es eS ~ ‘ww![TT J Ty Da) iq Et iy i HA ini ; TW ll | AA it Whe iM lil o . HAY) ms y oi cb Ll? Ht | Th g ry PT] nie I i awit w) mS hs] Me ° Z Ty z TR OHHH [IP Vy is x 3s Ty ; rs ff} = \ih ft || » Hes Hi] | ; THES F " Pi} x , J re 5 | 2 | as > ai | {ofl w 1 i |. x : Uh | I 3 iH r | a i lie HIT 2 : TN cog HLL ! ag th g | “oH HIP 2 “= ne : Hl Ty I if S va 1 2 6 it | , il * 3 | Ww | lf wy n a he offff D e ! Ls 2 : rs ' bal a t i 3 “ A 8 . I LB Te ~ oe v x 8 7 Oo / | 3 | wm im) - Jie | Ww = 2 iy i aT lw a ag at | | Ty Pd | | || ee plight,— ec I Bm/D — Pd [| __¢y oh my fruit - less— Tears, tears in the night, sorrow take flight Oh please come back to me Each, we believe, never to grieve. I give my world to you etc. Verse 2:Along With The Girls eH x a -100 Om He d 1H, I || il I! ti) |i) lll | : || / a : I + : | te! ae ! | ee io I | ft | Pedy 2 1" = moO Aa) Lk rm oT cm PEs Ge CEH 2x he) hy ee, e o | Lh &— i 1 SY TSRepeat to fade hq AY i] Wk ir WM IT Mh ir of [ [ he 1 Ut | 7 cued | {())) oe | TF ai T Ete [ HG Lo B t I vee (tH rh : | AG x | oft NO: A Po PF a i i ‘ie Pel UP Ah Ba? ip a | oat i i | 2 i Lk x TI Ae Lille =| Li LL a See WUE J I | Tl Ht I : Poo - PC || + i & || pi Ly I Wik AL ily m Hf | Hy | ot ; R |] Hh Ee Hh TT 7 h ° yy | * < "Eo ai ful ts) iit ay Tit SE a4 qin MLL HE WH tr Lt io ut ill WWE < li Wd we lr (UR ae It Sen ||| | 6° H es | cy eae fy] i. om I I Ht oe TT | : ye Ay a Ht ly eT et | . FE ll xq (NT | | | I RS re I | x tl. th. he te. 2 Te ee l i ~ TN? TMS TRY SNP SNES SHO TMH? TNY Nee NOS BASomeday | have all___. we S ’ that +~—— -ments of_—. __ our love (Verse 2 see block lyric) 1. Frag to - graphs. d pho - an dreams__ Sy, ta fan was had what we | | |Hyp - no-tic me - lo - dies. could—— sing our song, a Cadd? D>, He EE i a ~~ —_ _ . _ — com - for-ta - ble thy - thm in—— a com - fort - less_— room. —— o_o 7ST =O a EE ye | —$~ pa] 4} L eT ees OE OO Sd D F Am xxO ne xO o naman pasate pee aS a — aE Pd mee ee 7 OF cn NS SS EE en OS | Se ee pA lg a Pa ag TOT eee eee ee ‘wae’ . “weap” (How do you know— when love— is gone?_) There’s so___—— much more— with - in—— me. PE ple gl Le “=p “=p. — — — ae OO EEE ee Se ys (How do you know — the pas - sion’s gone?_) I know,——- _—-«Isjust- don’t feel__._—ss it.__- by.—_ ba is gone?__) Oh love__ know when (How do you a - long NY for - — a Tl woft o ee move day you 1 Wy 7 * 7 * 7 } vA me Some TC S—COC‘CN#NSNSNSNNN _C—™OCCSONSC#CS ee t™—“SCC(é a ____onnane EE es a we have— to | Nn Y you’ ll # VO a a Th) ) t ms |e ~ WT es | : o . A A) oft || , ) M saa Wll¢ / 3 Set 3 bb UA know __ Ld | |_| gone?_) I hi pe Fém/A |_.__f (Some ae) PL | gg eee” pas - sion’s D/A A? OE EE OOO EEOC So " for - - xy | +, —————— ‘EE ee iy j++ | Em/A y - day o s I z & 1 g ‘a Kf 2 ily © , > oe | 3 @ y hia < 5 a) ¢ Py > ,. A x = Ee |TT TT TT a ; ry I ; 4 , aft | Tr ae OS is : in iW # | | H . mM i Hh | + it a . H +H i | put . i i well? § Hl fit (ts | nm . ily | {ey a I 1 | F io | Ky | ii a al | Saat : + I 1 i | UH | i 3 | 1 { S coo if ‘ E | Wt | | lh nt O BR SH m LU i 7 1 I SH PP 5 a | | 1 I s we TER | rT | || a ~ rq | ME | HT Hi I jl Le th ; ls 3 If A af TS | He Ef | iF p . NY Y he Nee i. NY mm? Sh ee, ee x Pe A a ls Pe ee ee F Lee x Ebadd? fr3 ite. Pe eee ee eee ae Ce ee Lm PASOLanter re I) Dl: sti | : it Ih 2 hie a o . I | : . ime: _ He tit : ° lhe “4 a. | ! ie s | ID IN | iN Y I) = | | [ft | iit & | |] : iL | | ll | aha ih | tale I ; aw Ul, i tt: al | th jie i | i f I Th rr ! I re} 1 hie [i & | Fadd? , yd a ef Tio Eee as | ee LMF UeSome-day you’ll_ for - get_ (Some - day —__ you’ 1]__— for - - get me, Fd . ye eee DET aE LAU” ULL pe TE NE ee ee L_@&ye ef | Tao) | pe ee EEE eee ENE Oo ae ee a ee Ee TT NO) | ee ae 8 Oe OE NN Cmaj? D Fim/A Em/A D/A Al C/D Cmaj9 D x2xO xxO0O 0 x xxo Ht Et Repeat to fade Ls SS ———-z i| | | LU | EO sseseeE—EENO.———"T |e Lae er eee C—C—CCCCCSCd C—O OCDOCO—OTTCTCOOE PN Lg A a sl — | a p Z d Some - day you'll for - get me. - get ___ me.) —} a _e_—“p ODT _T Ae eee EE EO OOOO oo dveéO?—NYN7NY]}TN TT "*“-o0nW"..-.----....”. 7 L ee Tee ee — 0ONWW|’T..-"_ 5-1 ooo BS) SS oo y | Ee | | Pe eee eT oe eet [ | Verse 2: A fragrant memory is soon to fade We lived a love of make believe, dreams and fairytales Now we say goodbye, habitual romance A rose without her petals and a song without a dance. How do you know when love is gone? etc.Runaway 2° ~ . o ee F Csust/G B>sus- F Co sus-/G fa] oe J 7 fF NI _—__ Ig Ne e! . es oe e l. Say its true, * there’s no-thing tikes me” ands sou. (Verse 2 see block lyric) Su a TOE EOD = Se aei F C?sus4/G Bbsus? fo 3 PTT EO Cn ea e oe oe I'm not a - lone. tell me you C | OS ie gg 9 a ——+ ee ooo oe oO EET oe e ee ee ee ~* ~¢* wre oF ve ee ee wv ¢ | I | | a | oye Po A F C’sust/G Bb sus? fi ee EE See 0) oO DS Cee i 8 o ° _ feel it too. And I would rer —t : Oy et ‘eT 1 i — 7 5 Dm Br a T — ry ! ad

= , S | : _ t aT — Po oo == o . 7 .would pF vw. a {ht |F Gm! Br FIA Gm? a2 "Ee ie “= "eS fr) = |] i 7 an NM A A SE a a ne A e | you, no nev-er have,_____ I'm nev-er gon - na stop fall - in’ in love Cisus4 Cc? F Gm’ f | a? = fon ffit ¢ —a—s Os L? a : # a £ s 4 6 oe o_o e . eo. i | | with you 1 oA ( t ! : t— ! I | tS = TT Ee aS Ne ee eee oe : JP - * i : eee eo OL eo SEE oo TS NN —— = -run- a - way, I would) orun- a - way yeah, t A @ a l f/ * A | to}: — SS KS So — SE —E E—=E eee ee —— ‘yeah. I would run-a - way, I would A mt | ep | a: 3: B: ; @ 1 &Gm’ with _____ you, no nev - er have, —___ I'm nev-er gon - na—' A —— eS —— Cd # _ : @ _ | e ° : = ! i . | | A : : m / eee you no nev - er have,——________ I'm nev - er gon - nae Verse 2: Close the door, lay down upon the floor And by candlelight make love to me through the night Cos I have runaway [ have runaway, yeah, yeah I have runaway, runaway [ have runaway with you. Cos [ have fallen in love, etc.The Right Time 1-96 NC. _—_ - - , : : * __ } eos 3 a (S A se ey 2 2 | | | Violin [}—& 5 er oF © | | QI acne eee ce eeeccceeecee cece veeeteneutettee Gesteetees eet ! Cer neareeaiidninnmeee | 3 : ——s De HF : { \ Drums eT? eee ¥ Cc G D Em9 Am D’sus+ G a 3 4y o20 z2zrg 9 9390 «9 ; QO ead 249 pam aS asary = a5 £5 : 74 anne 4K sz s z z z @D Em? xaO oO 900 crt CTOs eA). a “ge be — St ee St ot 8 = KE : ° | ( Qu ) db nee ee cae eee eee nee eee eee ee en tenner ater n ree i etc 4 ! Oe eae ee ft rr — Fe See SS ’ ' i | we . Fe vs © 3 ww we ee . Am — D’sust G D Em9 Cc G xO 32 9 xd 300 «xO 9 G00 « oc o ie Ease sen (RGR a a as r | | i srr Mt e ~— ~~ * , wv The sun is shin - ing in my win - dow, life's in C 2S NO ee — pa eee ee pm J dS, SS A me \ ) { te mg aT oe e ee eo ee ¢: “~ SOo x O ooo Q ooo ax SEE aos da GS sass = ee ae — : : = ja oo Ne oe “eg 00 ep i SO e | ——— Now some - thing. has en - tered— my mind, _—___ f+ — ooo a = = : [= | fa5—_ rg: + $F ee e zz | @: F_v _ . Zz ¢e o_¢ loco { i = ee eee eee) 5 ee P a [oa ot : ——— e+ ¢ oe ¢e oe g Em C Em C o 23G 5 9 ccs «xO oO ooo 32 2 L_—# Pe A if ns a e& shat - ter - ing all of—— my thoughts. It’s no good,_ it’s f fe = = i : = = a ;—___§ a ——___—* $9 2 e ow eF_@ ~ . Vv eo o_¢ | rs F_¢s er | he 4 yo me : * f ee e oe Oy oe ° G D Em C G D Boo aad ° Qo0 x 203 9090 “x9 as Sap a ze = ae Se : ry , oo lg =: COD ee le 27 Fd a just one— big waste of-—— my wtme— but what can— [ do to—— re ~- call?a eee |a , PO ee Ne ee NN es — ee — er oe NET \! ee eS See ye ! ee o > we @ oe ° Bm? E’sus4 A E Fem? "D A * Oo 08 96 xo 3 Qo oo x xO x= 3 I . 7 . a 7 —! eee ——_ — Verse 3: Keep it going, let’s not lose it, feel the flow Oh, flving free in a fantasy, with you [Il go. This is the right time, etc.The Minstrel Boy Traditional Arranged by Andrea Corr, Caroline Corr, Sharon Corr & Jim Corr J.72 PRT Q Ha i i on | Th Ne ies ca bud sh wy faud © Copyright 1995 Beacon Communications Music Corporation/ Songs of PolyGram International Incorporated, USA. PolyGram Music Publishing Limited, 47 British Grove, London W4. All Rights Reserved. International Copyright Secured.FRAP Eee E’ maj? F fro * x irs 4 oom 1-84 ae ae Eres re fh | — ——— e ~ Viv Fs Fv o.e¢ ena I would love to love___. " you like you do me. pry . — ~ | + | | | Dear = 3 o Gm? Eb Be Bbadd? Be Cm? F tr3 fri fro arc fr3 ier pmo eee | I'd love to love___- you like. vou do___ me. . he , ‘ &e — Y o- Gm? E>sus: B> Beadd9® B> Nl I ; _@ _v v FT_HVwFgw Fw e_e¢ — | — There’s a pil - lar = in___ my way vou _— see. we et rr f t— a = = : ___ nee “ —~} we eo ; , : | |, l i Gm’ c ———_. Set ® we s x — ———— on a x Ss "ESPRESSO GE a ft a | Bee | ERS lf met—— you on a sun - ny Au - tumn day. You (Verse 2 see block lyric) to fs as | @ ! } ye 2 —— 7 o e Gmi E’maj’ . Be . Avadd? tr; wee o Pie fr4- esas i =a A t —s (~?__ =n Si ! . é Cy ) in - stant - ly at - trac - ted me when ask - ing for the way. —— & ! 0 ooo (ps? ey eo t Pon ! i = 7 Fe e Gm’ E’may’ Be E?maj’ e ~F e+ ete a ee @e the God if [TWH had— known — pain Id make you feel._— { ° | @ ¢ ( ¢ 6 a @! | ( e ((on ermal’ e a 2 4 poe —_— = ———— SS — SS See - es ~ Pee gg Oe ee > ee would have stopped _ this thought. of us and turned up-on—— my heel. I D e eee ’ . [Sacer Be E> Eeadd? Br F < facet B- E> tn, ” za fri: - fre: an " ; oS rs) 35 Few + vw: * Fw (Though yvou— should leave me.) Time make it be al - night. (Though you must leave me.) THs « v — —" 6 Time will help—vou see the light. (You don't need me.) Time make— it be al - right. a 3 z SE er - = cy 4 a ps eS eo FF ; e > o- * ¢. o_H¢ = 6 UT v- * . . oe ow? e a o B/D E? E Gm F —— Ir = et IT? 6a TR =e See ete = a= fy = . = : a if. ? a | ~ samme! . e e 4 o e - — ——— oe e (Though yOu. must leave me. ) Be - lieve me when | tell. vou [ would f\ : Cl , [7 ! = . a eeBradd? Be E’mayj? _ Gm! E- Br i ' i —— =——1— Sr a FS 1 —@ ws Vives vv e_¢ ee love to lJove— you like _- you do me. Id Pe FF ee ee e $ | S ° *=—_wWw._— _ oi Co RE EEE ie g $ | ar wo es 8 | _ . — | i D 7 1 . ' ‘ o ¢ oe o Bradd? B Er may? F Gm/ E- Br fre f . tr3 . 7aae 1 ir} erawe ir => SSS eee , = pil - lar In my way you see. [vd r } — to = e i v . bs a i | 7 i = — a * nnd ¢ oe — Gg: 1. \[2. : Beadd? BP Cm? F Gm’ Ep sus® Br Cm? add") Gm? 8 FF FH_FF Os e*_¢fs_ 7 love to love you like—— you do—— me. _— veah [ wouldi @ Views vv ee ieee love to = loves you like. you do me. But there's a \/ Cg [_—— =e sts? [Lt PEF ___ Ee” Be eee | @ z 3 | ae v, ch } a : ES = ’ CO Bradd9 Be E*maj9 F Gm/ B Bradd9 Be Cm? F Cm? Cmadd!!) Cm? F 5 ne tr3r iy ae Gee See we ai oe — e F¥V_VwvwVvve e_e weg — F_Hwe love to love you like you do___ me. Break— those pil - lars down.Gm? tr fae F/G Cm/ F Gm! F/G E-/F “TT fiistep ross iePea iii aaa T fe ‘aan i ‘ t it te Qa : Violin fats bees] Bey ef: cee fe Ay 3 = — ———— ————— fT 6 cS : 4s rey UE: @ ra é ¢ rs oe Cs — — = ~ iy Tp | Ff ig i | Tea? : i 6} eT —~@v..".--’---"-—— i ee “= —— ey : PT > . Repeat ad I1b. to fade Verse 2: You recognised my barrier to love I know there's nothing worse than unrequited love. (unrequited) So I prayed to God that I could give the love you gave to me But something's lying tn my way, preventing 1t to be. (Though you should leave me) Time make it be alnght (Though you must leave me) Believe me when I tell you I would Jove to love you like you do me etc.Words & Music by Andrea Corr, Caroline Corr, Sharon Corr & Jim Corr Secret Life a TT pT 4 Fsus4 “x _, Bb sus2/G PolyGram Music Publishing Limited, 47 British Grove, London W4. © Copyright 1995 Beacon Communications Music Corporation/ Ali Rights Reserved. International Copyright Secured. Songs of PolyGram International Incorporated, USA.A 1 ms to back ho Va, su - per el ee a | aS | 6ECordL ll“ OEE a ee i ie hy a . LC PO _ et CS Yr sO ‘Ll .! rh 2a Wud [I , | rl ee ee eee Pe EE pt dl Bb5 >a Po po gl re- al - i - ty.—_— Po BR BS | Ha ee rere eee ee PO ;} —— $f PT _ 7 + +i... eo Bb5 CS a Nope” to see, ee Pe ooo CSN ee PT Po es bg BbS PT ee — | Li‘ ta - sy.___ It’s pom} hain mW: lh i | ir 4 ) . : ee (IL? = lh = LT . 2 ° 5 lif || “ ze TY & [TS* TIN; : oor en 3 “et “Tee Pe SRS BB UTS © IN® {iB , 3 2 Tn). a $ Lo Ei a } n . eae Lg H/T in & ll = wn SED | (mh NL ci i}. | | , i} ®., Ih mee g a Sd | 7 HI lt rr . t TD | E z ik 3 I . hy ih 3 - WE a3 : ‘a |) 2 3 wall a ll. Ul) «Ser ai iy di HU SEN el 3 , 3 oe iS ULL oft Tg wou ° : QT rn Ic che CP Be ae rm ; i mM: BN Ms! im™* Sh NY Nee A Msif but we are blind,— - ten of and - stand— un - der to hard F5/C fr37 x Be You’re hu-man mind? _ a of in the pool fit would it ccan in ig-nor - ance— left why we're all does-n’t seem_ quite fair, and it a - lone_ all glimpse— at of-fer us— a Phi - lo-so-phy and the - o- lo-gy_ turn-ing to— des - pair.],__ than you and (Incredible.) more some-thing : | eee ee | ; Td | Cs | la , an cret__ life. Beadd? 7 i -———F se PT es ee cret_ life. ae rmTTmmTLmLTUmUDULULTCTLTLTTTTrr—C‘C‘C@OS i Pd [> the Td YC | aT on et ie , a the PT Ld LT Ff on—_— CY —g ee GD —"e ll DCU CUD el a Le eS at L ASF gt Call a a ———_ oo Ll call ry ssi [NL a + tet ee3 To Coda @ |1. H i “i 9? rT | gee | | ce ris ih il i . tie Vir sy) 2 | -@ Mh I TH 2 i ress fe HS 4 gg |i. Migs I m cy aes | i | il FT] 4 : : iH 2 | 3 5 u : i " iW | < ale 2 ‘| Nl wx il o a! % uu = sy i I === therefore I am.) tAil : , Aa ht cret__ life. TT Vo TCONC*”T ee Ss i (fi Oo ee ee ee | | y 7... 17 ee ee eee — D.%. al Coda 4 Coda the se On —_ Call re G PSY Me ee, eeBradd9 BE C Bbsus2/G Fsus4 F C pa % —~ — “ ao Fhe! fat risee Repeat to fade Bring me - cret___.. life, =e — = ee ISS = Verse 3: Evangalists, Scientologists and others | won’t mention Offer lessons in codology to all with good intention Listen at your peril, put your soul in detention Resensitise yourself to this incredible dimension. When you're all alone etc.Carraroe jig | i i an th | it i NW Hl It. iil ' mn rh iit i iit TP = fe , LIL as IIT lie. Nd Sa i || th yo, IN ty] | off Mo All | i F I r ht + wag ||| { s = Ty Tl Ht | tl lil oan “i re |! ‘ Ps L [ ir => Ue io [| LI tf iH yi rr IT te i ale te |e) LT T NY MY at he | 4. | SY SsAll : Repeat to fade 7 |1-52 Closer Emaj a a ee | wh a & = es TT Ot, - nS HL A HE z e . it! E nm | {ih a | ih . a HL UI Li - | 1 + you , see (Verses 2 & 3 see block lyric) 1. I ee be ing walk with a smile casementBut I won't - neath the frown. mean? it I look if see to there What’s Pe Po - er, E oo _C~CSC—~szC ef | clos C# m9 J i _— Clos ie |i Yi , oa er? clos - Od ee - ~ eY, HS Hi TT a nh Mi it iS H i TL | [| | || Hh tL iL a | ‘ih HL I ih mh Ht HT HL LT LL LI) HL HT HL ia te ape A isa Aer, || clos C mmemnseeleiinieteidiee tment clos a pote er. er, clos - er, ee gw | | al er, clos clos clos : : i / | HD ae [IP ar i. D.%. al Coda | Tl | Hn lil it o ° “Elo | sites Jl » Ee eT aT Il | a | i AA 7 | Al a Ae TY oO hi < aH FL FL 7 a ta] a A cb i 4 oN SY Ner, Clos er. clos Cchm9 Ttenr nu PASAT ee LT | Coda ok ft | | I! th AD Li TT Ty 3 i ie i - | 4 [ 2a I 23 hie I D. i LU ily Je PTT i | 1 rb [it Mt rt I | rt Tr LT sty [| tr th I 3 bo il ° He E r vei) I Say? AH [PP Hf rT I Ble Ue TH TT ‘ioe Ht i tr 2° a I ce yy a | i |iny i i qt I | | U il! < EH YD 5 aK | eae ie MY ae UD fH lies ee: ) we or ol 7 STE Bet il i? _Bh oi < Se ae Br) TE 4 S| 1B —— r t tT tL tl ee, ae, ne, Ae”Hy i" HD is Repeat ad lib. to fade | 2 fs {| ana IM a ¢ i || {| 3 as | AS . " Es TT te it ry ey) aA TE rT 3a - ut iy 28 [Tf mM i | ih TT WD T) all | ey | |e 5 > Ee i uw) tee Fee You don’t see me watching everyday, my smile could warm your frown And I'd never look away (never look away) There’s more to me (there’s more to me) Where are you going? And what are you thinking at all? Than what you see Your eyes show nothing more than a dazed oblivion What does it mean? What will I see? When I look closer, etc. When you look closer, etc. Verse 2: Verse 3:Leave Me Alone ‘ae . . * . PT . é 1. m= a- lone,. hid-ing tn the dark, I'm look-ing for a_ life lo (Verse 2 see block lyric) o |— o Rv pommel 3 : g i : oO © : | - | s —_ : | w ‘ 3 : é - : apt Ss | & ~ 3 : i 5 % | = 5 3 to a 2 —_ jt : : Yo E 1? a] ; Sl E | | I LD « | 3 i I i || HL ° ' F 48 itl 3 , i UW AY x | PN Ts) 5 e J 5 & | Oo 3 | | > A 3 : a nh f\_| | | “ | ; S & ) ; ! —_ BD til : 2b ‘ I ™ s : 6n taal) = / © . ! : < I x ; © : 2 en I,lone. me (Leave lone. ___ me Leave r a ~—" own op ; ty Cf on my ras | ! . t tT &g ohn ees ane HL : ARG i aa il Ny . Py ; “3 I Te ° E Ju , RT - : 6 | \ By toi | Le | il a2 ae |] | tes Ab “fe es a PO —____) Leave me a -_ lone -~» KE Ge nee a r ud bud M1)Fm/Ab 7 | Pe pe [al oe el TT rT... SL A ae | He —— Je Tl —-_-== —— | | es nee [Ww ITT, yp lhl | 4 FF rt—“CsSSCSCSC‘SOCsSCSCSCiCNS TT Pe ne EE ee yy / | Td Pd com-mand,) [Pe ] |__| | = — _——* ___— a I . Loa CU | of LCi‘ (My life of me. an - oth-er side_ will see) you.CL LE planned. you fr4 sy Tt y ti“‘(‘i‘s;sCtit‘(‘i # that way pO PO me EE | —sSY ha" the LL) | | a | . ‘| | o | . a i Te Ug r , £ apahar HTN |! ot YQ | 4 | | . | 4 << oo = . ° tL ta © & > & = oO rr) 5 o — ~ = © wea”| | Verse 2: What do you want from me? Do you dream of a life Your life through me, myself * My time in one we unite? I don’t ever want to be that girl You want it to be. Sometimes I feel like I wanna run away etc.Erin Shore J..52 violin a YE | Vien ci. JA lt rr ely I | I Wy 4 LE tL i tS lf i Tl . A wll) i eb te Ae eI mt aT | ta ‘ee “adRepeat ad lib. 1-3. x xKO _ Ee Am, He — Gsus, DIFF as AH ae PT [te yet HL hil ee cee ee 1: — fs | C/E G/B L& fait oO x ooo . Cc” RE... eee ee Ft eee Ft bik i. iND/F# Am - eee Clit ‘Ee G/B x ooo Am ooo Ha aS ee Ee | I | | I Sy es 4th cul a ; ci Ha _ 5 rT il * 7 | * ill | ty ea UJ - Ha r a f ~ | D A fs ent anal p ‘| a _ Ee ee of fo EEG xe > Pox yt HI § lle: “(ean il | | | = | i | : *|e]* . ° . elelel . me? . olele . at . lik TTS: offer SS ot ae tN] «ERED [i> TBs] TG ye CT fife? i | | at Ul. 3° rl Ul i | | | Tr a I | ; fi | i it | Be tf ih ills | ll | iT | | | it | | t bt amy rie YY | ye la Ce —‘_SC—sSY wt cee atmLmrt—‘_OCCM _ zat rrrrrr—“—s—:—C—(C‘ ee [ rrrrr—“Cst—C—CCC‘(;COté*CS el Am’ D/E | Tj ee ee ee lt xo 90 90 $$ ho J pC CE ULL hLhlUlUlUlUctl|lCULTlUmUmUmLmLmLLULdDT TT PJ A PT 2 a OO ts ooo PO A ise Am/? D Am/ SS eee eeTofle"S=S DW A oo ie neni Seats ee | ae Od o_O OTT _ ~~ ch TCU JZ ets—Cs‘CSC~C~=‘:. a NS a a so Am? D xo Go Oo xXxOoO oO EE oo D xxO o_o th i | | | Q a al if tI Pe il. il is eComplete arrangements for voice, piano and guitar, with chord boxes and lyrics. Erin Shore (Traditional Intro) Forgiven, Not Forgotten Heaven Knows Along With The Girls Someday Runaway The Right Time The Minstrel Boy Toss The Feathers Love To Love You Secret Life Carraroe Jig Closer Leave Me Alone Erin Shore 0-7119- “INU 974 Wise Publications Order-No. AM959123