Você está na página 1de 19

Cadernos de Literatura em Tradução, n. 14, p.

153-171 153

Poesia-ideograma: a lua móbile de Li Bai


reimaginada por Haroldo de Campos

Diana Junkes Bueno Martha1

A poesia encerra verdades primeiras cujo sentido pode


ser descoberto e compreendido pela tradução (Ungaretti)2

Resumo: O objetivo do presente artigo é tecer algumas considerações sobre as traduções da poesia chinesa
SRU+DUROGRGH&DPSRV$RÀQDOGRDUWLJRSURS}HVHXPDOHLWXUDSDUDXPDWUDGXomRGHXPSRHPDGH/L
%DL /L3R  G& ,QFDQViYHOOHLWRUGDWUDGLomRHH[tPLRWUDGXWRURSRHWDSDXOLVWDHULJLXXPD
REUDFRQVWHODUHPWRUQRGHYiULDVFXOWXUDVDSDUWLUGRHVWDEHOHFLPHQWRGHGLiORJRVHQWUHWH[WRVHFRQWH[WRV
VREUHWXGRSRUPHLRGHXPWUDEDOKRWUDGXWyULRDRTXDOHOHGHXRQRPHJHUDOGHWUDQVFULDomRWHQGRQRPHDGR
SDUWLFXODUPHQWHGHUHLPDJLQDo}HVDVWUDGXo}HVGDSRHVLDRULHQWDOeSRUPHLRGHVVHWUDEDOKRWUDQVFULDWLYR
TXHHOHFRQWHPSRUDQL]RXSRHWDVGHWHPSRVHHVSDoRVGLYHUVRV6HGHXPODGRDVLWXDomRFRQWHPSRUkQHD
SyVXWySLFDDSRQWDSDUDXPDFUtWLFDGRIXWXURGRVSDUDtVRVSURPHWLGRVDSRpWLFDGDWUDQVFULDomRHP
+DUROGRGH&DPSRVVXVWHQWDVHDLQGDFRPRXPDOLFHUFHSDUDRUHVVXUJLPHQWRGHXPDXWRSLDGDHVFULWXUD
TXHUH~QDSRYRVHOXJDUHVHPWHPSRVGHJOREDOL]DomR6REHVVDSHUVSHFWLYDDSRQWDUFDPLQKRVSDUDD
leitura das reimaginações da poética chinesa empreendidas por Campos parece um meio de dar destaque
DRVLQWHUFkPELRVHQWUHDVFXOWXUDVGHOtQJXDSRUWXJXHVDHD&KLQDHVWD~OWLPDFRPSUHHQGLGDQRVGLDV
DWXDLVFRPRXPSRWHQFLDOHFRQ{PLFRHFRPRXPGHVDÀRSROtWLFRjVUHODo}HVLQWHUQDFLRQDLVPDVDLQGDj
HVSHUDGHXPDOHLWXUDSRpWLFDGHVXDUHDOLGDGHHOtQJXDTXHR2FLGHQWHSRVVDHPSUHHQGHU2WUDEDOKRGH
+DUROGRpSRLVXPDKRPHQDJHPj&KLQDHXPDSURYRFDomRDROHLWRUGHOtQJXDSRUWXJXHVD
Palavras-chave:/L%DL+DUROGRGH&DPSRVSRHVLDFKLQHVDWUDGXomRSRpWLFDVLQFU{QLFD

 3DUDFLWDo}HVELEOLRJUiÀFDVYHUWDPEpP'LDQD-XQNHV%XHQR0DUWKD7RQHWR
 ,Q%(51$5',1,$)*LXVHSSH8QJDUHWWLHDWUDGXomRGH6HUJXHL(VVLrQLQLQ:$7$*+,1/
RUJ 8QJDUHWWLGDTXHODHVWUHODjRXWUD$WHOLr(GLWRULDO6mR3DXORS
154 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

1. Transcriar e reimaginar: a tradução para Haroldo de Campos

4XDQGRRSRHWDHVFUHYHVXDSRHVLDHVWiWUDGX]LQGRHPVLJQRVYHUEDLVVHQ
WLPHQWRVLPDJHQVDo}HVVtPERORVVRQKRV$UHYROXomRGDSRHVLD RXDYLROrQFLD
VREUHDOLQJXDJHPTXHHODRSHUD HVWiQmRDSHQDVQRFRQWH~GRTXHUHYHODPDVQD
IRUPDSHODTXDOHVWHFRQWH~GRpUHYHODGRSRUPHLRGDWUDGXomRTXHRSRHWDID]
GRPXQGR1HVVHHVSHFWURDWUDGXomRGHSRHVLDGHXPSDUDRXWURLGLRPDpXPD
RSHUDomRFRPSOH[DFKHLDGHGHVDÀRVSRUTXHEXVFDDUHYHODomRGRTXHpYHODGR
SRUPHLRGDSDODYUDSRpWLFDGDt1RYDOLVGL]HUTXHRWUDGXWRU´pRSRHWDGRSRHWDµ
DSXG&$0326S -i2FWDYLR3D]  HPVHXEHOtVVLPRHQVDLR
LQWLWXODGR7UDGXFFLRQ/LWHUDWXUDHOLWHUDULGDGGL]TXH

2SRQWRGHSDUWLGDGRWUDGXWRUQmRpDOLQJXDJHPHPPRYLPHQWRGRSRHPD
PDVDOLQJXDJHPÀ[DGRSRHPDVXDRSHUDomRpGHFHUWDIRUPDLQYHUVDDGR
SRHWDQmRVHWUDWDGHFRQVWUXLUFRPVLJQRVPyYHLVXPWH[WRLPyYHOPDV
GHVPRQWDURVHOHPHQWRVGHVVHWH[WRSRUGHQRYRHPFLUFXODomRHGHYROYr
ORVjOLQJXDJHP3RULVVRDWUDGXomRSRpWLFDpGLQkPLFD PAZop. citS

(VVHGLQDPLVPRQmRpSHFXOLDUDSHQDVjWUDGXomRDPHQRVTXHVHDFRQ
VLGHUHFRPRVXJHUH3D]DOJRPXLWRPDLVDPSORGRTXHDRSHUDomRGHSDVVDU
XPWH[WRGHXPDOtQJXDSDUDRXWUDDRHVFUHYHUVHXSRHPDRSRHWDWUDGX]VXD
H[SHULrQFLDGHYLGDVXDSRpWLFDWUDGX]VXDVSUySULDVWUDGXo}HVSRULVVRDSRHVLD
pUDUDHSRULVVRpWmRGLItFLOUHFULiODWUDGX]LOD(ODSUySULDMipDWUDGXomRGHXP
XQLYHUVROLQJXtVWLFRHKXPDQRHODpIUXWRGHXPWUDEDOKRGHODSLGDomRGDSDODYUD
EUXWDSRUTXHDSDODYUDPHVPREUXWDMiJXDUGDHPHVVrQFLDWRGDDVXDSRHWLFLGDGH
3DUDPXLWRVWHyULFRVDWUDGXomRQmRpXPDWpFQLFDDVHUGRPLQDGDSRU
FULWpULRV FLHQWtÀFRV TXH LPSRULDP DR WUDGXWRU XPD REULJDomR GH ÀGHOLGDGH R
TXHHVWiHPMRJRQDWUDGXomRpDOJRTXHYDLPXLWRDOpPpXPDRSHUDomRGXSOD
HQWUHRWH[WRGHSDUWLGDHRWH[WRGHFKHJDGDXPMRJRTXHQmRWHUiYLWRULRVRV
PDVVHVXVWHQWDUiQDVXDWHQVmRSRUTXHDWUDGXomRMDPDLVVHLJXDODUi HQHPGHYH
VHUHVWDDLQWHQomR DRRULJLQDOSHORFRQWUiULRXPdouble bindRVPDQWHUiOLJDGRV
$LVVRVHDFUHVFHQWDRIDWRGHDWUDGXomRVHUXPDRSHUDomRLQWHUYDODUR
WUDGX]LUQmRGL]UHVSHLWRQHPDRRULJLQDOQHPDRWUDGX]LGRPDVVHFRQFUHWL]DDR
WRPDUHPSUHVWDGRRUDGRWH[WRFXOWXUDGHRULJHPRUDGRWH[WRFXOWXUDGHFKHJDGD
DVSHFWRVVLJQRVVLJQLÀFDGRVHVLJQLÀFDQWHV /$5$1-(,5$ +iSRUWDQWR
XPDFRQVWDQWHWHQVmRXPLUHYLUVHPRULJHPGHÀQLGDRWUDEDOKRGRWUDGXWRU
FRQVWLWXLVHSRLVHPHWHUQRdesconstruirMiTXHDVSRVVLELOLGDGHVGHUHSURSRVLomR
GRVVLJQRVGRSRHPDRULJLQDOVmRP~OWLSODVFRQVWDQWHVLQYHQo}HVUHLQYHQo}HV
Cadernos de Literatura em Tradução, n. 14, p. 153-171 155

'HUULGD S GL]HPTorres de %DEHOTXHD´WUDGXomRpXPDWUDQV


IRUPDomRUHJXODGDGHXPDOtQJXDHPRXWUD²PHWiIRUDGDGHVFRQVWUXomRµ,QHYL
WDYHOPHQWHDWUDGXomROHYDDVPDUFDVGHTXHPDH[HFXWDVXMHLWRVRFLDOHKLVWyULFR
H GHYH FRQVLGHUDU YiULRV QtYHLV GH OHLWXUD FRQIRUPH DSRQWD /DUDQMHLUD  
R VHPkQWLFR R OLQJXtVWLFRHVWUXWXUDO RX VHMD UHLWHUDo}HV IRQpWLFDV H VLQWiWLFDV
DJUDPDWLFDOLGDGHV UHFXSHUDQGR H FRPSHQVDQGR SRVVtYHLV SHUGDV GR WUDMHWR $
WUDGXomRSRUFRQVHJXLQWHpXPDWRFULDWLYRTXHDSRQWDSDUDDLQGHFLGLELOLGDGH
KiXPDSHUGDGDVPDUFDVRULJLQDLVXPDYH]TXHRWH[WRWUDGX]LGRWUDUiUHPDUFDV
GHVPDUFDVTXHDVVHJXUDPDVGXDVH[LVWrQFLDVVHPDUHGXomRGHLGHQWLGDGHVSUH
FRQFHELGDV$PHXYHURWUDEDOKRGH+DUROGRGH&DPSRVIXQGDVHJUDQGHPHQWH
QHVVDSHUVSHFWLYDWUDGXWyULD
2SHUFXUVRIHLWRSHORSRHWDIRLQRUWHDGRSRUXPDEXVFDDEXVFDGDLQYHQ
omR3DUDHOHDQRYLGDGHHDUHGHVFREHUWDGDWUDGLomRYLULDPWDPEpPSRUPHLRGD
WUDGXomRHGDLQFRUSRUDomRGHXPXQLYHUVRWUDGX]LGROHYDQGRHPFRQWDRFDUiWHU
GHSDWULP{QLRFXOWXUDOGDKXPDQLGDGHTXHVHSRGHDWULEXLUjOLWHUDWXUDHFRQVL
GHUDQGRDWUDGXomRFRPRLQVWkQFLDGDFUtWLFD2XVHMDSDUD+DUROGRGH&DPSRV
WRGDRSHUDomRWUDGXWyULDpQHFHVVDULDPHQWHXPDRSHUDomRFUtWLFDQDPHGLGDHP
TXHpSUHFLVRFRPSUHHQGHUFULWLFDPHQWHRXQLYHUVRGRSRHPDWUDGX]LGR
$HVVHSURFHVVRWUDGXWRU+DUROGRGH&DPSRVFKDPRXWUDQVFULDomR &$0
326 XPDYH]TXHGHDFRUGRFRPVXDFRQFHSomRQDSRHVLDDDSUR[LPDomR
VRQRUDpDSUR[LPDomRVHPkQWLFDHDDSUR[LPDomRVHPkQWLFDQDWUDGXomRVyVH
FRQÀJXUDTXDQGRDVÀJXUDVHRVHIHLWRVSDURQRPiVWLFRV TXHSRGHPWDPEpPVHU
ÀJXUDWLYRV WRUQDPVHWUDQVÀJXUDV4XDQGRVmRWUDQVFULDGRVRVSRHPDVWRUQDPVH
DFHVVtYHLVKiXPDQRYDSRVVLELOLGDGHGHFRQWHPSODomR9HUWHUWH[WRVFULDWLYRVp
DRPHVPRWHPSRXPH[HUFtFLRGHFUtWLFDHFULDomRSDUDOHODDXW{QRPDHUHFtSUR
FDFRQFRPLWDQWHPHQWH$VVLPVHQGRWUDGX]LUSRHVLDpDQWHVGHTXDOTXHUFRLVD
SHUFHEHURGRPLQDQWHSRpWLFRGRWH[WRGHRULJHPHUHFULiORQDOtQJXDFXOWXUDGH
FKHJDGDHLVVRLQFOXLQmRDSHQDVDWUDGXomRGRVVLJQLÀFDGRVPDVIXQGDPHQWDO
PHQWHGRVVLJQLÀFDQWHV
2XWUR DVSHFWR D VHU PHQFLRQDGR p TXH D WUDGXomR FRPR FUtWLFD FRPR
WUDQVFULDomRFRORFDHPGLiORJRGLVWLQWRVSRHWDVDSDUWLUGDFRQVLGHUDomRGDPD
WHULDOLGDGHGDSDODYUDSRpWLFDTXHSHUPLWHFRPRGLVVH+DUROGR

>@ HQFDUDU D SRHVLD WUDQVWHPSRUDOPHQWH FRPR XP SURFHVVR JOREDO H


DEHUWRjFRQFUHomRVtJQLFDDWXDOL]DGRGHYiULDVpSRFDVGDKLVWyULDOLWHUiULD
HQDVYiULDVRFDVL}HVPDWHULDOL]iYHLVGDOLQJXDJHP GDVOLQJXDJHQV 6DIR
e %DVK{'DQWHH&DP}HV>@&HODQ*yQJRUDH0DOODUPpVmRSDUDPLP
QHVVDDFHSomRIXQGDPHQWDOSRHWDVFRQFUHWRV>@2WUDGXWRUFRPRGL]
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

1RYDOLV´pRSRHWDGRSRHWDµRSRHWDGDSRHVLD$WUDGXomR²YLVWDFRPR
SUiWLFDGHOHLWXUDUHÁH[LYDGDWUDGLomR²SHUPLWHUHFRPELQDUDSOXUDOLGDGH
GRVSDVVDGRVSRVVtYHLVHSUHVHQWLÀFiODFRPRGLIHUHQoDQDXQLGDGHhic et
nuncGRSRHPDSyVXWySLFR &$0326S 

$WUDGXomRQHVVHVHQWLGRSDVVDDDWHQGHUDRORQJRGRVDQRVDRSURMHWR
KDUROGLDQRGRSRHPDGRSRHPDSyVXWySLFR´FUtWLFRGRIXWXURHGHVHXVSDUDtVRV
VLVWHPiWLFRVµ &$0326S TXHFRQWHPSRUDQL]DFXOWXUDV2H[HUFtFLR
WUDQVFULDWLYRLQJUHVVDUiPDLVHPDLVLQWHQVDPHQWHQDFRQVWUXomRGRVSRHPDVGH
DXWRULDGRSUySULRSRHWDHPVHXV~OWLPRVDQRVGHYLGDGHPRGRTXHDLGHLDGH
WUDQVFXOWXUDomRWRUQDVHXPDGDVpJLGHVIXQGDPHQWDLVSDUDDFRPSUHHQVmRGH
SRHPDVFRPR$0iTXLQDGR0XQGR5HSHQVDGD &$0326 1DWXUDOPHQWH
WDOSURFHVVRVHPSUHH[LVWLXQDREUDKDUROGLDQDPDVpYLVtYHORDSURIXQGDPHQWR
GRSDSHOGDWUDGXomRQRV~OWLPRVSURMHWRV 721(72DE 
2+DUROGRGH&DPSRVWUDGXWRUHVWiPXLWRSUHVHQWHHP$0iTXLQDGR0XQGR
5HSHQVDGDQmRDSHQDVSRUXWLOL]DUVXDVWUDGXo}HVPDVSRUTXHFRPRGHYRUDomR
FUtWLFDHDQWURSRIiJLFDGRVWH[WRVTXHWUDGX]LXLQFRUSRUDRVDRSRHPDFRPR
XPPRGRGHFULDUVHXVSUHFXUVRUHV %25*(6 2XVHMDDVSRVVLELOLGDGHV
GHUHSURSRVLomRGRVVLJQRVGRVRULJLQDLVVmRPD[LPL]DGDVSRUTXHRSRHWDSDUD
DOpPGDWUDQVFULDomRSDVVDDXPDVXSUDWUDQVFULDomRPHWDOLQJXLVWLFDPHQWHSDUHFH
WUDQVFULDURTXHMiKDYLDWUDQVFULDGReQHVVHVHQWLGRTXHVHSRGHID]HUXVRGD
H[SUHVVmRWUDQVOXFLIHUDUTXHFDEHQmRDSHQDVSDUDDWUDGXomRTXH+DUROGRIH]GD
ComédiaPDVTXDOTXHURXWUDWUDGXomR

$SDUWLUGDH[SORVmRGHOX]QR3DUDtVRDWUDGXomRGH+DUROGRRIHUHFHXPD
SRVVLELOLGDGHGHLQYHUVmRUDGLFDOXPHIHLWRGDRSHUDomRGHWUDGXomRFRPR
FDPLQKRLOXPLQDGRU$FXOSDGH/~FLIHUVHJXQGRDOHLWXUDGH+DUROGRIRL
il traspassar del segnoXOWUDSDVVDUROLPLWHRVLJQR$WUDGXomRVXJHUHXPD
VXSHUDomRGRWH[WRRULJLQDOVHQGRXPD´HPSUHVDOXFLIHULQDµ(ODDSRQWD
SDUDXPDOHLWXUDUHWURFHVVLYDGR,QIHUQRDJRUDFRPRLQYHUVRVLPpWULFRGD
PHWiIRUDGDOX] /20%$5',LQ&$0326SJULIRVGRDXWRU 

(P$0iTXLQDGR0XQGR5HSHQVDGDDVHQVDomRTXHVHWHPpGHTXHDFDGD
YHUVRRSRHWDXOWUDSDVVDRVLJQRVHXSURFHVVRFULDWLYRpFRPRDVWUDGXo}HVTXH
ID]XPDHPSUHVDOXFLIHULQDRXGHVEDEHOL]DQWH(PPHDGRVGRVDQRVGH
+DUROGRGH&DPSRV S MiUHVVDOWDYDTXH

1DWUDGXomRGHSRHVLDYLJHa OHLGDFRPSHQVDomRYDOHGL]HURQGHXPHIHLWR
QmRSRGHVHUH[DWDPHQWHREWLGRSHORWUDGXWRUHPVHXLGLRPDFXPSUHOKH
FRPSHQViORFRPRXWURQROXJDURQGHFRXEHU>@
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

$WUDGXomRpSRLVsuplementarLQWHJUDRRULJLQDOHMRJDHPWHUPRVGHUUL
GLDQRVRMRJRGDGLIHUHQoD&RQIRUPHDSRQWD6LVFDU

>@DGHVFRQVWUXomRpXPJHVWRSURGXWRUGHVHQWLGRPDVXPDSURGXomR
TXHWHPFRPRSDUWLFXODULGDGHDDWLYDomRRXDDFHOHUDomRGRPRYLPHQWR
FRQÁLWDQWHQRTXDORSUySULRWH[WRHVXDOHLWXUDHVWmRLPSOLFDGRV$HVVH
PRYLPHQWR'HUULGDSUHIHULULDPDLVWDUGHGDURQRPHGHGXSORJHVWRRX
duble bindXVDQGRDH[SUHVVmRLQJOHVD$GHVFRQVWUXomRLQWHUSUHWDRWH[WR
FRPR XP duble bind QR TXDO HVWi HP MRJR D SUySULD LPSRVVLELOLGDGH GH
VHQWLGR 6,6&$5S 

6REHVVHSULVPDpXPDVXEVWLWXLomR UHFULDomR GHVLJQLÀFDQWHVTXHQmR


VHDSDJDPIUHQWHDRVVLJQLÀFDQWHVGRRULJLQDOPDVTXHVHPDQWrPODWHQWHVHP
FRUSROLQJXtVWLFRGLYHUVRDPDOJDPDQGRSRHWLFDPHQWHSRHWDVHFXOWXUDV8PFRUSR
YHUEDOQmRVHGHL[DWUDGX]LURXWUDQVSRUWDUSDUDRXWUDOtQJXDRFRUSRWUDGX]LGR
QmRpWUDQVSRUWDGRSHODWUDGXomRPDVUHLQVWLWXtGR2WUDGXWRUSURFXUDMXVWDPHQWH
DFRUSRUDOLGDGHGDHVFULWXUDSDUDTXHSRVVDOHYDUDERPWHUPRHVVDRSHUDomRTXH
OLGDFRPRIDWRGHOHLWXUDHHVFULWDQmRFRLQFLGLUHPHFRPRIDWRGHTXHDHVFULWXUD
QDGDPDLVpTXHXPUDVWUR&RPRDSRQWD1DVFLPHQWR

1mRVHSRGHGL]HUTXHHVFULWDHOHLWXUDFRLQFLGDPSRLVQmRH[LVWHXPSRQWR
DEVROXWRTXHIDoDincidirXPDVREUHDRXWUD>@XPDVXSOHPHQWDDRXWUD
DSHQDVVHSRGHOHURTXHHPDOJXPPRPHQWRIRLHVFULWRHVRPHQWHVHSRGH
HVFUHYHUSRUTXHGHDOJXPPRGRVHIRLWUHLQDGRSDUDOHLWXUD>SRULVVR@>@
o signo é coisa que se inscreveUDVWURHVFULWRGHXPDSDUHOKRQHPÀQLWRQHP
LQÀQLWRLQGHFLGtYHO>@(QTXDQWRMRJRSHUPDQHQWHGRLQGHFLGtYHORPR
YLPHQWRVXSOHWLYRGRUDVWURID]FRPTXHXPWUDoRSRVVDGHQRYRUHWRUQDU
SRUpPQDGLIHUHQoD 1$6&,0(172S 

eSRUHVVDUD]mRLQFOXVLYHTXHDPRWLYDomRGDWUDGXomRGHSRHVLDGHYH
OHYDU HP FRQWD R FDUiWHU LVRPyUÀFR GR WH[WR SRpWLFR GDt D QHFHVVLGDGH GH
WUDQVFULDomRSRLVHVWDOHYDDVHPHOKDQoDRQGHDQWHVKDYLDGLIHUHQoDGHVEDEHOL]D
WH[WRVHID]FRQYHUJLUSRHWLFDPHQWHXQLYHUVRVGLVWLQWRV$FRQYHUJrQFLDpDLQGD
PDLVDFHQWXDGDQRWUDEDOKRGH+DUROGRGH&DPSRVSRUVXDGHGLFDomRDOtQJXDV
FRPRRKHEUDLFRRDUDPDLFRRMDSRQrVHRFKLQrV1RFDVRGRVGRLV~OWLPRV
SRUPHLRGHVVHPRYLPHQWRGHWUDGXomRFRPRFULDomRHFRPRFUtWLFD+DUROGR
FRORFDHPGLiORJR2ULHQWHH2FLGHQWH9HMDPRVSRLVDOJXQVDVSHFWRVGHVVD
DSUR[LPDomRSRpWLFD
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

2. “Providenciar visões do impossível”: a poesia chinesa em português

+iXPDFDUDFWHUtVWLFDIXQGDPHQWDOTXHPRYLPHQWDDWUDGXomRQDSUiWLFD
KDUROGLDQDHTXHpFRPRDSRQWDGRDEXVFDSHODLQYHQomRSHODQRYLGDGH$V
VLPSRGHVHGHVWDFDUGXDVOLQKDVGHIRUoDTXHFRQGX]HPRWUDEDOKRGRSRHWD
RHVWDEHOHFLPHQWRGHXPpaideumaHRPDQHMRGHVWHSRUPHLRGDDUWLFXODomRGR
TXH+DUROGRGH&DPSRVGHÀQLXFRPRSRpWLFDVLQFU{QLFD6HJXQGRHOHDOHLWXUD
VLQFU{QLFDGDWUDGLomRFRUUHVSRQGHDXPDSRVWXUDSRpWLFDHQJDMDGDTXHVHYROWD
SDUDDOHLWXUDGRSDVVDGRHPIXQomRGRSUHVHQWH &$0326 (VVDLGHLDDOLD
WDQWRRFRQFHLWRGHSRpWLFDVLQFU{QLFDGH-DNREVRQTXDQWRRJetzeitEHQMDPLQLDQR
HVHWRUQDXPPHFDQLVPRGHUHQRYDomRSRUTXHHVWiDOLFHUoDGDDR´PDNHLWQHZµ
SRXQGLDQRFXMRVSUHFHLWRVRULHQWDPDHVFROKDGRpaideuma 3281' &RPR
VXEOLQKDUDPYiULRVFUtWLFRV+DUROGRUDGLFDOL]D3RXQG 0('(,526>VS@ 
DRWRUQDUVXDSUySULDSHUVSHFWLYDGHDERUGDJHPGRFkQRQHPDLVGLDOyJLFDPDLV
SOXUDO '$1,(/6$17$(//$<81 
8PGRVSRQWRVGHDSRLRGHVVHGLDORJLVPRFDOHLGRVFySLFRpVHPG~YLGD
DUWLFXODGR SHODV LQFXUV}HV GR SRHWD SHOD SRHVLD RULHQWDO LQFXUV}HV HVWDV TXH
UHQGHUDPWUDEDOKRVFRPRYugen: caderno japonês  Hagoromo de Zeami  
Escrito sobre Jade  DOpPGHGLYHUVRVWH[WRVFUtWLFRVVREUHDVSRHVLDVHFXOWXUDV
FKLQHVDHMDSRQHVD9iULDVVmRDVUD]}HVSHODVTXDLVXPLQYHQWRUHSRHWDGRFDOLEUH
GH+DUROGR&DPSRVPHUJXOKDPHPWH[WRVFRPRHVVHV$SUySULDOLJDomRFRP
3RXQGPDUFDGDLQFOXVLYHSRUWURFDGHFRUUHVSRQGrQFLDVSRGHWHUFRQWULEXtGR
SDUDRLQWHUHVVHSDUWLFXODUGH+DUROGRSHORVWH[WRVRULHQWDLVVREUHWXGRFKLQHVHV3
$WUDMHWyULDHSLVWRODUHQWUHRVLUPmRV&DPSRV'pFLR3LJQDWDULH3RXQG
IRLH[WUHPDPHQWHSURItFXDSDUDR0RYLPHQWRGD3RHVLD&RQFUHWDHDVOHLWXUDV
TXHRSRHWDDPHULFDQRWLQKDGH)HQROORVD  LPSRUWDQWHHVWXGLRVRGD
FXOWXUDRULHQWDOIRUDPGHFLVLYDVSDUDLQVSLUDUSRUVXDYH]RVSRHWDVSDXOLVWDV
OHLWRUHVGH3RXQGDVSHFWRTXHVHYrQRWUDWDPHQWRLGHRJUDPiWLFRTXHUHFHEHUDP
PXLWRVSRHPDVFRQFUHWRVPDUFDGRVSHODFRQGHQVDomRFRQFLVmRGDIRUPDHSHOR
DVSHFWRYHUELYRFRYLVXDO &$0326HWDO 6HJXQGR+DUROGRGH&DPSRVRV
HVWXGRVGH)HQROORVDVREUHWXGR7KH&KLQHVH:ULWWHQ&KDUDFWHUFRPSLODGRVSRU0DU\
)HQROORVDDFDEDUDPSRUHQWUDUQDFLUFXODomRVDQJXtQHDGDSRHVLDFRQWHPSRUkQHD
&$0326S XPDYH]TXHSHODYLDGRVLGHRJUDPDVDIXQomRSRpWLFD
SDUHFHPD[LPL]DUVH

 3DUWHGHVVDFRUUHVSRQGrQFLDS{GHVHUSRUPLPFRQVXOWDGDQRDFHUYRGH(]UD3RXQGQD%LEOLRWHFD
%HLQHFNHGD8QLYHUVLGDGHGH<DOH VHWHPEUR 
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

>@(PSRHVLD²DGYHUWH-DNREVRQ²WRGDFRLQFLGrQFLDIRQROyJLFDpVHQWLGD
FRPR XP SDUHQWHVFR VHPkQWLFR >@ 2 TXH R H[HPSOR FKLQrV HQFDUHFLD
SDUD)HQROORVDHUDDYLUWXGHKRPROyJLFDHKRPRORJDGRUDGDIXQomRSRpWLFD
3RHVLDHPFDUDFWHUHVHVFULWRVDSRHVLDFKLQHVDSHUPLWLDDRHVWXGLRVRQRUWH
DPHULFDQRH[SORUDU LQVSHFLRQDU HVVDV´KRPRORJLDVµQDSDXWDYLVXDOQD
GLPHQVmRJUDIHPiWLFD>@ &$0326SJULIRVGRDXWRU 

(VmRHVVHVDVSHFWRVTXH3RXQGHVHXLPDJLVPRGHYRUDUmRGH)HQROORVD
5HVVDOWD+DUROGR

3RXQG LQVSLUDGRHP)HQROORVD TXHUPDQWHUYLYRHDWLYRRFLUFXLWRQDOtQJXD


LQJOHVDHQTXDQWRSRHWDJXDUGDUQDDEVWUDomRVLPEyOLFDDWHQVmRSDUDD
FRQFUHWXGHVHQVtYHOSUHVHUYDUQDOLQJXDJHPYHUEDOWDQWRTXDQWRSRVVtYHO
DTXHODSURSULHGDGHGRVtFRQHVGHGHVSHUWDUQRHVStULWR´VHQVDo}HVDQiORJDV
jTXLORTXHVHSDUHFHPµ ,ELGSGHVWDTXHVGRDXWRU 

3HUFHEHVHSRUWDQWRTXHpVLJQLÀFDWLYRRROKDUTXH&DPSRVGHYRWDjSRHVLD
FKLQHVDjPHGLGDTXHHVWHYLQFXODVHWDPEpPFRPRFRORFDULD-RUJH/XtV%RUJHV
 DFHUWRPRGRGHFULDomRGRSUHFXUVRU3RXQGHGHVXDVLGLRVVLQFUDVLDVD
SDUWLUGRXQLYHUVRRULHQWDOVREUHWXGRFKLQrV
+iDLQGDRXWURDVSHFWRVREUHDOLJDomRGH+DUROGRGH&DPSRVjSRHVLD
FKLQHVDTXHJRVWDULDGHUHVVDOWDU7HQKRDÀUPDGRHPPDLVGHXPDUWLJRTXHKi
XPPRYLPHQWRGXSODPHQWHXWySLFRHP+DUROGRGH&DPSRVXPPDUFDGRSHOD
XWRSLDGHYDQJXDUGDRXWURTXHFKDPRGHXWRSLDIiXVWLFD 721(72 
6HJXQGRHVVDSHUVSHFWLYDRVHJXQGRPRGRXWySLFRDSRQWDGRGL]UHVSHLWR
DXPGHVHMRLPSODFiYHOGHUHWRUQRjVRULJHQVDRVJUDQGHVWH[WRVGRFkQRQHWUDWD
VHDPHXYHUGHXPDHPSUHVDIiXVWLFDGHEXVFDGRFRQKHFLPHQWRGHGLIHUHQWHV
FXOWXUDVSRUPHLRGDWUDGXomRWUDQVFULDomRGHWH[WRVSRpWLFRVTXHYmRGHVGH
IUDJPHQWRVEtEOLFRVWH[WRVFOiVVLFRVFRPRJUHJRVHODWLQRVSDVVDPSHORVSRHPDV
RULHQWDLVYLVLWDPRVSRHWDVUXVVRVHRXWURVWDQWRVDOHPmHVKRODQGHVHVLQJOHVHV
IUDQFHVHVHVSDQKyLVHWF(VVHPRYLPHQWROHYD+DUROGRHPHVSHFLDOQRV~OWLPRV
DQRVGHYLGDDXPDPSORHVLJQLÀFDWLYRSURMHWRGHWUDGXo}HVHUHLPDJLQDo}HV
(QWUHWDQWRDGXSODYLDXWySLFDGDPDQHLUDFRPRDSHUFHERpIXQGDQWHHHQJHQGUD
RVHXSURMHWRGHVGHRVSULPHLURVDQRVDLQGDTXHVHWRUQHPDLVFRQWXQGHQWHDRÀQDO
GDYLGDGRSRHWDHVVDXWRSLDIiXVWLFDSDUHFHWHUVHPSUHPRWLYDGRRVHXSURMHWR
SRpWLFR,VVRH[SOLFDTXHRLQIDWLJiYHOSRHWDOHLWRUWHQKDVHGHGLFDGRDHVFUHYHU
VREUHSRHVLDFKLQHVDMiGHVGHPHDGRVGRVDQRVSHORPHQRV
(P$DUWHQRKRUL]RQWHGRSURYiYHO GH+DUROGRUH~QHWH[WRVHVFULWRV
HPDQRVDQWHULRUHVHQWUHHOHV´$TXDGUDWXUDGRFtUFXORµHPTXHGLVFXWHUHLPDJL
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

QDo}HV MiDHVVDpSRFDSURSXQKDHVVHWHUPRSDUDDVWUDGXo}HVGHSRHVLDFKLQHVD
GDGDDLPSRVVLELOLGDGHGHFULDomRGRVLGHRJUDPDVQXPDOtQJXDQmRWRQDOFRPR
RSRUWXJXrV GHFLQFRRGHVFKLQHVDVDQWHULRUPHQWHWUDGX]LGDVSDUDRLQJOrVSRU
RXWURVSRHWDVHQWUHRVTXDLV(]UD3RXQG1HVVHWH[WRXPYHUGDGHLUR¶FDGHUQRGH
FDPSR·+DUROGRGH&DPSRV S GHÀQHVHXPpWRGRGHWUDEDOKR´>@
H[DPHGRWH[WRRULJLQDOFRPDX[tOLRGHXPDYHUVmRLQWHUPHGLiULD OLWHUDORXQmR 
HVWXGRGRVSULQFLSDLVLGHRJUDPDVVHJXQGRRPpWRGRSRXQGLDQR>@µ1RFDVRGDV
RGHVPHQFLRQDGDVRVREMHWLYRVSULQFLSDLVGDVWUDGXo}HVIRUDP L YDORUL]DomRGR
DVSHFWRYLVXDOGDWUDGXomRGRVSRHPDVLGHRJUiÀFRV LL HVIRUoRSDUDPDQXWHQomR
GDVtQWHVHHGDFRQFLVmRGHXPDOLQJXDJHPUHJLGDSHODDQDORJLDH LLL WHQWDWLYDGH
UHFULDomRGRVHIHLWRVSDUDOHOtVWLFRVHRVHIHLWRVGHFRUUHVSRQGrQFLDOp[LFD
$OpPGLVVRHPSURIXVmRSULVPiWLFDGHLQÁXrQFLDVHPWDLVUHLPDJLQDo}HV
+DUROGRGHL[RXVHLQVSLUDUSHODSRHVLDPHGLHYDOSRUWXJXHVDHDFUHVFHQWRXHStJUD
IHVDRVSRHPDVDH[HPSORGHRXWURVWUDGXWRUHVLQFOXVLYH3RXQGVHPGHVSUH]DU
DLPSRUWkQFLDGDLQWXLomRQDVWUDGXo}HVHQWHQGLGDDTXLFRPRVHQVLELOLGDGHSDUD
FDSWDUDIXQomRSRpWLFDGRRULJLQDOHGDUOKHQRYDVSRVVLELOLGDGHVOLQJXtVWLFDVHP
SRUWXJXrV &$0326S 
(P$2SHUDomRGR7H[WRGH+DUROGRGH&DPSRVUHVVDOWDDVSHFWRV
GDSRHVLDGH/L6KDQJ\LQ G& SRHWDGDGLQDVWLD7DQJ IDVHWDUGLD QR
HQVDLR´8PDDUTXLWH[WXUDGREDUURFRµ$TXL&DPSRVUHFXSHUDXP´HVStULWREDU
URFRµQDKLVWyULDOLWHUiULDVXEOLQKDQGRXPDGLFomRJRQJRULQDWDQWRQRVJUHJRV
DQWLJRVTXDQWRQRFKLQrV/L6KDQJ\LQEHPFRPRHP0DOOiUPp/H]DPD/LPDH
RXWURVGDtRWtWXORDUTXLWH[WXUDGREDUURFR1RFDVRGRSRHWDFKLQrVRFRQWH[WR
HPTXHHOHVHLQVHULDFRQIRUPHDSRQWD+DUROGRGH&DPSRVHUDGHWHQV}HVHQWUH
SHUVSHFWLYDVGHPXQGRDSDUHQWHPHQWHLUUHFRQFLOLiYHLVGDtTXHLVVRVHUHÁHWLVVH
EDUURFDPHQWHFRPRTXHU+DUROGRHPVXDSRHVLDSDUDH[SUHVVDUDGLYLVmRVXE
MHWLYDHQWUHSXULWDQLVPRFRQIXFLDQRHRDVFHWLVPREXGLVWDKHGRQLVPRVLEDULWDH
LPRUWDOLGDGHWDRtVWD'RSRQWRGHYLVWDIRUPDODSRHVLDGH/L6KDQJ\LQpUHSOHWD
GHLPDJHQVFXOWLVWDVHGHXPFRQFHSWLVPRavant la lettreFRPRVHQRWDQRVMRJRV
HVSHFXODUHVHQWUHLGHRJUDPDVMRJRVHVWHVTXHRSRHWDGHFDPSRVHHVSDoRVÁDJUD
WDPEpPHP3RHFRPRH[SRVWRQRHQVDLR´7H[WR(VSHOKR 3RH(QJHQKHLURjV
DYHVVDV µSUHVHQWHQRPHVPROLYUR
2PHVPR/L6KDQJ\LQpUHFXSHUDGRHPRXWURLQVWLJDQWHWH[WRKDUROGLD
QR7UDWDVHGHBarrocolúdio: Transa ChimSXEOLFDGRSHODSULPHLUDYH]HPH
UHSXEOLFDGRQRSegundo Arco Íris BrancoREUDSyVWXPDGH1HVVHHQVDLRD
RXVDGLDKDUROGLDQDS}HHPGLiORJR/DFDQHRSRHWDFKLQrVQmRVHPGHL[DUGH
QRWDU QHVWH ~OWLPR RV ´UHYpUEHURV VXWLV GD DOTXLPLD PDOODUPDLFDµ &$0326
S 2TXH+DUROGRDSRQWDQmRpVLPSOHVPHQWHREDUURTXLVPRGH/L
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

6KDQJ\LQFXMDVWUDGXo}HVUHLPDJLQDo}HVGHDOJXQVSRHPDVFRPHQWDDRORQJR
GRWH[WRPDVVREUHWXGRGHVWDFDDFRQVWHODomRGHVLJQLÀFDQWHVDbarroquização
GHVWHVQRVSRHPDVHpDtHPIHVWDFRQVWHODUTXH/DFDQpFRQYRFDGRSDUDGDUYHU
RJR]RGHVVDtransa chim:

$VVLPQDUXWLOkQFLDHVWHODUGHVXDVUHSUHVHQWDo}HVHPFDVFDWDEDUURTXL]DVH
RQRVVR/L(FDOLJUDÀFDPHQWHUHVSRQGHXP´VLPµjSURYRFDWLYDSHUJXQWD
GR0HVWUH/D .·DQ *R]RFKLP"3RUTXHQmR"6LP6HQmR &$0326
S 

2FRPHQWiULRDFLPDpXPGHQWUHRVYiULRVH[HPSORVTXHVHSRGHFRQYR
FDUSDUDPRVWUDURDOFDQFHGDVUHÁH[}HVIiXVWLFDVHPSUHHQGLGDVSRU+DUROGRGH
&DPSRVDVTXDLVHQJHQGUDPXPD´YLYLVVHFomRLPSODFiYHOµGRXQLYHUVRWUDGX]LGR
&$0326 ID]HQGRFRQYHUJLUWHPSRVHHVSDoRVHPXPSURMHWRSRpWLFR
TXHWHP¶UD]}HVDQWURSRIiJLFDVTXHDSUySULDUD]mRGHVFRQKHFH·SRUTXHPRYL
GRSRUXPDSXOVmRDEVROXWDPHQWHYLVFHUDOGHUHLQYHQWDURFkQRQHGHID]rOR
GHVEDEHOL]DUVHSDUDIDODUSRUWXJXrVEUDVLOHLUR
$SHVDUGHWRGDVHVVDVLQFXUV}HVQRXQLYHUVRFKLQrVWDOYH]VHMDHP$UFRÌULV
Branco  TXH+DUROGRGH&DPSRVPHOKRUIRUPXOHDGLÀFXOGDGHTXHDWDUHID
GHUHLPDJLQDUDSRHVLDFKLQHVDLPS}HPDLVHVSHFLÀFDPHQWHQRHQVDLR7UrV9HUV}HV
GR,PSRVVtYHO:DQJ:HL$RGLVFXWLURVUHFXUVRVHHVFROKDVIHLWDVQRWUDEDOKRGH
WUDGXomRGHSRHPDVGHVVHSRHWD+DUROGRGL]

7UDGX]LUSRHVLDFKLQHVDMiIRLYLVWRFRPRWHQWDWLYDGHHPSUHHQGHUDTXD
GUDWXUDGRFtUFXORAd impossibilita nemo tenetur1LQJXpPpREULJDGRDID]HU
FRLVDVLPSRVVtYHLV2WUDGXWRU transcriador GHSRHVLDp3URYLGHQFLDUYHUV}HV
GRLPSRVVtYHODÀQDOQmRFRQVWLWXLRVHQWLGRPDLVHVVHQFLDOGHVXDWDUHID"
&$0326SJULIRVGRDXWRU 

6REUHDOJXPDVSRVVtYHLVYHUV}HVGRLPSRVVtYHOQRVGHEUXoDUHPRVQDVH
omRVHJXLQWHPDVDQWHVpSUHFLVRSRQWXDUDLQGDXPHOHPHQWRFUXFLDODUHVSHLWR
GDWUDGXomRUHLPDJLQDomRGDSRHVLDFKLQHVDSRU+DUROGRGH&DPSRVRSRHPD
PyELOH 0DLV XPD YH] ID]HQGR FRQYHUJLU WHPSRV H HVSDoRV R SRHWD SDXOLVWD
DSUR[LPDDUWLVWDVHVFULWRUHVGLVWDQWHVQRWHPSR3DUDWUDGX]LU:DQJ:HLYDOHVH
GRVPyELOHVOHYHVGH&DOGHUSRLVDSURYHLWDDGLVSRVLomRHVSDFLDOGRVPyELOHVD
ÀPGHFULDUQDIROKDHPEUDQFRHVREDVUDVXUDVGRRULJLQDOXPPyELOHSRpWLFR
UHSOLFDQGRDYLVXDOLGDGHGRLGHRJUDPDDWHQWDQGRVHPSUHSDUDDVFRPSHQVDo}HV
VRQRUDV2GLiORJRFRPDKDUPRQLDGDVIRUPDVGH&DOGHUEHPGHPRQVWUDR traba
OKRSRpWLFRYLVXDOLGHRJUkPLFRGH&DPSRVPDUFDQGRRFRPRTXH,WDOR&DOYLQR
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

 GHQRPLQDULDHP6HLV3URSRVWDVSDUDR3Uy[LPR0LOrQLR GH´/HYH]Dµ/HYH]D


TXHKDUPRQL]DDSRHVLDFKLQHVDQRHVSDoREUDQFRGDSiJLQD

5HG*RQJV$OH[DQGHU&DOGHU$OXPtQLRÀRVGHDoREURQ]HHDUDPH)RQWH0HWURSROLWDP
0XVHXPRI $UWKWWSZZZPHWPXVHXPRUJFROOHFWLRQVVHDUFKWKHFROOHFWLRQV

'HWRGRVRVSRHPDVPyELOHVUHLPDJLQDGRVSRU+DUROGRGH&DPSRVDTXHOHV
GDFROHWkQHDEscrito sobre Jade  VmRRVTXHGHIDWRFDXVDPQRVPDLRU
LPSDFWR0XLWRVMiKDYLDPVLGRSXEOLFDGRVHPRXWURVPRPHQWRVPDVDVXDUHXQLmR
HPXP~QLFRYROXPHWRUQDRVPDLVGRTXHUHLPDJLQDo}HVID]GHOHVXPJUDQGH
LGHRJUDPDGRSHQVDPHQWRSRpWLFRGH+DUROGRTXHRQRPHSOXUDOGDFROHWkQHD
IUXWRGRDPiOJDPDHQWUH/HOLYUHMDGHGH-XGLWK*DXWLHU  HEscrito sobre um
corpoGH6HYHUR6DUGX\  UHWUDWDSHUIHLWDPHQWH
'HQWUHWRGRVRVSRHPDVRVGH/L%DLFKDPDPDDWHQomRSHODHOHYDGD
SRHWLFLGDGHHSHORVUHFXUVRVHPSUHJDGRVSRU+DUROGRQDVUHLPDJLQDo}HV 0(
'(,526 9HMDPRVHQWmRDWtWXORGHLOXVWUDomRGRTXHVHYHPGL]HQGR
DWpDTXLXPGHOHVVREXPDSHUVSHFWLYDGHDQiOLVHQmRGDSRHVLDFKLQHVDPDVGH
VXDFKHJDGDDRSRUWXJXrVHGRGLiORJRWUDQVFXOWXUDOHVWDEHOHFLGRSRU+DUROGR

3. Poema-Ideograma: a lua móbile de Li Bai

/L%DLpXPLPSRUWDQWtVVLPRSRHWDTXHYLYHXHQWUHG&WDPEpP
FKDPDGRGH´2,PRUWDO([LODGRGHVXD7HUUDµ&RQVLGHUDGRXPGRVPDLRUHVSR
HWDVGD&KLQDHOHWHYHXPDYLGDGHVUHJUDGDPDUFDGDSHODH[FHQWULFLGDGHHERHPLD
HPRUUHXErEDGRDIRJDGRHPXPODJRWHQWDQGRDSDQKDUDOXD &$0326 4
(VVDOXDLQDWLQJtYHOSDUHFHSRYRDURVVHXVSRHPDVHpGHODVREUHWXGRTXHVH

 3DUDLQWHUHVVDQWHUHVHQKDGHGDGRVELRJUiÀFRVGH/L%DLFI0('(,5266pUJLR/L%DLH0DR7·VH
7XQJHP3RUWXJXrV5HVHQKD,QSibila5HYLVWDGH3RHVLDH&XOWXUDMXQ'LVSRQtYHOHPKWWS
VLELODFRPEUPDSDGDOLQJXDOLEDLHPDRWVHWXQJHPSRUWXJXHV$FHVVR
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

IDODUiEUHYHPHQWHDVHJXLUWRPDQGRFRPRSHGUDDQJXODUXPDGDVUHLPDJLQDo}HV
KDUROGLDQDVSDUDDREVHVVmROXQDUGH/L%DL

3. Sob a lua, nuvens são cambraias5

QXYHQV
VmR
FDPEUDLDV

  SpWDODV
  WXDV
faces
brisa
TXHIDUIDOKD
QDVYDUDQGDV
altas
  FULVWDOL]D
  RUYDOKR
  GLDPDQWHV
  GHiJXD
VHQmRSRVVR
YrOD
QRVStQFDURV
GHMDGH
  VREDOXD
  HLOD
  QRSDYLOKmR
  GHMDVSH

&$0326S

&KDPD D DWHQomR HP SULPHLUR OXJDU R FDUiWHU GH SHUPXWDELOLGDGH GDV


HVWURIHVTXHJDUDQWHP~OWLSODVRUGHQDo}HVGDOHLWXUD L DOHLWXUDQDRUGHPHP
TXHDSDUHFHPDVHVWURIHV LL DOHLWXUDGDVHVWURIHVtPSDUHVHGHSRLVGDVSDUHVRX
YLFHYHUVD LLL DOHLWXUDGD~OWLPDSDUDDSULPHLUDHVWURIHHDLQGD LY DOHLWXUDSRU
GLIHUHQWHVOHLWRUHVFRPRVHIRVVHXPSRHPDSDUDVHUOLGRFRPRGLiORJR(VVH
DVSHFWRGiIRUoDGHLGHRJUDPDDRSRHPDUHLPDJLQDGRSRU&DPSRVHDVOHLWXUDV
HPRUGHPLQYHUVDDFDEDPSRUUHSURGX]LUWDPEpPDRUGHPQDWXUDOGDOHLWXUDGD
HVFULWDFKLQHVD&RQVLGHUDQGRXPDDERUGDJHPGDVHVWURIHVSHODRUGHPHPTXH
VXUJHPpSRVVtYHOFDSWDUYiULRVDVSHFWRVHVWHVSRGHPYDOHURXQmRSDUDDVRXWUDV
RUGHQDo}HV

 $H[DFHUEDomRGHVWHGLiORJRSRGHVHUDSUHFLDGDSHODLPSURYLVDomRHQWUH+DUROGRGH&DPSRVH0DGDQ
TXHPXVLFRXDWUDGXomR'LVSRQtYHOHPKWWSZZZ\RXWXEHFRPZDWFK"Y 7F-)BOV QRUHGLUHFW 
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

2V SULPHLURV YHUVRV PDUFDP D OHYH]D GR WH[WR nuvens/são/cambraias H


VXUJHPFRPIRUWHFDUJDPHWDIyULFDSHODDSUR[LPDomRHQWUHQXYHQVHFDPEUDLDV
$FDPEUDLDpXPWHFLGROHYHGHDOJRGmRRXOLQKRXVDGRHPUHQGDVHERUGDGRV
SRUWDQWRDTXLGRLVSRQWRVPHUHFHPGHVWDTXHQmRDSHQDVDOHYH]DHDVXWLOH]D
SRpWLFDGDFRPSDUDomRPDVRIDWRGHRWHFLGRVHUXVDGRSDUDUHQGDVHERUGDGRV
SRUWDQWRFRPRPDWpULDSULPDSDUDDFULDomRGDOHYH]D1DVHJXQGDHVWURIHPDLV
XPDYH]DPHWiIRUD´LGHRJUkPLFDµ RXDUULVFDQGRRQHRORJLVPRLGHRUJkQLFD 
SUHVHQWLÀFDVHSHODDSUR[LPDomRHQWUHpétalas e IDFHV$VRQRULGDGHHPXGHnu
vensUHYHUEHUDHPtuasDVLELODomRTXHMiKDYLDVXUJLGRQDSULPHLUDHVWURIHHTXH
SHUFRUUHUiWRGRRSRHPDVHUHSHWHHPpétalaS e ID&H6HPSUHVWDQGRVXDYLGDGHj
H[SUHVVmRGDDPDGD9DOHQRWDUDTXLWDPEpPTXHKiFRPRTXHXPGHVORFDPHQWR
GRROKDUGRHXOtULFRHPVHQWLGRGHYHUWLFDOLGDGHHVWDEHOHFHQGRDQDORJLDVSDUD
FpXQXYHQVIDFHVGDDPDGD
(PVHJXLGDQDWHUFHLUDHVWURIHDVIDFHVVmRHTXLSDUDGDVjEULVDIDUIDOKDQWH
HRFDPSRVHPkQWLFRGRWHFLGRGDFDPEUDLDpUHWRPDGRSRUIDUIDOKDUDPDUUDQGR
FRPRHPXPLGHRJUDPDDLPDJHPVXWLOTXHXQLUiDDPDGDDRVHOHPHQWRVGDQD
WXUH]DHjVXDYLGDGHGDFDPEUDLD)DUIDOKDUSRUWDQWROLJDVHDREDUXOKRGRWHFLGR
TXDQGRDSHVVRDTXHRYHVWHVHPRYLPHQWDPDVWDPEpPjOHYH]DHjGHOLFDGH]D
GRVPRYLPHQWRVGDERUEROHWD/HYH]DHVXWLOH]DGmRDW{QLFDGRSRHPDHVmRDR
TXHWXGRLQGLFDDVFDUDFWHUtVWLFDVPDLVIRUWHVGDDPDGDDTXLORTXHDWRUQDEHOD
1RFDVRGDWHUFHLUDHVWURIHDVIDFHVEULVDIDUIDOKDPHDDPDGDMiPDLVSUy[LPD
GRFpXSRUTXHQDVvarandas altasPRVWUDVHLQDFHVVtYHO
&DPEUDLDV IDFHV IDUIDOKD DOWDV ULPDP WRDQWHPHQWH H HFRDP HP varandas
FRQVLGHUHVHWDPEpPDDOLWHUDomRIGHIDFHVHIDUIDOKD'HVVHPRGRRVUHFXUVRV
SDURQRPiVWLFRVJDUDQWHPH[WUHPDFRQFLVmRHFRQWULEXHPQRSODQRLPDJpWLFR
SDUDDDSUR[LPDomRUHLPDJLQDWLYDHQWUHRWH[WRGHRULJHPHRGHFKHJDGDHPXPD
RSHUDomRTXHSRGHUtDPRVFKDPDUGHVEDEHOL]DQWHQDPHGLGDHPTXHVHDSUR[LPDP
SRUPHLRGDSRHVLDUHLPDJLQDGDUHFXUVRVOLQJXtVWLFRVGRFKLQrVHGRSRUWXJXrV
1DTXDUWDHVWURIHiJXDUHSURGX]DDVVRQkQFLDDGDVHVWURIHVDQWHULRUHV
JDUDQWLQGRHTXLOtEULRDRSRHPDPyELOHTXHHPVXDYHIDUIDOKDUSHODGLVSRVLomR
GDVHVWURIHVYDLGHXPODGRDRXWURBrisaGDHVWURIHDQWHULRUULPDFRPcristaliza e
DPEDVDVVRFLDGDVDIDFHVpétalasVXJHUHPTXHVmROiJULPDVGHEULVDTXHFRUUHPSHOR
URVWRGDDPDGD0DVKiXPSRUpPDTXL6HOLGDVFRPPDLVDWHQomRDVHVWURIHV
WUrVHTXDWURSRGHPLQGLFDUTXHDbrisa cristaliza o orvalhoHHVWHWRUQDVHGLDPDQWH

 &RQVLGHUDQGRVHDOHLWXUDFXLGDGRVDTXH+DUROGRGH&DPSRVID]GH*UHJyULRGH0DWWRVpSUHFLVR
QRWDUTXHWDOYH]KDMDQRSRHPDHPDQiOLVHQHVWHDUWLJRXPDUHIHUrQFLDDRFRQKHFLGRVRQHWRGH*UHJyULR
GH0DWWRV$RVDIHWRVHOiJULPDVGHUUDPDGRVQDDXVrQFLDGDGDPDDTXHPTXHULDEHP 0$7726 
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

'LDPDQWHVSRGHPLQGLFDUHQWmRDVOiJULPDVdos amantes HQmRDSHQDVGDDPDGD 


TXHQmRSRGHPHVWDUXPFRPRRXWUROiJULPDVEULVDGDDPDGDHOiJULPDVRUYDOKR
GRHXOtULFR$VOiJULPDVGDDPDGDWRUQDPVHRRUYDOKRGDVOiJULPDVGRHXOtULFR
HDRFDtUHPQDiJXDDPEDVPLVWXUDGDVWRUQDPVHGLDPDQWHV
$TXLQWDHVWURIHFRUURERUDHVVHFKRURRXODPHQWRSRLVFRQVWDWDVHTXHR
HXOtULFRQmRSRGHYHUDDPDGDQRVDOWRVFXPHV StQFDURV GHMDGH$TXLDGLVWkQFLD
HQWUHDPERVTXHIRUDDVVLQDODGDSRUvarandas altas VHLQWHQVLÀFDQDPHGLGDHP
TXHStQFDURVFRORFDVHFRPRJUDGDomRSDUDvarandasRXVHMDHPPRYLPHQWRFUHV
FHQWHDDPDGDSDVVDGDValtas varandas SDUDRVStQFDURVGHMDGHHHVWHSRUVHXFDUiWHU
SUHFLRVRHUDURWRUQDDLQGDPDLRUDGLVWkQFLDHQWUHDDPDGDHROXJDUGHRQGH
IDODRHXSRpWLFRFRPRVHHVWHHVWLYHVVHWDOYH]LPSRVVLELOLWDGRGHFKHJDUDHOD
MiTXHSDUHFHRFXSDUSRVLomRLQIHULRUDRPHQRVHVSDFLDOPHQWH3RUpPDVROXomR
SDUDRLPSDVVHHQWUHGHVHMDUYHUHQmRSRGHUTXHFDXVDVRIULPHQWRDDPERVVH
DGPLWLUPRVFRUUHWDDKLSyWHVHGDVOiJULPDVFKHJDj~OWLPDHVWURIHSHODHYRFDomR
GDOX]GDOXDQRSDYLOKmRGHMDVSHVREDOXDHLODQRSDYLOKmRGHMDVSH2GHVHQKR
GDOXDSRGHVHUYLVWRQDGLDJUDPDomRGRSRHPD YHMDVHDVVHWDVLQGLFDGDVFXMD
VHPLFLUFXODULGDGHUHPHWHWDPEpPDRyin e ao yang).
$~OWLPDHVWURIHUHFXSHUDDVRQRULGDGHGDVHJXQGDQRTXHFRQFHUQHDR
XHPOuDHWDPEpPDODWHUDOGHSpWDlDVTXHVXUJHHPlXD HHLlDHTXHWDPEpP
HVWDYDSUHVHQWHQDHVWURIHDQWHULRUHPYrlDJaSpeUHFXSHUDDVLELODomRGRLQtFLR
GRSRHPDHUHFRORFDLGHRJUDPDWLFDPHQWHRHVIRUoRGHFRQFLVmRHPSUHHQGLGR
SRU+DUROGRGH&DPSRVWDPEpPSHUFHSWtYHOQDDOLWHUDomRHPSTXHHVWiHP
SpWDODV SDYLOKmR MDVSH SRVVR StQFDURV 3RU ÀP GHVWDTXHVHD ULPD H R SDUHQWHVFR
VRQRURPDLVERQLWRVHQWUHRUDURjadeHRHUyWLFRYHUPHOKRjaspe
1mRVHWUDWDDSHQDVGHXPSRHPDHPTXHDQRLWHGHOXDUVXUJHDRÀQDO
PDVWDOYH]VHSRVVDGL]HUTXHpDDPDGDTXHP´DQRLWHFHµQRSRHPDTXHLQLFLD
OHYHHQWUHQXYHQVTXHSRGHPJDQKDURDWULEXWRGHFDPEUDLDVVXDYHVSRUHVWDUHP
HPIUHQWHjOXDHWHUPLQDJUDYHH[WUHPDPHQWHSRpWLFRHFDUUHJDGRSHORHURWLVPR
TXHDOX]GDOXDHRMDVSHHQJHQGUDP0DVSRUTXHDQRLWHFHVREDOXDDDPDGD
GHIDWRFRQYHUWHVHHPDOHJULDVXSUHPD2YHUPHOKRGRMDVSHLUURPSHFRPRVH
IRVVHXPDDXURUDDROXDU QmRQRVHVTXHoDPRVGHQRWDUTXHjaspeULPDWRDQWHPHQWH
FRPIDFHV e as IDFHVSRGHPWHUFRUGHjaspe eSUHFLVRSHQVDUDTXLHPXPSDYLOKmR
YHUPHOKR LOXPLQDGR SHOD OXD 9HU WRUQDVH WHU QD JUDPiWLFD SRpWLFD HP DomR QR
SRHPDJDUDQWLQGRTXHRVLGHRJUDPDVRULJLQDLVVHMDPSRUPHLRGDUHLPDJLQDomR
SURSRVWDUHFXSHUDGRVjOX]GRHVIRUoRWUDQVFULDWLYRTXHDSUR[LPDFXOWXUDVHXQL

 &DEHQRWDUDTXLTXHFDGDHVWURIHSRGHVHUOLGDFRPXPKDLFDL(VWHpRXWURSRVVtYHOGLiORJRDVHU
H[SORUDGRPDVHVFDSDDRREMHWLYRGHVWHWUDEDOKRHPSUHHQGHUHVIRUoRVQRVHQWLGRGHDPSOLDUWDOGLVFXVVmR
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

YHUVRVSRpWLFRVWmRGLVWDQWHVSHODPDWHULDOLGDGHGRVVLJQLÀFDQWHVHPSRUWXJXrV
SHODFRQFLVmRGRWH[WRSHODGLVSRVLomRJUiÀFDGRSRHPD
5HWRPDQGR2SRHWDDPDSODWRQLFDPHQWHPDVVHXDPRUSRGHWRUQDUVHDOJR
HQWUHRSODWRQLVPRHDSRVVH$OXDHRSDYLOKmRGHMDVSHVXUJHPFRPRUHYHODomR
GHXPDFHQDVyDFHVVtYHODHOHFRPRVHSXGHVVHWHURREMHWRGHVHXDPRUDRVHX
DOFDQFHHPPRPHQWRGHFRQWHPSODomRVHFUHWDXPvoyeur.eDOXDTXHHQJHQGUDD
YLVmRVXDOXPLQRVLGDGHFRQYHUWHUiRTXHHUDEULVDRUYDOKRHGLDPDQWHQDPXOKHU
DPDGDYLVWDHPEDQKRGHOXDUQRSDYLOKmRGHMDVSH7XGRSDUHFHDWXDUFRPR
VHDOXDWRUQDVVHDFHVVtYHORFDPLQKRGRVDPDQWHVFRPRVHDSHVDUGDGLVWkQFLD
HQWUHDPERVHODRVFRORFDVVHSUy[LPRV$LPDJHPpEHOtVVLPDSRLVpRWHQHEURVR
DIDVWDPHQWRLPSRVWRSHODDOWLWXGHGRVStQFDURVGHMDGHpVXEYHUWLGRSHODOXDD
LOXPLQDURVSDYLOK}HVGHMDVSH
8P OHLWRU PHQRV DWHQWR jV DUWLPDQKDV GH +DUROGR WDOYH] QmR SHUFHED
DSUHVHQoDSDUFLDOGDOXDHPWRGRRSRHPD MiGHVWDFDGDSHODVVHWDVDSRQWDGDV
DFLPD QXPMRJRLQWHUHVVDQWHGHUHLWHUDomRGDVRQRULGDGH$/H/$TXHHVWiHP
SpW$/DVIDUI$/KDFULVW$/L]DRUY$/KRHTXHVXUJHHVSHOKDGDHPYr/$HL/$e
PRVWUDVHH[XEHUDQWHHP/X$3RGHUVHLDGL]HURPHVPRGRAS GHMDVSHHPERUD
DVUHFRUUrQFLDVVHMDPHPPHQRUQ~PHURcambraiASSpWDO$6YDUDQG$6DOW$6H
ÀQDOPHQWHjASpe.'HVVDIRUPDGHVGHDVHJXQGDHVWURIHXPUHVTXtFLRGHOXDUH
GHMDVSHYDLVHLPSRQGRSHUFRUUHQGRRVYHUVRVVHXVPHDQGURVFRPVXWLOH]DH
SUHFLVmRRTXHSHUPLWHSHQVDUQDVLPXOWDQHLGDGHGRTXHpÁDJUDGRQDVHVWURIHV
FRPRVHFRPSXVHVVHPSODQRVGHXPDYLVmRTXHDFRQWHFHHPPRPHQWR~QLFRTXH
VHPRVWUDDROHLWRUSULVPDWLFDPHQWHFDOHLGRVFRSLFDPHQWH7UDWDVHGDFRQVWUXomR
GDLPDJHPGHXPDPXOKHUGDPXOKHUDPDGDFXMDVIDFHVGHSpWDODVHGHMDVSH
WDOYH]" VHLOXPLQDPVREROXDUHDWLQJHPRROKDUGRDPDGR
3DUDOHU/L%DL+DUROGRGH&DPSRVUHFXSHUDDVVXEGLYLV}HVSULVPiWLFDV
GDLGHLDGH0DOODUPp  PRVWUDQGRTXHDPERVSRGHPVHUXPWDQWRTXDQWR
EDUURFRVPDVDOpPGLVVRUHVVDOWDQGRTXHHPSRHVLDDIXQomRSRpWLFDGRPLQDQWH
LQVWDXUDXPQRYRKRUL]RQWHGHSRVVLELOLGDGHVGHOHLWXUDHPTXHDUHSURSRVLomR
GRVVLJQRVWHQGHjLQÀQLWXGHPDLVGRTXHjSOHQLWXGHGHXPDOHLWXUDTXHVHSRVVD
FRQVLGHUDUDFDEDGDPRVWUDDLQGDTXHDGLVSRVLomRJUiÀFDVLJQLÀFDHTXHRDOHD
WyULRWHPSRXFRHVSDoRQDDUWHSRpWLFDDLQGDTXHXPODQFHGHGDGRVQmRSRVVD
DEROLURDFDVR
1HVVDSHUVSHFWLYDXPHOHPHQWRLQWHQVLÀFDDIRUoDGRLGHRJUDPDHPIRFR
DPHWRQtPLDTXHSHUFRUUHWRGRRWH[WRHTXHYLDELOL]DRGHVOL]DPHQWRGRVVLJQL

 $TXLKiXPDDPELJXLGDGH3RGHVHSHQVDUTXHDDPDGDHVWiMXQWRGRHXOtULFRQRSDYLOKmRGHMDVSH
HLOD RXTXHHOHDYrGHORQJH'HWRGRPRGRRTXHLPSRUWDpRIDWRGHHOHHVWDUROKDQGRSDUDHOD
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

ÀFDQWHVHPFDGHLDRXHPFRQVWHODomR /$&$1 FRPRPRVWURX+DUROGR


GH&DPSRVQRMiFLWDGRBarrocolúdio: Transa Chim  +iVHPSUHXPUDVWUR
XPREMHWRSHUGLGRRXRSUySULRGHVHMRGRHXOtULFRDJLUDUQDFRUSRUDOLGDGHGD
HVFULWXUDUHYHODQGRQRFDVRGHVWHSRHPDGH/L%DLPDLVGRTXHRDPRURGH
VHMRTXHVHGHVORFDHTXHpSDUFLDOPHQWHDWHQGLGRSHOR¶FDVDPHQWR·GDOXDFRP
RSDYLOKmRGHMDVSHHSRGHUVHLDSHQVDUDTXLQDOXDFRPRDDPDGDHQRSDYLOKmR
FRPRRDPDGR
$RTXHWXGRLQGLFDDOXDpXPGHVHQFDGHDGRUGHLVRWRSLDVQDSRHVLDGH
/L%DL FRQIHULUDQH[RVDRÀQDOGRDUWLJR HLVVRSURYDYHOPHQWHDFHQWXDVHQD
UHLPDJLQDomRGH+DUROGRSRUTXHHVWHWUDQVIRUPDVXDWUDGXomRHPSDOLPSVHVWR
FRQYRFDQGR YHUV}HV H LPDJLQiULRV VREUH D OXD SUHVHQWHV QD SRHVLD RFLGHQWDO
'HVVDIRUPDRTXHVHWHPQmRpDSHQDVDSRHVLDGH/L%DLPDVpDUHFHSomRGD
FXOWXUDFKLQHVDSRU+DUROGRGH&DPSRVVXDDVVLPLODomRFUtWLFDHDKRPHQDJHP
DRJUDQGHSRHWDFKLQrVQmRSHODWUDQVFULDomRHPVLPDVSRUTXHHVWDRFRORFDHP
GLiORJRWUDQVWHPSRUDOFRPRXWURVSRHWDVRULXQGRVGHRXWUDVFXOWXUDV(VVDVVR
OXo}HVQmRLQGLFDPDSHQDVRWUkQVLWRHQWUHFXOWXUDVPDVDSRWrQFLDGDVUHÁH[}HV
GH+DUROGRHPYiULRVFDPSRVGRFRQKHFLPHQWR$TXLFRPRSDUD/L6KDQJ\LQ
YDOHDPi[LPDKDUROGLDQDMiFLWDGDDFLPD´*R]RFKLP"3RUTXHQmR"6LP6HQmRµ
&$0326S 
6REDOX]OXQDUGDSDODYUDMDVSHGH+DUROGRGH&DPSRVHUyWLFDSRUTXH
FDUUHJDGDGHSXOVmRGHYLGDEURWDXPDGDVPDLVSURItFXDV OHYHVQXYHQVHPFDP
EUDLDVSRUpP IRUPDVGHXOWUDSDVVDUIURQWHLUDVDSRHVLDHVXDWUDQVFULDomR4XHP
VDEHLVVRQRVHQVLQHHPWHPSRVGHDSUR[LPDo}HVFXOWXUDLVWmRVLJQLÀFDWLYDVD
SURYLGHQFLDURLPSRVVtYHOSDUDWRUQDUDYLGDHQWUHRVGLIHUHQWHVHVXDVGLIHUHQoDV
XPSRpWLFRHVIRUoRGHSRVVLELOLGDGHV

Referências
%(51$5',1,$XURUD)*LXVHSSH8QJDUHWWLHDWUDGXomRGH6HUJXHL(VVLrQLQ,Q:$
7$*+,1/ RUJ 8QJDUHWWLGDTXHODHVWUHODjRXWUD6mR3DXOR$WHOLr(GLWRULDOSS
%25*(6-RUJH/XtV.DIND\VXVSUHFXUVRUHV,QBBBB3URVD&RPSOHWD%XHQRV$LUHV
%UXJXHUDYROSS
&$/'(5 $OH[DQGHU 5HG *RQJV 1RYD <RUN  'LVSRQtYHO SDUD YLVXDOL]DomR HP
KWWSZZZPHWPXVHXPRUJFROOHFWLRQVVHDUFKWKHFROOHFWLRQV 'DWD GH
DFHVVR
&$0326+DUROGRGH%DUURFRO~GLR7UDQVD&KLP,QBBBBO Segundo Arco Íris Branco.
3DUWH,,&XOWXUD6mR3DXOR,OXPLQXUDVSS
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

BBBB(VFULWRVREUH-DGH3RHVLD&OiVVLFD&KLQHVD5HLPDJLQDGDSRU+DUROGRGH&DPSRV6mR3DXOR
$WHOLr(GLWRULDOaHGLomRUHYLVDGDHDPSOLDGD
BBBBDeus e o Diabo no Fausto de Goethe6mR3DXOR3HUVSHFWLYD
BBBBHagoromo de Zeami.6mR3DXOR(VWDomR/LEHUGDGHaHGLomR
BBBB,GHRJUDPD$QDJUDPD'LDJUDPD8PDOHLWXUDGH)HQROORVD,QBBBB RUJ ,GHRJUDPD
OyJLFDSRHVLDOLQJXDJHP6mR3DXOR(GXVSaHGLomRSS
BBBB7UrV9HUV}HVGR,PSRVVtYHO:DQJ:HL,QBBBBO Arco Íris Branco'RPtQLR&KLQrV
5LRGH-DQHLUR,PDJRSS
BBBBYugen&DGHUQR-DSRQrV,QBBBBCrisantempo.6mR3DXOR3HUVSHFWLYDSS
BBBB$TXDGUDWXUDGRFtUFXOR,QBBBB$$UWHQRKRUL]RQWHGRSURYiYHO6mR3DXOR3HUV
SHFWLYDaHGLomRSS
BBBB$$UTXLWH[WXUDGR%DUURFR,QBBBB$RSHUDomRGRWH[WR6mR3DXOR3HUVSHFWLYD
SS
BBBB2WH[WRHVSHOKR 3RH2HQJHQKHLURjVDYHVVDV ,QBBBB$RSHUDomRGRWH[WR6mR
3DXOR3HUVSHFWLYDSS
'$1,(/&ODXGLR8P2ULHQWHDOpPGR2ULHQWH5HOHLWXUDVGH+DUROGRGH&DPSRV,Q
0277$/HGD7HQyULRGDCéu Acima:SDUDXPWRPEHDXGH+DUROGRGH&DPSRV6mR
3DXOR3HUVSHFWLYDSS
'(55,'$-DFTXHVTorres de Babel. %HOR+RUL]RQWH(GLWRUD8)0*
/$&$1-DFTXHV Escritos. 5LRGH-DQHLUR-RUJH=DKDU(GLWRUHV
/$5$1-(,5$0DULR3RpWLFDGD7UDGXomR6mR3DXOR(GXVS
/20%$5',$QGUHD7UDQVXPDQDUWUDQVFULDU,Q&$0326+DUROGRGH3HGUDH/X]QD
poesia de Dante.5LRGH-DQHLUR,PDJRSS
0$//$50e6WHSKDQp3UHIiFLRDUm lance de dados,QMallarmé2UJDQL]DomRH7UDGXomR
&$0326$HWDO6mR3DXOR3HUVSHFWLYDSS
0$7726*UHJRULRGHObras Completas>(VWDEHOHFLPHQWRGRWH[WRHQRWDVGH-RVp0LJXHO
:LVQLN@6mR3DXOR&RPSDQKLDGDV/HWUDV
0('(,5266pUJLR/L3RH0DR7·VH7XQJHP3RUWXJXrV5HVHQKD,QSibila5HYLVWD
GH3RHVLDH&XOWXUDMXQ'LVSRQtYHOHPKWWSVLELODFRPEUPDSDGDOLQJXD
OLSRHPDRWVHWXQJHPSRUWXJXHV$FHVVR
1$6&,0(172(YDQGR$SRpWLFDGDWUDGX LomR ,QBBBB RUJ /LWHUDWXUDHPSHUVSHFWLYD
-XL]GH)RUD8)-)
3$=2FWDYLR Traduccion: literatura y literaridad.7XVTXHWV%DUFHORQDHGLomR
3281'(]UD$%&GD/LWHUDWXUDWUDGXomRGH$XJXVWRGH&DPSRV+DUROGRGH&DPSRV
H'pFLR3LJQDWDUL6mR3DXOR3HUVSHFWLYD
6$17$(//$ /~FLD 7UDQVOX]LU 7UDQVOXFLIHUDU $ WHRULD GH WUDGXomR GH +DUROGR GH
&DPSRV,Q0277$/HGD7HQyULRGD RUJ Céu Acima: SDUDXPWRPEHDXGH+DUROGR
GH&DPSRV6mR3DXOR3HUVSHFWLYDSS
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

6,6&$50DUFRV$GHVFRQVWUXomRGH-DTXHV'HUULGD,Q%211,&,7=2/,1/2
7HRULDOLWHUiULDDERUGDJHQVKLVWyULFDVHWHQGrQFLDVFRQWHPSRUkQHDV0DULQJi8(0
721(72'LDQD-XQNHV>%XHQR@0DUWKD+DUROGRGH&DPSRVHDXWRSLDGDHVFULWXUD
RULJLQDOFronteiraZ.6mR3DXOR38&'LVSRQtYHOHPKWWSZZZSXFVSEUUHYLV
WDIURQWHLUD]QXPHURVBDQWHULRUHVQGRZQORDGSGI'LDQDB7RQHWRSGI 'DWDGHDFHVVR
UHSXEOLFDGRHP
BBBB&RQYHUJrQFLDVHP$0iTXLQDGR0XQGR5HSHQVDGD3RHVLDH6LQFURQLDHP+D
UROGRGH&DPSRV7HVHGH'RXWRUDPHQWR$UDUDTXDUD81(63)DFXOGDGHGH&LrQFLDV
H/HWUDVDS
BBBB(QWUHDLQYHQomRHDWUDGLomRKLVWyULDHXWRSLDQRSURMHWRSRpWLFRGH+DUROGRGH
&DPSRV,Q,SRWHVL-XL]GH)RUD8)-)YSE
<81-XQJ,P'R,GHRJUDPDDR)RQRJUDPDDWUDYHVVLDKDUROGLDQDRULHQWHRFLGHQWH,Q
',&.$QGUp RUJ Signâncias:5HÁH[}HVVREUH+DUROGRGH&DPSRV6mR3DXOR5LVFR
(GLWRULDO6HFUHWDULDGD&XOWXUDGR(VWDGRGH6mR3DXOR3RLpVLVS

Anexos:
leito
O~FLGDOXD
DOXPEUD

XPDG~YLGD
geia na
WHUUDHVFXUD"

cabeça alta
ROKRQD
OXDSUDWD

FDEHoDFDtGD
PHQWHQD
terra antiga

&$0326S
 Diana Junkes B. Martha. Poesia-ideograma: a lua móbile de Li Bai reimaginada por Haroldo de Campos

GHJUDXVGDHVFDGDGHMDGH

 DJRUDEUDQFRVGHRUYDOKR

RUYDOKRGDQRLWHDOWD

 LQYDGHDVPHLDVGHJD]H

DGDPDTXHIH]EDL[DU

 DVSHUVLDQDVGHFULVWDO

FRQWHPSODQDWUDQVSDUrQFLD

 DFODUDOXDGHRXWRQR

&$0326S
Cadernos de Literatura em Tradução, n. 14, p. 153-171 

Você também pode gostar