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1 Maqueda, Antonio Martin : 1956. Sabe ver uma corrida de touros? p.19
2 Segundo os números do IGAC (Inspecção Geral das Actividades Culturais), entre as épocas de 2004 e 2008 houve um crescimento de 31 corridas de touros anuais,
sendo que na época de 2008 foram realizadas 186 touradas, às quais assistiram mais 220142 pessoas que em igual período de 2004. O número de transmissões
televisivas também aumentou tendo sido transmitidos em 2008 11 espectáculos, mais 8 que em igual período de 2005. Estes números deverão ser tidos em conta se
considerarmos a inauguração da Praça de Touros do Campo Pequeno (2005), Coliseu José Rondão de Almeida (2006) e Arena de Évora (2007)
3 Campo Pequeno, Arena de Évora, Coliseu de Redondo e Coliseu José Rondão Almeida (Elvas). Também se deverá ter em conta a Praça de Touros de Albufeira,
apesar de apresentar caracteristicas diferentes das restantes, estando principalmente vocacionada para o turismo.
4 Em Portugal, a época taurina inicia-se oficialmente no Domingo de Páscoa e encerra no dia 1 de Novembro (Dia de todos os Santos).
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1 Muitas das vezes Instituições de Solidariedade locais, Juntas de Freguesia e Comissões de Festas locais
2 Morais(1992), refere vários exemplos de Tauródromos que existiram durante o século XX, dos quais não existe muito mais informação que alguns dados históricos.
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1 Morais, António Manuel, 1992

2 Olivera, J. Nunes, 1997
3 Almeida, Jayme Duarte de, 1953
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64*;82<)%;= '3:= 4;9= #= *;84:165<= 4;9= 78<,<0&;9 5:918:+:=<=;86-:2=5;=<173<0=7;38;=,8<+;=;3=5:=065:.=:
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1 Neves, Francisco Palha Botelho,1992

2 Moreiro, José María, 1994
3 Lancastre, Manuel Maria, 2000
4 Andrade, Fernando Sommer de, 1991
5 Maqueda, Antonio Martin, 1956
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Fig.1 - Revista !Sol y Sombra", 1899

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1 Neves, Francisco Palha Botelho, O Toiro de Lide em Portugal, 1992.

2 Vuure, T. van, HISTORY, MORPHOLOGY AND ECOLOGY OF THE AUROCHS (BOS PRIMIGENIUS), 2003.
4 Neves, refere a descrição do Auroque feita por Alberto Vera na sua a obra Origem e Historial das Ganadarias Bravas como !... Gigantesco toiro de mais de dois metros
de altura, de pêlo negro listão com grandes cornos dobrados primeiro para a frente e depois para cima, era feroz, irascível e veloz na sua corrida."
5 Vuure, T. van, HISTORY, MORPHOLOGY AND ECOLOGY OF THE AUROCHS (BOS PRIMIGENIUS), 2003.
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holds for the Holocene too.
Fig.11 Dispersão geográfica do Auroque

Fig.12
Fig.13
Fig.12 Nos campos da Golegã, escolhendo toiros para uma corrida. Fig.13 Bezerros

Fig.14
Fig.15
Fig.14 Tenta Figu.15 Touros da Ganadaria Murteira Grave

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5 Maqueda, A. Martin, Sabe ver uma corrida de Touros?, 1956, p.40

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2 Maqueda, A. Martin, Sabe ver uma corrida de Touros?, 1956, p.44
3 Andrade, Fernando Sommer, O Toureio Equestre em Portugal, 1991. (segundo Neves, a separação dos bezerros faz-se logo após a ferra.)
4 Neves, Francisco Palha Botelho, O Toiro de Lide em Portugal, 1992. p.73
5 Maqueda, A. Martin, Sabe ver uma corrida de Touros?, 1956 p38

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Fig.16 Apartação de gado no campo da Golegã nos finais do sec.XIX

1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
17 19 19 20
Fig.17
Nomes das Ganadarias:

1-João Dias Coutinho 2-Irmãos Dias 3-Irmãos Varela Crujo 4-Inácio Ramos 5-Casa Agrícola Avó 6-Canas Vigourous 7-Higinio Soveral 8-Herdeiros de Paulino de Cunha e
Silva 9-Herdade de Camarate 10-Conde Cabral 11-Pégoras 12-Soc. Agríco-Pecuária Gregório Oliveira 13-Francisco Romão Tenório 14-Cabral Ascenção 15-Francisco Luis
Caldeira 16-Fernado Palha 17-Fernandes de Castro 18-Ezequiel Rodrigues 19-Couto de Forninhos 20-Conde de Murça

1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
17 19 19 20
Fig.18

1-Palha 2-José Luis Cochicho 3-José Pedrosa 4-Jorge Mendes 5-Ortigão Costa 6-Jorge de Carvalho 7-João Ramalho 8-João Moura 9-Oliveiras Irmãos 10-António Coelho
11-Balancho 12-Herdeiros de José Infante da Câmara 13-Nuno Casquinha 14-António Figueiredo Lampreia 15-Casa Agrícola José Albino Fernandes 16-Brito Paes 17-
Murteira Grave 18-António Silva 19-Ascensão Vaz 20-Carlos Falé Filipe

1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
17 19 19 20
Fig.19

1-Mário Vinhas e Herdeiros de Manuel Vinhas 2-Vila Galé 3-Vaz Monteiro 4-José Luís Vascconcellos e Souza de Andrade 5-Varela Crujo, Herdeiros 6-Vale do Sorraia 7-
Sommer d!Andrade 8-Sociedade das Silveiras 9-São Marcos 10-São torcato 11-São Martinho 12-Santo Estevão 13-Rio Frio 14-Sociedade Agrícola Rio Frio 15-Rego Botelho
16-Pontes Dias 17-Pinto Barreiros 18-Paulo Caetano 19-Condessa de Sobral 20-Passanha

Fig.20-Ilustração de Maqueda dos tipos de Sinal utilizados pelas Ganadarias

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4 Ganadarias
3 Ganadarias
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1 Caso das gravuras rupestres encontradas nas Grutas de Lascaux(França) e Navazo(Espanha)

2 Ver o capítulo 1 - Touro
4 Moreiro, Jose! Maria, Historia, cultura y memoria del arte de torear, 1994
4 Touro Negro com uma mancha em forma de Meia Lua na cabeça.

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1 Segundo Moreiro (1994) seria uma prática muito frequente na região da Tesalia(Grécia), que consistia em perseguir os Touros a cavalo até que ficassem exaustos sendo
depois dominados pela força do Homem. Existem outros autores que atribuem esta designação ao desporto minoico em que se saltava sobre um Touro.
3 Lutas que envolviam animais selvagens

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1 Moreiro, Jose! Maria, Historia, cultura y memoria del arte de torear, 1994, pp.78 (citação do imperador romano Júlio César - tradução feita por Rafael Pérez Delgado)
3 Andrade, Fernando Sommer, O Toureio Equestre em Portugal, 1991, p.39
4 Alabardas
5 Alabarda, dardo de arremesso, sabre, lança contrapesada, escudo ligeiro, freio, espora, sela de arções e rédeas de vencer.
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1 Actualmente é denominado por Cavalo Andaluz

2 A montaria é a caçada à caça grossa feita a pé ou a cavalo, com ajuda de cães, no mato ou no monte.(Andrade, Fernando Sommer, O Toureio Equestre em Portugal,
199., p. 29)
3 Andrade, Fernando Sommer, O Toureio Equestre em Portugal, 1991, pp.39 e 40

Fig.21 Fig.22 Fig.23
Fig.24
Fig.21 Figura rupestre encontrada em Lascaux, França. Fig.22 Alabardas pré-históricas em silex e em bronze. Fig.23 Touro Alado Assírio Fig.24 Mural encontrado
no Palácio de Cnossos em Creta, relatando uma taurocatápsia.

Fig.25 Fig.26
Fig.27 Fig.28
Fig.25 Representação de uma venatione no Coliseu de Roma. Fig.26 Gravura do século XVI documentando festas taurinas em Roma Fig.27 Gravura do século XVII
representando uma montaria ao javali com uso da forquilha. Fig.28 Árabe a cavalo lutando contra um touro - Àgua-forte de Goya

Fig.29 Fig.30
Fig.31 Fig.32
Fig.29 Figura do século XV documentando os treinos para os torneios e para os trabalhos da guerra. Fig.30 Gravura do século XVIrepresentando a assistência de um
torneio medieval. Fig.31 Uma tourada em 1798, em Lisboa, numa gravura da época. ..Fig.32 Desenho de Le Grand reprsentando o interior da Praça de Touros do
Campo de Santana.

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1 Foi então nesta fase de que António Galvão de Andrade escreveu o livro Arte de Cavallaria de Gineta e Estardiota, Bom primor de ferrar & Alveitaria, dividido em três
Tratados: Gineta(onde o capítulo LXI é dedicado ao toureio), Estardiota e Alveitaria. - Sommer d!Andrade (1990).
2 Reinado entre 1750 e 1777
3 Segundo o Texto de Rebelo da Silva Última Corrida de Touros em Salvaterra, durante uma Corrida de Touros, na qual estaria presente o Rei D.José I, o Marquês de
Pombal bem como grande parte da corte, o Conde dos Arcos foi ferido mortalmente, sendo a sua morte vigada pelo seu pai, Marquês de Marialva. Após esta tragédia, D.
José | declarou que durante o seu reinado não haveriam mais "touros reais!.
4 Dinastia de Bourbon
5 Moreiro, Jose# Maria, Historia, cultura y memoria del arte de torear, 1994
#-
Fig.33
Fig.34
Fig.33 e 34-Desenho de Le Grand ilustrando onde se pode ver a indumentária utilizada pelos cavaleiros no início do século XIX.

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1 Segundo Moreiro, o toureio terá tido quatro fases - caça do Touro, !matatoro", toureio a cavalo e toureio a pé - os !matatoros" seriam pessoas do povo, geralmente de má
reputação, que a troco de alguma remuneração monetária matariam o Touro no final de um festejo que envolvesse estes animais. Esta prática, que para a nobreza seria
considerada inferior e de grande barbárie, foi proibida no século XIII pelo rei Alfonso X.
2 Foram escritos tratados e livros técnicos que serviram e ainda servem de referência para a prática do toureio e equitação como !Arte de cavalgar toda a sela" do Rei
D.Duarte(1391-1491), !Luz da Liberal e Nobre Arte da Cavallaria" de Manuel Carlos de Andrade(1790) e !Arte de Gineta e Estardiota, Bom primor de de ferrar & Alveitar" de
António Galvão de Andrade(1678).
3 Andrade, Fernando Sommer, O Toureio Equestre em Portugal, 1991
$
“O marquês arrastara uma cadeira para o pé de Afonso, para lhe fazer a confidência dos seus achaques; mas como Dâmaso se
metia entre eles, falando ainda da Mist, decidindo que a Mist era chic, querendo apostar cinco libras pela Mist contra o campo
- o marquês terminou por se voltar, enfastiado, dizendo que o Sr. Dâmasosinho se estava a dar ares patuscos... Apostar pela
Mist! Todo o patriota devia apostar pelos cavalos do visconde de Darque, que era o único criador português!...
- Pois não é verdade, Sr. Afonso da Maia?
O velho sorriu, amaciando o seu gato.
- O verdadeiro patriotismo talvez, disse ele, seria, em lugar de corridas, fazer uma boa tourada.
Dâmaso levou as mãos à cabeça. Uma tourada! Então o Sr. Afonso da Maia preferia touros a corridas de cavalos. O Sr. Afonso
da Maia, um inglês!...
- Um simples beirão, Sr. Salcede, um simples beirão, e que faz gosto nisso; se habitei a Inglaterra é que o meu rei, que era
então, me pôs fora do meu país... Pois é verdade, tenho esse fraco português, prefiro touros. Cada raça possue o seu sport
próprio, e o nosso é o touro: o touro com muito sol, ar de dia santo, água fresca, e foguetes... Mas sabe o Sr. Salcede qual é a
vantagem da tourada? É ser uma grande escola de força, de coragem e de destreza... Em Portugal não há instituição que tenha
uma importância igual à tourada de curiosos. E acredite uma coisa: é que se nesta triste geração moderna ainda há em Lisboa
uns rapazes com certo músculo, a espinha direita, e capazes de dar um bom soco, deve-se isso ao touro e à tourada de curiosos...
O marquês entusiasmado bateu as palmas. Aquilo é que era falar! Aquilo é que era dar a filosofia do touro! Está claro que a
tourada era uma grande educação física! E havia imbecis que falavam em acabar com os touros! Oh, estúpidos, acabais então
com a coragem portuguesa!...
- Nós não temos os jogos de destreza das outras nações, exclamava ele, bracejando pela sala e esquecido dos seus males. Não
temos o cricket, nem o footbal, nem o runing, como os ingleses; não temos a ginástica como ela se faz em França; não temos o
serviço militar obrigatório que é o que torna o alemão sólido... Não temos nada capaz de dar a um rapaz um bocado de fibra.
Temos só a tourada... Tirem a tourada, e não ficam senão badamecos derreados da espinha, a melarem-se pelo Chiado! Pois
você não acha, Craft?
Craft, do canto do sofá, onde Carlos se fora sentar e lhe falava baixo, respondeu, convencido:
- O quê, o touro? Está claro! O touro devia ser neste país como o ensino é lá fora: gratuito e obrigatório.
Dâmaso no entanto jurava a Afonso compenetradamente que gostava também muito de touros. Ah, lá nessas coisas de
patriotismo, ninguém lhe levava a palma... Mas as corridas tinham outro chic! Aqueles Bois de Boulogne, num dia de Grand-
Prix, hein!... Era de embatucar!”1
1 Queiroz, Eça de, Os Maias, 1888

Fig.35, 36, 37, 38, 39, 40 Fotos da capa do jornal O Toureiro de Cavaleiros Tauromáquicos do final do século XIX

Fig.41, 42, 43, 44, 45, 46 Fotos da capa do jornal O Toureiro de Toureiros Matadores do final do século XIX

Fig.47, 48, 49, 50, 51, 52-Fotos da capa do jornal O Toureiro de Forcados do final do século XIX


Fig.53, 54, 55-Fotos da capa do jornal !O Toureiro" de Ganadeiros e Agrícoltores do final do século XIX
Fig.56, 57, 58-Fotos da capa do jornal !O Toureiro" de Campinos, Empresário e Bandarilheiros(respectivamente) do final do século XIX.

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1...onde se batia o fado e se convivia alegremente com mulheres de má fazenda. Uma delas ficou célebre, a Adelaide Facada que o pintor Malhoa imortalizou no quadro
chamado !!Fado"". (Morais, António Manuel, Fado e Tauromaquia no sec. XIX, 2003 p.23)
2 Segundo Morais, actualmente apenas existe uma casa destas, que na altura estaria afastada do centro de Lisboa, o Quebra Bilhas no Campo Grande.
3 !...fado batido que consistia em música lenta, com letra a acompanhar, ao mesmo tempo que o homem e a mulher dançavam, batendo com alguma violência de vez em
quando contra a barriga, de modo provocatório. ... Defende-se também que tal dança teria sido introduzida em Portugal por D.Miguel e seus amigos após o regresso do
Brasil em 1821." - ( Morais, António Manuel, Fado e Tauromaquia no sec. XIX, 2003, pp.17 e 18)
4 Morais, António Manuel, Fado e Tauromaquia no sec. XIX, 2003
!
Fig.59 Fado e Tauromaquia

Fig.60 Fig.61
Fig.60, 61 Carteis de Touradas do século XIX

Fig.62 Fig.63
Fig.62, 63 Carteis de Touradas do século XIX e XX

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1 Cartaz onde se encontra descrito o desenrolar da Corrida de Touros bem como o nome dos intervenientes. Commumente designa-se de Cartel o grupo de artistas que
irão actuar.
2 Homens da confiança do Cavaleiro que entre outras coisas, encontram-se incumbidos de testar o Touro já com o Cavaleiro em praça e antes deste começar a sua
actuação, de forma a que visualize as características do animal.
3 !O grupo de forcados é formado por oito homens que, comandados pelo seu !!cabo"", saltam á arena para pegar o toiro, isto é, para o agarrar com as mãos até o parar,
dominando-o." Sommer d"Andrade (1990)
4 Touros de Lide
5 Como nos refere Andrade, será uma reminiscência dos torneios medievais, em que os Cavaleiros se apresentavam perante a Corte com todos os seus pagens, homens
de armas, monteiros e palafreneiros. Esta tradição continuou em Portugal após se substituir o duelo Homem-Homem por Homem-Touro.
6 A antiguidade de um Toureiro é contabilizada desde a data da alternativa(altura em que este se tornou Cavaleiro profissional) até à actualidade.
7 O Director de Corrida, antigamente designado por Inteligente, é auxiliado por um médico veterinário nomeado pelo IGAC, pelo cornetim que avisa os presentes na praça
dos procedimentos e por um avisador que se encontra entre barreiras e que tem a função de transmitir as suas ordens para a arena e que poderá ser dispensado caso
seja nomeado um director de corrida auxiliar, que se encontrará entre barreiras. - Segundo a Regulamentação Taurina
"
Fig.64
Fig.65
Fig.64 Cortesias .de uma corrida de Touros em meados do século XX Fig.65 Cavaleiro Tauromáquico

Fig.66
Fig.67 Fig.68
Fig66, 67 Pega de caras do Grupo de Forcados Amadores de Santarém numa Tourada em meados do século XX Fig.68-Sequência de imagens de pegas de Cerenelhas
efectuadas pelo grupo de Forcados Amadores de Santarém numa Tourada em meados do século XX.

Fig.69 Fig.70
Fig.69 Toureio a pé numa Corrida de Touros em meados do século XX. Fig70 Habitual volta dos artistas à praça no final de cada lide.

Fig.71
Fig.73
Fig.72 Fig.74
Fig.71 Conjunto de Arreio Castelo Melhor Fig.72, 73, 74 Ferros compridos e promenores (respectivamente)

Fig.75 Conjunto de casacas e coletes bordados a ouro.

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32 Inspecção Geral das Actividades Culturais

33 No relatório apenas são apresentados dados estatísticos desde 1998
34 Ver mapa 2
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CONCELHO TOT
TOTAL
TAL
AL praça desmontavel praça fixa total
ALANDROAL 5 0 5
ALBUFEIRA 0 29 29
ALCÁCER DO SAL 1 2 3
ALCOBAÇA 3 0 3
ALCOCHETE 0 6 6
ALENQUER 4 0 4
ALJUSTREL 0 2 2
ALMEIDA 0 1 1
ALMEIRIM 0 2 2
ALTER
ALLTER
T DO CHÃO 0 2 2
ALVAIÁZERE
ALLVAIÁZERE 1 0 1
ALVITO
ALLVITO 1 0 1
ARRAIOLOS 2 0 2
ARRONCHES 3 0 3
ARRUDA DOS VINHOS 0 6 6
AVEIRO
A VEIRO 1 0 1
AZAMBUJA 0 3 3
BAIÃO 2 0 2
BARRANCOS 2 0 2
BEJA 1 2 3
BENAVENTE
BENA AVENTE 3 0 3
BOMBARRAL 1 0 1
CABECEIRAS DE BASTO 1 0 1
CADAVAL
CADA AVAAL 1 0 1
CALDAS DA RAINHA 0 6 6
CARTAXO
CAR TAXO
A 0 3 3
CASTELO DE VIDE 0 1 1
CASTRO MARIM 1 0 1
CASTRO VERDE 1 0 1
CHAMUSCA 0 3 3
CORUCHE 0 5 5
CRATO
CRA ATO 0 2 2
CUBA 2 0 2
ELVAS
ELLVA
AS 1 7 8
ÉVORA 0 10 10
FERREIRA DO ALENTEJO 2 0 2
FIGUEIRA DA FOZ 0 3 3
FRONTEIRA 0 1 1
GRÂNDOLA 2 0 2
GUARDA 1 0 1
GUIMARÃES 2 0 2
IDANHA-A-NOVA
IDANHA-A-NOV VA 0 1 1
LAGOA 1 0 1
LISBOA 0 20 20
LOULÉ 1 0 1
MAFRA 1 0 1
MARCO DE CANA
CANAVESES
AVESES
VESES 1 0 1
MARINHA GRANDE 1 0 1
MAR VÃO
MARVÃO 0 2 2
MIRANDA DO DOURO 1 0 1
MOGADOURO 0 1 1
MOITA
MOITTA 0 9 9
MONTEMOR-O-NOVO 3 3 6
MONTEMOR-O-VELHO 2 0 2
MONTIJO 1 9 10
MORA 1 0 1
MOURA 2 9 11
MOURÃO 0 4 4
NAZARÉ 0 8 8
NISA 0 4 4
OLIVEIRA DO BAIRRO 1 0 1
OURÉM 1 0 1
OURIQUE 1 0 1
PALMELA
PALMELA
A 3 0 3
POMBAL 0 3 3
PORTALEGRE
POR TA
ALEGRE 0 3 3
PORTE
PORTE 0 1 1
POR TIMÃO
PORTIMÃO 1 0 1
POR
PORTOTO DE MÓS 1 0 1
PÓVOA DO V VARZIM
ARZIM 0 2 2
REGUENGOS DE MONSARAZ 1 4 5
SABUGAL 0 1 1
SALVATERRA
SALLVATTERRA DE MAGOS 0 3 3
SANTARÉM
SANT TARÉM
A 1 5 6
SANTIAGO DO CACÉM 1 0 1
SÃO JOÃO DA PESQUEIRA 1 0 1
SEIXAL 1 0 1
SERPA
SERP PA 1 0 1
SETÚBAL 0 2 2
SILVES
SIL
LVES
V 1 0 1
SOBRAL DE MONTE AGRAÇO 0 4 4
SOUSEL 2 1 3
TAVIRA
TAVIRA 3 0 3
TOMAR 0 2 2
TORRES NOVNOVAS
VAS
AS 1 0 1
TORRES VEDRAS 7 0 7
VENDAS NOVNOVAS
VAS
AS 1 0 1
VIANA DO ALENTEJO 2 0 2
VIANA DO CASTELO 0 1 1
VIDIGUEIRA 1 0 1
VILA DO BISPO 1 0 1
VILA FRANCA DE XIRA 1 10 11
VILA NOV
NOVA
VA
A DA BARQUINHA 0 1 1
VILA REAL DE STO ANTÓNIO 1 0 1
VILA VIÇOSA 0 4 4
29 Touradas
20 Touradas
11 Touradas
10 Touradas
9 Touradas
8 Touradas
7 Touradas
6 Touradas
5 Touradas
4 Touradas
3 Touradas
2 Touradas
1 Tourada
10Km 50Km 0 100Km

86
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1 Almeida, Jayme Duarte de, História da Tauromaquia, 1953

2 Citação de Pascual Milán ( Almeida, Jayme Duarte de, História da Tauromaquia, 1953)
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1 A organização dos festejos nesta praça encontravam-se então a a cargo do Conselho de Estado
3 Citação de !Embrechados" do Conde de Sabugosa feita por em que se descreve a construção das infra-estruturas necessárias à realização das festividades. ( Almeida,
Jayme Duarte de, História da Tauromaquia, 1953)
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Fig.76 Lanceamento de um touro em campo fechado. Fig.77 D.Luís de menezes na praça de Xabregas
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2 As Reais Maestranzas de Caballeria, foram corporações particionadas pelo estado espanhol, cuja função ínicial era o ensino da equitação e manejo armas à nobreza.
6 Segundo Sommer d"Andrade (1991), D. João V durante o seu reinado (1706 a 1750) terá mandado erigir várias praças nas Beiras, Estremadura, Alentejo, Douro, Minho
e Trás-os-Montes. Também terá mandado construir mais duas praças na cidade de Lisboa, apesar de na altura já existirem três. Uma das praças que o monarca terá
mandado edificar, foi a da Junqueira, que na altura já apresentaria planta circular.
7 Após a reconstrução passou a chamar-se Praça do Comércio.
83
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Fig.78 Corrida em Valladolid (1527) Fig.79 D.Pedro III de Aragão em Bordéus.
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1 !Aplauso festivo" de Joaquim José Moreira de Mendonça, para descrever a Praça de Touros erguida na Praça do Comércio em 1777 (Almeida, Jayme Duarte de, História
da Tauromaquia, 1953)
5:
Fig.80 Fig.81
Fig.82
Fig.83
Fig.80 Rei D.Duarte Fig.81 Infante D.Duarte toureando em Madrid (1623). Fig.82 Conde de Villamediana na Plaza Mayor de Madrid. Fig.83 Tourada no Terreiro
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1 Actualmente, a Praça de Touros do Campo Pequeno (Lisboa), ainda pertence à Casa Pia do Município.
2 A Santa Casa da Misericórdia foi fundada pelo Frei Miguel de Contreiras, com apoio D. Leonor, em 1498 e tem como objectivo prestar auxilio aos mais necessitados.
Actualmente esta associação está espalhada por todo o país.
4 Almeida, Jayme Duarte de, História da Tauromaquia, 1953, p. 336
5 ...Note-se, porém, que sendo, como se referiu, incisiva a influência exercida pelos circos romanos na forma estrutural das praças de toiros espanholas, o reflexo dessa
influência nas nossas só muito mais tarde se fez notar. É certo que desde logo se optou para uma forma mais ou menos circular da arena - tal como se adoptava em
Espanha - e por uma disposição semelhante; …(Almeida, Jayme Duarte de, História da Tauromaquia, 1953, p. 336)
6 ...praças que iam povoando a Espanha, erguendo-se em linhas sóbrias, elegantes, num conjunto de agradável solidez, por vezes até ostentando exageradas preocupações
artísticas, sobretudo quando se tornou corrente imprimir às fachadas dos tauródromos um certo ar mourisco, exuberante de cor e forma. ( Almeida, Jayme Duarte de,
História da Tauromaquia, 1953, p. 336)
5<
Fig.86
Fig.84
Fig.87
Fig.85 Fig.88
Fig.84 Praça de Touros do Campo Santana Fig.85 Maquete da Praça de Touros do Campo Santana Fig.86 Praça de Touros do Campo Santana Fig.87 Praça de
Touros da Junqueira Fig.88 Praça de Touros de Algés
57
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1 Apesar do carácter permanente, esta praça ainda era em madeira.

2 Praça de Touros de Madrid;
3 Parece que incumbiram o sr. Dias da Silva, distincto empregado da repartição techinica da camara municipal, de fazer o projecto da nova praça, adoptando nas devidas
proporções, e com as alterações que julgar convenientes, a planta da praça de Madrid. - (O Toureiro - nº 76, Junho de 1889)
4 Passa de boca em boca, de geração em geração, que esta praça serviu de modelo à catedral do Campo Pequeno, pese embora a distinta arquitectura desta última"
(Oliveira, J. Nunes, Praças de Touros em Portugal, 1997, p.22)
5 Começarão esta semana as obras para a conclusão de camarotes e galeria na vasta praça da Azaruja. Inaugurada na éphoca passada, foi então impossivel concluir-se
todos os trabalhos. (O Toureiro nº 64 - 1888)
56
Fig.89 Fig.90
Fig.91 Fig.92
Fig.93 Fig.94
Fig.89, 90, 91, 92, 93, 94 Praça de Touros do Campo Pequeno
59
Fig.95 Fig.96
Fig.97 Fig.98
Fig.95 Real Maestranza de Sevilla Fig.96 Praça de Touros de Granada Fig.97 Las Ventas (Madrid) Fig.98 Praça de Touros de Malaga
58
Fig.99 Fig.100
Fig.101 Fig.102
Fig.99 Praça de Touros de Valência Fig.100 Praça de Touros de Salamanca Fig.97 Praça de Touros de Barcelona Fig.98 Praça do Campo Pequeno
55
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1 A bancada encontra-se dividida em 7 sectores, havendo lugares de barreira e contra-barreira, respectivamente primeira e segunda fila das bancadas. Inicialmente as
bancadas dividir-se-iam em lugares de Sol e Sombra, mas com o tempo, nos recintos com maior capacidade surgiu a necessidade de criar sectores de forma a simplificar
a distribuição dos espectadores no recinto.
2 Na Praça de Touros do Campo Pequeno existem dois níveis de camarotes e galerias (camarotes e galeria de 1ª e 2ª ordem).
3 Camarote Presidencial e tribuna do director de corrida
4 A trincheira tem a finalidade de proteger os intervenientes, que mesmo não entrando na arena são necessários para a sua realização. Por norma não ultrapassa 1,6m de
altura, visto que alguns dos artistas a têm que saltar para entrar em praça.
53
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Diagrama - lugares da praça de Touros S-
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do Campo Pequeno
Legenda:
S1, 2, 3, 4, 5, 6, 7 - Sector 1, 2, 3, 4, 5, 6, 7
I-Impar
P-Par
B-Lugares de barreira e contra-barreira N
C1ª,2ª - Camarotes de 1ª, 2ª categoria
G1ª-Galeria de 1ª categoria
GTN-Galeria Topo Norte
GTS-Galeria Topo Sul
54
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37
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Fig.103 Praças de Touros do tipo Redondo 1-Vila Viçosa 2-Moura 3-Arronches 4-Sousel 5-Montalvão 6-Azaruja 7-Santa Eulália 8-Estremoz 9-Cercal
36
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Fig.104 Praças de Touros do tipo Viga-Pilar 1-Veiros 2-Monforte 3-Garvão 4-Amieira 5-Messejana 6-Gáfete 7-Póvoa de S.Miguel 8-Granja 9-Amareleja
39
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Fig.105 Praças de Touros do tipo Ortogonal 1-Alcácer do Sal 2-Reguengos de Monsaraz 3-Évora 4-Montemor-o-Novo 5-Beja 6-Álter do Chão
38
1 2
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Fig.106 Praças de Touros do tipo Betão 1-Montijo 2-Cascais 3-Almeirim 4-Vila Real de Santo António 5-Póvoa do Varzim 6-Santarém
35
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ALANDROAL 5 0 5
ALBUFEIRA 0 29 29
ALCÁCER DO SAL 1 2 3
ALCOBAÇA 3 0 3
ALCOCHETE 0 6 6
ALENQUER 4 0 4
ALJUSTREL 0 2 2
ALMEIDA 0 1 1
ALMEIRIM 0 2 2
ALTER
ALLTER
T DO CHÃO 0 2 2
ALVAIÁZERE
ALLVAIÁZERE 1 0 1
ALVITO
ALLVITO 1 0 1
ARRAIOLOS 2 0 2
ARRONCHES 3 0 3
ARRUDA DOS VINHOS 0 6 6
AVEIRO
A VEIRO 1 0 1
AZAMBUJA 0 3 3
BAIÃO 2 0 2
BARRANCOS 2 0 2
BEJA 1 2 3
BENAVENTE
BENA AVENTE 3 0 3
BOMBARRAL 1 0 1
CABECEIRAS DE BASTO 1 0 1
CADAVAL
CADA AVAAL 1 0 1
CALDAS DA RAINHA 0 6 6
CARTAXO
CAR TAXO
A 0 3 3
CASTELO DE VIDE 0 1 1
CASTRO MARIM 1 0 1
CASTRO VERDE 1 0 1
CHAMUSCA 0 3 3
CORUCHE 0 5 5
CRATO
CRA ATO 0 2 2
CUBA 2 0 2
ELVAS
ELLVA
AS 1 7 8
ÉVORA 0 10 10
FERREIRA DO ALENTEJO 2 0 2
FIGUEIRA DA FOZ 0 3 3
FRONTEIRA 0 1 1
GRÂNDOLA 2 0 2
GUARDA 1 0 1
GUIMARÃES 2 0 2
IDANHA-A-NOVA
IDANHA-A-NOV VA 0 1 1
LAGOA 1 0 1
LISBOA 0 20 20
LOULÉ 1 0 1
MAFRA 1 0 1
MARCO DE CANA
CANAVESES
AVESES
VESES 1 0 1
MARINHA GRANDE 1 0 1
MAR VÃO
MARVÃO 0 2 2
MIRANDA DO DOURO 1 0 1
MOGADOURO 0 1 1
MOITA
MOITTA 0 9 9
MONTEMOR-O-NOVO 3 3 6
MONTEMOR-O-VELHO 2 0 2
MONTIJO 1 9 10
MORA 1 0 1
MOURA 2 9 11
MOURÃO 0 4 4
NAZARÉ 0 8 8
NISA 0 4 4
OLIVEIRA DO BAIRRO 1 0 1
OURÉM 1 0 1
OURIQUE 1 0 1
PALMELA
PALMELA
A 3 0 3
POMBAL 0 3 3
PORTALEGRE
POR TA
ALEGRE 0 3 3
PORTE
PORTE 0 1 1
POR TIMÃO
PORTIMÃO 1 0 1
POR
PORTOTO DE MÓS 1 0 1
PÓVOA DO V VARZIM
ARZIM 0 2 2
REGUENGOS DE MONSARAZ 1 4 5
SABUGAL 0 1 1
SALVATERRA
SALLVATTERRA DE MAGOS 0 3 3
SANTARÉM
SANT TARÉM
A 1 5 6
SANTIAGO DO CACÉM 1 0 1
SÃO JOÃO DA PESQUEIRA 1 0 1
SEIXAL 1 0 1
SERPA
SERP PA 1 0 1
SETÚBAL 0 2 2
SILVES
SIL
LVES
V 1 0 1
SOBRAL DE MONTE AGRAÇO 0 4 4
SOUSEL 2 1 3
TAVIRA
TAVIRA 3 0 3
TOMAR 0 2 2
TORRES NOVNOVAS
VAS
AS 1 0 1
TORRES VEDRAS 7 0 7
VENDAS NOVNOVAS
VAS
AS 1 0 1
VIANA DO ALENTEJO 2 0 2
VIANA DO CASTELO 0 1 1
VIDIGUEIRA 1 0 1
VILA DO BISPO 1 0 1
VILA FRANCA DE XIRA 1 10 11
VILA NOV
NOVA
VA
A DA BARQUINHA 0 1 1
VILA REAL DE STO ANTÓNIO 1 0 1
VILA VIÇOSA 0 4 4
29 Touradas
20 Touradas
11 Touradas
10 Touradas
9 Touradas
8 Touradas
7 Touradas
6 Touradas
5 Touradas
4 Touradas
3 Touradas
2 Touradas
1 Tourada
10Km 50Km 0 100Km

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1 Morais, António Manuel, A Praça de Toiros de Lisboa: Campo Pequeno, 1992, pp.87
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1 Izquierdo, Francisco López, Plazas Mayores y de Toros, 1992

2 Morais, António Manuel, A Praça de Toiros de Lisboa: Campo Pequeno, 1992, p.872
3 Associação de Arquitectos Portugueses, ed. Arquitectura popular em Portugal, 1988 - Zona 5 p.485
4 Associação de Arquitectos Portugueses, ed. Arquitectura popular em Portugal, 1988 - Zona 5 p.500
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1 Foi referida a Praça de Touros de Évora, apesar de não estar presente no Mapa 3 como pertencente à tipologia Ortogonal, a sua construção original assim o era. Com
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2 Apesar de exteriormente este recinto ser redondo, crê-se que a sua estrutura interior, características funcionais e capacidade se aproxime das praças do tipo Ortogonal.
3 Morais, António Manuel, A Praça de Toiros de Lisboa: Campo Pequeno, 1992
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1 Segundo os registos terá sido construída em 1964

2 Isto se se propuser a possibilidade de num futuro mais ou menos próximo, se perder o interesse pelo espectáculo, se dificultar a sua prática, ou se centralizar a tourada
nos grandes centros taurinos, perdendo os pequenos núcleos a força que actualmente têm.
3 Como acontece nos exemplos anteriormente apresentados dos Tauródromos de Reguengos e Mourão
4 No caso da Praça de Touros tradicional esta porta encontra-se comumente no lado Nascente da Praça
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Fig.108 Praça de Touros Jacinto Branco (São Manços) Alçado e Corte do projecto original.
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Fig.109 Praça de Touros Jacinto Branco (São Manços) Alçado e Corte do projecto original (Sobreposição do projecto de espansão do recinto; Verde-Construído Vermelho-
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Fig.110 Praça de Touros Jacinto Branco (São Manços) Planta de bancadas do projecto original.
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Fig.111 Praça de Touros Jacinto Branco (São Manços) Planta de bancadas do projecto original (Sobreposição do projecto de espansão do recinto; Verde-Construído
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Fig.112 Praça de Touros Jacinto Branco (São Manços) Planta de interiores do projecto original.
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Fig.113 Praça de Touros Jacinto Branco (São Manços) Planta de interiores do projecto original (Sobreposição do projecto de espansão do recinto; Verde-Construído
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Fig.114 Projecto para Praça de Touros de Évora - Planta de Conjunto (Nivel 1) A-Praça de Touros (polivalente) B-Super Praças C-Bloco Habitacional D-Coberto
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Fig.115 Projecto para Praça de Touros de Évora - Planta de Conjunto (Nivel 2) A-Praça de Touros (polivalente) B-Cine Teatro C-Bloco Habitacional D-Coberto
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1 Morais, António Manuel, 1992

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1 Neves, Francisco Palha Botelho,1992

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Fig.2 1877 Fig.3 1899

Fig.4 1955 Fig.5 1957

Fig.5 1945 Fig.6 1972

Fig.7 1967 Fig.8 1981

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1 Neves, Francisco Palha Botelho, O Toiro de Lide em Portugal, 1992.

1 Andrade, Fernando Sommer, O Toureio Equestre em Portugal, 1991.

holds for the Holocene too.

Fig.11 Dispersão geográfica do Auroque

Fig.14 Tenta Figu.15 Touros da Ganadaria Murteira Grave

1 Ganadarias bravas são ganadarias que criam gado bravo

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