SOLFEJO BÁSICO II

Orientações

Este material foi desenvolvido seguindo o programa da estrutura curricular da Escola de

Música do Maranhão "Lilah Lisboa de Araújo”.
O solfejo é uma habilidade na qual a mente deve trabalhar de forma ativa, ao pensar em
cada som, sem tentar "adivinhar" a nota que virá a seguir. Com esse propósito, elaborei
exercícios progressivos que permitirão a construção gradual da capacidade de criar uma
escala completa a partir de poucas notas.
Todos os exercícios deste primeiro caderno estão em grau conjunto, ou seja, uma nota é
seguida por outra, seja para o agudo ou para o grave, sem saltos.
Neste segundo caderno, foram acrescentadas as seguintes guras: a semínima pontuada, a
mínima pontuada, a colcheia e a ligadura.
Antes de começar, cante essas notas em voz alta. Se precisar de ajuda, toque as notas no
piano conforme indicado abaixo, antes de começar a cantar.

Fonte: pintrest.com

Siga as mesmas orientações para os exercícios seguintes.

Bons estudos!

Ciro de Castro
fi
 Solfejo
Básico II Elaborado por Ciro de Castro

Aula 1

1             

           

2                      

         
           

3               

   

                  

®Ciro de Castro
 2 Solfejo

            
4   

           

5
                   

        
        

         
6    

           

®Ciro de Castro
 Solfejo 3

Aula 2

1                    

              
 

2                


          
 

                
 
3

             


®Ciro de Castro
 4 Solfejo

                 
4

             

               
5

             

              
6

            

®Ciro de Castro
 Solfejo 5

Aula 3

1          

       

                    

2                  

       

3                    

           
      

®Ciro de Castro
 6 Solfejo

4                 

            

5
               

             

6                              

                 

®Ciro de Castro
 Solfejo 7

Aula 4

1                       

              



2                  

              

3                              

            
   

®Ciro de Castro
 8 Solfejo


4            

           

                
5 

                 

                  
Variação Mozart

       
       

®Ciro de Castro
 Solfejo 9

Aula 5

1               

             

2                         

                   

3                      

                    

®Ciro de Castro
 10 Solfejo

4            

               
     

5
              

                 

6                

                      

®Ciro de Castro
 Solfejo 11

Aula 6

1                    

             
    

2                      

 
               

      
3 
          

  

               

®Ciro de Castro
 12 Solfejo

4                              

                    

5
                 

              

                  
6 

              

®Ciro de Castro
 Solfejo 13

Aula 7

  
1     
            


   
             

   
2     
      

     

 
           
 

        

Beethoven

       
3

      
        

®Ciro de Castro
 14 Solfejo

                   
4
    

                   
     

                             
5
   

                              
  

                           
6
    

                
      
 

®Ciro de Castro
 Solfejo 15

Aula 8

   
1                          


                     
 

2                    

        
       

3                   

             

®Ciro de Castro
 16 Solfejo

4                                       

       

                  
5
 

              
 

               
6   

          
       

®Ciro de Castro
 Solfejo 17

Aula 9

    
1          
              

    
  
                     

    
2             

       

  
              

   

                          

3

  
                  
     

®Ciro de Castro
 18 Solfejo

                 
4

       
       

                 
  
5

                 
 

 
6                

         

®Ciro de Castro
 Solfejo 19

Aula 10

1                            

              


2                  

                

3              

            

®Ciro de Castro
 20 Solfejo

4                                     

           

                    
5   

                 

                     
6

                   

®Ciro de Castro
 Solfejo 21

Aula 11

  
1     
                

 
            
  
 

 
2     
             

  
          
     
    

3                    

             

®Ciro de Castro
 22 Solfejo

4                                   

                   

                
5          

                      

6                             

                 

®Ciro de Castro
 Solfejo 23

Aula 12

1               

     
     

2                                  

                             

3                  

                

         

®Ciro de Castro
 24 Solfejo

4                       

                 

                    
5

                

6            

       



®Ciro de Castro
 Solfejo 25

Aula 13

1                  

              

 
2                     


    
             

   
      
            

3

   
                    
  

®Ciro de Castro
 26 Solfejo

4                                     

                            

5
                     

             



                


6

       

   

    


®Ciro de Castro
 Solfejo 27

Aula 14

 
1             
                 

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        
      

2            
           

                       

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3                        

   
      
              

®Ciro de Castro
 28 Solfejo

                  

4

             

5                       

                    

                  
6     

        
     


®Ciro de Castro