Escolar Documentos
Profissional Documentos
Cultura Documentos
JONIO
TETRADES TENSES ADD
T 9 3 11 5 13 7+
C D E F G A B
DORICO
TETRADES TENSES ADD
T 9 3B 11 5 (13) 7
D E F G A B C
FRGIO
TETRADES TENSES ADD
T (9B) 3B 11 5 13B 7
E
F
G A B C D
LDIO
TETRADES TENSES ADD
T 9 3 (11#) 5 13 7+
F G A B
C D E
MIXOLDIO
TETRADES TENSES ADD
T 9 3 11 5 13 (7)
G A B C D E
F
ELIO
TETRADES TENSES ADD
T 9 3B 11 5 13B 7
A B C D E F G
LOCRIO
TETRADES TENSES ADD
T (9B) 3B 11 5B (13B) 7
B C
D E F
G
A
T 9 5 7+ FUSION 1
T 4 5 7+ SUS4/FUSION 2
T345
ALLAN HOLSDWORTH
T459
FUSION 5
T59
ADD HENDRIX
T45
MLTIPLAS FUNES
ESCALAS USADA NO FUSION JAZZ
T 2 3 4 5 6 7 7M BEBOP DOMINANTE
T 2 3B 3 4 5 6 7 7M BEBOP MENOR
T 2B 3B 4B 5B 6B 7B ALTERADA
T 2 3B 4 5 6B 7M MENOR HARMNICA
T 2 3B 4 5 6 7M MENOS MELDICA
T 2B 2# 3 5B 5 6 7 DOM DIM
T 2 3 4# 5# 7 T OMS ENTEIROS
T 3B 4 5 7 PENTA M7
T 3B 4 5 6 PENTA M6
T 3 B 4 5B 5 7 BLUNOUT
ETRUTURA FUSION
BB7M5B DM7/9 FM7M/9 BB13 EB7M9 D7/9# EB/DB
GB7/9 BB7M DM7/9 FM7M /9 EM7/5# EB7/9 D7/9#
GM9 BB7/SUS4 BB7 EB7M/9 DM7/9 EB/DB CM7/5#
GB7M/9 E M7/5# CM7/11 B7/5B
BB7M/9 DM7/9
INVENES DE ACORDES
FDN
1INV
2INV
3INV
T 3 5 7/ 3 5 7 T/ 5 7 T 3/ 7 T 3 5
MODOS DA ESCALA MENOR MELDICA
IMPROVISAO NO JAZZ
MENOR MELDICA
C D EB F G A B CM(MAJ7)
PHRYGIAN 6
D EB F G A B C DSUS(9B)
LYDIAN AUMENTED
EB F G A B C D EBMAJ7(4#5#)
LYDIAN DOMINANTE
F G A B C D EB F7/#11
MIXOLDIO 6B
G A B C D EB F G9(6B)
LOCRIA 2#
A B C D E F G AM9(6B)
ALTERADA
B C D E F G A B7/9#(13B)
CAMPO HARMNICO MAIOR SEQUNCIA DE TONALIDADES
1
2
3
4
5 6
7
C7+ DM7 EM7 F7+ G7 AM7 B
MENOR NATURAL
1
2
3
4
5 6
7
AM7/9 B C7+/9 DM7/9 EM7/9B F7+/9# G7/9
1
EM7+/9/11
MENOR HARMNICO
2
3
4
5 6 7
F# G7+5#/11 AM7/9#/11 B7/9B/11
C7+9#/11# EB
MENOR MELDICO
1
2
3
4
5
6
7
BM7+/13 C#M7/13/9B D7+5#/13/9# E7/13/11#
F#7/11/13 B G13/9#/11# ABM/5B/11/13B
BBM7/5B/9B/11B/13B
7
BM5B/7/9B/11/13B
3
6
EM7/9B/11/13B AM7/11/13B
2
BM5B/7/9B/11/13B
1 EM7/9B/11/13B AM7/11/13B
4
7
DM7/11/13
G7/9/13
3
C7+/9/13
ACORDES DIMINUTOS E
DOMINANTES
(DOM DIM)
CM7/4 EB7/9#/13 FM7/9 F7 DM7/5B D7 CM7/4
CM7/4-B7 EBM7/BB9 A7-AB7/13 DB7M/9 DB7
DM7/5B B7 CM7/9
DIMINUTOS
F7M
F7M
F7M
F7M/9
F7M/9
GM7/5B C7/9B
GM7/5B C7/13B
GM7/5B C7/9B
GM7/5B C7/13B
GM7/5B C7/9B
FM7/9
FM7
FM7/9
FM7/4
FM7/11
DM7/9
CM7/9
BBM7/9
ABM7/9
F#M7/9
EM7/9
EBM7/9
G7/9/13
C7M/9
F7/9/13
BB7M/9
EB7/9/13 AB7M7/9
DB7/9/13 GB7M/9
B7/9/13
E7M/9
A7/9/13
D7M/9
AB7/9/13 DB7M/9
C#M7/9
BM7/9
AM7/9
GM7/9
FM7/9
F#7/9/13 B7M/9
E7/9/13
A7M/9
D7/9/13
G7M/9
C7/9/13
F7M/9
BB7/9/13 EB7M/9
SEGUNDA-FEIRA
5. AQUECIMENTO/
(CROMATISMO ) 4 NOTAS POR CORDAS
1-2-3-4 2134 3124 4123
1-2-4-3 2143 3142 4132
1-3-2-4 2314 3214 4213
1-3-4-2 2341 3241 4231
1-4-2-3 2413 3412 4312
1-4-3-2 2431 3421 4321
4 MECNICA /
(MODOS GREGOS) 3 NOTAS POR CORDAS
JNICO
T 2 3 4
5 6 7M
DRIO
T 2 3B 4
5 (6M) 7
FRGIO
T (2M) 3B 4
5 6B 7
LDIO
T 2 3 (4#) 5 6 7M
MIXOLD
T 2 3 4
5 6 (7M)
ELIO
T 2 3B 4
5 6B 7
LOCRIO
T (2M) 3B 4 (5B) (6M) 7
MENOR HARMNICA
T 2 3 B 4 5 6B 7 M
MENOR MELDIC
T 2 3B 4 5 6 7M
MAIOR BEBOP
T 2 3
4 5 5# 6
7M
MENOR BEBOP JAZZ
T 2 3B 3 4 5 6 7
DOMINANTE BEBOP JAZZ
T 2 3 4 5 6
7B 7M
1M7+
1M7+
MAIOR
3M7 4M7+ 5M7
PROGRESSO 2 5 1
6M7
MENOR HARMNICO
2M5B/7 3MB5#7+ 4M7 5M7
7DIM
PROGRESSO 2 5 1
2M7
MENOR MELDICO
3MB5#/7+ 4M7 5M7
7M5B/7
PROGRESSO 2 5 1
7M5B/7
6MB7+
6M5B/7
1M7
2M7
DORICO
3MB7+ 4M7
5M7 6M5B/7
PROGRESSO 2 5 1
FRIGIO
1M7 2MB7+ 3MB7 4M7 5M5B7
7BM7
PROGRESSO 2 5 1
1M7+
1M7
1M7
2M7
2M5B/7
1M5B/7
6M5B/7+
LDIO
3M7 4#M5B/7 5M7+
PROGRESSO 2 5 1
2M7
MIXOLDIO
3M5B/7
4M7+
7MB7+
PROGRESSO 2 5 1
6M7
5M7
ELIO
3MB7+
4M7 5M7
7MB7
PROGRESSO 2 5 1
LCRIO
2MB7+
3BM7
4M7
6MB7 7BM7
PROGRESSO 2 5 1
7MB7+
7M7
6M7
6MB7+
5MB7+
JONIO
T 2 3 4 5 6 7+
NO EVTD.
4/11
NO CARCT. 7+
NO PROG. X7+9 X69 X7+13
ARPEJOS.
3G 5 G 6G
PENT.
3G
6G
DORICO
T 2 3B 4 5 (6) 7
NO EVTD
NO CARCT
6 13
NO PROG.
XM79. XM6. XM69 XM713. XSUS4
ARPEJS.
TDS OS TONS
PENT.
2G 3 G 6G
FRIGIO
T (2B) 3B 4 5 6B 7
NO EVTD
6B
NO CARCT.
9B
NO PROG.
XM9B. XM6B. XSUS49B
ARPEJS.
TODOS
PENT.
2G 3 G 6G
NO PROG.
XM713B
LIDIO
T 2 3 (4#) 5. 6. 7+
NO EVTD
NO CARCT. 4# 11#
X7+9. X6. X69. X6911 X7+13. X7+11#
ARPEJS.
TODOS
PENT.
2G 3 G 6G
MIXOLDIO
T. 2. 3. 4. 5 6 7
NO EVTD
NO CARCT. MODAL TRTONO
NO PROG. X79. X6. X69. X713. XSUS4
ARPEJS.
TODOS
PENT
DRICO . 2G. 3G. 6G. 7G
ELIO
T 2 3 B 4 5 6B 7
NO EVTD.
NO CARCT.
6B
NO PROG. XM79. XM6B. XSUS4. XM713B
ARPEJS.
TODOS
PENT.
2G 3 G 6G
LCRIO
T 2B 3 B 4 5 B 6B 7
NO EVTD. 6B
NO CARCT. 5B
NO PROG. X. XM7B5. XM7B5B9. XM7B511
ARPEJS.
2 G 3G 5 G 7G
PENT.
2G
1,2,4,5,6,B7
CROMTICA: 1,B2,2,#2,3,4,#4,5,#5,6,#6,7
DISMINUIDA 1: 1,2,B3,4,#4,#5,6,7
DISMINUIDA 2: 1,#2,3,#4,5,6, B7
DISMINUIDA 3: 1,B2,#2,3,#4,5,6, B7
DOBLE ARMNICA: 1,B2,3,4,5,B6,7
DOM. SUS 4: 1,2,4,5,6, B7
DRICA: 1,2,B3,4,5,6,B7
DRICA ALTERADA: 1,2,B3,4,B5,B6,B7
DRICA B2: 1,B2,B3,4,5,6,B7
DRICA CROMTICA: 1,B2,2,4,5,B6,6
EGIPCIA: 1,2,4,5, B7
ENIGMTICA 1: 1,B2,B3,4,B6
ENIGMTICA 2: 1,B2,3,#4,#5,7
ENIGMTICA DE VERDI 1: 1,B2,3,4,B5,B6,B7,7
ENIGMTICA DE VERDI 2: 1,B2,3,4,#5,#6,7
ENIGMTICA DE VERDI 3: 1,B2,3,#4,#5,#6,7
ESPAOLA HEXATNICA: 1,B2,3,4,5,B7
ESPAOLA OCTOTNICA: 1,B2,B3,3,4,B5,B6,B7
ESPLA: 1,B2,#2,3,4, B5,B6,B7
ESQUIMAL HEPTATNICA: 1,2,B3,4,5,6,B7
ESQUIMAL HEXATNICA 1: 1,2,3, B5,B6,7
ESQUIMAL HEXATNICA 2: 1,2,B3,4,5,B7
ESQUIMAL TETRATNICA: 1,2,3,5
ETOPE 1: 1,2,3,4,5,6,7
ETOPE 2: 1,2,B3,4,5,B6,B7
ETOPE 3: 1,2,3,4,5, B6,7
ELICA: 1,2,B3,4,5,B6,B7
FLAMENCA: 1,B2,3,4,5,B6,B7
FRIGIA: 1,B2,B3,4,5,B6,B7
FRIGIA #6: 1,B2,B3,4,5,6,B7
FRIGIA B4: 1,B2,B3,B4,5,B6,B7
FRIGIA CROMTICA: 1,#2,3,4,#5,6, B7
1,B2,#2,3,4,5,B6,B7,7
HISPANO-RABE: 1,B2,3,4,5,B6,7
HITZASKIAR: 1,B2,3,4,5,B6,7
HITZAZ: 1,B2,3,4,5,B6,B7
HON-KUMOI-JOSHI: 1,B2,4,5,B6
HONCHOSHI : 1,4
HONCHOSHI PLAGAL: 1,B2,B3,4,B5,B7
HOUZAM: 1,B3,3,4,5,6,7
HNGARA MAYOR 1: 1,#2,3,#4,5,6, B7
HNGARA MAYOR 2: 1,B2,3,#4,5,B6,B7
HNGARA MENOR 1: 1,2,B3,#4,5,B6,B7
HNGARA MENOR 2: 1,2,B3,#4,5,B6,7
ICHIKOSUCHO: 1,2,3,4, B5,5,6,7
IN: 1,B2,B3,4,5,B6,B7
INDOSTN: 1,2,3,4,5, B6,B7
ISHIKOTSUCHO: 1,2,3,4, B5,5,6,7
ISRAEL 1: 1,#1,#2,3,#4,#5,6,7
ISRAEL 2: 1,B2,3,4,5,B6,B7
IWATO: 1,B2,4,B5,B7
JAVANESA 1: 1,B2,B3,4,B6
JAVANESA 2: 1,B2,B3,4,5,6,B7
JAVANESA 3: 1,B2,B3,5,B6
JAZZ MENOR: 1,2,B3,4,5,6,7
JIN YU: 1,2,4,5, B7
JUDA: 1,2,3,4,#5,6,7
JNICA: 1,2,3,4,5,6,7
JNICA AUMENTADA: 1,2,3,4,#5,6,7
KOKIN-JOSHI: 1,B2,4,5,B7
KUMOI: 1,3,4,6,7
KUNG: 1,2,3,B5,6
KYEMYONJO: 1,B3,4,5,6
LEADING WHOLE TONE: 1,2,3,#4,#5,#6,7
LIDIA: 1,2,3,#4,5,6,7
LIDIA AUMENTADA: 1,2,3,#4,#5,6,7
LIDIA B7: 1,2,3,#4,5,6, B7
LIDIA CROMTICA: 1,B2,3,4,B5,6,7
LIDIA DISMINUIDA: 1,2,B3,#4,5,6,7
LIDIA HEXATNICA: 1,2,3,5,6,7
LOCRIA: 1,B2,B3,4,B5,B6,B7
LOCRIA MAYOR: 1,2,3,4, B5,B6,B7
MAGEN ABOT: 1,B2,#2,3,#4,#5,6,7
MAHOMETANA: 1,2,B3,4,5,B6,7
MAYOR: 1,2,3,4,5,6,7
MAYOR INVERTIDA: 1,B2,B3,4,5,B6,B7
MAQAM BAYAT-E-ESFAHAN: 1,2,B3,4,5,B6,7
MAQAM HICAZ: 1,B2,3,4,5,6, B7
MAQAM HIJAZ: 1,B2,3,4,5,B6,B7,7
MAQAM HUMAYUN: 1,B2,3,4,5,B6,B7
MAQAM HUZZAM : 1,B2,B3,3,5,B6,B7
MAQAM KARCIGAR: 1,2,B3,4,B5,6,B7
MAQAM KURD: 1,B2,B3,4,5,B6,B7
MAQAM NAHAWAND: 1,2,B3,4,5,B6,B7,7
MAQAM NAKRIZ: 1,2,B3,#4,5,6, B7
1,B2,3,4,B5,6,B7
OUSAK: 1,B2,B3,4,5,B6,B7
OVERTONE: 1,2,3,#4,5,6, B7
PEIRAIOTIKOS: 1,B2,3,#4,5,6,7
PELOG: 1,B2,B3,5,B7
PENTATNICA ALT.B5: 1,2,3, B5,6
PENTATNICA ALT.B6: 1,2,3,5, B6
PENTATNICA ALT.B2: 1,B2,3,5,6
PENTATNICA ALT.B3/B6: 1,2,B3,5,B6
PENTATNICA DE DOMINANTE: 1,2,3,5, B7
PENTATNICA DE DOMINANTE: 1,3,4,5, B7
PENTATNICA MAYOR 1: 1,2,3,5,6
PENTATNICA MAYOR 2: 1,2,3,5,7
TCHEREPNIN: 1,#1,#2,3,4,5,#5,6,7
TETRATNICA: 1,4,B5,7
TONO-SEMITONO: 1,2,B3,4,B5,B6,6,7
TODI THAT: 1,B2,B3,#4,5,B6,7
TONAL: 1,2,3,#4,#5,#6
TRITNICA: 1,4,5
UJO: 1,2,4,5,6
ULTRA LOCRIA: 1,B2,B3,3,B5,B6,6
UTE: 1,B3,B7
WARAO DITNICA: 1,B7
WARAO TETRATNICA: 1,2,B3,B7
WARAO TRITNICA: 1,4,5
CHINA 1: 1,3,#4,5,7
CHINA 2: 1,2,3,5,6
CHINA ANTIGUA : 1,2,3,#4,5,6
CHINA OCTONTNICA: 1,2,3,4,5,6, B7,7
YI ZE: 1,B3,4,B6,B7
YO: 1,2,4,5, B7
YOSEN: 1,2,4,5,6, B7
YOULAN: 1,B2,2,3,4,B5,5,6,B7
YU HEPTATNICA: 1,2,B3,4,5,6,B7
YU PENTATNICA: 1,B3,4,5,B7
ZHI: 1,2,4,5,6
CNGARA ESPAOLA: 1,2,B3,4,5,B6,7
CNGARA HEXATNICA: 1,B2,3,4,5,B6,BB7
CNGARA MAYOR 1: 1,B2,3,4,5,B6,7