" VIRGEM MÃE APARECIDA "

      
- MÚSICA CATÓLICA -
 = 100                 
       
      
             
Piccolo

   
       
 3 3 3 3

      
              
Flauta Transversal

           
 3 3 3 3

     
Clarinete em E♭

                        
 3 3 3 3


3 3 3 3

  
  
Clarinete em B♭ 1

                      
   



3 3 3 3

  
  
Clarinete em B♭ 2

      
 
            
   



3 3 3 3

  
  
Clarinete em B♭ 3

                      
   



3 3 3 3

  
  
Saxofone Soprano

  

   
             
   



3 3 3 3

  
  
Saxofone Alto

        
           
 
  


 
3 3 3 3

                  
Saxofone Tenor

            



  
 
Saxofone Barítono


          
       
3

          
3

   
Trompa em F 1


                  


              
Trompa em F 2

                   


              
Trompa em F 3

      
              


      
   
3 3 3 3

    
 
Trompete em B♭ 1

        
    
       


   
3 3 3 3

       
Trompete em B♭ 2

                     


  
3 3 3 3

               
Trompete em B♭ 3

                       


             
       
Trombone Tenor 1

               


                  
Trombone Tenor 2

           
    


    
   
       
Trombone Tenor 3

               
    




Bombardino

     3   
           


       
3

  
  
3 3 3


3

                              
Sousafone em B♭

       
Caixa Clara

  


  
                
 
Bombo

                   


Pratos

 6            
   
2

    

         

           
   
Flt.

             


 
           
   
Fl.

             


 
 
Cl. em E♭

        
  
      
 



       
 
Cl. em B♭ 1

                 
   


       
  
Cl. em B♭ 2

      
          
 



       
  
Cl. em B♭ 3

      
           
 



      
  
Sax. Sop.

     
      
        


      
A. Sax

                                        




Sax. Tn.

                       
  


Bar. Sax

 
        


Trom. F 1
                 
            
         


                              
Trom. F 2

         


      
                        
Trom. F 3

                 
   


       
 
Tpt. em B♭ 1

                 
     


      
  
Tpt. em B♭ 2

      
             
 



     
                               
Tpt. em B♭ 3

          
            
                      
Tbn. T. 1

     


            
Tbn. T. 2

                           
 


                             
Tbn. T. 3

           


Bomb.

         


       
     
 
Ssfn. em B♭

                                     



Cx.Cl.

       
             

Bmb.

Cym.           

   
11                
3

            

                 
Flt.

           

                 
Fl.

            


Cl. em E♭

                       
      

Cl. em B♭ 1

                       
      
 
Cl. em B♭ 2


   
          

            
 
Cl. em B♭ 3

                      
      

Sax. Sop.

                      
A. Sax
       

              
                

Sax. Tn.

                    
Bar. Sax
  

                   



             
Trom. F 1

              
                     
Trom. F 2

              
                     
Trom. F 3

     
 
       
 
           
  

Tpt. em B♭ 1

   
            

         
  
 
Tpt. em B♭ 2

            
      
         
         
Tpt. em B♭ 3

       

  
   
    
          

            
Tbn. T. 1

                      
    
                
Tbn. T. 2

                      

             
Tbn. T. 3

 
Bomb.
                  

          
         

Ssfn. em B♭

                                  
    
Cx.Cl.


                     

Bmb.

Cym.             
   
16         
 

      
4

        
        
          
Flt.

        
        
          
Fl.

         
   
Cl. em E♭

               
        

   
Cl. em B♭ 1

               
 

      
  
Cl. em B♭ 2

 
                

      
  
Cl. em B♭ 3

 
                

      
 
Sax. Sop.

  
                

      

A. Sax

                                    
   

Sax. Tn.

                       
Bar. Sax
 
 
           
   
  
 
                  
Trom. F 1

         
                              
Trom. F 2

         
      
                        
Trom. F 3

               
        

   
Tpt. em B♭ 1

                         

 
Tpt. em B♭ 2

  
                

      
                                   
Tpt. em B♭ 3

     

                    
              
Tbn. T. 1

     
      
Tbn. T. 2

               
                  

         
Tbn. T. 3

                      

      
Bomb.

         
            
 
Ssfn. em B♭

                                     

Cx.Cl.


                    

Bmb.

Cym.                
 21            

         
5

     
           

         
Flt.

     
3 

           

         
Fl.

     
3 


Cl. em E♭


                
    
3 

 
3

 
Cl. em B♭ 1

                
    


 
3


Cl. em B♭ 2

   
                  


   
3

 
Cl. em B♭ 3

             
         
3


 
Sax. Sop.

                 
 


  
3 3

 
A. Sax

                 

  
  
 

3 3

      
Sax. Tn.

             
     




Bar. Sax

           
3
 3

                


Trom. F 1

         


                


Trom. F 2

         


                 

Trom. F 3

 
                    


    
3

 
Tpt. em B♭ 1

                      


  
3


Tpt. em B♭ 2


           
        
       

3

          

Tpt. em B♭ 3

              


               

Tbn. T. 1

           

 3

Tbn. T. 2

                     

 



3

 
     
Tbn. T. 3

 
                 
 3

Bomb.

         
 


      
   
33

 
3

                             

Ssfn. em B♭


Cx.Cl.

 
              


    
  
Bmb.

Cym.               

 26                 
       
6

         
                
Flt.

                 
3 3

                

Fl.

                 
3 3

   
Cl. em E♭

                              
   
3 3

 
  
Cl. em B♭ 1

                               

3 3

   
3 3

  
Cl. em B♭ 2

                                   
3 3

  
Cl. em B♭ 3

                                   
3 3


Sax. Sop.

                
    
3 3


A. Sax

              
     
3 3

   
Sax. Tn.

               
Bar. Sax
 

                              
3 3

       
3 3

   
Trom. F 1

                
                 
3 3

   
Trom. F 2

                
3 3

                     
Trom. F 3

                                
  
  
Tpt. em B♭ 1

   
                           
3 3

   
3 3

Tpt. em B♭ 2

  
                               
   
3 3

 
Tpt. em B♭ 3

                
  

    
Tbn. T. 1

               
 
3 3

    
Tbn. T. 2

                

3 3



 
Tbn. T. 3

              
   
3 3



Bomb.

   
     
3 3

           
3 3

                               

Ssfn. em B♭

      
Cx.Cl.

   
            
3 3

   
   
Bmb.

Cym.                 
 30           
      

7
        
      
 
   

          
Flt.


   
            
      


   
 
          
Fl.


   
            
      


   
 
      

Cl. em E♭

                              
    



  

Cl. em B♭ 1

   
                                  



 

Cl. em B♭ 2

                     
      


         
             
Cl. em B♭ 3

            
        




    

Sax. Sop.

            
   


    
3


A. Sax

                


   
3

 
Sax. Tn.

                 
  


Bar. Sax

 
              
3 

            

   
Trom. F 1

                


            

   
Trom. F 2

               


              

   
Trom. F 3

                               
   
         
Tpt. em B♭ 1

 
                          
  


 
         
Tpt. em B♭ 2

                        




        
    
 
 
Tpt. em B♭ 3

              

    
Tbn. T. 1

                



3

  
Tbn. T. 2

                



 
3

 
Tbn. T. 3

 
 
 
               
3 

Bomb.

       



    
3

         
3

                                

Ssfn. em B♭

        

Cx.Cl.

   
                
                


       
Bmb.

Cym.                      

       
35          
 
8

            

               
 
Flt.

           

               
 
Fl.

            

 
Cl. em E♭

                     
       
 
Cl. em B♭ 1

 
   
          


   
  
  

  
Cl. em B♭ 2

         
          
       
  
Cl. em B♭ 3

         
          
     
 
  
Sax. Sop.

 
A. Sax    
          


   
 

  

                                        


Sax. Tn.

                      
Bar. Sax
   
 
   
  
    
        
                  
Trom. F 1

         
                              
Trom. F 2

         
                               
Trom. F 3

    
   
          


   
 


 
Tpt. em B♭ 1

    
   
          


   
  

  
Tpt. em B♭ 2

           
          
     
                              
Tpt. em B♭ 3

          
            
                    
Tbn. T. 1

       

            
Tbn. T. 2

                           
 
                          
Tbn. T. 3

Bomb.
              

         
      
       

Ssfn. em B♭

                                     

Cx.Cl.


                    

Bmb.

Cym.           

 40               
 
9

           

             
  
Flt.

           

              
Fl.

       
 
    
 
Cl. em E♭

                      
     
 
Cl. em B♭ 1

                      
     
  
Cl. em B♭ 2

          
              
 
  
Cl. em B♭ 3

                          


Sax. Sop.


                          
 
A. Sax

                              


Sax. Tn.

                
Bar. Sax
      

           




  

                
Trom. F 1

              
                     
Trom. F 2

              
                     
Trom. F 3


        
             
     
 
Tpt. em B♭ 1

          

         
  
  
  
Tpt. em B♭ 2

         

               

         
Tpt. em B♭ 3

          
                
    
   
Tbn. T. 1

                               
    
        
Tbn. T. 2

                              

   
Tbn. T. 3

  
Bomb.
                           

          
         

Ssfn. em B♭

                                  
    
Cx.Cl.


                     

Bmb.

Cym.               
     
45               
10

         
    
             
Flt.

   
      
3

    
             
Fl.

 
        
3

   
Cl. em E♭

            
          
3

 
3

   
Cl. em B♭ 1

            
           

3

  
Cl. em B♭ 2

 
          


          
3

  
Cl. em B♭ 3

 
           

          
3

  
Sax. Sop.

 
          


          

3

 
A. Sax

                                       
3

   
Sax. Tn.

                   
Bar. Sax
     

            
3

                           
Trom. F 1

          
                            
Trom. F 2

         
        
                      
Trom. F 3

          
            


3

   
Tpt. em B♭ 1

                      
  
3

  
Tpt. em B♭ 2

 
           

          
3

                            
Tpt. em B♭ 3

            
                    
                   
Tbn. T. 1

         
Tbn. T. 2

                              
 
 
                         
Tbn. T. 3

            
Bomb.
 
        
     
          
3


Ssfn. em B♭

                                    
 
Cx.Cl.

  
                    
 
Bmb.

Cym.                  
 50        
               
11

    
      
              
Flt.

     

3

      
             
Fl.

  
    
3

 
Cl. em E♭

          
            
3

  
3

 
Cl. em B♭ 1

          
      
        
3


Cl. em B♭ 2

     
    
                
3


Cl. em B♭ 3

     
    
                
3

 
Sax. Sop.

                  
 
     
3

    
A. Sax

              
            
    
3

 
Sax. Tn.

                   
Bar. Sax
   
  
        
3

Trom. F 1
                          
          


                    
    
Trom. F 2

          


                        
Trom. F 3

  
                 


        
3

 
Tpt. em B♭ 1

         

 

            

3


Tpt. em B♭ 2


       
                  

3

                    
    
Tpt. em B♭ 3

           

                            
Tbn. T. 1

         


Tbn. T. 2

                                     
 



    
         
Tbn. T. 3

     
          
   


 

Bomb.

         
         
3

 
3

                                     
Ssfn. em B♭

 
Cx.Cl.



                    

Bmb.

                


Cym.

     
55         
   
12

     
    
        
   
Flt.

     
3 3 3

    
        
   
Fl.

     
3 3 3

    
Cl. em E♭

  
         

    
3 3 3
3 3 3

    
Cl. em B♭ 1

  
         

    
3 3 3

    
Cl. em B♭ 2

  
         

    
3 3 3

    
Cl. em B♭ 3

  
          
    
3 3 3

  
Sax. Sop.

  
            
    
3 3 3

  
A. Sax


               
   
3 3 3

    
Sax. Tn.

               
Bar. Sax
    
           
Trom. F 1     
 




     
 

                  
          
Trom. F 2

                  
          
Trom. F 3

      
         

 
   
3 3 3

    
Tpt. em B♭ 1

  
         

    
3 3 3

    
Tpt. em B♭ 2


            
    
3 3 3

          
Tpt. em B♭ 3

                  
         
Tbn. T. 1

    
         
    

 
Tbn. T. 2

                   
        
    
Tbn. T. 3

         
       
Bomb.

            
 
3

  
3 3

     
Ssfn. em B♭

                     
      
Cx.Cl.


           

Bmb.

Cym.            
 " VIRGEM MÃE APARECIDA "
    
- MÚSICA CATÓLICA -
      
Piccolo

     
      
  
         
 = 100

 3 3 3 3 


                      
              
7

 

                              
    
       
14

                           
        
22

            
      
       
27

3 3

               
           
   
31




                     
      
            
36

 

                                 
         
43

               
 

                  
 
51

3 3 3 3
 " VIRGEM MÃE APARECIDA "
    
- MÚSICA CATÓLICA -
      
Flauta Transversal

     
      
  
         
 = 100

 3 3 3 3 


                      
              
7

 

                              
    
       
14

                           
        
22

            
      
       
27

3 3

               
           
   
31




                     
      
            
36

 

                                 
         
43

               
 

                  
 
51

3 3 3 3
 " VIRGEM MÃE APARECIDA "
- MÚSICA CATÓLICA -
   
 = 100                    
Clarinete em E♭

      


                    



3 3 3 3

              
6

                  


     
        
12

                                 
      
18

                                 
  
3

  
24


   

                        
                   
29

       
                    
3 3

 
             
34

              


     
            

40

                                    
     
46

        
                        
3

 
      
52

3 3 3 3
 " VIRGEM MÃE APARECIDA "
Clarinete em B♭ 1 - MÚSICA CATÓLICA -

 = 100 3       3        
      
     

3 3


                          
         
6

 



  
        
                
  
12

  

      


   
                     
   
18
3

                        
           
  
24

                                  


        

29

3 3    
                            
            
33

 



                         
           
39

   

    
                            
    
46
3

  3          
   
         
        
  
52 3 3
3
 " VIRGEM MÃE APARECIDA "
Clarinete em B♭ 2 - MÚSICA CATÓLICA -

 = 100 3       3        
      
     

3 3


                          
         
6

 



  
        
                
  
12

  

      


   
                     
   
18
3

      
                        
      
24

  

                                 
        
29

                        
3 3

   
           
33

  



                         
           
39

   

    
                            
    
46
3

  3          
   
         
        
  
52 3 3
3
 " VIRGEM MÃE APARECIDA "
Clarinete em B♭ 3 - MÚSICA CATÓLICA -
            
     
       
   
 = 100

     
3 3
3 3

 

                          
             
       
7

       
                             
      

14


3

   
 
                                 
   
22

 
                                  
   
28

   
3 3

        
                  
                 

32

                  
       
       
 
        
38

   
                                
    
45


3

  3          
                    
52 3 3
3
 " VIRGEM MÃE APARECIDA "
Saxofone Soprano - MÚSICA CATÓLICA -
            
     
       
   
 = 100

     
3 3
3 3

 

                          
             
       
7

       
                                        
 
14 3

 
                                          
22

  

    
                                
   
28

3 3


            
                    
          
32

 

                           

                 
38

   
                                
    
45


3

  3          
                    
52 3 3
3
 " VIRGEM MÃE APARECIDA "
- MÚSICA CATÓLICA -
   
 = 100                    
Saxofone Alto

      


3

                   
3 3 3

   
          
  
6

                
                 
           
12

                                
      
 
19

                  
3 3

    
           
  
26

3 3 3

                        
              
   
33

                                      
       

40

                                       
     


47

     
          
3 3

  
        

54

3 3 3
 " VIRGEM MÃE APARECIDA "
Saxofone Tenor - MÚSICA CATÓLICA -
         
      
        
   
 = 100

 
3 3
3 3

 


                                            
 
7

                                      
          
13

                 3  
     
            
19

   
                                

25
3 3 3 3

 
                                           

33

        

       
39

                       3
      
          
45

     3     3
            
          
50

     
        
  
56 3 3
 " VIRGEM MÃE APARECIDA "
Saxofone Barítono - MÚSICA CATÓLICA -

 = 100                              
       
  
3 3

            
   
                    
 
7

    
                         

   
15

                                     
     
22

  3 3
3

               
     
  
30

3 

    
  
                             
 
37

             
                       
45

                               
          
52

3
 " VIRGEM MÃE APARECIDA "
Trompa em F 1 - MÚSICA CATÓLICA -
      
                               
 = 100

 


                                       
7

        

           
            
12


  
               
 
18

 
 
                                   

24




         

                                
   
29

   
3 3


                                                
34

        
      
                              
40


  
               
 
46

       
           
                              

52


 " VIRGEM MÃE APARECIDA "
Trompa em F 2 - MÚSICA CATÓLICA -

                                
 = 100

 
 


                                   
   
7

              
   
12

      

 
                                               
17

        
                     
23

                    
               
28

           
3 3

 
        
 
 
 
   
               
33

                    
 
39

      

 
                                               
44

     
          
             
50

    
  





    
 
56
 " VIRGEM MÃE APARECIDA "
Trompa em F 3 - MÚSICA CATÓLICA -

                
 = 100

              



                
6


       

              
11

            


                
16

       

         
21

             



            
26

                

3 3

   

             
30

             
   

                
34


                     

              
39

            


                
44

       

             

 
49

          

              
                
54


 " VIRGEM MÃE APARECIDA "
Trompete em B♭ 1 - MÚSICA CATÓLICA -

 = 100 3       3        
      
     

3 3


                          
         
6

 



  
        
                 
   
12

  

      


   
                     
   
18
3

                        
           
  
24

                                  


        

29

3 3    
                            
            
33

 



                         
           
39

   

    
                            
    
46
3

  3          
   
         
        
  
52 3 3
3
 " VIRGEM MÃE APARECIDA "
Trompete em B♭ 2 - MÚSICA CATÓLICA -

 = 100 3       3        
      
     

3 3


                          
         
6

 



  
        
                
  
12

  

      


   
                     
   
18
3

      
                        
      
24

  

                                 
        
29

                        
3 3

   
           
33

  



                         
           
39

   

    
                            
    
46
3

  3          
   
         
        
  
52 3 3
3
 " VIRGEM MÃE APARECIDA "
Trompete em B♭ 3 - MÚSICA CATÓLICA -
            
     
       
   
 = 100

     
3 3
3 3

 

                          
             
       
7

       
                             
      

14


3

   
 
                                 
   
22

 
                                  
   
28

   
3 3

        
                  
                 

32

                           

                 
38

   
                                
    
45


3

  3          
                    
52 3 3
3
 " VIRGEM MÃE APARECIDA "
Trombone Tenor 1 - MÚSICA CATÓLICA -
               
          
 = 100

 

                              
         
7

       
           
    
12

                            

         
17

        

                
22

 
3

                     
3

      
   
28

                              
3 3


         
35

       
           
    
40

                            

         
45

                  


         
50

 


        
                  
55
 " VIRGEM MÃE APARECIDA "
Trombone Tenor 2 - MÚSICA CATÓLICA -
             
                 
 = 100

 

                                  
             
7

   

           
               
13

  


                              
19


                                 
    
25

 3 3 3 3

                 
                
34

              
                 
             
40

    

           
              
46

                            
     
 
52


 " VIRGEM MÃE APARECIDA "
Trombone Tenor 3 - MÚSICA CATÓLICA -

                               
 = 100

      
 

      
          
7

                   

12

     
              

17

       
                               
23

 3 3 3

                                        
  
30

3 

           
                       
     
37

     
                         
  
42

                                            
   
48

         
                    
       
54


 " VIRGEM MÃE APARECIDA "
Bombardinol B♭ - MÚSICA CATÓLICA -

 = 100 3       3    
      
         


3 3


                                       


 

6




    
     
   
11

 
                                        
16

  

 
                      

 
21


3

  


                    
         
27
3 3 3


                                        

34




             

 
39

     
 
          
44

     3
         
       
49

       3     
   
      
 
54 3 3


 " VIRGEM MÃE APARECIDA "
Tuba em B♭ - MÚSICA CATÓLICA -

   
                              
 
 = 100

 3 3    

                                  
  
7

 

                                   
   
15

 3


                                   
  
23

3 3
3

                        

30

3 

            
                        
37

 

                                   
   
45

 3

    
             
    
53

3
  
 " VIRGEM MÃE APARECIDA "
Caixa Clara - MÚSICA CATÓLICA -

                                      
 = 100

       

                                            

7

    

                                           
13

 

     

19

                                      
24


     

                                         
29

3 3
         

                                            

34

                                           
40

     

     

46

                                    
51

   

              
56

    
 " VIRGEM MÃE APARECIDA "
Bombo - MÚSICA CATÓLICA -

   
                
 = 100

  
                                  
9

                                   
18

               
             
27

  
                        
33

                           
41

                                    

49


 " VIRGEM MÃE APARECIDA "
Pratos - MÚSICA CATÓLICA -

    
                      
 = 100

 

   
                         
12

        

                              
23

  
    
                  
31

 

   
                       
41

 
                  
52