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Liz and the Blue Bird

Movements I - IV Akito Matsuda


    
A  = 190

         
I - Ordinary Days

               
  
             
 = 120
 
3  
Flute 1

     
   

                  
             

   
3  
Flute 2

 
                                 
      

Bassoon

     
                                    
 
Contrabassoon

 
                            
        
 
E♭ Clarinet


                    
       
    
 
Clarinete em B♭ (Flautim)

              
 
                           
  
B♭ Clarinet 1

                                
           
 
B♭ Clarinet 2

          
                              


B♭ Clarinet 3

                         
       

   
B♭ Bass Clarinet

     
       
        
                 
3
Alto Saxophone 1

         
 
    

                        

3
Alto Saxophone 2

              
 
   
  

             
Tenor Saxophone   
  
                              

Baritone Saxophone

    
 
     
                          


B♭ Trumpet 1

   
       
                         
   

B♭ Trumpet 2

   
       
                      
        

B♭ Trumpet 3

   

               
                
        
  
          
  
          
 
     
 
 
Horn in F 1

              



                                                             

  

Horn in F 2

         
                 
                                                        

 
Horn in F 3

              

              
                                      
Horn in F 4

  
      

 
        

          
    
 
                   
 
   
Trombone 1

     
                        
        

  

  
   
Trombone 2



 
                                             
   
 
    
Trombone 3


      
          
 
            

Euphonium

 
 
                                
                    
 
Tuba

     

 
                                             


   
pizz.

 
Contrabass

                      
  

 
                      
Harp


 
                         

Timpani


 
Timpani
                      

                        
        

Glockenspiel

                      
Xylophone   
                      
Vibraphone   
                      
  
  
Chimes

                    
 
Concert Snare Drum

                     

Concert Bass Drum

                            
Sus.Cym.

   
Cymbal

                      
  
  
Roto-Toms

                    
 
Triangle

                       
                      

Tambourine

 
  
Flexatone

                    
 
Whip

                     
 
Ratchet

Percussion                      

               
22
           
 
          
    
C

       
B

   
Fl. 1

 
                             
        

  
Fl. 2

Bsn.
                     

                     
 
Cbsn.

                       
     
 
E♭ Cl.

       
                         
    
       
   
Cl. B♭ (Flautim)

       
                                      
      
B♭ Cl. 1

               
                
   
     
      
B♭ Cl. 2

               
                 
            
   

B♭ Cl. 3

                 
                       
   
B♭ B. Cl.

                                                                                   
 

               
A. Sax. 1

                    
         

   

   

   

   

   

   
         

   

   

   

   

   

   


A. Sax. 2

                    
                       
                                       
               

T. Sax.


                                                                                    

               
Bar. Sax.

                     
B♭ Tpt. 1  
                     
B♭ Tpt. 2  
                    
B♭ Tpt. 3 
                         
                                                                                                  
      

F Hn. 1

                        
   
          
          
          
          
          
          
          
          
            

F Hn. 2

                         
                                                                                                  
      

F Hn. 3

                        
                                                                                           
           

F Hn. 4

                
                                                                        

                                                                  
Tbn. 1

              
Tbn. 2                       
                                                                                         
Tbn. 3
                
           
                          
 

Euph.

                                                                                         
                
Tba.

                                                                                         


                
Cb.

                    

                     
Hrp.

Timp.
                     

Timp.
                     

                    
Glock. 
                    
Xyl.  
                    
Vib. 
                    
Cme. 
Con. Sn.                     

Con. BD                     

                    

Cym.

                   
Roto  
Trgl.                     

                    

Tamb.

Flt.                      

Wh.                     

Rat.                     

Perc.                     
     
42               
                         
D

 
Fl. 1

  
             
                
                


 
Fl. 2

                        
        

Bsn.

                             
   

Cbsn.


       
               
                         
 
 
E♭ Cl.

 
                       
       

Cl. B♭ (Flautim)


     
             
      
   
     
     
  
     
 

B♭ Cl. 1

            
    
                                                                                                     
               

B♭ Cl. 2

    
   
     
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
             
                                    
 
B♭ Cl. 3

  
  
                            
  
      
B♭ B. Cl.


      
  
                                  

A. Sax. 1

                        
                

A. Sax. 2

                     
    

           
   

T. Sax.

                  
                    

Bar. Sax.

                    
                
    
  
B♭ Tpt. 1

                               


          
  
B♭ Tpt. 2

              
         
            
  
  
B♭ Tpt. 3

                                 
                                     
                   
             

                      
   
F Hn. 1

                   
  
                                                            
                                    
      
     
    
    
F Hn. 2



     
                             
                                     
      
         

                        
    
F Hn. 3

               
            
       
                                                                  

                 
    
F Hn. 4

                
                 

Tbn. 1

                       
                                                                                                   
                           
 
Tbn. 2

                
         
                       
               
                  
 
Tbn. 3

                                  


Euph.

                                         
                  
  
    
      
   
Tba.

                                                                   
            

  

       


            
arco

 
Cb.

                     
 
                      
Hrp.

Timp.
                      

Timp.
                      

                     
Glock.  
                     
Xyl. 
                     
Vib. 
                     
Cme. 
Con. Sn.                     

Con. BD                     

                      
C.Cym.

 
Cym.

                     
Roto 
                    
                             
Trgl.

                             

                     
Tamb.

Flt.  
Wh.                     

Rat.                     

Perc.                     
                                    
62         
                
E

 
  
   
Fl. 1

                 
                  
                     
   
Fl. 2

                               
 

Bsn.

                               
 

   
Cbsn.

                       
                             
          
    
                   
E♭ Cl.

 
           
        
     
 
                      
Cl. B♭ (Flautim)

                     
      

     
  
B♭ Cl. 1

    
                                                            
  
      
      
        
B♭ Cl. 2

     
                                 

   
B♭ Cl. 3
      
              
                                                   
                   
B♭ B. Cl.

 
                            
     
            
                              
  
A. Sax. 1

  
                      
    
                                          
 
  
     
A. Sax. 2

            
                                              
 
 
T. Sax.

                                       

    
    
   
  
      
Bar. Sax.


         
                    
       

B♭ Tpt. 1

      
                                                

     
B♭ Tpt. 2

              
                                 
                                                  
B♭ Tpt. 3

            
                          
     
         
  


 
F Hn. 1

                                
                                                                            
 

                             
F Hn. 2

                   
     
 
                       
     
                     
 
     
F Hn. 3

                                
                                                                               
       
F Hn. 4

                             


Tbn. 1

                                                                                                               
                           
           

Tbn. 2

                                                
                                 

           
 
 
Tbn. 3

        
Euph.
                        

               
                   
 

 

       
                                                   
            
   
Tba.

                           pizz.
   
 
                 
   
                                                         


              

Cb.

                         

                          
Hrp.

                                       
 
  
Timp.

Timp.
                          

                         
Glock. 
                         
Xyl. 
                         
Vib. 
                         

                       
Cme.

                                                                                        
Con. Sn.
   

                            
   
Con. BD

                        
 
Cym.

                          
Roto  

Trgl.                       


                              
Tamb.

   
Flt.                        

Wh.                       

Rat.                       

Perc.                       
             
A II - New Family

            
       
84

Meno mosso  = 80

  
Fl. 1

                             
     
  
Fl. 2

    
 
          
    
 
3

 

Bsn.

                      
   
3

   

Cbsn.


                               
   
  
E♭ Cl.

   
                                 
  
 
Cl. B♭ (Flautim)

            
     
       



 
B♭ Cl. 1

                   
         
 
 
B♭ Cl. 2

             
     
         
 
 
B♭ Cl. 3

                
         
    
B♭ B. Cl.

  
                     
        

A. Sax. 1

                    
        
 
A. Sax. 2

                     
    

T. Sax.

                   
           
 
Bar. Sax.

                     
    

B♭ Tpt. 1

   
                 
   

B♭ Tpt. 2

                    
    

B♭ Tpt. 3

                     
  
 
F Hn. 1

                   
    
 
F Hn. 2

            
           
 
F Hn. 3

            
         
 
 
F Hn. 4

               
 
          
        
    
Tbn. 1

                                    
     
Tbn. 2

                         
         
    
Tbn. 3

 
     
         

         
 
Euph.

    
 
          
   
 
    

Tba.

  
            
                     
arco


    
Cb.
3

                    
 

    
 
              

Hrp.

                         
          
Timpani solo

  
3

       
Timp.


    
 
              
Timp. 

                    
Glock.  

Xyl.                       

                    
Vib.  

                    
 
   
Cme.

Con. Sn.                  

Con. BD                      

                     
  
Cym.

                    
 
   
Roto

Trgl.                  

Tamb.                      

                      

   
Flt.

Wh.                    

Rat.                      

                     
  
Perc.
  
B

                  
102 Più mosso

   
Fl. 1

       
 
    
   

Fl. 2

Bsn.
          

          


Cbsn.

                 
     

   
E♭ Cl.

   
               

           
Cl. B♭ (Flautim)

    


    6      
               

B♭ Cl. 1

                           
      6    
           

B♭ Cl. 2

                               
                 
 
6


B♭ Cl. 3

      
        

      

B♭ B. Cl.

          
A. Sax. 1  
          
A. Sax. 2  
      
             

T. Sax.

                  
    

Bar. Sax.

         
    
 
B♭ Tpt. 1

         
    
 
B♭ Tpt. 2

          
   
 
B♭ Tpt. 3

         
F Hn. 1 
         
F Hn. 2 
         
F Hn. 3 
         

       
F Hn. 4

             
    
   
     
Tbn. 1

                   

   
Tbn. 2

               
       
     
 
Tbn. 3

                     
    
   
Euph.

              
        
   
  
Tba.

   
                      


   
Cb.

          

          

Hrp.


                    
 
Timp.

Timp.
          

Glock.           


                         
Xyl.

   
6


Xyl.

         
Vib. 
         
Cme. 
Con. Sn.           

Con. BD           

             
 
Cym.

            
      
3

3  
Roto

Trgl.           

          
         
Tamb.

     

Flt.

Wh.           

Rat.           

Perc.           
            
   
C


III - Decision for Love

                                    
112  = 72 echo solo


  
           
Fl. 1

    
    
3

             
3

       
 

Fl. 2

        
 
     
3

   
3

    
     
Bsn.

                   
                 
  
Cbsn.

              
                                  
               
3
solo

       
   
E♭ Cl.

       
              
3

        
 
  
Cl. B♭ (Flautim)

                
3

   
3

             

     
  
 
B♭ Cl. 1

                    
             

     
  
   
B♭ Cl. 2

          
                
       
   
    
B♭ Cl. 3

    
                    
      
     

 
B♭ B. Cl.

        
                       
        

A. Sax. 1

                             
          
   
       
A. Sax. 2

         
                 
     

growl

  
         
T. Sax.

                         
       
  
Bar. Sax.

         
 mute  
                  

3
B♭ Tpt. 1

        
 mute
6

                 
    
3
B♭ Tpt. 2

                           
6

    
mute

3
B♭ Tpt. 3

                    
6

 

F Hn. 1

                  
   

F Hn. 2

                 
F Hn. 3  

                 
F Hn. 4  

                 
Tbn. 1   

Tbn. 2
                  

                   
      
 
Tbn. 3

Euph.
                  

                 
                 
      
Tba.

 
                      
 
            
     


 
Cb.

                     



    
 















       


      
          
 
   

Hrp.














                                                                     
    
 
Timp.

Timp.
                  

                 

   
    
Glock.

Xyl.                        

   
                 
3

 
3


with Vibrato


Vib.

Cme.                   

Con. Sn.                  

Con. BD                  

                 

Cym.

                              


 
3 3
Roto

                  
3

Trgl.

                         

Tamb.

Flt.                   

Wh.                  

                 
 
Rat.

Perc.                  
                                      
 
       
128
  
A B

 
unis.

 
Fl. 1

     
                  
             

Fl. 2

             
Bsn.                 
              
             
Cbsn.
 
   
                                               
              
 
E♭ Cl.

        
   
           
3

  


Cl. B♭ (Flautim)

                          
             
B♭ Cl. 1


                
      
      
  

  

    
 

B♭ Cl. 2

          
      

                
         
B♭ Cl. 3

         
     

      
       
B♭ B. Cl.

                     


A. Sax. 1

            
          

A. Sax. 2

           
         

T. Sax.

               
        

Bar. Sax.

                
 

B♭ Tpt. 1

              
   

B♭ Tpt. 2

              
  

B♭ Tpt. 3

                
  

F Hn. 1

             
     

F Hn. 2

               
   

F Hn. 3

              
    

F Hn. 4

                 
 
Tbn. 1

                  
 
Tbn. 2

                
 
 
Tbn. 3

                
 

Euph.

     
                           
     
Tba.

              
                     
 



 
Cb.

 
                
    
 


 
                  

Hrp.

Timp.
                

Timp.
                

               
Glock. 

Xyl.                 

               
Vib.  

Cme.                 

Con. Sn.                 

Con. BD                 

Cym.                 
               
Roto 
Trgl.                 

Tamb.                 

Flt.                 

Wh.                 

Rat.                 

Perc.                 

      
C

               
144

D


Fl. 1

                                     
5

     


Fl. 2

               

5

 
Bsn.

            
3


Cbsn.

                                     
                   
3


E♭ Cl.


            
3 3

     
     

Cl. B♭ (Flautim)

                                
             
 
B♭ Cl. 1

                
                                
 
B♭ Cl. 2


                                         
    

B♭ Cl. 3

      
    
3

  
B♭ B. Cl.

        
A. Sax. 1  
        
A. Sax. 2  
        
T. Sax.  
        
Bar. Sax. 
         
        

B♭ Tpt. 1

         
          

B♭ Tpt. 2

      
          


B♭ Tpt. 3

         
   

F Hn. 1

         
   

F Hn. 2

        
F Hn. 3 
        

  
F Hn. 4

          

Tbn. 1

            


Tbn. 2

            
 
Tbn. 3

              
    
  
Euph.

          
  

Tba.

            



Cb.

           
   

        
6
Hrp.

          
 
Timp.

Timp.
        

Glock.         

Xyl.         

Vib.         

       
Cme. 

Con. Sn.         

         
 
Con. BD

        

Cym.

       
Roto 
Trgl.         

Tamb.         
       
Flt. 

Wh.         

Rat.         

Perc.         
 

            
           
152
  

Fl. 1

            
Fl. 2             

              
   

Bsn.

        
Cbsn.     

                             
                                
 
 
     
E♭ Cl.

               
       
3

Cl. B♭ (Flautim)  
        
         
B♭ Cl. 1                 

                 
 
        
   
             
3

B♭ Cl. 2

           
             
  
 
3
B♭ Cl. 3

    
     
            

B♭ B. Cl.

          
     
    

  
 
A. Sax. 1


              
        

A. Sax. 2

         
      
     




T. Sax.

         
      

       

Bar. Sax.

            
B♭ Tpt. 1     
              
B♭ Tpt. 2  
        
B♭ Tpt. 3        
         
      
 
F Hn. 1

         
       

F Hn. 2

       
         

F Hn. 3

       
    
     

F Hn. 4

                   
   

Tbn. 1

                     
 


Tbn. 2

            
        

Tbn. 3

    
                  
Euph.
 
           
         
  
Tba.

    
                  


Cb.
 
        

         
Hrp.

Timp.
         

Timp.
         

                


Glock.

Xyl.          

        
Vib. 

Cme.          

Con. Sn.          

Con. BD          

Cym.          
        
Roto 
Trgl.          

Tamb.          

Flt.          

Wh.          

Rat.          

Perc.          
      
                   
161
 
E rall.

 
Fl. 1

              
  

Fl. 2

              
      

 

Bsn.

         


Cbsn.

           
                                  
             
    
solo 5

  
5



E♭ Cl.

    
3 5


3

             

Cl. B♭ (Flautim)

         
                
 
B♭ Cl. 1

       
                  
 
B♭ Cl. 2

      
  

 
 

  
B♭ Cl. 3

    
   

      

B♭ B. Cl.

         
 

A. Sax. 1

         
   

A. Sax. 2

         
T. Sax.  
         
Bar. Sax.  
         
B♭ Tpt. 1  
         
B♭ Tpt. 2  
         
B♭ Tpt. 3  
          
                
 
F Hn. 1

      
       

F Hn. 2

      
               
       
F Hn. 3

      
       

F Hn. 4

         
Tbn. 1

         
Tbn. 2

         
Tbn. 3

       
  
 
Euph.

       
  
 
Tba.

         



Cb.

        

         
Hrp.

         
Timp.

Timp.
         

        
Glock. 

        
Xyl. 

        
Vib. 

        
Cme. 

Con. Sn.          

Con. BD          

         

Cym.

       
Roto 

Trgl.          

         

Tamb.

       
Flt. 

Wh.          

Rat.          

Perc.          
                 
IV - To The Far Sky A

     
A tempo

               
170

Più mosso rit.


 
Fl. 1

    
                                
  

Fl. 2

               
    
 
Bsn.

              
    
 
Cbsn.

     
               
 
E♭ Cl.

     
                


Cl. B♭ (Flautim)

                     
                   

       
solo

  

  
B♭ Cl. 1

 
                         
    
        
  
B♭ Cl. 2

 
                       
               

    
B♭ Cl. 3

   
          
         
                                  
   
 
  

  
B♭ B. Cl.

                           
     

      
A. Sax. 1

                  
        

A. Sax. 2

          
                  
   
 
T. Sax.

              
    

 
Bar. Sax.

       
             
              
tutti

  
solo

  
B♭ Tpt. 1

                      
        

B♭ Tpt. 2

             
  


           
 
B♭ Tpt. 3

                        

 
F Hn. 1

    
                    
 
F Hn. 2

                        

 
F Hn. 3

    
                    
 
F Hn. 4

      
            

Tbn. 1

                  

Tbn. 2

               
    
 
Tbn. 3

                
Euph.

      
        
     
Tba.

          
        


 
Cb.


               
   
       


         


  


            

gliss.

 
Hrp.

     





                 
 
 
Timp.

Timp.
               

Glock.                

Xyl.                

              
Vib. 
              
Cme. 
                 
 
Con. Sn.

Con. BD                
                 
 
Cym.

Roto                

Trgl.                
               
              
Tamb.

Flt. 
Wh.                

Rat.                

Perc.                
        
             
185

B
solo


Fl. 1

   
       
solo



Fl. 2

Bsn.
     

Cbsn.
     

    
E♭ Cl.   


Cl. B♭ (Flautim)       

    
B♭ Cl. 1   
   
  

B♭ Cl. 2

   
 
 
B♭ Cl. 3

   
        
     
B♭ B. Cl.

     
A. Sax. 1  
    
A. Sax. 2   

T. Sax.       

    
Bar. Sax.   

     
B♭ Tpt. 1  
    
B♭ Tpt. 2   
    
B♭ Tpt. 3   

        


F Hn. 1

 
       

F Hn. 2

    
    

F Hn. 3

 
    

F Hn. 4


Tbn. 1
    


Tbn. 2
    

Tbn. 3
     

     
Euph.

   
 
Tba.

     


Cb.

        
         


    
         
 
Hrp.

Timp.
     

Timp.
     

            
Glk.


Glock.

    
Xyl. 

    
Vib. 

    
Cme. 

Con. Sn.      

Con. BD      

Cym.      

Roto      

Trgl.      

Tamb.      

Flt.      

Wh.      

Rat.      

Perc.      
C  = 108
       
                              

                    
rit.

      
190
 
 
Fl. 1

                             


 
     
          
   
                 

Fl. 2

       
                                      


Bsn.

       
                           
3 3

             
 
Cbsn.

       
                  
                     
3 3

                     
     

    
E♭ Cl.

               



     

     
                                
 
Cl. B♭ (Flautim)

      
     3 3                     
 
                   
 
                   
solo

  
B♭ Cl. 1

   
       3                                    
3

           
3

                   
solo

  
B♭ Cl. 2

             
    
                 

                            
       

B♭ Cl. 3

       
                                      
 
3 3


B♭ B. Cl.


                         
 
       

 
                                   
 
A. Sax. 1

                  
 
        
 
               
    
 
                   
 
A. Sax. 2

   
                                         
                  

T. Sax.

       


                                        

Bar. Sax.

                                    


 
  
                           
3

 
3


 
B♭ Tpt. 1

              


3 3 3 3 3 3


3 3

 
                                                                
    

B♭ Tpt. 2


     
3 3 3 3

  
3 3 3 3

     
     

     

  

  

                                      
   
3 3 3 3


B♭ Tpt. 3

         
                                     
3 3


3 3


F Hn. 1

       
3 3 3 3 3 3

                            


3 3

    
   
3 3 3 3
3 3


F Hn. 2

    
                                  
3 3

   
3 3


F Hn. 3

                  


  
3 3 3 3

 
3 3

          


3 3

 
3 3 3 3 3 3

        
F Hn. 4

                                    


                                   

            
Tbn. 1

                                            


3 3 3 3 3 3 3 3


Tbn. 2

                


3 3

              
3 3 3 3 3 3

                                      
           
3 3 3 3 3 3

 
Tbn. 3

                                             
3 3

                          
         
Euph.

    
                                           
3 3 3 3 3 3 3 3

       
3 3

   
3 3 3 3


Tba.

        
                  
3 3

                 



Cb.

               

3 3

                
Hrp.

           


                          
  
 
Timp.

                
3 3

Timp.

               
Glock.

               
Xyl. 

                      
Vib.



Vib.

Cme.                 

                                   


3 3 3 3 3 3 3 3

Con. Sn.

                                   


3 3 3 3 3 3 3 3

Con. BD

      C.Cym.              

               
Cym.


                
Roto

Trgl.

                
               
Tamb.


                
Flt.

Wh.

Rat.                 

Perc.                 
        
                   
206
 
D


Fl. 1

                      

      

Fl. 2

                  
                                       
     
Bsn.

                           
                                    

Cbsn.

                 
     
       


E♭ Cl.

          
       
                  

Cl. B♭ (Flautim)

     
                     
        

     

     



B♭ Cl. 1

                                
    
      
B♭ Cl. 2

                          
   
                              
       
B♭ Cl. 3

        
                          
         

B♭ B. Cl.


    
                                                                         
                                           

 
A. Sax. 1

       
           
                                                                            
            

A. Sax. 2

                      
                                                                                              
   

T. Sax.

                     
         
                                                                                    
             
          
Bar. Sax.

                                  
            
                           

                 
   
B♭ Tpt. 1

                 
                  
                               
 
   
    
         
B♭ Tpt. 2
          
                
                   
                                                
B♭ Tpt. 3
               
                           
                  
        
   
                   

F Hn. 1

               
                      
                           

F Hn. 2

                          
                                 
               

F Hn. 3

                  
                  
                            

F Hn. 4

                                          
                        
 
                                                                
         
Tbn. 1

                                  
                                   
                                      
      
      
Tbn. 2

                            
                     
                                                             
Tbn. 3
               
                  
               

                         
   
           
    

  

  


Euph.

  
                   
  
      
      
   
                    
                          
Tba.

                                                   
                        


Cb.

        
       

        
       
Hrp.

        
                  
                          
 
Timp.

        
                  
                          

Timp.

       
       
Glock. 

       
       
Xyl. 

Vib.         
       

       
         

Chimes


Cme.

Con. Sn.         
                           

Con. BD         
                            

        
          
S.Cym.

 
Cym.

       
       


Roto

Trgl.                

Tamb.         
       

        
       


Flt.

Wh.                

Rat.         
       

Perc.         
       
220   
   
Fl. 1         

      


Fl. 2          

  
               
 
Bsn.

    
Cbsn.                


  
              
E♭ Cl.
 

 
      
Cl. B♭ (Flautim)          

    
B♭ Cl. 1       
   

        
   
B♭ Cl. 2


     
             
B♭ Cl. 3


      
    
B♭ B. Cl.

 
        
   
 
A. Sax. 1

 
A. Sax. 2             
  
                 
 

 
T. Sax.

       
    
Bar. Sax.          
   
   
B♭ Tpt. 1             

  
B♭ Tpt. 2          
    
  
         
 
 
B♭ Tpt. 3

        
F Hn. 1           

  
         
F Hn. 2
 
  
           
 
F Hn. 3

 
              

F Hn. 4

       
          
Tbn. 1     
             
Tbn. 2
    
     
         
Tbn. 3
      

           
Euph.      
       
  
      
Tba.

             
             


Cb.

  

   
Hrp.


Timp.               
      
Timp.         
  
Glock. 

  
Xyl. 

  
Vib. 

  
Cme. 

Con. Sn.        

Con. BD        

Cym.     
  
Roto 
Trgl.    

Tamb.    
  
Flt. 

Wh.    

Rat.    

Perc.    
Liz and the Blue Bird
Flute 1 Movements I - IV

    
Akito Matsuda

 = 120       
 
I - Ordinary Days

     
3 

    
A

 
               
 = 190
   
12
B


 
                              

30


C             
        
   
          
D


39

    
                                
      
48

                 


   
E


57



                                    
 
71

          A = 80  
II - New Family

  
          
Meno mosso
79

 
  
         
               
Più mosso
98 B

   
           
      
        
110
C


3
3
   
III - Decision for Love


                         
 = 72 echo solo

118

  
   
       
       
A unis.

 
126


 B    
                     
   
133



           
     
       
C

 
139

 
      
5

      
  
D

      
150


                 
         
E


156



  Più mosso rit.
 
          rall.  
IV - To The Far Sky

  
166

 
                     
A tempo

 
A

    
176


        
        
          
B solo

 
184



                                
        
194


C  = 108
   
                        
rit.

   
200

    
          

     
D


211
Liz and the Blue Bird
Flute 2 Movements I - IV

    
Akito Matsuda

    
 = 120    
I - Ordinary Days

 
    
3 
   
 
                      
 = 190
A B

  
14

 

          
    
    
32
C

 
 
         
                
D

 
42

  
                                       

52

        
                      
E

 
62



                            
     
Meno mosso
76

  
 = 80   
B

          
A II - New Family

            
88
Più mosso

  
         
     
     
C

  
108

 
 
3
3

          

   = 72  B 
    
III - Decision for Love

        
117 A

  

 

    
      
 
 
135

              


C

 
D


144

5 

      
           
    
 
   
155

        rit.
 
A

 
IV - To The Far Sky


E


rall. Più mosso A tempo


164

  

        
          

177

     
            
B solo

     
187

                                   
195


 = 108
C

         
                     
rit.

       
200

                         

      
D

    
212
Liz and the Blue Bird
Oboe Movements I - IV

    
Akito Matsuda

 = 120       
I - Ordinary Days

       
 
   
     
    
  


 = 190
 
A B C


14

  

      
                
 
  
D

 
43

 
                                 
  
54

                             
   
E

 
63

                              
 
  
Meno mosso
76

 
 = 80              
B

   
  
A II - New Family

 
88
Più mosso

  

            
  
            
108
C



3
3

            
III - Decision for Love


        
 = 72
     
117 solo

  
  
            
  
    

124

            
         
3


A

 
B


130

 
             
                 
135

    
            
                     
C

   
141 3


                     
3

  
         
D


147


                      
3

              
    
153

         
    
3

                
  
158


            
E

 
164 rall.


 
                  
IV - To The Far Sky

      
    
solo


168 5 Più mosso

3 3 5
5


A

                
175 rit. A tempo

 
                       
B

       
187


C  = 108

                              
         
rit.

  
198

     D 
      
       
   
204


     
 
221
Liz and the Blue Bird
Bassoon Movements I - IV

Akito Matsuda

 = 120
 
I - Ordinary Days

     
             
A  = 190

 
      

  C  
                    
B D

    
16


  
                            
 
E


Meno mosso


63

 = 80    
A II - New Family B C

 
             
Più mosso
88
3

   

  = 72  
III - Decision for Love


   
      
A

        
120 B

 
              
C

 
     
140

 
  
3

     
D

    
E

       
150



            
  
IV - To The Far Sky


166 rall. Più mosso

  

 
    
A

  
     
B


175 rit. A tempo


        
                 
193

     = 108  
C

                

D


201 rit.

3 3

                     
              
217

     

           
     
220

  
Liz and the Blue Bird
Contrabassoon Movements I - IV

Akito Matsuda

     


 = 120 
I - Ordinary Days

         
  
   
    
A  = 190


 
 C     
                     
    
22
B D E

 II - New Family

                             
 = 80
 
A

     
Meno mosso
69

 
 
    
B Più mosso

        
90

 
3

  
 
     
                 
        
112 C

 III - Decision for Love  


  = 72  A  B

               
  
120



                 

   
140
C D


   
    
IV - To The Far Sky A

   
154
E rall. rit. A tempo
Più mosso

 

                  
B


179


    
           
                
196 rit.

3 3
           
   
C

                       
 = 108

D

 
203

               
   

 


        
    
219
Liz and the Blue Bird
E♭ Clarinet Movements I - IV

Akito Matsuda

 = 120    
I - Ordinary Days

       
   
  
 

 
 = 190 

          
    
A B C



14

        
                    
D


42


  
          
                      
51

                           
  
60
E

            
    
                   

73

II - New Family
 

                       
 = 80
 

A

   
Meno mosso


81

 

      
         
C


Più mosso
100 B

 
            
                   
    
116 3

 3  
III - Decision for Love


  solo     
                  
 = 72
   
122


            

             
   
A


128


         
3

  
B

                
134


                  
   
C

     
140


3

                              
            
146


3

                            
3

     
D


150


               
  

3

             
     
156


                    

E

 
162 rall.

 
  
            
IV - To The Far Sky

          
 
168 solo 5
5

3 3 5

 
A

               
174 Più mosso rit. A tempo

 
 
                
B

       
185


     
                            
  
197

C  = 108

          
 
   


 
rit.

  
D


202

             
          
      
   
219
Liz and the Blue Bird
Clarinete Movements I - IV


   
Akito Matsuda

      
   
I - Ordinary Days


 = 120
  
 A 

  
      
 

      
 = 190

B


12


                 
      
C

           
38

   
  
  
  
           
  
  
47
D E

 
            

              
   
72

   
II - New Family

 
A

  
 = 80
                  
Meno mosso
85

  
     

           
B C


102
Più mosso


  
                    
 
 
 
  
 
116

 

3 3
A

 = 72              


III - Decision for Love

   
B

 
122


     
             
D

     
C


144

    
     
  
      
154


               
 
IV - To The Far Sky


E


163 rall. Più mosso

        
A

    
B

 
A tempo
175 rit.

   
                            

194


    
    
C  = 108

                    
     
rit.

  
199

           
  
          
D


209


      
      
    
220
Liz and the Blue Bird
B♭ Clarinet 1 Movements I - IV

Akito Matsuda

 = 120
    
I - Ordinary Days

    
        
 
                  
         
A  = 190 B

  
14

 
               
    
25

 

 
    
               
C

 
35

 
  
              
D

 
46

         

                  
                  
54

 

                                

   
63
E



            
                   
 
Meno mosso


79

 
         
 = 80       
A II - New Family B

      
88
Più mosso

  
    
                 
         
106 6

         
     
           
C


112

 
 
  = 72  A  B  
         
III - Decision for Love

      

119

 

                       
C

 
138


     
       
D

   
145


      
                
    
  
151

              
    
E


158

           
IV - To The Far Sky

     
solo

   
166 rall.

 
     rit.         
A

  
     
A tempo


174 Più mosso

 
         
    3 3      
        
B solo


183


    
                            
3
3


194

 C  = 108
                     
          
rit.

  
199
   
           
  
                  
D


209

                 
         
219
Liz and the Blue Bird
B♭ Clarinet 2 Movements I - IV

Akito Matsuda

           
I - Ordinary Days

      
 = 120
 

         
   
     
 = 190
 
A B

  
13

 
          
   
   

24

   

      


       
C

  
          
35

   


                                      
   
D

         
47


        
                              
53

  

                                 
     
    
 
58

  
                                   
E


63


                         
                
  
77

 
   = 80 
  
A II - New Family B

     
  
85
Meno mosso Più mosso

 
 
                  
   6     
           
105


    C              



       

109


 
           = 72  A 
    
III - Decision for Love

    
116

 
 
                  
B

    
134


 
      
C

            
 
140


         
                 
D

  
148


            3     
         
 
154

         
    
   
               
E


159


  rall.   
   
     
167 IV - To The Far Sky Più mosso

  

A

                         

A tempo

 
175 rit.


       3 
                 
184
B solo

 
 
                                        
     
194

 = 108
C


                             
 
rit.

    
200

             



D


     
211

     
    
  
220


Liz and the Blue Bird
B♭ Clarinet 3 Movements I - IV

Akito Matsuda


I - Ordinary Days
 = 120
             

         
    
 = 190
       
A B


13


     
       
     
27

    

     
 
C D

            
37

      
   
             
 
48

                       

             
 
54

                        
        
             
60
E

             
               
                 

72

II - New Family 

    
 = 80
     
B

 
     
A

   
Meno mosso Più mosso


83

 
     
                  6       
    
 
105


       
          
C

     
   
109

      = 72  
III - Decision for Love


         
A B

    
116

  

    
      

  
      
135

  

        
C

            
142

    

 
 
D

   
150


  
              
E

          
155


3

 


     
IV - To The Far Sky


165 rall.

    

      rit.
  
A

            
Più mosso

   
174 A tempo

   

  
                    
180

     
     
                         
B


187



   
C  = 108
          
                        
198
rit.

  
           

D

  
204

          
   

            

218

               
                      


 
221

   
Liz and the Blue Bird
Alto Saxophone 1 Movements I - IV

   
Akito Matsuda

 = 120       


I - Ordinary Days

     
    
3
 
        
 
                        
 = 190
 
A B


14


    

                                              
 
28

        

       
                          
C D

 
37

  
 E
           
                  
62



                                
    
70

          


                
      
Meno mosso
78

 

 = 80   
II - New Family

       
B

   
 
C

  
88 A Più mosso

 

      = 72  
III - Decision for Love

     
           
115 A


      
         
B C D


133

                                   
  

152

        
        
E

 
158 rall.


        
A

          
 
IV - To The Far Sky A tempo

   
170 Più mosso rit.


  
                       
B


184


                                
    
197

C  = 108
            
      
 
rit.

   
202


                                      
 
D

     
213

      
                                             
      
216

  
 
            
220
Liz and the Blue Bird
Alto Saxophone 2 Movements I - IV

Akito Matsuda

  
 = 120   
 
I - Ordinary Days

 
      
   

3
       
 
           
 = 190
 
  
A B

    
14


                                    
         
27


                
       
C D

    
35


   E
    
                  

       
         
60


                   

                
66

        
                       
75

   

 A  = 80  
II - New Family

        
B C

  
 
    
Meno mosso Più mosso
85

 

         = 72  
   
III - Decision for Love

           
114 A

     
        
B C D

   
132


 
         
    
152

  

          
E

         
158 rall.

      rit.
          
IV - To The Far Sky A

    
Più mosso A tempo

 
168

    
                
B


178

                             
         
195


C  = 108

                           
 
rit.

    

200

              


                                   
D


211

 
                                             
  
     
216

 
     
        
220
Liz and the Blue Bird
Tenor Saxophone Movements I - IV

Akito Matsuda

     
 = 120
I - Ordinary Days

 
      
        
A  = 190


              

                           
B

 
22


                                        
        
30

     
                           
C D

   
38

 
 E

    
                     
62


              
                 

71

     
II - New Family

 
B

      

 = 80
   
A
Meno mosso Più mosso


82


              
      
C


107

 
         
                   
114
growl


 = 72 A  B  
III - Decision for Love

             
 
121

 
        
       
C D E

       
143

   Più  
  mosso      rit.

IV - To The Far Sky

  

167 rall.

                 
A tempo

    
A B

 
176

                                    
      
193


 = 108
C

  
                                  
rit.

   
199

                   
        
D

          
209

     
                                  
    
215

                              

                          
218


  
222
Liz and the Blue Bird
Baritone Saxophone Movements I - IV

 = 120   
Akito Matsuda

        = 190   
I - Ordinary Days

      
A

 

                                              
 
23
B


        

       
                                 
32
C

      

     
               

               
D

 
43


     
             
 
E

 
63


 
            
                
Meno mosso

 
79

  

 = 80   
II - New Family

    
B

 
       
88 A Più mosso

  

                
       
108
C


                          
 
115

 
  = 72  A        
   
III - Decision for Love

        
B

 
122


   
                 
C D

 
143


IV - To The Far Sky

  
  

  
A

   
rit.
E


160 rall. Più mosso A tempo

  
      
         
B


180


                        
196

 rit.      = 108 


C

                 

202

3 

      
                               
D

    
213

                                         
      
216

                            
       
219
Liz and the Blue Bird
B♭ Trumpet 1 Movements I - IV

Akito Matsuda

 = 120
   
I - Ordinary Days

     

         


   

   = 190     
      
A

      
B C


15


       D             
      
44

 
           
      
        
 
E

 
61

                    
     
Meno mosso
69

A
 = 80    
II - New Family B

       
C

 
88
Più mosso

  
        
               = 72  A  B   
III - Decision for Love

 
mute
120

3 
        
6

          
   
C D E


144


    solo 

IV - To The Far Sky

          

167 rall. Più mosso


    
    
A

                    
rit. B


A tempo


175 tutti

 
      
                    
193


3 3 3 3

 
  
  
       = 108   

C

           

199 rit.

3 3 3 3 

                                
  
205

   
                      
        

 
             
D

    
213

                             
       
             
217

   

  

222
Liz and the Blue Bird
B♭ Trumpet 2 Movements I - IV

Akito Matsuda

 = 120
I - Ordinary Days

   
         
           


   = 190    
        
A

        
B C


15


  D           
       
44

 
               
              

61
E

    
                        

Meno mosso


69

 = 80    
A

 
II - New Family B

 
    
C

  
88
Più mosso

  

           = 72  A  B 
III - Decision for Love

        
 
mute
120

3 
      
6

              
C D E

 
144


  
A

      
IV - To The Far Sky

    
A tempo
167 rall. Più mosso rit.


          
        
     
B


179
      
                        
195


3 3
3 3 3 3

                 =108
C

                 

201 rit.

3 3 

            
      
      
207
D

            
    
 
                    
     
      
214

                              
           
218
Liz and the Blue Bird
B♭ Trumpet 3 Movements I - IV

Akito Matsuda

 = 120
   
I - Ordinary Days

   
         


  
  

   = 190    
A

                
B C

  
15



               
      
D


45

 

     
        
            
62
E

II - New Family

        
A  = 80
       
        
Meno mosso
75

       
B

        


C

  
95
Più mosso
mute

 B   3 6

 = 72    
III - Decision for Love

    
A C D

    
122

 

     
 
      
E


152 rall.

  
A

       
IV - To The Far Sky

          
A tempo

    
170 Più mosso rit.

 
  
                
B

         
186


3 3 3

       


                         

198 rit.
3

3 3 3 3

       
                   
 = 108
C

  
203

             
                       
D

      
212

                                       
          
216

  

       
   
  
220

 
Liz and the Blue Bird
Horn in F 1 Movements I - IV

Akito Matsuda

 = 120    


I - Ordinary Days

 
               
 


 
            
 
                         
A  = 190


14


                  

 
                     
B


20

          

  

  
           
                
 
26

           
                  
          
 
33



         
                 
C

            
39

   
      
                                  
D

           
47



                                         
           
54


   
            
      
 
              
E


61


                                         
    
67
                          
          
Meno mosso


74

 = 80      = 72

B C III - Decision for Love

 
A II - New Family

     
 
Più mosso
88

  
    
             
A B C


127

 
   
               
D E


147

 
    
                
165 rall.

 

      
A

             
IV - To The Far Sky


A tempo
174 Più mosso rit.

 
      
         
B


185

  3
                        

196

3 3 3 3
3 3

 = 108
           
C

     
  
       
  
D

  
202 rit.



3

                                       
          
214

  
       
       
     
          
219
Liz and the Blue Bird
Horn in F 2 Movements I - IV

Akito Matsuda

 = 120     
I - Ordinary Days

                
  
  


      
 

  

 
                           
A  = 190


14


      

  

 
     
         
             
B


21

          

  

  
           
                
 
27

     

  
                             
 
C


34

 
 D
      
                        
    
41

       

            
                                

    
48

                  
   
                   
 

55

  

                 
 
             
E

              
61


              
                                
67
      
                              
Meno mosso

  
74

 = 80      = 72

B C

 
A II - New Family III - Decision for Love

 
 
  
Più mosso

 
88

  
   
     
      
A B C

   
127

 
     
 
D E

             
147

   
 
IV - To The Far Sky A

            
167 rall. Più mosso rit. A tempo

  
         
B

           
178


 
                    
192
3 3 3 3



C

    
 = 108
                       
199 rit.

 
3 3


  
3 3

            
D

    
              
210

                
                                  
217


 
222
Liz and the Blue Bird
Horn in F 3 Movements I - IV

Akito Matsuda

 = 120    


I - Ordinary Days

 
                
 


                   
 
      
 
     
A  = 190

       
14


  
        
     
          
              
B


20

          

  

  
           
                
 
26

           
                  
          
 
33



     

C

                         
39

   
   

                                         
 
D

          
47


   
                                         
           
55

                   
                               
E

  
62

 
             
                            
     
69
II - New Family

                      
A  = 80
 
        
Meno mosso
76

    = 72   
III - Decision for Love


B C

 
     
A B C


Più mosso
95

  
    
             
D E

 
150


   
    
IV - To The Far Sky

                 
166 rall. Più mosso

  

      
A

          

A tempo
175 rit.


   
                
B

  
187

  3 3

              
      
197 3 3

 = 108
C 3 3 3

    
    
        
       
  
D

  
202 rit.

3 
 
                                            
  
214

   

       
   

    

      

219

   
Liz and the Blue Bird
Horn in F 4 Movements I - IV

Akito Matsuda

 = 120  
I - Ordinary Days

      
      
        
 

           
      
                
         
A  = 190


14


      

  

 
     
         
             
B


21

                
                              
 
27

     

  
                             
 
C


34

 

     
                     
D

             
41

  
             
                                
 
49

  

       
                                   
 
56

 

      
                             
E

     
62

 
               
                         
       
68
II - New Family

   
A

 
 = 80

                          
Meno mosso

      
75

    = 72
  
B C III - Decision for Love

 
 
B

 
Più mosso

     
94

  

    
 
C D E

            
144

  rall.   
IV - To The Far Sky A

             
167 Più mosso rit. A tempo

  

 
B

               
178

 

 
             

 

      
193
3 3 3 3 3


 = 108
C

  
                          
200 rit.


3 3
3



      
              
D

                 
212

                  
       
   
218
Liz and the Blue Bird
Trombone 1 Movements I - IV

   
Akito Matsuda

 
      
 = 120

I - Ordinary Days

           
 

        B
 
A

                                 
15
 = 190


        
                                              
25

                    
                           
34
C


                     
         
47
D E


 = 80  
A II - New Family

                   
    
84 Meno mosso

   

              
       
B

 
101 Più mosso

  III - Decision for Love 

     = 72 A 
  B
  
    
C C

 
110

   
               
      
D

 
E


150

 
          
IV - To The Far Sky
A

   
Più mosso rit. A tempo
167 rall.

                    
 

B

     
187

3 3 3

        
C

     


                          
 = 108
  
198 rit.

3 3 3 3 3 

                                   

204

                     
  
   
           
211
D

           
                                       
   
216

       
                            
       
219
Liz and the Blue Bird
Trombone 2 Movements I - IV

 
Akito Matsuda

 = 120 
        
       
I - Ordinary Days

   
 

                    
    
A

                  
15
 = 190 B


       
                                         
          
25

                  
                          
C

    
34

                                      
D

           
47


   
                                      
           
53


                                          
E

            
59


                                       
           
65

                                        
     
71

     

                                
77 Meno mosso

    
  
 = 80  
    
A II - New Family

               
B

   
88 Più mosso

    
           
        
104

  
  = 72 A   
III - Decision for Love

      
  
C B C D


112

  
     
  
  
   
     
      
E

  
151

         
IV - To The Far Sky A

   
Più mosso rit. A tempo
167 rall.


  
   
                        
B
187


3 3 3 3

 =108
   
C

   
  
 
 
  
 
    
199 rit.

                    
3 3 3 3



206

D                    
  
                     


213

           
                                          
     
217

   
             
    
220
Liz and the Blue Bird
Trombone 3 Movements I - IV

Akito Matsuda

     


 = 120
     
I - Ordinary Days

         



                                   
A

       
 = 190 B

      
15

 
                                              
        
26


                                    
C

       
35


                           
47
D

       

                        
       
55



                                      
E

      
62

  

                                         
   
69

   

                    
      
77 Meno mosso

   
 = 80  
A II - New Family

            

B

      

88 Più mosso

    
 
 
          
     
104
C

    
 
  = 72  
III - Decision for Love


 
 
             
118 A B C

   
 D  
            
     
145

 

   
     
IV - To The Far Sky A

   
160
E rall. Più mosso rit. A tempo

 

               
B

  
179

   3                  
      
195

 
3 3 3 3

 C

              
 = 108
     3                   

200 rit.

3 3 

                     

206

        
                             
 
        
D

    
213

                                       
              
217
             
        
220
Liz and the Blue Bird
Euphonium Movements I - IV

Akito Matsuda

      


 = 120
    
I - Ordinary Days

        
 

       
A

             
 = 190

15
B


     
                
 
28

          
                    
38
C D E

 II - New Family

     
A
 = 80
               
B

      
Meno mosso
77 Più mosso

 

              
      

103

 
  = 72 A  C       
III - Decision for Love

  
       
C B


111

   

 
                       
D


146

 

   
            
157
E rall.

  
    
     
A

      
IV - To The Far Sky
170 Più mosso rit.
A tempo B

                      
          
195

3 3 3 3 3

                   =108         
C

       
200 rit.

3 3 3 

        
 
                      
D

  
208

     
                                             
      
216

 
     
        
220
Liz and the Blue Bird
Tuba Movements I - IV

Akito Matsuda

 = 120
I - Ordinary Days

     

                


A

                                           
15  = 190 B

 
      

                                              
26

        

                      
35
C

        
  
                                   
46
D

      
  
                                       
       
54

 
      
                                
E


62


                                         
   
69

   

                                       
   
77

   

 = 80 
A II - New Family

 
 
 

B

  
84 Meno mosso Più mosso

   
   
  

         
          
103



                   
C

 
111

      
 
  = 72 A
III - Decision for Love


    
B

    
118

    
        
 
     
C

             
136

        
 D 
        
   
145

        

    
   
rit. A
IV - To The Far Sky
E

 
159 rall. Più mosso A tempo

    
   


B

           
177

  

                        
194
3

   
3 3 3 3

          
 = 108
   3              
   
200 rit.

3 3
     

                   

206

 

 
                 
D

        
213

      
                     
217

        
        

           
220

  
      
Liz and the Blue Bird
Harp Movements I - IV

Akito Matsuda


A

 = 120
       D     
I - Ordinary Days

  
     
 = 190

B C E

     
            


II - New Family

     
A
 = 80 B C III - Decision for Love

 
       
 = 72

Meno mosso Più mosso
79

   

 
 
 
     

 
    
 

 




   
   
        
     
 
A B


125

 
 
 

 


   
 
 



    
       





     
      
   
C D E

 
141

    
   
6


 A tempo
A


IV - To The Far Sky

        
  
167 rall. Più mosso rit.

 
      
 





   

177

   
        
     
    

  


         
      
B


184

 
  
  
  
 


   
   


  = 108  
C

 

D


190 rit.

  
  

Liz and the Blue Bird
Concert Bass Drum Movements I - IV

Akito Matsuda

        
A

  
I - Ordinary Days


 = 190 C


 = 120 B D E

 
A
II - New Family

    
            
 = 80

64
Meno mosso

 
A
III - Decision for Love

     = 72       

B C

 
95
Più mosso B C D E

   
A

    
IV - To The Far Sky
167
rall. Più mosso rit. A tempo B

                  


195 3 3 3 3 3 3

 
C

                         
201 3 rit. 3  = 108 D

                  


215
Liz and the Blue Bird
Concert Snare Drum Movements I - IV

 
Akito Matsuda

 = 120     
  
I - Ordinary Days A

   
 = 190 C

 
B D E

           
            
64

         
                   
70


A II - New Family

        
       
 = 80 B C

 
78


Meno mosso Più mosso

A B

 = 72      
IV - To The Far

 
III - Decision for Love

  
122 C D E rall.

 
A

        
Più mosso B


174 A tempo 3


rit.

                  


196 3 3 3 3 3 3

 
C

                         
202
rit. 3 = 108 D

                 
216
Liz and the Blue Bird
Triangle Movements I - IV

Akito Matsuda
I - Ordinary Days

   
 = 190
A

             
 = 120
 

A
II - New Family

            
  
 = 80 B


16 B C D E Meno mosso Più mosso

A
III - Decision for Love

  = 72
       
C

   
112 B C D E rall.

    =  
IV - To The Far Sky A


C

     
rit.
169
Più mosso A tempo B 108 D
rit.
Liz and the Blue Bird
Tambourine Movements I - IV

   
Akito Matsuda

 = 120   = 190  
  
I - Ordinary Days A

     

B C D

           
                  
49

           
                  
55

  E 
II - New Family

     
                   
 = 80
 
61
Meno mosso

                 
B
95
Più mosso C


A

 
 = 72
     
III - Decision for Love

  
118 B C D E rall.

    
V - To The Far Sky


A C

    
170
Più mosso rit. A tempo B rit.
 = 108 D
Liz and the Blue Bird
Cymbal Movements I - IV

Akito Matsuda

 = 190 
   
    
 
I - Ordinary Days A

       
 = 120 Sus.Cym.
B C C.Cym.

    

              

47
D E Meno mosso

 

    
  
   
A II - New Family

    
B


C

  
 = 80
88
Più mosso

  
A B

           
III - Decision for Love


 = 72
122
C D E rall.

  
IV - To The Far Sky
A

       
Più mosso


B


170 A tempo C.Cym.


rit.


C

          
198  = 108 S.Cym.


rit.

 
            
211 D

  
221
Liz and the Blue Bird
Timpani 1 Movements I - IV

Akito Matsuda

 = 120
I - Ordinary Days

               
A  = 190


    
                  
16
B C D E


  = 80 
             
A II - New Family


 
 
     
79 Meno mosso

  

            
    
Timpani solo

     
95 3

    
 


                  
102
B Più mosso

   
 

                              
 
110
C


                              

    
115


 = 72      
III - Decision for Love

    
A B C D E

 
122 rall.

 
   
   
IV - To The Far Sky rit. A

       
168 Più mosso A tempo B

   
       
                   
196 rit.

3 3


    
C

 
 = 108
 
D

          
203


 

                  
                 
217


              
220
Liz and the Blue Bird
Contrabass Movements I - IV

Akito Matsuda

     


 = 120
I - Ordinary Days

                


A

                                           
15  = 190 B

       
pizz.


                                              
26

        

                                    
C

   
35

   
arco



                                               
D

       
47


            E

                                    
     
56


                                                 
        
64


                                                 
 
73

    
pizz.

 


A II - New Family

              
 
arco
 = 80
         
81 Meno mosso

  
         
     
B

          
91 Più mosso

    

3

                 

C


105

  
    
           
          
114

 
 = 72 
   
III - Decision for Love

    
      
B


A


122



                      
C D


138

 

   
                   
E


152

  
      
IV - To The Far Sky A

    
rit.
167 rall. Più mosso A tempo

  

             
B

  
181

    
                               
196 rit.

 = 108 
3 3

                           
               
C


203
D

       
                            
       
219
Liz and the Blue Bird
Glockenspiel Movements I - IV

 = 120 
    
Akito Matsuda

    
I - Ordinary Days


 = 190
      
A

II - New Family

           
A

 
 = 80
 
 
B C D E


Meno mosso
23

A B

    = 72    
III - Decision for Love
B C

      
94
Più mosso C D

 
        
E


152 rall.

   
IV - To The Far Sky A

        
B


A tempo

  
170 Più mosso rit. Glk. rit.

 
D


C
= 108

 
203
Liz and the Blue Bird
Xylophone Movements I - IV

Akito Matsuda

 = 120     D  
I - Ordinary Days

         
 = 190

A B C

A
II - New Family

          
 = 80 B


 
 
E

 
62
Meno mosso Più mosso

         
         
105
C


Xyl. 6

  

    
      = 72  
III - Decision for Love

  
       
116 A B


3
3

    
IV - To The Far Sky

    
C rit. A tempo
D E


144 rall. Più mosso

  = 108  
C

 
B


D


187 rit.
Liz and the Blue Bird
Timpani Movements I - IV

Akito Matsuda
A

 = 120     
I - Ordinary Days

           
 = 190 B C D E



A
A III - Decision for Love
II - New Family

       = 72  
 = 80 B C

   
  
B

  
Meno mosso Più mosso
79

     
IV - To The Far Sky A B

     
C


rit. A tempo
144
D E rall. Più mosso rit.


            
C  = 108
 
D

         
203



                                      
218
Liz and the Blue Bird
Piccolo Movements I - IV


Akito Matsuda

         
 
I - Ordinary Days

 

 = 120
 
 A 

      
                
 = 190

12
B


                
        
C

         
38

   
   E           

          
   
D


47

 

                                   
  

72

II - New Family

   
 = 80

 
                 
A

 
Meno mosso
85

  
       
     
    
102
B Più mosso C


      
           
            
116

 

3
3


 = 72 
            
III - Decision for Love


    
122 A B C


     
       
    
   
D

   
149

        
      
          
155
E


    
IV - To The Far Sky A

   
rit.


A tempo
165 rall. Più mosso

 

       
                 
B

 
183

                                    

196

 

 
               
C  = 108

    
  
rit.

     
201

             

                 
213
D

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