Ao Pôr-do-Sol

Para Anielson Ferreira Firmo Souza e Dino Cardoso /

       
arr. Lucas Cecim, 2024.

  
 = 60~70 
  


Bregaço

   
Flauta 1

         
3 3 3

        3       
Flauta 2

  
    
     
Clarinete em B♭ 1

    
3 3 3

Clarinete em B♭ 2

 
          
3
3

         
Clarinete em B♭ 3

 
     
  
Alto Saxophone 1

      
 
3 3 3

 
Alto Saxophone 2

            
3
3

 
Saxofone Tenor 1

          

            
Saxofone Tenor 2

   
 
   
Trompete em B♭ 1

           
3 3 3

Trompete em B♭ 2

 
          
3

 
3

    
Trompete em B♭ 3

       

                   
Trombone 1

  
3

       
Trombone 2


             
   
Bombardino

 
Tuba
                
2

5  
          

A


Fl. 1

            
3 3 3

  3    
      
Fl. 2

    


Cl. em B♭ 1

            
3 3 3


Cl. em B♭ 2

        
3


3


Cl. em B♭ 3

             

   solo
A. Sax 1

       

3 3 3 3


A. Sax 2

  
          
3
3


Sax. Tn. 1

      
  
           
Sax. Tn. 2

  
Tpt. em B♭ 1 
           
 
3 3 3

Tpt. em B♭ 2


            
3
3

Tpt. em B♭ 3

         
  
 
Tbn. 1

              
  

3

 

Tbn. 2

         
  
       

 
Bomb.

   
        
        
Tba.
 
10       
3

    

 
Fl. 1

         
3 3


Fl. 2

    
  
3 3


 
Cl. em B♭ 1

  
   
 
Cl. em B♭ 2

  
  
 
 
Cl. em B♭ 3

          


 
     
A. Sax 1

       
3

 3
     
A. Sax 2


     
3 3

3

Sax. Tn. 1

    

3 3

Sax. Tn. 2

      
Tpt. em B♭ 1 
     
Tpt. em B♭ 2 
     
Tpt. em B♭ 3 

Tbn. 1
     

Tbn. 2
     

     

Bomb.

       
Tba.
             
    
      
15
4

   

B

   
Fl. 1

  
 
 
Fl. 2

 
Cl. em B♭ 1      
    
   
3
3


Cl. em B♭ 2

 
     
3

        
Cl. em B♭ 3

   
 


A. Sax 1

     



A. Sax 2

       


Sax. Tn. 1

  
   

Sax. Tn. 2

   
       
3
Tpt. em B♭ 1

     
    
3
Tpt. em B♭ 2

     
    
3
Tpt. em B♭ 3

     

Tbn. 1

     
 
Tbn. 2

           
 
Bomb.

    
Tba.
                
 19  
5

  


Fl. 1

   


 
Fl. 2

       
3

 
Cl. em B♭ 1

         
3

 
Cl. em B♭ 2

      

  
3
Cl. em B♭ 3

      
 
 
A. Sax 1

      
3

A. Sax 2

      
 
3


Sax. Tn. 1

    
3



Sax. Tn. 2

  
             
3

 
Tpt. em B♭ 1

 
              
3

   
Tpt. em B♭ 2

        
    
3


Tpt. em B♭ 3

 
    

Tbn. 1

      
  
        
Tbn. 2

        
  
Bomb.

       
Tba.
            
    
 
6

         
    
23
C

  3   
   
Fl. 1

        
  
   
  
Fl. 2

   
          
3

 
    
Cl. em B♭ 1

           
3

  
  
Cl. em B♭ 2

    
          
 
  gliss. 
Cl. em B♭ 3

     


  gliss. 
A. Sax 1

    


 
A. Sax 2

  
    gliss. 


Sax. Tn. 1

  
   

  
Sax. Tn. 2

    
             
 

         
Tpt. em B♭ 1

          
3

  
   
Tpt. em B♭ 2


               
3

  
  3
       
Tpt. em B♭ 3

       
 
  
 
       
Tbn. 1

     
 
3

  
 
        
Tbn. 2

             
   
 

Bomb.

  
               
       

Tba.
   
28    
 
  
7

    



Fl. 1

       
   
   
       
  
Fl. 2

       
 
3

 
Cl. em B♭ 1

     
   
3


Cl. em B♭ 2

   
 
   
3
Cl. em B♭ 3

    
           

    
A. Sax 1

          
3

 
3 3


A. Sax 2

   
         
 
3


3


3
3

    
Sax. Tn. 1

  
         
3 3


3 3

          
Sax. Tn. 2

         
 
3

 
3

Tpt. em B♭ 1

    
         
3


3 3


Tpt. em B♭ 2

      
   
 
3
Tpt. em B♭ 3

  
      
       

 
    
Tbn. 1

       
3


    
     
Tbn. 2

   
 
3

 
  
Bomb.

   
Tba.
            
 32     
8

      

1. D


 
Fl. 1

         



Fl. 2

            
 
Cl. em B♭ 1

           

Cl. em B♭ 2

 
      
   

Cl. em B♭ 3

 
         

A. Sax 1

    
   
3

  
3


A. Sax 2

    
      
3


Sax. Tn. 1

  
  
        
3


Sax. Tn. 2

   
     
    
3

 
Tpt. em B♭ 1

    

      
3

 
Tpt. em B♭ 2

    
   

  
Tpt. em B♭ 3

            
  
Tbn. 1

              
3


         
Tbn. 2

           
 
3

  
Bomb.

      
 
              

Tba.
      
37
 
      
 
9

        

 3   
      
Fl. 1

     
     

     
       
Fl. 2

    

  
3

  
   
Cl. em B♭ 1

       
3


  
Cl. em B♭ 2

         
Cl. em B♭ 3
 
   gliss.   
   

 
A. Sax 1

 gliss.      
A. Sax 2  
   
  gliss.    
  
Sax. Tn. 1

  
  
       
 
Sax. Tn. 2

    
         
 
      
Tpt. em B♭ 1

        
3


     
Tpt. em B♭ 2

          
3

Tpt. em B♭ 3
 
  
          
3

      
  
         
Tbn. 1

    
3

  
       
  
Tbn. 2

   
   

Bomb.

     
Tba.
            
   

10

 
rall.


41



Fl. 1

  
 

 
Fl. 2

       
3

 
Cl. em B♭ 1


      
3

 
Cl. em B♭ 2



     
3

         
Cl. em B♭ 3

         
 
A. Sax 1

     
       
3

  
3 3 3


3


A. Sax 2

  
             
3


3


3
3 3

   
Sax. Tn. 1

       
    
3 3

  
3 3 3
Sax. Tn. 2

  
           
3

  
3 3
Tpt. em B♭ 1

 
            
  
3
3 3 3

 
Tpt. em B♭ 2

    
    
3

       
Tpt. em B♭ 3

    
     
Tbn. 1

       
3 3


Tbn. 2

             
3


3

 

Bomb.

   
           

Tba.
Flauta 1 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /

          
arr. Lucas Cecim, 2024.

         

 = 60~70

Bregaço

3 3 3 3 3 3

          
        
A


8

 3 3

        
       
 
B C


15

           
    
        

26

3 

        
     
              
D


33 1.

 3

      
  

rall.

 
40


Flauta 2 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

                   
Bregaço  = 60~70

3 3


                  
8
A

 3 3

         
      
B C


15

      
    

          
   
26

3 

   
  
             
D


32
1.

 3

      
     
   
rall.


39

 
Clarinete em B♭ 1 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /

                   
arr. Lucas Cecim, 2024.

 
 = 60~70
Bregaço

 
3 3 3 3 3

                  
A

 
7

3 


                  
B


16 3

             
  
          
C

   
24

 3

   
          
D

  
31 3 1.

 3

          
  
       
rall.

   
38 3
Clarinete em B♭ 2 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 Bregaço
           
        
 = 60~70

3 3

 
           
A

 
8




 
          
      
B C

    
17 3 3

    
      
      
25
3

   
         
D

      
1.


33

  
       
rall.


40
3
Clarinete em B♭ 3 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 
 = 60~70
              
Bregaço


3 3

      
A B

     
9

 


  
       
C

           
18
3 3

    
      
    
25

 
3

    
       
D

 
1.

    
33

 


  
  
rall.

    
40


3
Alto Saxophone 1 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

           
       
Bregaço  = 60~70

 
3 3 3 3 3

              
       
A


7

 solo
3 3 3

             
        
B


14

 3

        

     
C

  3
22

 3

         
          
D

 
31
1.

3 3 

    
                 
rall.

 3
39

3 3 3
Alto Saxophone 2 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 Bregaço
            
   
 = 60~70

3 3

     
             
A B


9

 3 3 3 

       
         
C


18

3 

       
          
  3       
28 3 1.

3 3

        

  
D

    3
34

 3

 rall.
    

      
42 3

3
Saxofone Tenor 1 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 
 = 60~70
                
Bregaço

 
3 3

      
            
A


8

3 3 3

     
           
B C


17

 3 

       
  gliss.              

27 3
3

3 3

   
       
D

     
33 1.


gliss
.

   
               
41
3 rall. 3

3 3
Saxofone Tenor 2 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 Bregaço
 
 = 60~70
    
           

  
     
A B C

      
9

 

  
                   
 
29

 
3 3 3 1.

   
            
D

   
35
3

 3

 
    
rall.

    
42

 
3 3
Trompete em B♭ 1 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /

                   
arr. Lucas Cecim, 2024.

 
 = 60~70
Bregaço

 
3 3 3 3 3

            
          
A B


7

3
3


     
               
C

   
20 3

 3

                      
           
27
3 3

          
        
D

      
1.

 
33

 3

       
        
   
rall.

  
40


3 3

3
Trompete em B♭ 2 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 Bregaço
           
        
 = 60~70

3 3

 
                     
A B


8

3

     
               
C

  
21 3

 3

       
               
   
27

 
3 3 3 1.

     
          
D

    
34

 3

 
           
rall.

  
41


3 3 3
Trompete em B♭ 3 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

 Bregaço

            
 = 60~70 3
     
3

 
            
A B

  
7

3

     
        
C

         
19


3

       
          
     
25
3

 3

      
        
D

     
31
1.

 3

  
      
    
rall.


39
3
Trombone 1 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /
arr. Lucas Cecim, 2024.

                 
Bregaço  = 60~70

3 3

    
              
8
A B

        
        
           
C

  
23

 3

       1.   
            
 
30
D

3 3  3

     

 
               
     
rall.

 
38

3 3
Trombone 2 Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /

                                
arr. Lucas Cecim, 2024.

Bregaço  = 60~70

   


                 
A B


7

 

            
             
C

  
21


                      

28
1.

3 3

                             
D

  
35

    
      
42 rall.

3 3
Bombardino Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /

      
arr. Lucas Cecim, 2024.

         
Bregaço  = 60~70

                 

 
                           
A B

   
 
7

 

                                      
C

    
20

 

                                   
    
27


1.

         
                  
  
D

   
34

       
     
 
rall.


41


Tuba Ao Pôr-do-Sol
Para Anielson Ferreira Firmo Souza e Dino Cardoso /


arr. Lucas Cecim, 2024.

         
 = 60~70
        
Bregaço

           

    
    
A


                     

7

        
                           
B


13

    
    
C

                             

19

        

                        
25

   
 
        
D

          

31

   
1.

  


      
  
                            
38 rall.