Escolar Documentos
Profissional Documentos
Cultura Documentos
NOME DO CANDIDATO:
OBSERVAÇÕES
Cotação total desta parte da prova: 40%
Cotação por pergunta: 1 – 3%; 2 – 3%; 3 – 3%; 4 – 3%; 5 – 6%; 6 – 4%; 7 – 6%; 8 – 6%; 9 – 6%.
Tempo de realização desta parte da prova: 150 minutos.
Os tempos previstos serão rigorosamente observados.
Os espaços oferecidos para cada resposta não devem ser excedidos.
Procedimento geral de audição: todos os excertos musicais serão precedidos por um aviso/sinal sonoro.
Não é permitida a utilização de quaisquer equipamentos ou documentos de consulta.
3. Ouça atentamente o próximo excerto musical, descreva-o e comente-o tomando como ponto de
partida a acústica envolvente e o produto estético do objecto da gravação.
(Procedimentos de audiçãoo excerto será apresentado duas vezes pela seguinte ordem: Excerto – 2’ – Excerto – 4’)
5.2. Identifique cada um dos acordes seguintes através da sua fundamental, tipo de acorde e
inversão (cifra).
7. Escreva o que entende pelos termos abaixo indicados, num contexto de produção áudio (7.1 e
7.2) e de informática (7.3 e 7.4).
7.1. Software:
7.2. Surround:
7.3. MIDI:
7.4. Plug-in:
People fear what they don’t understand. It’s a natural reaction that one in which the preservation instinct can
also mask opportunity.
A long conversation with Trident founder Malcom Toft reminded me of an attitude that was prevalent at the
time of the initial airings of the Trident Di-An digitally controlled analog console. That the design and ergonomics
were seen as radical by potential users, who were embedded in a quite tradiotional analog bedrock, was
predictable. Many were scared that the desk would make them look stupid and inadequate, yet I remember
clearly that to many it represented the demon encapsulation of the future face of desk technology and was
damned for it - if this was what the future looked like then they didn’t want it. Most alarmingly these were beliefs
held and broadcast by those who hadn´t even sat in front of the desk - most that did had to acknowledge that its
operation was remarkably simple and I still see shades of the Di-An in modern successful equivalents.
Matters were not helped by Trident’s decision to air its development laundry progress on the exhibition
circuit as this was largely counter to the practices of the time and was not appreciated despite the complexity of
the task been attempted. It is something we have learnt to live with now. Fear can be conquered, but picking a
snake up by the tail ten times does not mean you won’t get bitten on the eleventh attemp. And people do get
bitten, regularly, it is now an occupational hazard. You put your hand in the basket expecting to be bitten and
are relieved when you’re not.
Zenon Schoepe, executive editor
in Studio sound, August 1999
9.2. Comente-o.
ANEXO I