Cais

Arranjo: Gustavo Mendes

Milton Nascimento

  
   


 = 80

  
   
Voz

              
Piano

  
Pensar na imagem de ondas
Saxofone Soprano

  
  

  
Você representa o Cais

       
Saxofone Alto

     
 
Baixo elétrico

 



3

 
Vo.


        
Pno.

Sax. Sop.     

   
   
A. Sax

B. El.   
    3 3 
Fernanda, seguir seus próprios

           
ritmos. A voz é solta


4
3

  
Vo.


3

              
  
Pno.

   

Sax. Sop.

      
    

A. Sax

    
   

   
 

 
Cm7(9) Cm6(9)
B. El.
  
2

              
6


Vo.

   
Pno. 

      
                
Sax. Sop.
 

  
 
A. Sax

  

           
  
Cm7(9) Cm6(9) Db/C
B. El.

           
    

8


Vo.
3 3

  
Pno. 


Sax. Sop.       

          
A. Sax
             

    
 
Db/C Fm/Eb
B. El.
 
3

A entrada para
o epílogo da música

                   
na segunda vez

 


 
está em sua mão


10

   
Vo.

 
         
   
Pno.

    
         
Sax. Sop.

            
A. Sax
     

     Bbm7(11) Gm7(11)
         
             
Eb7M/G Bbm7(11) Gm7(11)
B. El.

   
 


13

  
Vo.

 
                 
Pno.

       
 
         
           
Sax. Sop.

  

    Cm7(9) 
A. Sax

       
Cm7(9)
B. El.

 
               


15

  
Vo.


 
3

       
Pno.

        
  
  
Sax. Sop.

      
 
 
A. Sax

     
 
Fm/Eb Eb7M/G

B. El.
            
4

      


 
17



Vo.

  
                    
Pno.

Sax. Sop.      
     

 
A. Sax

    
      
Bbm7(11) Gm7(11) Bbm7(11) Gm7(11)
B. El.

    
  


19 D.S. al Coda


Vo.

  

                 
Pno.

   
      

         
            
Sax. Sop.

  
A. Sax

    Cm7(9)  
       
Cm7(9)
B. El.


   
      


21  = 90

                        
Vo.

                       
       
Pno.


Sax. Sop.      
   
A. Sax

     

Cm Eb/Bb Eb/A
B. El.
 
5

  


24

        
Vo.

          
 
Pno.

Sax. Sop.        

A. Sax

  

Eb/Ab
B. El.

   



25

                       
         
Vo.

                     

Pno.

  
Sax. Sop.      
 


  
A. Sax

    

Fm7 Ab/Eb Ab/D
B. El.

 



28


Vo.

        
       
 
Pno.

 
     
Bateria entra de pouco
Sax. Sop.


A. Sax

  

Ab/C
B. El.
  
6

            
29


       
                 
Vo.

       


Pno.

Sax. Sop.             

  
A. Sax

 
            
Bb7(4/9)
B. El.

 
      

32


       
       
Vo.

         

 
Pno.


    

 
Sax. Sop.



  
A. Sax

  
    
Bb7(9)
B. El.

         
  


33

          
        
      
   
Vo.

         
        
Pno.

  
  
Sax. Sop.

  

 
 
A. Sax

      
    
Eb
B. El.
   
7

        


  
35


         
Vo.

                 
       
 
Pno.

          


Sax. Sop.

 
A. Sax

    
B. El.     


         


  
37

                       
         
Vo.

                

Pno.

Sax. Sop.            
  
A. Sax

     
    
Ab Ab/G Fm7
B. El.

 
   


   
40


        
Vo.

          

Pno.


Sax. Sop.        

A. Sax

 
 
Ab/Eb
B. El.
  
8

            
41


       
                 
Vo.

       
        

Pno.

Sax. Sop.             

  
A. Sax

 
            
Bb7(4/9)
B. El.



      
44


       
         
Vo.

       

 
Pno.


    


 
Sax. Sop.

 

  
A. Sax

   
    
Bb7(9)
B. El.


     


45 Fine

    
Vo.

   



 



Pno.

      
 
 
Sax. Sop.

  


A. Sax

  
  
Bb7(9) Ebmaj7(#11)
B. El.
