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Le

carnaval des animaux


(The Carnival of the Animals) Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang
Selections

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)
2 
           
Andante maestoso  = 104

Piccolo      

 

          
cresc. 

Flute 1

     


 

          
cresc. 

Flute 2      

 

         
cresc. 

Oboe       
 

                              
 

    
cresc.

Bassoon
                       

         

  
 

    
B♭ Clarinet 1  

 
 

            
   
cresc. 

B♭ Clarinet 2

        
 


                          
cresc.

Bass Clarinet
      

    
         

 
   
             
 

 

B♭ Trumpet 1


   
  
         
B♭ Trumpet 2

 

  
B♭ Trumpet 3
             

 

F Horn 1                


 
            
F.Horn 2

                       

Trombone 1
   
 
 
   
 
              

                           
       

    

Trombone 2
                    

         

                 
       
 

    
Tuba
                   

 

          
 


In A, B, C, E
Timpani


         
 

   

Glockenspiel

 
 

         

   
cresc.

Percussion 1


           
 
Triangle

   


Percussion 2
 

 
          
cresc. 

            
Piano

 
 
                          
    

    
            

Violin I


 
 
                  

                 

 
           
Violin II


                    
  
    
               

       



Viola


                                

   

                   
    

Cello

    

                    
       

      
Bass
                   
 
3
12
12 17

         
Allegro non troppo  = 96 Più allegro  = 168
Picc.

Fl. 1          

Fl. 2          

Ob.          

           
Bsn.
      

      

  

    
                

B♭ Cl. 1

      
    

            

B♭ Cl. 2

      
  

B. Cl.
 
            
                
                         

B♭ Tpt. 1 

        
 

   
B♭ Tpt. 2                               

        
 

      
B♭ Tpt. 3                           

           

                        

F Hn. 1    

        

         

F Hn. 2                              

                         
    
 

Tbn. 1  

         
Tbn. 2

Tba.
         

                
Timp.   

        
Glock. 


           
Perc. 1

         


Perc. 2

        

         
Pno.

     
          
      
Vlns.I

     
   

            

Vlns.II

                    
 

Vlas.
 

  

        
Vcs.      

      

  

                  
Cbs.  

     
21
4
        
25


            
Picc.

        

     
Fl. 1

       

       
Fl. 2 

       
Ob. 

               
   
    
Bsn.

                  

    

             

B♭ Cl. 1

                
                
 
 
 
B♭ Cl. 2

                 

   
B. Cl.
               

            
  
B♭ Tpt. 1      


    
B♭ Tpt. 2           
    
 


    
B♭ Tpt. 3           
    
 

  

F Hn. 1                                      

  
         
  3 3 3 3

                           
3 3 3 3
F Hn. 2

    
 

Tbn. 1    

    

Tbn. 2
    

    

   
Tba.


       
                 

Timp.

  

            
Glock.
      
   
                       

    
       
3 3 3 3

Perc. 1

        


Perc. 2

       

        
Pno.

              

      
             

Vlns.I

              

      
             

Vlns.II

               
              
    
Vlas.
  

              

                
    
Vcs.
 

               
      

Cbs.


     
29
5
      
33


 
Picc.

   

      
Fl. 1 

      

      
Fl. 2 

 

          
Ob. 


                 
             
3

    
3 3 3 3 3
Bsn.

                     
3 3

   
 

  


B♭ Cl. 1

                

       
B♭ Cl. 2    
                 

  
                 
 
          
3 3 3 3 3 3 3 3


B. Cl.

             


 



B♭ Tpt. 1

     
3

         
B♭ Tpt. 2  


3

      
    
    
3
B♭ Tpt. 3

   
                    

      
F Hn. 1 

   
3 3 3 3 

      
                     
3 3 3 3
F Hn. 2

       gliss.    

    


Tbn. 1 gliss.

       gliss.   
  


     
Tbn. 2 gliss.


              
  


          
3

 
3 3

 
3 3 3

  
Tba.


3 3

      

             


 


Timp.

            
 

Glock. 

      
3

               
                 
3 3 3 3


Perc. 1

          

  
 


Perc. 2

 3      

    3       


       
3

 
3

           

 

 
Pno.

        
     
   
 
              

     
   
pizz.

  

Vlns.I

 
              

     

pizz.

   
 
Vlns.II

 
               

     
  
pizz.

Vlas.
  

                   
 
  

pizz.

 
 
Vcs.

    
     
pizz.

Cbs.
     
37
6
    
41


 
Picc.

   

    
Fl. 1 

      

    
Fl. 2 

 

        
Ob. 

             3


                    
            


           
3 3


3 3 3 3
3 3 3
Bsn.

   
3 3

   
3 3 3 3

   
 


  


B♭ Cl. 1

  

   
B♭ Cl. 2         



               
                
               
3 3 3

          
3 3 3 3 3 3 3 3 3 3 3 3 3


B. Cl.

   
 

    

 
 



B♭ Tpt. 1


    
B♭ Tpt. 2   



     
 

B♭ Tpt. 3
 
       

F Hn. 1   

     


 
F Hn. 2

   gliss.     


       

 
gliss.
gliss.
Tbn. 1 gliss.

  
 

 
    
  

   
gliss.    
  
gliss.
gliss.
Tbn. 2 gliss.

     
 


                   
  

             
          
3 3 3


3 3 3 3

 
3 3 3
Tba.


3 3 3
3 3 3

    

    
  

 
 


Timp.
  

     
 

Glock. 

      
  
Crash Cym.

       

Perc. 1

     


   


Perc. 2

           
                
             
       
         
    
 

         
Pno.

              
          
   
 
      
  
arco 

 

Vlns.I


     

 
arco

Vlns.II

 
       
arco

 
 
Vlas.

       
          
            

arco

 
 
Vcs.

         

                   
arco
Cbs.


43          
7
               

49

 
         
Picc.

           

  

    

       
Fl. 1

     
        
  

    
Fl. 2 

         
  

               
Ob.   

              3   
  

       
                         
3 3
3

 
Bsn.

   
            
 3 3  

 
3 3

      
 

B♭ Cl. 1

     

  

B♭ Cl. 2                     

  

 
 

                      
              
3 3 3

   
3 3 3 3 3
B. Cl.

           
   



B♭ Tpt. 1

  

      
B♭ Tpt. 2    

       

B♭ Tpt. 3    
          
   

F Hn. 1 


 

      
   
F Hn. 2

     gliss.    
         
 

Tbn. 1
 
gliss.


   gliss. 
   

    
  
          
gliss.
Tbn. 2

       
   

       
                          
3 3 3
3

 
Tba.

  
 3 3 

   
3 3

       
 

 

Timp.

 
   

         
Glock. 

     

         
         
Stick Click

 
Perc. 1
 

              
 

    
 


Perc. 2

   
   
 

                
         
       

 
             

         

             
Pno.

     
          
   
         

   
pizz.
 arco

   
Vlns.I

   
         
    
pizz. arco

   
Vlns.II

   
           
   
pizz.
arco
Vlas.

                 
Vcs.                     

           

    
Cbs.                      

51            

    

8
             
  
               
Picc.

      
       
 

               
Fl. 1

      
       
Fl. 2  

      
               

      


Ob.   

     

          
                           
7


7

Bsn.

       
         
                
  

 
B♭ Cl. 1

     

       
B♭ Cl. 2                  


                    
          
           



7 7
B. Cl.

         

  
B♭ Tpt. 1

        
B♭ Tpt. 2  

        
B♭ Tpt. 3  

        
F Hn. 1           

 

         

F Hn. 2        

   

     

Tbn. 1    gliss.


 gliss.           

 

   

    
   gliss.
          
  

Tbn. 2
  gliss.

 

                
  

       
     
Tba.

     
  
Timp.         

       
   

Glock.                 

           
     

        
  
 
  

Perc. 1

 

                       

        


Perc. 2

               
                               
                
   
                
                       
Pno.
cresc.

   
               
          
            
             
Vlns.I

          
 

            
             
Vlns.II

         
   
 

           
         
Vlas.


              
         

         
Vcs.

 

                
    
         

Cbs.
 
      
59         
9
       
59


  
Picc.

                 
           

Fl. 1   

             
              

Fl. 2       

      

    
Ob.

             
           

    
Bsn.

      

B♭ Cl. 1 
     

     

B♭ Cl. 2  
     

  

      
                    
     
B. Cl.

         
               

B♭ Tpt. 1             

          

               
         
 
B♭ Tpt. 2

          

               
         
 
B♭ Tpt. 3

     

F Hn. 1   

     

F Hn. 2   

      
   
 

     
Tbn. 1   
      
   
 

     
Tbn. 2
   

 

     
     
      
Tba.


        
            

Timp.

      
               
Glock.           

 

                                   
Perc. 1
                     

      


Perc. 2

      
  

       
 
Pno. 

  
          
      
Vlns.I

  
          

      

Vlns.II

      
           
 

Vlas.

  
  
  

       
Vcs.      
  
  
  

       
Cbs.      

65 
10
      
Picc.   

  
    

Fl. 1         


Fl. 2                

       
Ob.    

             3

             
                
3 3
3


Bsn.

     
    
3 3

   
3 3

 
  



B♭ Cl. 1

  
      
B♭ Cl. 2         

           
          
              
3

  
3 3 3 3 3 3 3
B. Cl.

      
       
  

     
   
B♭ Tpt. 1

 


               
  
   
B♭ Tpt. 2



                
 
   
B♭ Tpt. 3

   


              
F Hn. 1
 

  

  

         

F Hn. 2

  
   
    

      


gliss. gliss.
Tbn. 1

  
   
  
  

 
       
gliss. gliss.
Tbn. 2

      
  

         
                      
3 3 3
3
Tba.


3 3 3
3

         
  

Timp.       

     
 

     

 

Glock.

         
        
Perc. 1                 

      
 

     


Perc. 2

 
   

           


     
       
 
 
           
         

   
Pno.

     
     
  
     
        



Vlns.I

  
     
    

   



Vlns.II

     
         

Vlas.  

   
 
         

Vcs.    

  
 
               
              

Cbs.    

II. Poules et coqs 11
(Hens and Roosters)


 
       
Allegro moderato  = 172
Piccolo

      
                             
Solo
Flute 1

            
                       

           
Solo
Flute 2

Oboe          

         

    
Bassoon

     
 
        
 Solo    
B♭ Clarinet 1            


  
B♭ Clarinet 2
       

         
Bass Clarinet
 
          
B♭ Trumpet 1  


  
B♭ Trumpet 2
       


  
B♭ Trumpet 3
       


 
F Horn 1
       


 
F.Horn 2
       

Trombone 1
         

         
Trombone 2

Tuba
         

         
Timpani 

 
Glockenspiel
       

                    
Percussion 1
           

        



Percussion 2

 
       

         
Piano

               
Violin I  
                              

         

 
Violin II
                       

Viola          

Cello
         

Bass
         
9
12
         
9 14

Picc. 

              
Solo


(dragging)

Fl. 1

         
                 

Fl. 2              

         
Ob. 

          
Bsn.

           
B♭ Cl. 1 

          
B♭ Cl. 2  

          
B. Cl.


            
 
       
    
Solo.

      
Con Sord.

 
B♭ Tpt. 1


         
B♭ Tpt. 2  

          
B♭ Tpt. 3  

                    
      
Solo

 
(dragging)

F Hn. 1

     

                             
Solo

   
(dragging)

F Hn. 2

Tbn. 1
          

          
Tbn. 2

Tba.
          

          
Timp.

         
Glock. 

                     
Perc. 1
     

         



Perc. 2

         

          
Pno.

          
                      
            
en trainant

Vlns.I

    
 


                                     
en trainant
Vlns.II

             

    

                    


en trainant

     
Vlas.

Vcs.
      [dragging]
    

Cbs.
          
19
13
        
22


Piu Allegro

  
       
  
Picc.

   


                                                  

       
     
Fl. 1 

        
Fl. 2 

        
Ob. 

         

  
Bsn.

           
       
Solo

B♭ Cl. 1


        
B♭ Cl. 2  

         
B. Cl.

          
B♭ Tpt. 1 

         
B♭ Tpt. 2  

         
B♭ Tpt. 3  

           
              
F Hn. 1
     

       
   

  
  


 

 
     
3 3

F Hn. 2

Tbn. 1
         

         
Tbn. 2

Tba.
         

         
Timp.

        
Glock. 

             
Perc. 1

        



Perc. 2

        

         
Pno.

       


                                                
       
     
Vlns.I 
    
                              

                  
   
Vlns.II 
  
                  
Vlas.                    

 
3 3

Vcs.
          

Cbs.
         
28 
14
        

     
Picc.

      
                                            

 
    
Fl. 1 



        
Fl. 2 

       
Ob. 

         
 
Bsn.

         All

B♭ Cl. 1   

 

      
B♭ Cl. 2     



        
B. Cl.
 

  Con Sord.     senza sord.



             
B♭ Tpt. 1 

 senza sord.

             

    
Con Sord.
B♭ Tpt. 2



       
B♭ Tpt. 3 

   
                
F Hn. 1
     
   

               
     
F Hn. 2

         


Tbn. 1

        

Tbn. 2

         

Tba.

         


Timp.

       

Glock. 

          
Perc. 1
 

       



Perc. 2

       

        
Pno.

     
                                                  
Vlns.I 
     
                                                  
Vlns.II 
     
                                                   
Vlas.

     
Vcs.
                                                   

         

Cbs.


IV. Tortues (Tortoises) 15
  Andante maestoso  = 50
     
Piccolo  

                                                                        
Flute 1   

            
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                                                           
Flute 2   
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

 All 3
3 3

                                                                          
div. 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3
Oboe

 

                        
Bassoon
    


                                                                         
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
B♭ Clarinet 1

 
                                               
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                       
B♭ Clarinet 2

         

Bass Clarinet
               
   

 
     

B♭ Trumpet 1

 
B♭ Trumpet 2
     

 
B♭ Trumpet 3
     

  
        
F Horn 1               
  

  
        
F.Horn 2               
  

Trombone 1
         

       
Trombone 2
  

     
         
              
Tuba

        
 

Timpani


  
Glockenspiel
     

Percussion 1        

       


Percussion 2

                                                                         
                                                                          
                                                            
                                                                           
Piano  3 3

3 3


  
Violin I
     


  
Violin II
     

         
 
Viola

               
    
       
Cello

 

                     
    
Bass  

7 
16
     

7 11

Picc.

                                                                        
Fl. 1 

           
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                                                            
Fl. 2 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                                                                 
                                           
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3

Ob.

          
     
3 3 3

         
Bsn.
       


                                                                        
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

B♭ Cl. 1

                                                 
                       
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
B♭ Cl. 2

 
       
B. Cl.
                 
  

      
B♭ Tpt. 1 

     
B♭ Tpt. 2 

     
B♭ Tpt. 3 

        
F Hn. 1                       

   
F Hn. 2                          
 

Tbn. 1
       

       
Tbn. 2
 

  
        
                    
Tba.

       
Timp. 

      
Glock. 

Perc. 1       

      


Perc. 2

                                                                        
                                                                              
  
                                                                         
                                                       
Pno.

      
Vlns.I 

      
Vlns.II 

Vlas.        

        
              
Vcs.
    

  

          
Cbs.                      
13                         
17
             

15

           
Picc.

                                   
           
 3 3 3 3 3 3 3 3 3 3 3 3


Fl. 1 

                                               
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

            
Fl. 2 

                                                
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

             

unis.
Ob.
3 3 3 3 3 3 3 3 3 3 3 3 3 3

 
3 3

   
3 3

 
3 3

 
Bsn.
         


                                                            
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

B♭ Cl. 1

3 3

                                    
                       
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
B♭ Cl. 2

      
        
B. Cl.

     
B♭ Tpt. 1 

    
B♭ Tpt. 2 

    
B♭ Tpt. 3 

   
F Hn. 1         
   

        
F Hn. 2
       

Tbn. 1
      

      
Tbn. 2
 

 
      
        
Tba.

      
Timp. 

     
Glock. 

Perc. 1      

     


                                       
Perc. 2

                                            
                                         
      
     
                                                    
                    
              
Pno.


           
     
Vlns.I 

     
Vlns.II 

Vlas.       

      
        
Vcs.
 

        
Cbs.         

18                                        
18
     
rit.

 
Picc.

                                    
3 3 3 3 3 3 3 3 3 3 3 3


3

  
 
Fl. 1

                                    
3 3 3 3 3 3 3 3 3 3 3 3


Fl. 2   


3 3 3 3 3 3 3 3 3 3 3 3

                                    
   

Ob.


3 3 3 3 3 3 3 3 3 3 3 3

  
    

Bsn.

  

                                       
B♭ Cl. 1 

 
3 3 3 3 3 3 3 3 3 3 3 3 3

                                       
3 3 3 3 3 3 3 3 3 3 3 3

B♭ Cl. 2


   
B. Cl.

 

B♭ Tpt. 1    

   
B♭ Tpt. 2 

   
B♭ Tpt. 3 


F Hn. 1     


F Hn. 2     



Tbn. 1
    

     
Tbn. 2
 

  

  
Tba.

     

Timp.

    
Glock. 

   
Perc. 1 

   


Perc. 2

                                    
            
   


             
            
                         
Pno.

                        

    
Vlns.I 

    
Vlns.II 

Vlas.      

Vcs.
    





  
Cbs.   

V. L'Éléphant 19
(The Elephant)

  Allegretto pomposo  = 112


           
Piccolo 

            
Flute 1    

            
Flute 2    

            
Oboe    

              
Bassoon
 
            
B♭ Clarinet 1   

           
B♭ Clarinet 2   

             
Bass Clarinet
 
     
                                 
Senza Sord.
B♭ Trumpet 1

 

                                       
Senza Sord.
B♭ Trumpet 2
 

B♭ Trumpet 3                         
 
           
 


F Horn 1                                       
 


F.Horn 2      

 

 

 

 

 
     

 

 

     

   

     

Trombone 1                                
 

                    
Trombone 2
                   

 
 

     
            
              
  
Solo

 
Tuba

            



 
In E♭, B♭
Timpani

            
   

Glockenspiel

Percussion 1              

             


Percussion 2


                                         
                     
                               

                  
Piano

 
 
            
Violin I    

            
Violin II    

Viola                 

               
Cello 

         
     

  
       
            

Solo

Bass

 
13 
20
         

13 21

Picc.

          
Fl. 1 

          
Fl. 2 

          
Ob. 

           
Bsn.
 
          
B♭ Cl. 1 

         
B♭ Cl. 2 

          
B. Cl.

               
 
          
One on top

B♭ Tpt. 1

                
B♭ Tpt. 2        

 

      
                   

B♭ Tpt. 3

              
F Hn. 1             

   

  
F Hn. 2                              

                 
   
Tbn. 1            

              
            
Tbn. 2
      

    
           
                  
    
Tba.

           

Timp.  

          
Glock. 

Perc. 1           

          


Perc. 2

                


                              
    
        
           

                      
Pno.

   

    
          
Vlns.I 

          
Vlns.II 

Vlas.            

           
Vcs. 

        
                        
Cbs.       

23 
21
           

29

Picc.

            
Fl. 1 

            
Fl. 2 

            
Ob. 

             
Bsn.
 
            
B♭ Cl. 1 

           
B♭ Cl. 2 

            
B. Cl.

           
B♭ Tpt. 1      

         
B♭ Tpt. 2       

         
B♭ Tpt. 3  
    

                     

            
F Hn. 1
    

      
                          
    
F Hn. 2

                       
            
Tbn. 1 

               
                 
Tbn. 2
   

    
                                 
                    
Tba.


             
Timp.  

            
Glock. 

Perc. 1             

            



    
Perc. 2

        
                
   
 
 



       
  


 
  

  
      
    

       
          
  
                     
              
Pno.

            
Vlns.I 

            
Vlns.II 

Vlas.              

             
Vcs. 

          
                       
                        

Cbs.
35 
22
         

37

Picc.

          
Fl. 1 

          
Fl. 2 

          
Ob. 

           
 

Bsn.

            

                      
Solo 3

 
3 3

    
3

B♭ Cl. 1
3 3 3

         
3 3


 3

B♭ Cl. 2

          
B. Cl.

         
B♭ Tpt. 1                     

 
 

     
         

 
  

 
B♭ Tpt. 2

  

  

                  
   

B♭ Tpt. 3



          

         
F Hn. 1
 

      

             
  
F Hn. 2

  


        

Tbn. 1     

  

              
Tbn. 2
  
 

  
          
              
       
Tba.

           
 

Timp.

          
Glock. 

Perc. 1           

          



 
Perc. 2

   
                  
         
                 
  
  

             
       
       
Pno.

       

       

          
Vlns.I 

          
Vlns.II 

Vlas.            

           
Vcs. 

          
 
            
            
Cbs. 

45 
23
       

45

Picc.

        
Fl. 1 

        
Fl. 2 

        
Ob. 

         
Bsn.
 
        
B♭ Cl. 1 

       
B♭ Cl. 2 

        
B. Cl.

      
    
          

B♭ Tpt. 1

     

 
             

 

B♭ Tpt. 2


 
               
     
B♭ Tpt. 3

 
  

   
            
 
 

F Hn. 1

    

           
      

F Hn. 2

      
          

Tbn. 1 

   

               
Tbn. 2
   

   

        
                       

  
Tba.

        
     
 
 


Timp.

        


 
Glock.

 
         
Perc. 1
 

       



    
Perc. 2

    
         
           
     

 
           
    
       
Pno.

 

            

        
Vlns.I 

        
Vlns.II 

Vlas.          

         


Vcs.

      
           
                   
 
Cbs.



24 IX. Le Coucou au fond des bois
(The Cuckoo in the deep woods)
  
25
                  
9


Andante  = 66

 
  
Piccolo

      
        

              
    
   

  
Flute 1

      
  

                          
  
Flute 2

            

Oboe                               

     
Bassoon
                   
            

                     

           

Solo, opt. offstage

B♭ Clarinet 1

             

B♭ Clarinet 2                              

 

                
                          
 
Bass Clarinet

             

B♭ Trumpet 1 

           
B♭ Trumpet 2  

           
B♭ Trumpet 3  

           
F Horn 1  

F.Horn 2              

Trombone 1
             

            
Trombone 2
 

Tuba
             

             
Timpani 

           
Glockenspiel  

Percussion 1              

             


Percussion 2
 

     
          
                          
                                 
     
  

           

       
sempre

               
Piano

              
     
                         
  
 

                
Violin I
                     
 
   

             
                    
Violin II

            
                
         

Viola
    

    

 
Cello                  
 
               

Bass
             
13        
26
                    
 
17

 
          
Picc.

               
    
One

Fl. 1

                  
     
Fl. 2 

                      
Ob.     

      
               
Bsn.
   
                    
B♭ Cl. 1       

                    
          
One
B♭ Cl. 2

        
        
B. Cl.
        

          
B♭ Tpt. 1 

         
B♭ Tpt. 2 

         
B♭ Tpt. 3 

         
F Hn. 1 

F Hn. 2           

Tbn. 1
          

          
Tbn. 2

Tba.
          

          
Timp.

         
Glock. 

Perc. 1           

          


Perc. 2

      
           
                
                  
       
       
      
    
Pno.

         
              
   
                 


Vlns.I

      
Vlns.II             

    
                   
Vlas.


   
                 
Vcs.
   

Cbs.
          
23 
27
                                  
27

Picc. 
                                   
   

Fl. 1 
   

           
Fl. 2 

           
Ob. 

     
    
            
 
Bsn.

                         

 

B♭ Cl. 1 

B♭ Cl. 2                                     

   
   

 
  

 
       
   
B. Cl.

            

 
B♭ Tpt. 1

           
B♭ Tpt. 2 

           
B♭ Tpt. 3 

           
F Hn. 1 

F Hn. 2             

Tbn. 1
            

            
Tbn. 2

Tba.
            

            
Timp.

           
Glock. 

Perc. 1             

            


Perc. 2

                                   
                                   

                       
                         
 
               
Pno.


           
       
    
  
 

 
Vlns.I

       
    
  
 

 
Vlns.II

              
Vlas.
     

   
         
         
 
Vcs.

            
 

Cbs.
28 35

35                   
diminuendo sin' al fine

Picc.         

                 

       
One


All

Fl. 1

               

         

One

Fl. 2

 
 

                        
One
Ob.


 

              
Bsn.
           
              

                
All except soloist

B♭ Cl. 1


                       
  
All One

B♭ Cl. 2


             
  
        
B. Cl.

         

B♭ Tpt. 1 

        
B♭ Tpt. 2 

        
B♭ Tpt. 3 

        
F Hn. 1 

        
F Hn. 2 

         
Tbn. 1

         
Tbn. 2

         
Tba.

         
Timp.

        
Glock. 

        
Perc. 1 

        



Perc. 2

              
       
             

 

                
  



                      
Pno.

         

    

                


        
               
One
Vlns.I


 

        
               
One
Vlns.II



  

               
     
One
Vlas.


 

              
   
     
Vcs.

         

Cbs.
XI. Pianistes (Pianists) 29
        
                                           
Allegro moderato  = 76

       
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

 
Piccolo

       
                                           

       
 
All
Flute 1

        
                                           

       
 
All
Flute 2

     
        

    

                     
      
                     
All
Oboe


                                        
 


          
     
Bassoon

             
   

                    
                                   
All
B♭ Clarinet 1

      
 
        
         

   
 
                                       
All
B♭ Clarinet 2

  
           


       
Bass Clarinet
                                        
   
   

                                               
        

B♭ Trumpet 1

 

                                           
    

     
B♭ Trumpet 2      

 
                                            

         
B♭ Trumpet 3
        

            
                                      

F Horn 1            

            

F.Horn 2                                                   

                                        

               
    
Trombone 1


                                      

               
      
Trombone 2

                                     

           
    
Tuba

  In G, C, D♭    

    
                        
G to A♭
Timpani

                                           
   

       
   
  

Glockenspiel

   
    

                                
                   


Percussion 1

      


Percussion 2

       

       
Piano

Violin I        

Violin II        

Viola        

Cello
       

Bass
       
        
6                                        
30
   
        
6

Picc.
 
        
                                          
Fl. 1  
 

     

       
                                          
           
Fl. 2
 
     
          
                                                
Ob.
       
  
                                                 
        
 
Bsn.

        
                   
B♭ Cl. 1   
                                        
      
                    
B♭ Cl. 2   
                                        
  
               
                                           

B. Cl.

   
           
                                   
          

B♭ Tpt. 1

  
             
B♭ Tpt. 2
                                   
        

    
              
B♭ Tpt. 3
                                    
     
 

                 
                                  
       
F Hn. 1

     
                                                 
       
F Hn. 2

    
                                           
         
     
Tbn. 1

   
                                             
       
      
Tbn. 2

                                     
            
      
Tba.

      
                          
  
D♭ to D♮, A♭ to A♮
Timp.

                                           
 
 
             


Glock.

   
                                    
                   


Perc. 1

     


Perc. 2

      


        

Pno.

      
Vlns.I 

      
Vlns.II 

       
Vlas.

        
Vcs. 

        
Cbs. 
       
11                                       
31
           
11

  

Picc.

      
                                          
Fl. 1   
 

     

       
                                           
Fl. 2   
 

     

     
                  
Ob.    
                                  
   
   
  
                                                
        
 
Bsn.

        
 
                  
B♭ Cl. 1                                       
   

    
                                           
           
      
  
B♭ Cl. 2

  
              
  
B. Cl.
                                       

  
             
B♭ Tpt. 1                                     
       

  
                                             
B♭ Tpt. 2     
         

   
                                               
B♭ Tpt. 3
     
     
  


                
                                   
       
F Hn. 1

    
                                                 
       
F Hn. 2

      
                                              
      
 
Tbn. 1

  
  
                                          
       
      
Tbn. 2

  
                                             
      
Tba.

     
                          
  
D to E♭, A to B♭
Timp.

  
                                   
  
 
     
    
       


Glock.

   
                                    
                   


Perc. 1

     


Perc. 2

      
 

       
Pno.

      
Vlns.I  

      
Vlns.II  

Vlas.        

Vcs.
       

Cbs.
       
      
16                                          
32
 
        
16

 

Picc.

     
                                          

Fl. 1  
 

     

          
                                       

Fl. 2  
 

     

      
                     
Ob.                                          
 
                                           
  
  
    
      
 
Bsn.

        
                 
B♭ Cl. 1                                           

          
      
                                        
     
  

B♭ Cl. 2

 
        

  
                                             

B. Cl.

           
         
B♭ Tpt. 1                                        

          
      
B♭ Tpt. 2                                           

           
      
B♭ Tpt. 3                                             

                                   
                
         
F Hn. 1

                                   
                
         
F Hn. 2

    
                                                
       
 
Tbn. 1

  
                                                    
Tbn. 2
        

                                   
            
Tba.        
     
                          
  
E♭ to D, B♭ to B♮
Timp.

 
                                       

                  


Glock.

 
                                      
                   


Perc. 1


       
 


Perc. 2

      



       

Pno.

      
Vlns.I 

      
Vlns.II 

Vlas.        

       
Vcs. 

       
Cbs. 
33
21                                
21

               
Più mosso  = 108

Picc. 

                                               
Fl. 1 

                                               
Fl. 2 

                                               

div.

Ob.

                                                
Bsn.

 
B♭ Cl. 1                                                 


B♭ Cl. 2                                                  

                                                
B. Cl.

 
B♭ Tpt. 1                                                 


B♭ Tpt. 2                                                  

B♭ Tpt. 3                                                  

                
                                
div.
F Hn. 1


                                                
div.

F Hn. 2

 

    
    
       
Tbn. 1            

 

    
    
       
           
Tbn. 2

    
                       
   
Tba.

    
           
      
B to G
Timp.

                                               

     

Glock. 

Perc. 1                                                 

  
       
         
   


Perc. 2

     
     

      
Pno.

     
Vlns.I 

     
Vlns.II 

Vlas.       

Vcs.
      

Cbs.
      
27         
34
            
     
Picc.

                     
     
Fl. 1

              
            

Fl. 2

                
      
   
unis.
Ob.

                
          
Bsn.
 
       
B♭ Cl. 1                       

    
B♭ Cl. 2                   
     

                   
    
B. Cl.
  
       
B♭ Tpt. 1                       

    
B♭ Tpt. 2                   
     

  
B♭ Tpt. 3                   
  

 

  

      
                     
F Hn. 1
 
 
                       
F Hn. 2
   
  


    
    
    
    
Tbn. 1               

  


    
    
    
    
              
Tbn. 2

      
                       
    
    
Tba.

          
                   
Timp.
          

            
      

     

To Xylophone

  
Glock.

      
                          
Perc. 1
         
        
         
           
     


Perc. 2

   

    
Pno.

   
Vlns.I 

   
Vlns.II 

Vlas.     

Vcs.
    

Cbs.
    
XII. Fossiles (Fossils) 35
  Allegro ridicolo  = 112     
      
Piccolo  
                

    
      

            
Flute 1        

    
    

         
Flute 2             

    
      

            
Oboe        



                 
Bassoon
    
   

 
 

    

                    
       
B♭ Clarinet 1

 
                

     
         
B♭ Clarinet 2

           

      
    
 
Bass Clarinet


 

    
                 

B♭ Trumpet 1    

    
          

B♭ Trumpet 2           

    
          

         

B♭ Trumpet 3

     
       

       
F Horn 1
  

     
F.Horn 2                  

        
 

              
Trombone 1

  
  

                
Trombone 2
      
  

             
      
    
Tuba

  

     

       

    
In G, C, D, E♭
Timpani


  
         
    
       
         
Xylophone

 
 

                            
       
Snare rim


Percussion 1

 

                            
Triangle Wood blocks


Percussion 2

    
 

      
            

      
       
            
 

 
Piano

          
        
         
   
 
             
        
    
  
pizz.

    
arco

Violin I

       
 

                       
    
   
pizz.

      
arco

Violin II

          

                           
pizz.


   
      
arco
Viola

     
            

                  
    
 
pizz. arco

Cello

     
           

         

pizz.

Bass

    
36
10       
10


Picc.                 

    
      

           
Fl. 1      

    
    

           
Fl. 2        

    
      

           
Ob.      



              
     
 
Bsn.

 
 

                      
         
B♭ Cl. 1

              
 

      
           
B♭ Cl. 2

        
 

         
 
B. Cl.


 

            
B♭ Tpt. 1            

            

B♭ Tpt. 2            

            

          

B♭ Tpt. 3

     
    

       
F Hn. 1
  

     
F Hn. 2             
 

       
 

          
Tbn. 1

 
 

              
Tbn. 2
     
 

         
     
    
Tba.

 

           

  
Timp.

    
  
       
         
Xyl.

                        
           

Perc. 1

 

                          


Perc. 2

    
 

       
        

      
       
         
 

 
Pno.

          
        
         
   
  
                
    
 
pizz.

 
arco


Vlns.I

       
  
                  

      
pizz.

   
arco


Vlns.II

          

                      
pizz. 

          
arco
Vlas.

     
      
         

          

pizz. arco
Vcs.

     
        
    

pizz.

Cbs.
             
37
18  
18

Picc.          

             
      
 

  
Fl. 1       

   
 

            
Fl. 2      
       

             
 

           
                
Ob.

 

   

                
Bsn.
            
  
                
 

 
         
B♭ Cl. 1   

                  
B♭ Cl. 2
            

        
                    


B. Cl.

        
       

        

B♭ Tpt. 1     

       
B♭ Tpt. 2 

       
B♭ Tpt. 3 

       
F Hn. 1 

       
F Hn. 2 
 
    
                  
  
Solo
Tbn. 1

  
 

           
Tbn. 2
             

 

                
Tba.             
 

 
 

Timp.         

        
Xyl. 

Perc. 1         

        


Perc. 2

        
                 
 
     
     
 

         
Pno.

  
  
                     
Vlns.I       

 

    
           
 
       
         
Vlns.II

  
        
                        
Vlas.
              
  
                 
          
 
pizz. arco
Vcs.

   

               
           
 
pizz. arco
Cbs.

38
26 
26

          
34

    
Picc.

           
           

    
Fl. 1

         

  

Fl. 2           

   

  
                  

            
div.

Ob.

     
 

      
                 
   

Bsn.

     
      
All
 


          
Opt. Solo

B♭ Cl. 1

       
 

B♭ Cl. 2 
                          
 

          
          
       
 

B. Cl.

  
All

              

B♭ Tpt. 1 

 

           
B♭ Tpt. 2 

           
B♭ Tpt. 3   

   

   
                 
        
Solo
F Hn. 1

    
                 
 
 
F Hn. 2

                
                  

All
Tbn. 1

                 
         
Tbn. 2
 

                  
       



Tba.

 

             
Timp.


      
            

   
Xyl.

 

        
Perc. 1
     

         
    


Perc. 2

       
           
            
  
                
      
             

Pno.

    
        
  

              
pizz.

Vlns.I

   
                    

           
  
pizz.

Vlns.II
  
 
       
                            

    
pizz.

Vlas.
   

             
 

                

pizz.
Vcs.

               

Cbs.
             

36                 
39

                
42

Picc.

           

           
Fl. 1      

         

           
Fl. 2        

    
Ob.       
    

       



              
     
 
Bsn.

 

               
B♭ Cl. 1      
         

               

B♭ Cl. 2      
         


        

     
   
 
B. Cl.

 


                
     

B♭ Tpt. 1



              
B♭ Tpt. 2             

              

B♭ Tpt. 3            
 


            

        
F Hn. 1
 

F Hn. 2         

 
         
Tbn. 1
           


 

          
Tbn. 2
        
 

         
      
      
Tba.

 

               
Timp.
  


  
                    
    
Xyl.

   

                        
Perc. 1              

                   
        


Perc. 2

   
  
     
        

      
       
         
 

 
Pno.

          
        
         
   
  
          
    
        
pizz.


arco

Vlns.I

       
  
           
    
         
pizz.

  
arco

Vlns.II

          

                       
pizz.

      
arco
Vlas.

     
                 
         

arco pizz.
Vcs.

     
         
   

pizz.

Cbs.
       
44              
40
               
50

Picc.

       
       

          
Fl. 1      

           

             
Fl. 2     

  

      
Ob.       
    

      
 

           
            


    
 
Bsn.

       

   

                   
        
Opt. Solo
B♭ Cl. 1
3

                         

     
        


B♭ Cl. 2

            

             
   
B. Cl.


              
 

     

B♭ Tpt. 1

              
B♭ Tpt. 2             

              

           
B♭ Tpt. 3


              

        
F Hn. 1
 

F Hn. 2           

 
         
Tbn. 1
             


 

            
Tbn. 2
        
 

        

              


    
     
Tba.

 

       

     



Timp.

        
Xyl.       
 

  
                              
                  


Perc. 1

       

                              
Claves

   


Perc. 2

    
 

         
        

      
       
           
 

 
Pno.

          
        
         
 
     
          
    
  
arco

Vlns.I

     
     
    
       
    
 

 
arco

Vlns.II

        
                     
     
arco
Vlas.

     
                   
     

arco

Vcs.

     
           
   

pizz.

Cbs.
54                  
41

             
58

Picc.

     
         
  

  
Fl. 1         
 
    
  

              
Fl. 2      
 

         

                     
Ob.


 
 

     
                          
          
Bsn.

        
             
 

                           
    
 
B♭ Cl. 1

 
 brillante

B♭ Cl. 2                                         

                    

      
           
  
B. Cl.

     
              

B♭ Tpt. 1 
 

B♭ Tpt. 2 
                     

      
 

B♭ Tpt. 3              

        
 

         
F Hn. 1    
 

          

F Hn. 2 

         
Tbn. 1
                 


 

                         
Tbn. 2
  
 

     
             
 
      
            
 
Tba.

          
       

Timp.


 

              
                 
  
Xyl.

    
 

                        
                      
  
Perc. 1

                 

                
Mark Tree


Perc. 2

       
                        
 
                
          
 

          
Pno.

 
     
         
        
pizz. arco
Vlns.I

   



              
    
pizz. arco
Vlns.II

   

   

               

pizz. arco
Vlas.

    
 

                   

pizz. arco
Vcs.


 

                 
pizz.

Cbs.

         
42
65         
65

Picc.                

         
      
       
Fl. 1          

       
         
Fl. 2                

      
       
Ob.                      

        
               
 
Bsn.

         
 All          

B♭ Cl. 1            

       
               
             
B♭ Cl. 2

         
            

B. Cl.


                
B♭ Tpt. 1      
          

               
B♭ Tpt. 2       
         

              
      
       
  
B♭ Tpt. 3

       
                                    
F Hn. 1

       
F Hn. 2      

      
                   
Tbn. 1       

     
                   
        

Tbn. 2

        
      
       

Tba.

      

                    
Timp.
 


  
            
        
 
                 
To Glockenspiel

  
Xyl.

      
                             
            
     
 
Perc. 1

                                
Vibraslap Wood blocks


Perc. 2
   
   
    
 

           
       
   

                 
     
 


 


           

                  
Pno.

          
        
  
     
        
          
Vlns.I                  

     
     
              
       
    
Vlns.II       



 

          
       
                 
            
Vlas. 
    
      
                  

        
Vcs.

      
               
 
arco

Cbs.

XIII. Le Cygne 43
(The Swan)

  Andantino grazioso  = 63    
Piccolo      

  
  

Flute 1      

  

Flute 2         

  

      
Oboe
 

  
Bassoon
    
  

         
                   
B♭ Clarinet 1


           

               

  
B♭ Clarinet 2

 
       

Bass Clarinet

  

   
B♭ Trumpet 1  

    
B♭ Trumpet 2   

    
B♭ Trumpet 3   

    
F Horn 1   

   
F.Horn 2   

Trombone 1
      

      
Trombone 2

  
Tuba
   

  

Timpani     

     
        
  

 
Glockenspiel

Percussion 1      

     


Percussion 2

             
             
                       
                                  
Piano 

               

 
  

Violin I
  
 

 
   
Violin II

   

      
Viola
                                   

  
 
         
         
 Solo

Cello  

  
molto espressivo

Bass
   

5  

44
   
Picc. 

   
     
Fl. 1 

        
Fl. 2  

  
Ob.      
 


Bsn.
     
 
        
                   
B♭ Cl. 1


         
  

               
B♭ Cl. 2


     
B. Cl.
 
     
B♭ Tpt. 1 

    
B♭ Tpt. 2  

    
B♭ Tpt. 3  

    
F Hn. 1  

F Hn. 2     

Tbn. 1
    

    
Tbn. 2


Tba.
    
     
Timp.

  
           


Glock. 

Perc. 1     

    


Perc. 2

       
              

                          
  
                                
Pno.

               


  
  
Vlns.I



      
Vlns.II

             
                                  
Vlas.

           
           
Vcs.     


Cbs.
    
9  
45
   
10

Picc. 

     
    
Solo

Fl. 1 


    
Fl. 2 

    
          
Solo

Ob.

  
Bsn.
         

 
          
    
     



     
B♭ Cl. 1


       

 
    
     



 

 
B♭ Cl. 2

 
B. Cl.
        
     
B♭ Tpt. 1 

    
B♭ Tpt. 2  

    
B♭ Tpt. 3  

    
F Hn. 1  

F Hn. 2     

Tbn. 1
    

    
Tbn. 2

  
Tba.         

     
Timp.

 
                     
Glock. 

Perc. 1     

    


Perc. 2

               
         
                                              
              
                               
Pno.

 
   

Vlns.I   
   
 
 
Vlns.II

                   
          



 



 



 

 

Vlas.


Vcs.
       

  
Cbs.         
13 
46
   
Picc. 

        
Fl. 1   


     
Fl. 2 


     
Ob. 

 
Bsn.
         
 
           
 

   
                
B♭ Cl. 1


   
 
      
 

               
B♭ Cl. 2



 

 
     
B. Cl.

     

 

B♭ Tpt. 1

    
B♭ Tpt. 2  

    
B♭ Tpt. 3  

   
F Hn. 1     

  
F Hn. 2    

     

Tbn. 1 

    
Tbn. 2

 
Tba.
        
     
 

Timp.

               
Glock.                              

    
 


Perc. 1

  
Suspended cym.

       


Perc. 2


  

                         
                                
       
       
                            
Pno.

   
   
  
Vlns.I

   

  
Vlns.II

                       
                  

Vlas.
    

         
 
 

   
Tutti

Vcs. 
 

  
Cbs.
       
 
17   
47
   
18

Picc. 

       

Fl. 1      


 

      
 
Fl. 2 


 

          
Ob.
 

  
 

Bsn.
     

 
           
 


                   
B♭ Cl. 1


   

     
 

   
          

  
B♭ Cl. 2



B. Cl.
        

     

 

B♭ Tpt. 1

    
B♭ Tpt. 2  

    
B♭ Tpt. 3  


F Hn. 1      
 

F Hn. 2         

    

 

Tbn. 1      
 

    
Tbn. 2

 
Tba.      

     
 

Timp.

         
                       
  

Glock.

       
 


 
Perc. 1

  

          


Perc. 2


  

                         
                                
                      
        
Pno.

             
  
        
Vlns.I            
    

       
 

     
Vlns.II         


 

               
Vlas.
                           

  
            

    

   
Vcs. 
 

 
Cbs.      
 
21
48
    

rit. Lento  = 50
Picc.

    
             
Fl. 1
  


            

Fl. 2        

 

                    

        

Ob.

 

 

         

     
   
Bsn.

 

        


     
         
B♭ Cl. 1

  
        

   

     
B♭ Cl. 2

 
        
    

    
  
B. Cl.

      


 

B♭ Tpt. 1

     
B♭ Tpt. 2  

     
B♭ Tpt. 3  

  
   


       
 
F Hn. 1


 
    
  
     
F Hn. 2

   
             
 

 
Tbn. 1

  

     
Tbn. 2

      
    
    
Tba.

      
 

Timp.

   
          

              
    
Glock.

   
 

     

Perc. 1

 

           


Perc. 2

   
 

                                               
                         

 
               
      

              
Pno.

      
     
     
Vlns.I       

     

     
Vlns.II       

            
Vlas.
                    
    
        

     

 
Solo

Vcs.

 

             
dim.

    
  
Cbs.
 

26
49
  

a tempo rit.
Picc.

    
Fl. 1     


          
 

One
Fl. 2

  
 

   
       
One
Ob.

      
Bsn.
  

   

       
  

B♭ Cl. 1

 
 


          
 
B♭ Cl. 2



 

   
B. Cl.
  
    

B♭ Tpt. 1 

   
B♭ Tpt. 2  

   
B♭ Tpt. 3  

   
F Hn. 1       

      
 
F Hn. 2

       


Tbn. 1

   
Tbn. 2

      
Tba.
 

 

Timp.
  

   
            
           


 
Glock.

   

Perc. 1

      
Mark Tree


Perc. 2

               
        

                  

       
       
                  
Pno.

   

    
  
Vlns.I
 
  

    
 
Vlns.II


  
   


 
Vlas.


         

Vcs.

 

    
Cbs.
 

50 XIV. Final (Finale)
  

51
          
Molto allegro  = 168 10


Piccolo         
  
          
  


Flute 1         
  
          
  


Flute 2         


  

                        
Oboe

       

     
 

                          
Bassoon
        
     

            
                 

 
All

    

B♭ Clarinet 1

         
             
   

  
       
    
B♭ Clarinet 2

 
 

           
 

             
Bass Clarinet
   

 

 

 
         
             
         

    

B♭ Trumpet 1


      
  
B♭ Trumpet 2
                


      
  
B♭ Trumpet 3
                

 

                
F Horn 1         

                 


F.Horn 2
       

 
        
                  
  

gliss.
Trombone 1

 
   
  

               
           
gliss.
Trombone 2

       
 

     

                          
Tuba
       

 

        

    

In G, C, D, E
Timpani


    
 

    
       
  
  
Glockenspiel gliss.


            
 

      
C.Cym
Percussion 1

 

 

          
     
Triangle


Sus.Cym.
Percussion 2

       

                          
        
       
          

               
Piano

       

             
   
       
Violin I

             

   
       
Violin II

               
         

Viola

                 
Cello
       
   
     

             
       
pizz.

Bass


12
52
      
18

Picc. 

             
Fl. 1     

       

     
Fl. 2     

       

     
Ob.     

                     

              
                                                 
 
Bsn.

       
     
                                     
            
   

          
 
 
B♭ Cl. 1

         
                            
         
                   
B♭ Cl. 2
     
        

                                               
                           
   
B. Cl.

        
B♭ Tpt. 1 

       
B♭ Tpt. 2  

       
B♭ Tpt. 3  

       
F Hn. 1 

F Hn. 2        

Tbn. 1
       

       
Tbn. 2

                                    
                                                
 
Tba.

       
Timp.

      
Glock. 
   
              
Snare rim

Perc. 1

   
   

          


Perc. 2

                             

                                                
                          
 
             
                     

                                          
Pno.

     
                       
   
      
Vlns.I 

      
Vlns.II 

Vlas.        

          
       

Vcs.

       

                    
Cbs.

   53
19           

     
              
    
    

Picc.

 

 
              
  
      
     
              
 


             
        

Fl. 1

 
 
              
  
      
    
              
      


           
Fl. 2
       
 
 
              
  
      
    
             
      


            
Ob.
       
                              

        
                                             
 
Bsn.

                 

                                      
                     

 
 
B♭ Cl. 1

     
                                

     

      

   

 
 
   
   


 
   
     

B♭ Cl. 2

                                                       
  

                          
 
B. Cl.

        

B♭ Tpt. 1

       
B♭ Tpt. 2  

       
B♭ Tpt. 3  

       
F Hn. 1 

F Hn. 2        

                    
Tbn. 1
      

              

     
Tbn. 2
       

           
 

                           
                                            
 
Tba.

       

Timp.


         


Glock.

           

                                  
Perc. 1

       
          

                


Perc. 2

                  
                                    
                    
        
          
  
 

  
   

                                      
                                 
Pno. cresc. 

         
                        
 
      
Vlns.I 

      
Vlns.II 

       
 
Vlas.

  
                    
                                    
Vcs.
       
     

                             
cresc.

Cbs.
      

cresc.
26                  
54
           
26


 
Picc.

                                         

 
  
   
Fl. 1

                         

              
    

Fl. 2

 
                       

     
Ob.     

                                        
Bsn.
                                

         

B♭ Cl. 1 

        
B♭ Cl. 2  

                                            
                                

B. Cl.

         

B♭ Tpt. 1

        
B♭ Tpt. 2  

        
B♭ Tpt. 3  

                                
F Hn. 1                                                                 

                               

        
F Hn. 2
                                     

                          
                                
     

Tbn. 1
                                   

                                                                          


Tbn. 2
                                

        

Tba.

        
Timp.

       
Glock. 

Perc. 1         

        


Perc. 2

       

        
Pno.

   
                                         
                               
Vlns.I

   
       

                                 
     
                         
Vlns.II

   
                                        

  
Vlas.
                             
   
                                        


Vcs.
                               
   
                                       


arco

Cbs.
                               

   
34               
55
                                 
 
34




Picc.

  
                    
                               
  
Fl. 1

 
                                  


       
     
 
Fl. 2

                                              
           
 
Ob.

                                
Bsn.
                                        

     
B♭ Cl. 1                         


   
B♭ Cl. 2                          

        

                       
                                        

B. Cl.

       
B♭ Tpt. 1   



       
B♭ Tpt. 2 



      
B♭ Tpt. 3 

        

                                                         
       
F Hn. 1

             
                                                           
 
F Hn. 2

           
                                    
Tbn. 1
                           

                                  


                                 
Tbn. 2
          

                                
Tba.
                                       

    

   
Timp.
        

      
Glock. 

Perc. 1        

               
                                
                


Perc. 2

      

       
Pno.

                           
Vlns.I 
                                           

                                
                                 
                             
Vlns.II

                       

                                              
Vlas.
 

                                                        
Vcs.
                                       

                                                  
Cbs.
                     
           
     
41                                  
56
         
43

            
Picc.

            
       
                      
 

              
            
Fl. 1

          
                                 
 

                
            
Fl. 2

          
                             
 

                
           
    
Ob.

                
 

           
                                           
  
Bsn.

     
                                         

       
       

        
B♭ Cl. 1
   
 
       
 

               
     
              
            
          
   
B♭ Cl. 2



  

                                           
                          

B. Cl.

   

     
B♭ Tpt. 1 

  
 

    
B♭ Tpt. 2   

  
 

    
     

B♭ Tpt. 3

  

    

       
F Hn. 1
 
        

      

F Hn. 2

 
     

Tbn. 1        

 

             
Tbn. 2
  

                         

                                             
 
Tba.



        

 
Timp.

                                 

Glock.               
                
     

                                
Perc. 1         

           
 


                     
                   


Sus.Cym.
Perc. 2

               
  

                                         
           
          
                      
  

                               
Pno.

   
                   
         
                    
 
                                
 

Vlns.I

 

                
              

                 
          
     
Vlns.II

 

             
 


Vlas.

           
                  
pizz.

 
Vcs.

       

                   
 
pizz.

Cbs.

      
48                                          
57
              
         
51

            
Picc.

      
                                         

               
         
Fl. 1
           
      
  
                                            


              
        
Fl. 2
       
      
  
                                            


              
        
Ob.
       
                     

          
                                                          
 
Bsn.

  

                                          

               

             
B♭ Cl. 1
        
         
                        

  
           
                              
B♭ Cl. 2



                               
                                
   
B. Cl.

   
  
                        

         
B♭ Tpt. 1
       
 
                      

     
B♭ Tpt. 2        
   

   
 
   

           
B♭ Tpt. 3           
    
 
   

          

  
                              
    
   
 
F Hn. 1

      

             
F Hn. 2                              
                             
        

             
Tbn. 1

                       

           
Tbn. 2
                                

                     

          
                                                         
 
Tba.

    

                     
            
    
Timp.

 
                          
                  

            
            
           
Glock.

           

                                                             
Open Hi-Hat

Perc. 1            
           
                                    

                     


Perc. 2

                         

                                                           
                            
    
       
                                  
  
   

                                          
Pno.

        
                           
     

       
                                  
          
  
Vlns.I                         

              
                              

  
              
        
Vlns.II
       
arco 

                           
Vlas.
                          

     

                                                  
   
arco
Vcs.

                         

                                              

arco
Cbs.


56               
               
58

           
61

Picc. 
  
                                     
          

Fl. 1 
  
                    
Fl. 2                                 

  
                    
Ob.                                 

                   
           
 
Bsn.

               
                             
           
B♭ Cl. 1 

                        

  

  

  
  
B♭ Cl. 2                

                   
         
   
B. Cl.

    
B♭ Tpt. 1                                     

    
B♭ Tpt. 2           
     
       
     
       
     
       
     
 

 
                
B♭ Tpt. 3
                       

  
                                        

F Hn. 1

                                       
              
F Hn. 2

                        
     

          
Tbn. 1 

              
       
     
       
     
       
     
       

  
Tbn. 2
    

                   
          
 
Tba.

  
Timp.    















   

 
         
Glock.      

Perc. 1                

         
    


Perc. 2

    
                               
                         
                            
                   

Pno.

           
          
       
  
                                  
            
Vlns.I 
 
                    

  
 
  
             
        

Vlns.II 

   
          
 
Vlas.

                            
     
Vcs.
         

                      
Cbs.
       
  
63            
59
       
69

Picc. 
    
           
          


                    

Fl. 1  

    
                       
                    

Fl. 2  

    
          
      
Ob. 

              
Bsn.
                

                   

                        


        

                  
       
 
B♭ Cl. 1   

                   
                                       
       

 
 
 
B♭ Cl. 2

       


                
B. Cl.

       
                  

B♭ Tpt. 1       

      

  
         
  
               
B♭ Tpt. 2

         
     

      
               
B♭ Tpt. 3

      
           

      
            

F Hn. 1


          
      
   
 
        
   

F Hn. 2

    

                        
       

Tbn. 1


           

              
     
   


Tbn. 2

        
                         
    
    
Tba.


 

             
   
Timp.

   
            

  


 
Glock.

           
       
                     
               
        
Perc. 1

        


   
  
 
Perc. 2

        
 
                           
                                  

           
    
    
      
                       
                       

  
Pno.

    
    
   
       
          
         
   

              
     
Vlns.I  

     
             
     
   

              
     
Vlns.II  


   
                        
             

Vlas.

      
   

                 
                      

Vcs.

     
   

                
Cbs.
                      

                   
  
71   
 
     

60   
                
Picc.       

     
 
                      
   

     
   

 
cresc.

                           
Fl. 1
  

           
  

                
cresc.

         
 
Fl. 2

         

                    
cresc.

         
  
Ob.


cresc.

Bsn.
                                  

      

        
 
   

  
       
 
               
cresc.

      

  

    
  

   


B♭ Cl. 1

       
                          
cresc.

        
 
B♭ Cl. 2


cresc.

B. Cl.
                                  
     
cresc.

B♭ Tpt. 1 

    
B♭ Tpt. 2  

    
B♭ Tpt. 3  

  
F Hn. 1                  

   
 cresc.

F Hn. 2 

                                
Tbn. 1

         
cresc.

Tbn. 2
                        


cresc.

Tba.                                  

    
cresc.

Timp.

   

   
Glock.

                   
                                
               
               
Perc. 1

    
cresc.


   
             
Perc. 2

        
                
         

                             
       
     

    
                
Pno. cresc.

 

 

               
Vlns.I

 cresc.


                               
Vlns.II

                
cresc.

Vlas.                


cresc.

Vcs.                                


cresc.

Cbs.                                
cresc.
     
            
 75
75   
61
             
        
    
Picc.

             
        

   
11 11

        

 
Fl. 1

        
                  

 
11 11

        
Fl. 2

                 

 
11 11

 
        
11 11

        
 
Ob.

   

      
Bsn.
            
 
      
B♭ Cl. 1                      

 


      
           
 
   
B♭ Cl. 2

   

    
B. Cl.
            
 
                        

B♭ Tpt. 1  

       

                          

B♭ Tpt. 2

       

B♭ Tpt. 3   
           
           

       

             
F Hn. 1                         

   

F Hn. 2 
            
Tbn. 1
       

            

      
 

Tbn. 2

     

    
Tba.
           

     

            
          
Timp.

  
           

       
     
Glock. gliss. gliss.

           
                            

      

Perc. 1

            
 


(cresc.)

   
Perc. 2

       
 

 
                   
 

            
    
                        
 

 
Pno. 

     

      
                   
         
Vlns.I



      
            
               
Vlns.II

            

       
Vlas.
                

                 

      
Vcs.
      

                 

      
Cbs.
      

                          
79                            
62 83

         
                 
Picc.

        
                           
         
 
Fl. 1

                         
                           
      
Fl. 2
 

                           
                           
Ob.
 

      
                               
            
   
Bsn.

                              
B♭ Cl. 1                                 


                           
                             
B♭ Cl. 2
 

            
   
             
            



  
    

B. Cl.

                
B♭ Tpt. 1                                      

                    
       
 

 
    
 

       
  
 
B♭ Tpt. 2

              
                             

   
    
 
B♭ Tpt. 3

             
                          
      

   
unis.

 
F Hn. 1

F Hn. 2       

              
   
Tbn. 1                                  

           
       
Tbn. 2
           

            

 

   

             
                    
        
    
     
Tba.

           
                             
Timp.
        

                       
Glock.                                     

                 

        
                        
 
           
 
Perc. 1

        
             
            


Perc. 2

                             
                              

        

           
            
                       
Pno.

          
   
           
                      
           
 
           
 


  
   
Vlns.I

            
 
                                    
             
     

Vlns.II

     
                            
           
    
       

Vlas.

    
               
                     
             
  
 
Vcs.

     
                
  
 

    
 

         
Cbs.
     
      
85               
63
                 
     
Picc.

               
                 
    
Fl. 1

                
Fl. 2                  


    
Ob.                       

      
                            
           
    
Bsn.

                
 
B♭ Cl. 1                  

 
                   
B♭ Cl. 2       

                    
                      

B. Cl.

      


              
B♭ Tpt. 1                

 

 


              
               




 
      
B♭ Tpt. 2


              
      


  
                
B♭ Tpt. 3

       
                                
    
unis.
F Hn. 1

      

F Hn. 2

       
             
                  
Tbn. 1

   
                  
                  
Tbn. 2
 

      
                            
Tba.
          
        
                  
Timp.
              
      
         
                        
      
Glock.

                  
                       
                               
           
Perc. 1


        
               
   


Perc. 2

                        
                          
 

        


         
Pno.

            
                
           
     
                         
   

  
      
Vlns.I

     

                                     
   

  
      
Vlns.II

          
 

                           
  
Vlas.

      
                          

         
 
Vcs.

    

                             
Cbs.
     

Piccolo Le carnaval des animaux
(The Carnival of the Animals)Camille Saint-Saens (1835-1921)
Selections arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


         
Andante maestoso  = 104

 

cresc. 

 
12

    
11 Allegro non troppo  = 96

 
17
25


17 Più allegro  = 168

              
   
28 33

        
 
 

     
41


37

         
 

            
   
49


47

          

    

 

      
  
53

           

      
59

   
59

 

   
  
66

II. Poules et coqs


(Hens and Roosters)
9

     

   
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)

  
  
Andante maestoso  = 50 7
                        
2


11 15


11

                        
 3 3 3 3 3 3 3 3


17 rit.

                         
 
3 3 3 3 3 3 3 3

     
19

3 3 3 3 3 3 3 3
3

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)
9


                       
 
Andante  = 66

  

                        

 
17


17

   
35

                          
diminuendo sin' al fine
27


26

              
   

        
36

XI. Pianistes (Pianists)

       
  
                      
Allegro moderato  = 76
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

      
        
  

       
3

 
       
                        

6 6

        
         
            
8


                                  
   
11


11


    
    
                      
16


14


   
                     
3
   
    
17

21

                               
Più mosso  = 108


21

                       

25

             
      
28

XII. Fossiles (Fossils)

     
                
      
Allegro ridicolo  = 112

               

     
     
10 10

               

       
18


18

      
        
 


   
26 26 34

    
            

         
39 42

                  
     

     
50


46

             

  
     
58 58

   
 

   
     
65 65

   
     
       
    
69

XIII. Le Cygne
(The Swan)

  
     
        
Andantino grazioso  = 63

   

 
a tempo

    
10 10 18


rit. Lento  = 50


4
XIV. Final (Finale)


      
Molto allegro  = 168




 
       

 
10

       
18


8


  
           
             
 

   
           
22

 

  
                    
26

  
26

 
  
    

                    
  
34


33

             
  
                
38


      
                               

   
43

    
42

   
   
              

            
         
47

   
         
              
51

  
        
51

   
                    

   
           
55

   
      
                   
         
59 61

               
 
  
 
       

        
69

  
65

      
 75  
                   

  

   
        
cresc.


  
     
74

        
               
   
11 11

 
(cresc.) 


78

          
          
      
83

         
81

      


              
                 
85
Flute 1 Le carnaval des animaux
(The Carnival of the Animals)
Camille Saint-Saens (1835-1921)
Selections arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


         
Andante maestoso  = 104

 

cresc. 
17 25

              
12 Più allegro  = 168

   
      
Allegro non troppo  = 96
11

   
 

         
33

  
33

            
 
 
41

  
41

                        
 

 
49

  
49

                          

59


55

                  

   
61

   
     
      
65

II. Poules et coqs


(Hens and Roosters)

       
                     
Allegro moderato  = 172

  
Solo

                     

  
Solo
9 14


(dragging)


5

22 
    
                              

 

21 Piu Allegro


 
 

 

                 

             
2
   

25


 
 
 
 

                               
 
   

30

IV. Tortues (Tortoises)

    


  
Andante maestoso  = 50

                                                 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


5

                                               
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


11


9

                       
            
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
15


13

                                   
3 3 3 3 3 3 3 3 3 3 3 3


rit.


16

                          
3 3 3 3 3 3 3 3 3 3 3 3

   
19

3 3 3 3 3 3 3 3

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

  
                            
9

 
Andante  = 66

  

10                       

17

      

                         

27


One
19

35

              
All

           
diminuendo sin' al fine

 
28

   
            
3

      
One


37

XI. Pianistes (Pianists)

                 
Allegro moderato  = 76


                   
All
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.


    
                 

6

 
4


         
                  

  
8


                                    
 
11


11


  
               
                        
16


14


          
      
           
18

21

                               
Più mosso  = 108


21

                       

25

             

   
 
28

XII. Fossiles (Fossils)

     
                
      
Allegro ridicolo  = 112

     
               

     
10 10

                    
  

     
18


18

         
    
 

  
26


26

     
           
 

   
34


32

   
        

  
42


39
     
         
4
     
     
45

     
       


58

    
50


50

     
   
  


        
63 65

   
     
       
    
69

XIII. Le Cygne
(The Swan)

     

          
Andantino grazioso  = 63

    
  

       
Solo

 
10


8

 
      

         
18

   
14

  
   a tempo

           
        
22 rit. Lento  = 50 rit.

 

XIV. Final (Finale)

 
         
Molto allegro  = 168

     

   
       
 

       
       
10

    
18

   
10

   

21      
    
 

    
                         
 

     
    

                      
26

 
26

 
  
                     

    
           
34


31

 
 
             
                  
37

          
                       
43

    
41

 
               
5

   
                               

 
 

45

   

  
 
 
     
                            
 
51

         
50


   

   
   
                               
55

   

            
                          
      
 
59 61


        
     
69

                  
65


 

     
 
                      
   

    
   

  

   

                    

71


 cresc.

        
                  
       
75

      
75

 11 11

                   
           
   

79

          


          

83

                     
82

                 
     
87
Flute 2 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


         
Andante maestoso  = 104




cresc. 
17 25

     
12 Più allegro  = 168

    
       
     
Allegro non troppo  = 96
11

 

               
33

  
33

  
 
 

         
41

  
41

                       

 

 
49

  
49

                  

       
59


55

    

            
     
61

 
       
      
65

II. Poules et coqs


(Hens and Roosters)

                
 
                       
Allegro moderato  = 172

    
Solo

         

                  
   
9
  
9


   
214

  
22


14 Piu Allegro

IV. Tortues (Tortoises)

    


  
Andante maestoso  = 50

3 3 3 3 3 3 3 3 3 3

                                                
3 3 3 3 3 3


5 7

    


3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


9 11

                                    
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


13
15

                                   
3 3 3 3 3 3 3 3 3 3 3 3



rit.
16

              
           
3 3 3 3 3 3 3 3 3 3 3 3

   
19

3 3 3 3 3 3 3 3

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

  
  
                      
Andante  = 66 9

  
                      

     
17


10

     
35

         
  
diminuendo sin' al fine
27


19

       

      
39 One

XI. Pianistes (Pianists)


Allegro moderato  = 76

                            
         
All
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.



    
3
                          
6


4


    

                
                
8 11


                        
         

12

 

                                         
16 16

 
     
     
                      
21 Più mosso  = 108

 
19

                              
 
23

         
                 
27

XII. Fossiles (Fossils)

     
               
       
Allegro ridicolo  = 112

     
          

          
10 10

    
            

  
            
18 18


        
  
 

     
26


26

      
     
         
 

    
32 34

     
              

      
40 42

        
   

       
48 50 58



  
     
 
 

          
60 65

               
    


     
67

XIII. Le Cygne
(The Swan)
4
 Andantino grazioso  = 63
    
             

 

        
     
10 18


8


   a tempo

                     
 
20 rit. Lento  = 50

 One

 
 

      
27 rit.

 
 

XIV. Final (Finale)

 
         
Molto allegro  = 168


    

   
       
 

       
       
10

    
18

   
10

   
21  
  
       
                            
 

     
    

 
                           
26

  

26

               

                
34

 
32


       
             
              

37

   
  
                                

      
43

    
43

       
48   
         
                         

          
        
 
 
51

        
       
              

            
54

   
 
                            
       

58 61

    
             
            
63

           
       
69

         
67


 

                 
5

        
                     
72 75

 
 11 11
cresc.

                         
             
77

 
            
                     
83


81

      


              
            
85
Oboe Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


        
Andante maestoso  = 104

  

cresc. 
17 25 33
12 Più allegro  = 168

          
          
Allegro non troppo  = 96 41
11


                       

  

     
49

 
43

 
         
      

      
  

 
  
59

 
53

   
 

   
67

II. Poules et coqs


(Hens and Roosters)
9

    

 
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)

  All 3

                                                 
Andante maestoso  = 50

    
div. 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3


                                                   
5 3 3 3 3 3
7 3 3 3 3 3
3 3 3 3 3


3

                                                     
9 3 3 3 3 3
11 3 3 3 3 3 3
3 3 3

                        
            unis.
3 3

                     
15
13

3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3
                                                 
2


17 rit.

 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

    
21

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

     
                         
Andante  = 66 9

 

                       

    
17

 
10

      
35

                  
27


diminuendo sin' al fine
19

 
 

      
41 One

XI. Pianistes (Pianists)


Allegro moderato  = 76


    
All

  
                    
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

  
        

 
6

     


4

  
   
                     
            
  
8


       
                                       
11 11

  
 
                            

16

            
14


 
         
             
Più mosso  = 108

   
21

      
18 div.

                               

22
                          
3

     


  
26

 
unis.

XII. Fossiles (Fossils)

                 
           
Allegro ridicolo  = 112

               

     
     
10 10


          
          
18

   
18

             

       
26


23

   

                 

           
28 div.

 

         
34

          
34

 

         
42 42 50

            

     
                     
58


58

    
 

       
                  
65 65

XIII. Le Cygne
(The Swan)


                   
Andantino grazioso  = 63



 
  
10

             
18

      
9 Solo

 


   
 

             
    
rit.

  
19

   
   

 

              
25 Lento  = 50 a tempo rit.
One

 

XIV. Final (Finale)


 
4

                
Molto allegro  = 168 10

  

   
                
               

 
18

    
11

   
  
                                

  
26

     
22


  
 

                
    
 
 

28

                    
34

             
34

 

         
                      
   
38

   
  
                                       

43

    
43

       
  
                        

      
    
 

        
51

         
48

       

   
                           
53

   

                          
             
57 61

      
                    
 
 
69


62

 
                      
     
         
71

   

           

     
cresc.

  
75

        
   
11 11

 
       
75

                       
          
79


        
            
83


82

  
                      
87
Bassoon Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

                                  
      
Andante maestoso  = 104

   
 
17
12 Più allegro  = 168

  
                                        
Allegro non troppo  = 96

       
10

   

 
24 25

        


33

                 

          
33

 
3


3 3 3 3 3

3 3  


               

 
          
37

 
3


3 3 3 3 3

3 3  

             
41

                
41 3
3 3 3

3 3 

 
3 3

                
 

   
          
49

    
45


3 3 3
3

 
3  

   
3 3

          
3

 
 

 

                       
51 7

  
7

                            
      
        
59   

  
59

     

      
               
67 3
3 3 3

3 3 3
3
  
II. Poules et coqs
(Hens and Roosters)
2 9

    
22

    
Allegro moderato  = 172 14


Piu Allegro

IV. Tortues (Tortoises)

 
              
         
Andante maestoso  = 50 7

 

                   
11 15

          
10 rit.

V. L'Éléphant
(The Elephant)
13

     
  
Allegretto pomposo  = 112 21 29 37 45



IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

     
Andante  = 66

                     
9

   
  
 

   
                       
11 17

       
35

     
27

        
24

   
diminuendo sin' al fine

    
      
 

 
38

 
    

XI. Pianistes (Pianists)

                                    
Allegro moderato  = 76


Editor's note: The players should imitate the hesitance and awkwardness of a beginner.


          

                       
6

  
4

 
   
  
                 
   
8

 
                                     
11 11


      
                                         
16

   
 
14
    
3

       
                  
21 Più mosso  = 108

      
18

                                        
22

            
              
27

XII. Fossiles (Fossils)

 
  
                
Allegro ridicolo  = 112

   


 

    

       
10

  
10

 

  
 

 
                          
18 18


 
 


   
               
26 26 34

         

 

            

       
42

 
39

     
 
                       
50

   
49

   

           
      
58

 
57

       

         
65

        
64

     

XIII. Le Cygne
(The Swan)

   
        
Andantino grazioso  = 63

 

  
         
10 18

      
10

         
   

    
a tempo

  
                   
20 rit. Lento  = 50 rit.

    
 

XIV. Final (Finale)


        
4

                                    
Molto allegro  = 168 10


                             
    
    
       
12

        

                                          
18

               
17

    

                 
                               
26

   
22

   

                    
                   
27

                    
34

                   
32

            
          
43

                            
37

 

                                
                           
44

   

                                        
51

                     
49

          
                                            
54 61

 


                                                    
62 69

                              

cresc.

          
                 
75

     
75



       

             
                          
83

   
82

  

           
   
88

  
B♭ Clarinet 1 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


        
Andante maestoso  = 104

 
  

cresc. 
17
12 Più allegro  = 168

   
     
Allegro non troppo  = 96

         
11

      
    

     
   
 25

            
21

  

                   
       

27

      
         
33


33

      
        
 

 
41


41

           
 


           
49


49

      
   


       
59


55

     
       


         
63

II. Poules et coqs

    
(Hens and Roosters)

     
 
  
 Solo      
            
Allegro moderato  = 172 9 14

  
     All

 
        
Piu Allegro 22


19 Solo

 
2
IV. Tortues (Tortoises)

                                                 
Andante maestoso  = 50
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3


7

                                                
5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

11

                                                
9 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3

                                                
13 15
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                                    
17 3 3 rit.

 
 
3 3 3 3 3 3 3 3

             
3 3

 
20

3 3 3 3 3

V. L'Éléphant
(The Elephant)

   
  
Allegretto pomposo  = 112 13 21 29


  3        
         
   
  
37 45

  
Solo 3

 
37 3

  
3

3 3 3 3
3
 3

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)


             
    
Andante  = 66 Solo, opt. offstage


           

    
9


9

                  
17


17


               
   
24 27

                      
35

      
35 diminuendo sin' al fine All except soloist

XI. Pianistes (Pianists)



Allegro moderato  = 76

    
      
All
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.


       
3
                   

      
      
4 6

                
     
        
7


         
                                
11

 
10

      
             
            
     
13


       
                                     
16 16

    
       
    
Più mosso  = 108

                       
19 21


                                 
23

      
                      
27

XII. Fossiles (Fossils)

   
                
Allegro ridicolo  = 112

  

    
         
10 


       
7

     
     
18 

 
          
14


   
                       

 
19


          

 All 
26

     
34


26 Opt. Solo

 

          
               
36

 


42

                 
   
42

      
     
50


      
48


Opt. Solo

   
     
3

       

 
58

 
54


        
       
4

            
60

    
                


brillante

All  
  
65

        
65

XIII. Le Cygne
(The Swan)

 Andantino grazioso  = 63


         
 
                 

        
5 

 
                  

           
9 10

          
        

                
13

           
  
 


 

             
17 18

                   
  
       
21   rit. Lento  = 50


              

  

         

 
26 a tempo rit.



XIV. Final (Finale)


Molto allegro  = 168

         
       
All

  
                  
                      
 

       
10

        
10

   

                       
 

                 
18

               
16

      
        
 
     
     
      
    
      
  
21

           
   
  

26 26 34

                        
 
 
                                               
5
43

        
43


   

          
          
 
      
    
   
           
 
51

             
49

                                               
    
55

                  
                                
61


61
 

          
 
   

 

         

     

                
69

 
68

   
 
 

   
75  
    

   

   
                   

        
 

72

 
      
cresc. 

                
           

77

     


   
                
              
81 83

                 

     
87
B♭ Clarinet 2 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

 
         
  
Andante maestoso  = 104


cresc. 
17
12 Più allegro  = 168

   
     
Allegro non troppo  = 96

         
11

      

               

  

        
25

       
21

 

                 

    

33

   
29

     

  
          
41


39

     


   

             
49


47

     
        

     

    
59


53

           
  
          

62

II. Poules et coqs


(Hens and Roosters)
9

      

     
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)

 
Andante maestoso  = 50

           
3 3 3 3 3 3 3 3 3 3 3 3

                       

2

            
4

                       
3 3 3 3 3 3 3 3 3 3 3 3

      
7

                               
3 3 3 3 3 3 3 3 3 3 3 3

11

   
10

                                
3 3 3 3 3 3 3 3 3 3 3 3

15

                        
13

           
3 3 3 3 3 3 3 3 3 3 3 3

 
             
16 rit.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

 
               
20 3 3 3 3

V. L'Éléphant
(The Elephant)
13

     
  
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
                        
Andante  = 66 9

  

                            

   
17

  
10

     
                     
27


19 One

35

                              
All
28 diminuendo sin' al fine

       
   
   

      
38 One

XI. Pianistes (Pianists)



Allegro moderato  = 76

   
      
All
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

    
      
             

       
6

        
4
            
3
          
       
7

            
                                    
11

  
10

        
                     
16

  
14

    
 
        

                           
17




       
Più mosso  = 108
21 21

      
                 
   
27

XII. Fossiles (Fossils)

 
                    
   
Allegro ridicolo  = 112

 

           
10

 


8

    

         
18 

           
14

      

           
 26

   
20

        
      
                  

        
30 34

 

                     
42

  
36

  
          
     

     
44

   


50

                       
50

 
  

                       
56 58

     

       
65


        
63

      
         

  
68


4
XIII. Le Cygne
(The Swan)

 Andantino grazioso  = 63


          
                   

         
5

    

     10          

          
9

         
        

          
13

                 


 

         
17 18

    

          

  


a tempo

  
        
21 rit. Lento  = 50

         

 
   

      
27 rit.


 

XIV. Final (Finale)

 
       
Molto allegro  = 168

         
      
10

    
  
              
                              
   

    
   
11

   
                 
                             
18

  
   

17

        
    
                 
26

   
22

     

  


     

  



 
   
34 34

                                 
  
 
                
 

                               
43

    
43

 
             

   
51

  
                          
48


      
 
        
 




      
 




                        
    
53

   
                                  
5
       
   
59 61

            
                                         
65 69


 
 

          
                                
75
71

       
cresc. 

        
                    
   
77

      

           
            
        
83

   
80

 
               
         
85
Bass Clarinet Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

   
    

 

          
Andante maestoso  = 104

             


12

      
               
Allegro non troppo  = 96

 
9

   

  

       
17 Più allegro  = 168

            
17

       
                


 25

      
23

 

               
  

29


  
33


               
33

            
3 3 3 3 3 3 3 3

 


 

    

           
37

              
3 3 3 3 3 3 3 3

 
 

 

                 
41


       
41

  
3 3 3


3 3 3 3 3

 

 
               


             
45 3 3 3


3 3 3 3 3

 


           

            
49


       
49

     
7 7


  

    
                           
59

      
55

   


2

    
    
63

            
 

        
    
               
68 3


3 3 3 3 3 3 3

  

II. Poules et coqs


(Hens and Roosters)
9

     

    
Allegro moderato  = 172 14 22


Piu Allegro

IV. Tortues (Tortoises)


     
Andante maestoso  = 50

 
7

                  

       

                 


9 11 15

  
    
17 rit.

V. L'Éléphant
(The Elephant)
13

     
  
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

    
Andante  = 66

                       
  
  

                   
    
9 17

  
9


            
27

    
18

   

     
35 diminuendo sin' al fine

 
29

     
     

      
39  

 
     
XI. Pianistes (Pianists) 3

  Editor's note: The players should imitate the hesitance and awkwardness of a beginner.   
Allegro moderato  = 76

                                  

        
                 

     
6

       
4


 
       
            
      
7


   
  
                              
11


11


        
                        
   
16


14


 
         
                            
   
17


         
     
21 21 Più mosso  = 108

                 
        

27

XII. Fossiles (Fossils)


              
Allegro ridicolo  = 112

    
 

10  

        

  
10

   
18
   

             
    
18

           



26 

   
       
26

       
 


34 

          

34

   
 

 
42

           
42

   
50
  

            
50

       
   
               
58


  
56

        


4

                   
65

    
63

   
XIII. Le Cygne
(The Swan)

 Andantino grazioso  = 63


              



10

 
9

        
    


     
18

    
17  

         

  
 

 

       
 
24 rit. Lento  = 50 a tempo rit.

   


XIV. Final (Finale)

 
   
            
Molto allegro  = 168 10

           


                                
11 

                   
                
               
18


15

             
 

                                  
19

                  

                              
26


23

              

                                 
27  

               

                               
34


31

               

                         
35

                   

     
      
43


39

                   



                                
44 

                   
5
        
                         
48 51

             
  


                                  
52

                  

 
             
61


56

          
 



69


69

                                 

      
 
75

                  
73

          
cresc. 

     
        
                     
83

  
79

      
 

  
              
85

                     
B♭ Trumpet 1 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

         
12

 
                       
Andante maestoso  = 104
Allegro non troppo  = 96

 

                   
     
17 Più allegro  = 168 25


17

         
  
 

  

33 41 49


32

          
 3

      
 

        
59 59

     

                 
 
63

 
     
       
67

II. Poules et coqs


(Hens and Roosters)


9

    

 

 
        
          
Allegro moderato  = 172 Solo.

 
Con Sord.

        senza sord.



  
22

         
14


14 Piu Allegro Con Sord.

IV. Tortues (Tortoises)


7

     
 
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)
2

                          
Allegretto pomposo  = 112
Senza Sord.

   

   

    
           
9 13 One on top

        

           
17 21 29

         
 

            
37

  
35

     
 
 

  
        
45

 
45

 

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

  Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 
Allegro moderato  = 76

                                     

 
                                  

   
6

         
4


 
 
    
  
      
11

 
8


     
                              
12


  
                                     
16


16

    
Più mosso  = 108

           


19 21


      
        
                             
25

XII. Fossiles (Fossils)


          
Allegro ridicolo  = 112

          


10

              

     
10



  
3
        
18

           
18

  


All
   
26

     
34


26





            
     
42

   
37


           
    
44

 
 

     
50

      
58


50

 

 
65

                             
65

    

XIII. Le Cygne
(The Swan)
10

    
a tempo

  
  
Andantino grazioso  = 63 18 rit. Lento  = 50

XIV. Final (Finale)

 
   
                
Molto allegro  = 168

    

  
  
10 10 18 26 34


    
             
  

      
43 51

      
43

 
       


                                      
55

               
                      
   
61 61 69


                        

  
75


70

               

                          
83

          
79

     


                                   
85

 
B♭ Trumpet 2 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

         
12

    
               
Andante maestoso  = 104

    
Allegro non troppo  = 96

 

   
                 
Più allegro  = 168
17 17 25

          

  
 

       
    
33 41 49


32

 3
 

      
 

                   
59 59

       

 
              
      

  
64

 

II. Poules et coqs


(Hens and Roosters)
9

    

    
Allegro moderato  = 172 14 22


Piu Allegro Con Sord.

  senza sord.
         

   
29

IV. Tortues (Tortoises)


7

     
 
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)

             
Allegretto pomposo  = 112

         
Senza Sord.

 
2

                         
8 13

         
              
21 29


16


   
    

        
37

  
35

  

       
 

             
45

 
45

 

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)


                                              
Allegro moderato  = 76

 
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

 
                                  

 
6

          
5

         
    
   
11

 
9

 
      
                      
 
16

 
13

     
                            
21 Più mosso  = 108

   
17


                                 
22

    
                                
26

XII. Fossiles (Fossils)


          
Allegro ridicolo  = 112

          

10

             

 
10

    
  

18 

                
26 34


18




3

                    
42

     
40

 

          
50 58

      
48


 

     
            
65


63

          
         
69

XIII. Le Cygne
(The Swan)
10

    
a tempo

  
  
Andantino grazioso  = 63 18 rit. Lento  = 50

XIV. Final (Finale)

  
                
   
Molto allegro  = 168 10

    
    
18 26 34


18


  

  
                           
        
43 51

    
43

   

 
                                  
61


57

                       

       
    
69

     
65

                

        

    
                                        
75 75


       
                             
81 83

        
 

                  




 
87
B♭ Trumpet 3 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

          
12


        
Andante maestoso  = 104
Allegro non troppo  = 96

              

  


                 
Più allegro  = 168
17 17 25

          

 
 



33 41

          
32
3



  
 

                   
49 49 59

        

 
              
      
 
 
64

 

II. Poules et coqs


(Hens and Roosters)
9

     

  
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)


7

     
 
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)

                        
 
Allegretto pomposo  = 112

 

                   
13

    
9
 
2

                  
21 29


17


   

                  
37

  
35

  
 

          
   
45

   
45

    


IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

 
                                     
Allegro moderato  = 76


 
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

 
                      

                 
6

         
4

   
          
       
 
11

 
8

         
                      

     
  
12

      
                                     
16

 
16

  
      
21 Più mosso  = 108

    


20

  
                                  
26

 

XII. Fossiles (Fossils)


          
Allegro ridicolo  = 112

         


10

    

         
10

     
  
18 

                
26 34

 
18




3

                  
42

      
40

 

       
50 58

  

48

     

               
65

 
63



          
    
69

    
XIII. Le Cygne
(The Swan)
10

    
a tempo

  
  
Andantino grazioso  = 63 18 rit. Lento  = 50

XIV. Final (Finale)

   
                
   
Molto allegro  = 168 10 18

  
       
26 34


26

 

   
 

        
                 
43 51

     
43

    

 
         
61

                
57

        

       
     
69

     
65

                

        

                    
        
75

     
75


         
                         
81 83

           
 

   

  
87

                
F Horn 1 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

     
    
12

                      
Andante maestoso  = 104
Allegro non troppo  = 96

 

   
                  
Più allegro  = 168
17 17

      
 

                                
25 25

     
3 3 3 3 3 3

          
      
31 33

  
3  3  

      
        
41 41 49

 
 

  

   
                 
59

  
58

   

II. Poules et coqs


(Hens and Roosters)
9

 
           
   
Solo


Allegro moderato  = 172 14 (dragging)

  

                     
22

    
       
18 Piu Allegro

 
             
30

    

IV. Tortues (Tortoises)


                         
Andante maestoso  = 50

 

2

              


  
7 11

    
7


    
15

        
15 rit.


V. L'Éléphant
(The Elephant)


                                
Allegretto pomposo  = 112

 

               
               
11 13

                
        
21 21

                    
   
29 37

     
29


  

           
               

45


38



IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

   
Allegro moderato  = 76

                                       
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

    

                                       
6


4

   
              
11

   
8

     


                           
    
12

   

                 
                   
16

 
16


   div.                       
               
19 21 Più mosso  = 108

 
                                       
3

    
25

 

XII. Fossiles (Fossils)


 
       
Allegro ridicolo  = 112

          

  
       
10

    
10

  

     

   
18 26

     
18

  
Solo




     
34

             
31


   
    

           
42

 
38

 
   
      

      
46 50 58

 
              

     
       
60 65

       
     

   

              
67

XIII. Le Cygne
(The Swan)
10

  

     
Andantino grazioso  = 63

   
18

 
  a tempo

  

         
 
21 rit. Lento  = 50 rit.

  
 

  

   
28

XIV. Final (Finale)

   
           
Molto allegro  = 168 10 18

       
                
                                
26 
26

                

                                
30
            
4

                        
34

    
34

       

                          
                                
38


       
 
                           
43 51


43


 

   
                                  
  
55

      

    
                
61


60

   
  

  
         
69

         
65

     
     
                                  
75


73

 
 cresc. 

     
                 
   
                           
78

         
                          
83

      
83

 
unis.

 

 
      
 
89 unis.
F.Horn 2 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

         
12

  
                       
Andante maestoso  = 104
Allegro non troppo  = 96


 

  
                    
Più allegro  = 168
17 17 25

          
3 3

 
  

          
                        
27 3
3 3 3 3 3

    

33 41


   
33

   
   
     
     
49    59 


49

   
 

         
  
62

 

II. Poules et coqs


(Hens and Roosters)
9

 
14

   
                    
Allegro moderato  = 172 Solo

  
(dragging)

   
 22

 
                        
     
18 Piu Allegro

      
3 3

 
            
30

    

IV. Tortues (Tortoises)


                         
Andante maestoso  = 50

 


                        
7 11

     
7
2

  
        
15

        
13 rit.


V. L'Éléphant
(The Elephant)


           
Allegretto pomposo  = 112

           
 


        
13

            
8

   

 
                     
21

   
16

  
             
29

  
24

    

                  
37

        
32

   
      

      
45

       
45

 

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

     
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

   
Allegro moderato  = 76

 
                                    
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

    

                                       
6


4

     
           
11

   
8

  
       
               
   
12

    
                 
                   
16

 
16

  
Più mosso  = 108

           


19 21 div.

 

3

                                          
25

XII. Fossiles (Fossils)

 
       
     
Allegro ridicolo  = 112

   
10

         
 
 

         
18 26

               
15

   
    
           
33 34 42 50 58 65

XIII. Le Cygne
(The Swan)
10

 

   
Andantino grazioso  = 63


18

        

  a tempo

  
     
  
21 rit. Lento  = 50 rit.

      

    

28

 

XIV. Final (Finale)

  
                  
Molto allegro  = 168 10 18

 

                           

          
26

     
26

         

                           

                
30

         

               
                                           
34 34

 
 
                         
39 43

 


    
                               
51 51

  
           
 
               
 
55

        

4

                              
59 61

    
 

   
        
          
67 69 75 83
Trombone 1 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


     
             
Andante maestoso  = 104

         
 

         
12

                  
   
Allegro non troppo  = 96


9

 

          
17 25

    

Più allegro  = 168

   
14

     
33

              


41

     


33

 
gliss.
. gliss. gliss. gliss.
glis
s gliss.

 
     

 
             
         
49

   
43
gliss
gliss. .
gliss.
gliss
.

   

   
    
  

 
                     
59

 
56

 


 

   
    
     
65
gliss. gliss.

  

II. Poules et coqs


(Hens and Roosters)
9

    
    
Allegro moderato  = 172 14 22


Piu Allegro

IV. Tortues (Tortoises)


7

     
  
Andante maestoso  = 50 11 15


rit.
2
V. L'Éléphant
(The Elephant)

                                

Allegretto pomposo  = 112

         
              
 

         
13


11

        
 

 

 

 

 

        
21 29


21


                
               
37 45


32

 

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

                                    
Allegro moderato  = 76


Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

    


                             
6

   
4


   
                            

 
    
7


                                       
 
11

  
11

  
 
                    
          
16


15


      
    


 
     
Più mosso  = 108

              
21

 
19

               
                                       
25

XII. Fossiles (Fossils)

  
            
   
          
Allegro ridicolo  = 112 10

        
        
          
   

     
18


13

 

     Solo                   
3

            
26


25 All

  
   
         

      
34 42


33

   
     
          

           
44 50

 
 

        
       
     
58 65


58

      
      

             
67

XIII. Le Cygne
(The Swan)
10

        
          
Andantino grazioso  = 63 18


  

                 
21 rit. Lento  = 50 a tempo rit.

  

  

   
28



XIV. Final (Finale)

      
      

 

 

     
      
Molto allegro  = 168 10
ss .
gli


                                
18   


26

              
18

 
                                                  
 

                       
28

         
                                    
34

             
34

  
                
       
39 43

                                 
        
51

            

51

                       

        
57

  
4 61

            
   
61

       
   
         
     
69


67

 

                                    
                
75

 
72

cresc. 

            
                                 
77

             

                 
83

              
83

  
    
89
Trombone 2 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

           

       
           
Andante maestoso  = 104

 

17 25
12 Più allegro  = 168

 
                
Allegro non troppo  = 96

         
9

 


 

                
33

    
28

   
gliss. gliss.
gliss. gliss.


     

          


41

              


49

 
41
s. gliss.
gliss.
gliss.
glis gliss.


  
     

 

 
    
   
                  
59

 
53


glis
s.

  
     
 

 


 

     
     
63
gliss. gliss.

  

II. Poules et coqs


(Hens and Roosters)
9

    
  
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)


7

     
  
Andante maestoso  = 50 11 15


rit.

V. L'Éléphant
(The Elephant)
2

                                 

Allegretto pomposo  = 112

    
                
 

         
13

 
11

                               
21 29


21

 
                   
   
         
  
37 45

 
32



IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

                                    
Allegro moderato  = 76


Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

   
   

                       
  
6

   
4

 
  
                                  
  
 
7

 

                                         
11

 
 
11



                                         
16


15

 
    
21 Più mosso  = 108
   
               
       
19


25                
                                       

XII. Fossiles (Fossils)

 
      
 
         
Allegro ridicolo  = 112

    
 
 
  

          
10

    
10

 
  
 

           
18

        
18


                 
3

     
26 26

   

        
     
34

    
34

   

        
       
42 42

  

 

           
   
50 58


50

 

                  
65


62

  
        

          


68

XIII. Le Cygne
(The Swan)
10

   
a tempo

     
Andantino grazioso  = 63 18 rit. Lento  = 50

XIV. Final (Finale)

 
                  
Molto allegro  = 168


10

          
s.
glis

                                  
 



18 26

      
11

       

                            
 

         


28

              

                                      
34

  
32

            
 
                                   
       
36

         
             
                   
43 51
40

 
 
                               

             
 
53

   

              
       
     
       
     
       
57
   
4 61

                               
61

    
69

                        
69

 
cresc.

       
                                   
75


74


(cresc.) 

       
               
             
83

  
80

   

                      
               
85
Tuba Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

          
          
Andante maestoso  = 104

                
                   

7

 

 

12 17


12 Allegro non troppo  = 96 Più allegro  = 168


25
25


      


33

             
            
33 3


3 3

 
3 3 3

3 3 


               
 

          
37 3


3 3

 
3 3 3

3 3 

 

             
41

                
41 3
3 3 3

3 3 3 
3

              
 

       
            
49

    
45


3 3 3
3

3
3 3 3  

      
 

                    

50

        
      

 
      
59

          
        
59

   
  

           
              


68 3
3 3 3

3 3 3
3
  
2
II. Poules et coqs
(Hens and Roosters)
9

    
    
Allegro moderato  = 172 14 22


Piu Allegro

IV. Tortues (Tortoises)


   
Andante maestoso  = 50 7

    
                     

  
 11

     
8

                 
 
 
 

  

15 15 rit.

   
        

V. L'Éléphant
(The Elephant)

       
     
Allegretto pomposo  = 112

             
Solo


          
13


11 

                        
  
     
                                     
21 21 29

         
  
 

  
37

 
31

                              
    
   
   
45

      

 
41

                            

    
 
51 

    


IX. Le Coucou au fond des bois
(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

                                      
Allegro moderato  = 76

   

Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

  

3

      
                      
5 6



                                            
11

   
9

  
      
                       
16

 
13

    
                      
               
21 Più mosso  = 108

  
17

    
      

  

  

 

 

 

  
                      
    
23

    
     

  

29

 
XII. Fossiles (Fossils)

 
       
Allegro ridicolo  = 112

      
      
 

 

   
10 10

  

   
    

     

                        
18

 

18



 

            
26

       
26

  

  

      
34

    
34

      

    
    
42

     
42

      

                       
50

    
50

     
 

            
58

  
58

        
 

     
65

      
65


       


XIII. Le Cygne
(The Swan)

  
      
Andantino grazioso  = 63

 

4

         
10

    
9

       


 

      
18

    
17 rit.

     
  

   

       


25 Lento  = 50 a tempo rit.

  

XIV. Final (Finale)

    
                   
Molto allegro  = 168

       
10

               


                                   

11

                        
               
18

   
15

   
                    
                               
19


                       
26

      
23

   
                                
34 

               
34

      

 
                         
38

                    
43

                          

 
43

 
       
                 

      
        
47

           

                    
51

                            
51

 
   

    
                    
55

   
 
      
61

        
59

  
 
                                 
69

   
67

 
   
 

 
                             
75

    
72


cresc. 
      
5

                               
78

       
 

         
83

                          
83

   

           
   
88

  
Timpani Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)
17
12 Più allegro  = 168
Allegro non troppo  = 96

 
Andante maestoso  = 104

            
    
In A, B, C, E

 

   
            
25

     
22

      
         
33

 
29



 

          
        
41

 
36


 
   


 

    
       
49

   
44


  

 
  

          
 
59

   
54

          
               
 
62

 

II. Poules et coqs
(Hens and Roosters)
9

    
    
Allegro moderato  = 172 14 22


Piu Allegro

IV. Tortues (Tortoises)


7

     
  
Andante maestoso  = 50 11 15


rit.
2
V. L'Éléphant
(The Elephant)

      
   In E♭, B♭       
Allegretto pomposo  = 112
13 21 29 37 45

    
 

IX. Le Coucou au fond des bois
(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)


Allegro moderato  = 76

                  
     


   
In G, C, D♭ G to A♭

 
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

                        
 
   
6

  
6

  
D♭ to D♮, A♭ to A♮

                   
         
11

 
11

  
D to E♭, A to B♭

                      
      
16

  
16

  
E♭ to D, B♭ to B♮

21

   
        
Più mosso  = 108

  
21

 
B to G

         

   
   

                        

26

      
  

XII. Fossiles (Fossils)

 
                  
Allegro ridicolo  = 112
10

   
In G, C, D, E♭

  
  

            
18 26 34

   
18

  
 

            
42 42 50 58

  
 
 

                     
65


61

  
  

        


69


XIII. Le Cygne 3
(The Swan)
10

   
a tempo

     
Andantino grazioso  = 63 18 rit. Lento  = 50

XIV. Final (Finale)

    
Molto allegro  = 168

     
In G, C, D, E 10 18 26 34


 



        
43

         
38

 

           
51

                        
    
51

    


                
61

        
57


     
                 
69 75


66


 

       
                  
           
77

    

        
                              
83


82

           
   
88

  
Mallet Percussion Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


        
Andante maestoso  = 104

  

cresc. 
17 25
12 Più allegro  = 168

       
            
Allegro non troppo  = 96

     
11

 3

 

           
33

     
41 49


33

     

              
       
55 59


           
 
    
63

  
II. Poules et coqs
(Hens and Roosters)
9

    
  
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)


7

      
  
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45
2
IX. Le Coucou au fond des bois
(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)

 
                               
Allegro moderato  = 76

         
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.

 
      
         

6

 
5


 
                                             
11

  
9


                   
                 
16

    
13


      
    
                                 

21 Più mosso  = 108

  
17


               

22

                       

24

                    
     
27


To Xylophone

XII. Fossiles (Fossils)


         
    
  
Allegro ridicolo  = 112

         



         
10

              
6


  

        
18 26 34

         
14




         
42

              
36


 


        
50

     
44



        
        
58 
58


             
65

    
        
64



3

           
 
       
69 To Glockenspiel

XIII. Le Cygne
(The Swan)

   
        
Andantino grazioso  = 63

      
    

   

                  
10



6

   
                      
11

               
                     
15

  
     
 

                         
 

18

17


   
             
    
 


20 rit.

 

   Lento  = 50  
       
 

         
a tempo

  
  
25


  
         
rit.

 
27

      

XIV. Final (Finale)

  
    
Molto allegro  = 168

  
      
10

  
   
ss .
gli

   

          
18

    
26 34 43  

     
18

         

              
45

     
    
                
          
51

   
49

         

                 
        
53

   
 
        
61

   

57
      
4
     
69 75

 
  
64
.
gliss

                     
    
 
    
76

  
.
gliss

             
                        
80

 

      
83

                        
    
83

  
              
88
Percussion 1 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


12

 
Andante maestoso  = 104

 
 
Allegro non troppo  = 96

         
  

25

    
17 Più allegro  = 168

                    
           
17 3 3 3 3

      

         


33

                
29 3 3 3 3



 

       
   
Crash Cym.
41

           
36

  
 
   

    

49

        
     
44 Stick Click

  

 

          
     
51


   

                       

 59

            
56

 
 

      


   
    

 

    
 
 

    
 


   
61


         
          

  
66


 
II. Poules et coqs
(Hens and Roosters)

2

         
            
Allegro moderato  = 172

    

 
9

                     
9 14

  
 

             
16 Piu Allegro 22




          

28


 

IV. Tortues (Tortoises)


7

     
 
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)

 
13

       
    
Allegretto pomposo  = 112 21 29 37 45

 

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine


XI. Pianistes (Pianists)

  
   
Allegro moderato  = 76

                                  

  
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.




  
   
6

                                 

  
6



  
   
11

                                 

  
11



  
   
16

                                 

  
16

21 
                                
21 Più mosso  = 108
   3
     
                                           
  
25

   

XII. Fossiles (Fossils)

  
                        
Allegro ridicolo  = 112

 
Snare rim



 
10

                         
10


   

18

            
26 34

     
18

 
                   


42

        
39

  
                      
50

               
47

 

               
58

            
54

      
          
              
65

            
61

  
    
  
  
                  

 
69

XIII. Le Cygne
(The Swan)
10 18

  
a tempo

     
         
Andantino grazioso  = 63
rit. Lento  = 50


 


27

XIV. Final (Finale)

              
 
18

                      
Molto allegro  = 168 10

  
Snare rim


C.Cym

      

                    

  
21 



26

        
26


  
434

           
   
34


           
     
43

                               
 
43


   
   
                                      
48
Open Hi-Hat 51

       
       
    

 

          
 
 

 

         


53


                   
59 61

     
        
                 
69

               
67

        

                       
                                
               
71

         cresc.      

           
75

                            
     
75


                        
(cresc.)

           
83

                     
79

           
   
           
             
               
85

    

  
      
           
       
88

      
Percussion 2 Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)
Andante maestoso  = 104

           
Triangle


cresc. 


12 17

   
   
Allegro non troppo  = 96 Più allegro  = 168 25
11

    
     

33

    
33 41

 

                          
49

         
49

       
      
58 59

II. Poules et coqs


(Hens and Roosters)
9

    
  
Allegro moderato  = 172 14 22
Piu Allegro

IV. Tortues (Tortoises)


7

     
 
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)
13

     
 
Allegretto pomposo  = 112 21 29 37 45
2
IX. Le Coucou au fond des bois
(The Cuckoo in the deep woods)

      
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)


6


    
Allegro moderato  = 76 11 16

    
Editor's note: The players should imitate the hesitance and awkwardness of a beginner.


   
      
21

          
21 Più mosso  = 108

  
        
        


   

           
27

    

XII. Fossiles (Fossils)

  
      
Triangle
Allegro ridicolo  = 112

                    
Wood blocks
6

  
                
10

       
10

  
 

 
18

    
18 26 34

                    
38


                     
42

    
42

  
               
50 

                
Claves
50

      

      
58

         
58 Mark Tree 65 Vibraslap

 

                          
Wood blocks
67


  

XIII. Le Cygne
(The Swan)
  
10 3

        
Suspended cym.

             
Andantino grazioso  = 63 18


     

  
a tempo

              
21 rit. Lento  = 50 Mark Tree

  

XIV. Final (Finale)


Molto allegro  = 168

       
 
Triangle


           
          
                 
9 10 18
Sus.Cym.

             
            
              
22 26 34

       
                         
          
36

43        

                              
42
Sus.Cym.

 

   
                    
         
47

       
                     
51

      
51

   
           
      
55

      
               
61

       
61 69 75

       
           
            
80 83

  
      
           
86

  
Piano Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)
17 25
12 Più allegro  = 168


Allegro non troppo  = 96

     3          
3  
      
Andante maestoso  = 104


33

      
3
3

   
            
         
 

  
      


          
  
          


41

      
   
36

  
             
     
            

   
        


                  
  

        
    
42 

       
               
                   
    
 

         


        
                  

 

          
48 49

           
                  

        


       
             
  
59

         
 
54

    
          
          
cresc.

 
  


 
  
   
   
            
    
63

      
  
          
                   

       

2
II. Poules et coqs
(Hens and Roosters)


9

    

 
Allegro moderato  = 172 14 22
Piu Allegro

    
  


IV. Tortues (Tortoises)

                                    
                                      
Andante maestoso  = 50

                       
                                      

3 3


3 3

                                     
                                     
4

                                    


                                  


                    

                          
7

  
7

                         


                   


                                      
        
           
11

                 
9

                                   
                                      


                         
                            
12

                         
              


                         
                         
15

 
14

                         


                         


                           
                           

16

            


              
                
           

                                    
3

                       
rit.


18 

 
 




















                        
                        



    
21 
 

 
   

V. L'Éléphant


(The Elephant)


                                     
Allegretto pomposo  = 112

        
             

        
                           
                     
 
 


             
                                         
13 21
12

            

                            
 
           

   
  

 



     
         
                                 
29

       
23

        
     
                               
               


   
          
            
37

     
34

  
       
                   

  


    
            
                 
45


41

      
     
        

   

     
  

       
        
 


    
        
 
   

 
49



  
            
     

4
IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

 
                          
   
Andante  = 66

                        
   
       
  

    
            

        
          


  

    
                    
9

          
8

                
 
       
sempre

                          
    
                
 


                 
                   
      
17

 
17

                           
                 
    
    

     
 


                                 
diminuendo sin' al fine

                        
27

  

   
35


27

           
             
 
                          


                


     
      

         
37

       
          
   


  
   
 
     
40

  


            

    

XI. Pianistes (Pianists)


6

    
Allegro moderato  = 76 11 16

   


 
Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 21 Più mosso  = 108

    
  
  

XII. Fossiles (Fossils) 5

     
     
       
Allegro ridicolo  = 112

  
      
       
 
   
               

   
         


     
       
     

10

   
10

         

      
        

        
        
 


 
       
    
           
18 18

      
        
    
 

  


    
     
26

        
26

  
  
           

        



     


                  
       
32 34

 
  
    
 
                  
        

    
        


     
              
42

     
41

  

  
    

   
                
 

   
            



            
50 58

     
50

 
        
        
        

  


    
   
               
  
   
65

 
62

 
 

 




            
             


    

  

     
6
        
             
69

    
        
            
        

XIII. Le Cygne


(The Swan)


Andantino grazioso  = 63

  
  
  
  
  
  
 
     
          
   


      
            
     
2

                 
                
       


      
            
     
4

           
            
           


            
      
           
6

     
                
       



                                

8

              
                
       


              
10

           
10

   
   

                 
 


   
      
      
12

       
  
         

7
       
     
13

           
        
   



            
           
14

 
 
            
         



         
16

              
  
         


 
           
18


17

           

              
      
 


            

           
19

                
       


                     

  
21

           
           
  



 

    


    

rit.

            
23

          

       
     
 


     
       
   
 
a tempo


         
   


Lento  = 50

  
25


    
           

 


     
                
rit.

    
27

  
     
    
      
 
8
XIV. Final (Finale)


10

        
                        
 
 
   

 

 

Molto allegro  = 168

    
               
                                

               


        
  
                   
          
   
14

         
                        
       
   
         
       
         


               
18

    

 

 

 

 

                   
  
18

       
                         
                      
               


             
                               
22 26

             
                

     
                  
 
cresc.

   
            


                
34

                               
43


34

          
             
                                

               


                  
   
  

                       
47

          
                   
       
    



          
             
   


               
51

                                
        
51

         




                   
                         

   
             


        
   

                  
        
55

           
              
         
        
   








   
         

9

                        
61


59

               
      
         
    
    


 
      
                 
64

     

     
                 
         
   
   
   
   


   
  69         
        
          
   
  
   
  
    
 
68

  
 
      
            

 

   


        
               
            

       

                           

    
71

   
      
     
     

       
cresc.


  
 
75

   

 
           
 

 
75


         
 
 
 



     

77

           
            
               
            


       
           
    

79

    
         
     
  
 


       
           
    

81

    
         
     
   
 

                
1083
       
 
83

       
    


                    
  
                     
 
86

        
              

 

 
                

Violin I Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


            
Andante maestoso  = 104

    

    
     

 

       

      
  
9

   


17
Più allegro  = 168



12 Allegro non troppo  = 96

         
12

       

         


25

               
21

  

                

          
27

           
   
33

     
pizz. arco
41

    
pizz. arco
33

   
 

49

      
            
49

       
 

   
      
59

       
58

    

    
      
  

   
  
64


II. Poules et coqs


(Hens and Roosters)

               
 
                            
Allegro moderato  = 172


          
                 
2

   
9

   
7

    

           
14

       
14 en trainant

 
   
 

                         
22 
 
   
21 Piu Allegro

   


                        

  

26

    
                                   

30

IV. Tortues (Tortoises)


7

     
  
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

    
      
Andante  = 66

             
     
  

    
          
9 9

  
  
     
17 27

  
17

 
 

35

           
         
35

  
diminuendo sin' al fine
One

 

XI. Pianistes (Pianists)


6

    
Allegro moderato  = 76 11 16

   


 
Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 21 Più mosso  = 108
XII. Fossiles (Fossils) 3

    

                
Allegro ridicolo  = 112 pizz.

   
     
 
 

                  
10

 
6 pizz.
arco

    
 
 
          
    

12 arco


     
         
18

 
  
17


 
                
    
 26


23

    
       
 


        
34


pizz.


30

     
  
          
    

36 arco


   
     
             
42

       
pizz.


41 arco

     
   
        
50 58


48 pizz.

       
       

     
65

  
60 arco

              
    

            
67

XIII. Le Cygne
(The Swan)

 Andantino grazioso  = 63
        

 

  
10

       
8

  
     
         

    

   
18

   
18

 

  
a tempo

     
       
23 rit. Lento  = 50 rit.

 

XIV. Final (Finale)


  
4

       
Molto allegro  = 168 10 18

           
   
       
26

                        
26

           

                                
30

           

                             
34

                
34

       
 
            
       
43

                         
39

 

               
           
     

                
45

   
    
        
        
   
51

        
49

           
                      

                
53

       
               

58

       
                     
61
 
      
61


   
      

69

         
   
66

     
 

   
75


73

                           
       
 cresc. 

     
77

           
             
   
                            

      

80

         
83

                       

83

         
 
          

     
  
88

 
Violin II Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


            
Andante maestoso  = 104

    

    
     


12

  
         
Allegro non troppo  = 96


         
9




 
17

                  
17 Più allegro  = 168

        
               


 25


     
23

 
   
              

  
 
33

 
pizz.


29

 

        
                   
pizz. arco
41 49

   
40

      
arco

     

     
59

          
54

    

     
     

 

   
61


  
 
 
      

66


II. Poules et coqs


(Hens and Roosters)

       

               
Allegro moderato  = 172

          

    

              
9 14


9


      
2

                                    
15 en trainant



 
                   
22

      

21 Piu Allegro

     
                                 

27

 
                      

32

IV. Tortues (Tortoises)


7

     
  
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)
13

      
   
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

    
Andante  = 66

                     
  
 

                      
9 9

  
     
17 27

  
17

 
 

35

          
   
35

  
diminuendo sin' al fine

      
One


XI. Pianistes (Pianists)


6

    
Allegro moderato  = 76 11 16

   


 
Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 21 Più mosso  = 108

XII. Fossiles (Fossils)


 
Allegro ridicolo  = 112 3

   
                  
pizz.

    
arco

     
   

               
10


8 pizz.

 
arco

     
      
18

      
16

      

     

      
26

     
22

         
    
  
                 

        
34


pizz.


30

       
   
                
42


pizz.


36


arco

      

                     
44 50

 
arco

    
           
58

   
56


pizz. arco

     
 

                   
    
65 65

     



  
        
70

XIII. Le Cygne
(The Swan)


 
Andantino grazioso  = 63

     
 

 
10


7

         

     
           

      
18 

   
18

 

  
a tempo

   
         
23 rit. Lento  = 50 rit.

 

XIV. Final (Finale)

  
       
Molto allegro  = 168 10 18

   
       

   
426

                                
26

               

                                
30

 
             

               
34

                
34

               

 
       
        
38

                  
                        
    
                                             
43

    
43

       

          
         
 
 
 
    
                       
51

  
        
49

   

                                      


55

   

      
                        
     
 
60 61

  
        

 
69

              
   
65

     
 


71

                               
 cresc.


75

      
75

   
                  
           

                             
           
78

            



      

83

                             
83

         
 
 

 
               
88

 
Viola Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)


   
                         
Andante maestoso  = 104

 


12

 
            
     
Allegro non troppo  = 96

 
9


               
17

         
   
17 Più allegro  = 168

  
     
               

  
25


23

 
   
                

  
33

 
29 pizz.

  
   
   
   
    
             
arco 41 49

    
40 pizz. arco


 

          
59

    

54

    

  
       
 

     
61 

    
 
    
  
66

II. Poules et coqs


(Hens and Roosters)

   
   
Allegro moderato  = 172 9

             
14

                            
14 en trainant

     
       
              

             
19 [dragging] Piu Allegro 22

3 3
    
                       
2

   
27

  
                              
31

IV. Tortues (Tortoises)


7

    
   
Andante maestoso  = 50 11 15 rit.

V. L'Éléphant
(The Elephant)
13

     
    
Allegretto pomposo  = 112 21 29 37 45

IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

                              
Andante  = 66
9

    

  
                      
17

   
10

 
35

                   
27 diminuendo sin' al fine

   
19


            
37

     
One

XI. Pianistes (Pianists)


6

    
Allegro moderato  = 76 11 16

     


Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 21 Più mosso  = 108

XII. Fossiles (Fossils)

    
Allegro ridicolo  = 112


                   
pizz.

    
arco

        


                   
10 pizz.

 
8 arco
        
3

                 
18

          
16

  
             

          
26

 
22

  
 
        
                               
34 pizz.
29

         
 

               
42 pizz.

 
36 arco

         
                 
 
43 arco

 
         
  
50 58

 
50 pizz. arco

    
        

                
63 65

     
    

            
  
69

XIII. Le Cygne
(The Swan)

        
                             
Andantino grazioso  = 63

      

     
                      
4

           
                      
7

 

                     
10

  
10

           

                        
        
13

 

               
18

        
         
16

 

         


 

               
       
19

 

     
          
22 rit.

   


4

    
    
25 Lento  = 50 a tempo rit.

XIV. Final (Finale)

  
    
              
Molto allegro  = 168 10 18

   
                             
26

   
    
26

         

                                
     
30

         

                       
34

                  
   
34

 

  
                                 
43


38


arco 
51

                                 
51

         



     
               
61

  
55

   

   
                             
69

 
   
66

                                
71

cresc.


75

     
    
         
75

  

   
                            
   
79

   
   

          
           
83

                          
83

     
 
Cello Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

           

       
           
Andante maestoso  = 104

 
12

            
         
Allegro non troppo  = 96

   
9

 

           
17

             
 
17 Più allegro  = 168

 

           

           
 
25

  
23

                 
 




pizz.


33

  
29

 
 
                     
          
arco 41

 
40

 
      

      
                
45

  

 
49

 
                
    

49

    

    


    
59

        


59

 
    
   

      
 
65

II. Poules et coqs


(Hens and Roosters)
9

   
  
Allegro moderato  = 172 14 22
Piu Allegro
  
                    
2

    
27

  
                              
31

IV. Tortues (Tortoises)

          
              
Andante maestoso  = 50

   

                  
    


7


7

       
               
11 11 15

  rit.   
  

17

V. L'Éléphant
(The Elephant)
13

     
  
Allegretto pomposo  = 112 21 29 37 45



IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

    
                  
Andante  = 66

    

  


                     
9 17

    
9

    
           
27

 
18

    


35

            

29

  
diminuendo sin' al fine

  

 
     
 

   
39

 

XI. Pianistes (Pianists)


6

    
Allegro moderato  = 76 11 16

  
  
Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 21 Più mosso  = 108
XII. Fossiles (Fossils) 3

            
       
Allegro ridicolo  = 112

  
    
pizz. arco

               

       
10

 
8 pizz. arco

        

18

              
16 pizz. arco


  
       

         
26

   
22


            
        

      
34


31 pizz.

           
              
42

 
38 arco pizz.

             
  
           

44 arco

  
           
  

50 58


50 pizz. arco

    
       
        

 
65
64

      
       

        

68

XIII. Le Cygne
(The Swan)

   
       
Andantino grazioso  = 63

           
Solo

     
 
    
     

         
molto espressivo

    
6

 
       
      
 
Tutti
10 10

  
         
    
  

  
18


18

   
        

   
Solo
22 rit.

      
 Lento  = 50 a tempo


dim.


rit.

       
25



(dim.) 
4
XIV. Final (Finale)


           
Molto allegro  = 168

       
  
                                        

10

 
18

       
10

   

          

 
 
      

        
 
         
   
26

   
           
23

 
cresc.

                    
                           
28

                                
34

               
32

                                
                       
36

 
                 
43

                   
40 pizz.

 

           
            
51

     
46 arco

    

  
                                     
52

    

                        

61

       
57



  
      

                         
     
69


65

              

  
                                    
75


71

 
cresc. 

       
       
     
      
77

  

  

             
       
      
     
83

   
81

   

       
            
              
86


Bass Le carnaval des animaux
(The Carnival of the Animals)
Selections
Camille Saint-Saens (1835-1921)
arr. Li-Wei Huang

I. Introduction et marche royal du lion


(Introduction and Royal March of the Lion)

           

       
           
Andante maestoso  = 104

 
12

 
           
       
Allegro non troppo  = 96

   
9

 

           
17

             
 
17 Più allegro  = 168


 

      
25

     
23


  

     
33

  
29 pizz. arco

             
41

                
41

      

     
                 
45

  

  
49

                    
49

 
 
     
    
 

               
59

   
58

 

       

      
             
67

  

70

II. Poules et coqs


(Hens and Roosters)
2 9

    
    
Allegro moderato  = 172 14 22


Piu Allegro

IV. Tortues (Tortoises)

     
                     
Andante maestoso  = 50

 

                          

    
7 11


7

      
     
15

          
13 rit.

V. L'Éléphant
(The Elephant)

            
         
 
Allegretto pomposo  = 112 Solo

 

        
                    
13

 
9


          
            
      
21

  
17

     

                   
       
29

      
25


       
           
37

        
32


        
             

  
39

 
   
                       
 
        
45

 
45



IX. Le Coucou au fond des bois


(The Cuckoo in the deep woods)

     
35

 
Andante  = 66 9 17 27 diminuendo sin' al fine

XI. Pianistes (Pianists)


6

    
Allegro moderato  = 76 11 16

  
  
Editor's note: The players should imitate the hesitance and awkwardness of a beginner. 21 Più mosso  = 108
XII. Fossiles (Fossils) 3

                
      
Allegro ridicolo  = 112

  
pizz.

        

       
10 10

 
pizz.

  
                          
18 18

        
pizz. arco


              

       
26 26



       

       
34

  
34 pizz.

       
    
   
42

 
42 pizz.

      
        
50 58 65

 
50 pizz. arco

   
 

            

69

XIII. Le Cygne
(The Swan)

  
     
Andantino grazioso  = 63

  
    
10

      
7

 

    
18

  
14

      

    
   

           
   
20 rit. Lento  = 50

    
 

      

 
26 a tempo rit.

XIV. Final (Finale)


           
Molto allegro  = 168

       

           
  

       
  
10

   

 
10 pizz.


     
418
18
                  

   
26

                           
       
arco

          
24

 
cresc.

                    
                           
28

                                
34

               
32

                            
           
36

   
                     
43

   
   
40 pizz.

                    
                   
51
47


arco

                          
                 
53

   


              
61

    
57

   
 
  
  

                       
     
66 69

              

                
               
71

cresc.

                     
75

  
              
75

             

        
           
79

     
  
       
    
83

                     
83

           
   
88

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