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A minha maior preocupao neste e-book foi tentar demonstrar que o baixista j tem muito com que se ocupar fazendo simplesmente o acompanhamento no blues. omo !oc" !er, mesmo sem nenhuma #uitarra solo ou base, sem nenhuma #aita ou !ocal, cada um desses $% temas so perfeitamente identi&c!eis e, como esto, possuem uma esttica toda pr'pria. (etire isso da sua apresentao, e o blues desaparece. )or isso que eu sempre di#o* monte o seu repertrio de msicas, estude escalas e aprenda a solar, mas, acima de tudo, invista no seu repertrio de levadas. +oi com esse princ,pio em mente que eu &z a seleo dos temas e das !aria-es deste primeiro e-book. ada partitura, na !erdade, uma cola#em de dicas e truques que !oc" poder acrescentar ao seu pr'prio trabalho quando achar pertinente. Al#uns trechos podero ser usados inteiros nas suas apresenta-es, enquanto outros de!ero ser #uardados na man#a para surtir efeitos mais espec,&cos. . importante que !oc", ao praticar os temas e !aria-es propostos, tente ou!ir como cada uma das combina-es soa. /ma#ine cada compasso como uma clula, e !eja como ele pode se relacionar com os compassos !izinhos. ertos 0truques1 sero facilmente identi&c!eis, outros, mais sutis, exi#iro mais ateno da sua parte. )ortanto, no se apresse em 0tirar1 os exemplos. 2stude o que est sendo proposto e tente assimilar a ess"ncia desses $% primeiros estilos. )ense em blocos, e monte aos poucos a sua pr'pria le!ada. 3isture, experimente. .ua os mestres do blues e tente identi&car a ocorr"ncia dos temas aqui apresentados. 4o adianta ter pressa, porque o blues cresce primeiro no corao, e s' depois !ai para as pontas dos dedos.
5ons estudos6
7ica6 8oc" pode entrar para o #rupo Blues & Bass no +acebook para tirar as suas d9!idas e trocar experi"ncias com outros baixistas apaixonados pelo blues. . endereo do #rupo * https*::;;;.facebook.com:#roups:bluesandbass
Levada de Blues N1
Slow Texas em A (com fast four) Blau Araujo
; 12 8
c
Moderately S low h= 80
DDD
Padro da levada...
B
A &
HQ B B B B B B L LB
* ( ( * ( *
B BBBB HQ B B B B B B BQB L L B B L LB
H
D & A * ( ( * ( * & * ( ( * ( *
H B B B B B H B B B B B Q B B B B B B B B L L B BQL LB B B L LB HQ
D &
HQ B B B B B B B Q B B B B B B B B B B B L L B B L LB B B L LB L HQ
A E ( & * ( ( * ( * & * ( ( * ( * "" * * "" * ""
&
&
11
B BBBB B BQB L L
D & * ( ( * ( * Variao #1
Turnaround padro...
B BB
& & &
B FB D
$ %
B B B FB DB B BH B B DB B B B B FB DB
D & A E ( & & $ % & & & & ' ( ( ( $ %
14
H B B B B B HQ B B B B B Q B B B B B B B B B L B B L L B B L LB L HQ
A D & A & * ( ( * ( * * ( ( * ( * & * ( ( * ( *
17
B B B B FB B DB B
& & # # $ $ % %
B BBBB B BQ B L L
H
D & * ( ( * ( * E agora uma descendente...
B BBBB B BQB L L
H
& * ( ( * ( *
20
B B
A &
HQ
BB BBBB L
L
( * ( * ( *
B B FB B B B FB B B B Q B B B B B B L L L L L L L
E ( ( ( & & % % ) ) "" * * "" * "" Ainda com o turnaround padro...
23
B BBBB B BQB L L
D & * ( ( * ( * Variao #2 (tima para fazer durante o solo)
B BB
& & &
B FB D
$ %
B B B FB DB B BH B B DB B B B B FB DB
D & A E ( & & $ % & & & & ' ( ( ( $ %
26
B B FB B B B B B
A & & $ $ # # ! !
H B B FB B B B DB BH B BH FB BH B BH H B B
D & A & $ $ # #
29
B B FB B B B B B B L
L
&
L
%
&
&
B B FB B B B B B B B B BH FB BH DB BH
D & & $ $ # # & & & & # # $ $ % %
'
'
&
&
32
B B B FB B B B B B B B B B B B BH B BH B B B B B FB B B B B B L
H H H
A
E (
&
&
&
&
&
&
&
&
&
35
H B B FB B B B DB BH B BH B FB DB B B B B FB B B B B B B DB B B B B FB DB
Turnaround preparando para a variao seguinte... D & A D & A E ( & $ $ # # ' ' & & & $ % & & ( & ( & & & & & ' ( ( ( & '
38
B B FB B B B B B B L
Variao #3 (climax do solo) A (
L
&
L
%
&
&
H H B B FB B B B DB BH B BH FB BH B BH H B B
D & A & $ $ # #
41
B B FB B B B B B B L
L
&
L
%
&
&
B B FB B B B B B B B B BH FB BH DB BH
D & & $ $ # # & & & & # # $ $ % %
'
'
&
&
44
H H B B B B B B B B B FB D B B B B B B B B D B B B B BBBB B B L LB L HQ
A E ( & * ( ( * ( * ( ( ( ( & ' ( ( ( ( & ' ( & & % % ( & (
47
H B B FB B B BH DB BH B BH B FB DB B B B B FB B B B B B B DB B B B B FB DB
Turnaround preparando para a finalizao... D & A D & A E ( & $ $ # # ' ' & & & $ % & & ( & ( & & & & & ' ( ( ( $ %
50
H B B B B B HQ B B B B B Q B B B B B B B B B L B B L L B B L LB L
Finalizao tpica...
HQ
D &
&
&
53
B BB B
& & # #
FB
$
B DB B
$ % %
B BBBB B BQ B L L
H
D & * ( ( * ( *
B BBBB B BQB L L
H
& * ( ( * ( *
56
H H B B B FB B B B B B B B B B B B B B B B B B B BBBB B B L LB L HQ
A E ( & * ( ( * ( * ( ( ( & & & % % % ( & ( ( & & % % ( & (
59
B Q Q P Q P Q P Q
D &
Ateno na parada!
B B FB B B B FB B
Final... A (
L
(
L
&
D %
L
)
A (
&
B Q Q Q DB FA L
' &
Levada de Blues N2
Slow Texas em G (com fast four) Blau Araujo
; 12 8
c
Moderately S low h= 80
H FB B FB DB B H H H B B FB B B B B B FB B L L FB B B B D B B FB B DB B H H H H H
C $ $ $ ! ! " " # # $ # # & & & $ & $ $
# &
&
& $
&
FB
G $
BB BB BBBB
H
$ # # & & # ! #
FB
&
B FB B B B DB BH B BH B B B B B B B L L L L L
D & & $ $ # # ' ' & % % ( ( % # %
"
"
11
H H H B B B B B B FB B B B B B B B B B FB B F F D B B D FB B B B FB DB FB B B FB D L L
Turnaround padro... C $ G C $ G D & $ # # & & # ! # $ $ $ " # $ $ " # $ $ $ $ % & & & " # Variao #1 - boa para o inicio do vocal...
14
FB
G $
B B B B B B B B FB B B B L
C $ $ # # & & # & # $ # #
FB
&
H H H BBBB B BBBB FB B B B L
G & # & # $ $ # # & & # & #
17
H FB B B B B H H B B H FB B B B B B FB B L L FB B B B D B B FB B DB B H H H H H
C $ $ $ ! ! " " # # $ # # & & # & # $ $
20
FB
G $
BB BB BBBB
H
$ # # & & # ! #
FB
&
B FB B B B DB BH B BH B B B B B B B L L L L L
D & & $ $ # # ' ' & % % ( ( % # %
"
"
23
H H H B B B B B B FB D FB B B B B B B B B B B FB B F F D B B D B B B B B B F F L B B F D L
Turnaroud com preparao para o solo... C $ G C $ G D & $ # # & & # ! # $ $ $ " # $ $ " # $ $ $ $ % & & & ) *
26
FB B B B B B B B B B B B B B B B B B B B B B B B B FB B B B B B B FB B B B B B FB B B B B B B L L L L L L L L L
Variao #2 - boa para inicio do solo... G C G "# "! "# "% "! "! "% "# "! "! "# "# "% "! "% "# "! "# "% "! "! "% "# "! "! "# "% "# "! "%
29
B BB B FB B B B D
L L
(
L
)
L
*
FB FB
C "# "!
B BB B B BB B B BBBB
"# "% "! "!
"# "!
"!
32
FB
G
B B BB B B BB B B B B B B FB B B FB B B B B B DB B B B P B B B B B B L L L L L
D & "# "% "! "! "% "# "! "! "# "# "% "! "% "! "! "! ) ) ) ( ( ( ' ' ' * ( ( * ( *
"!
FB FB
"# "!
B BB B B BB B B BBBB
"# "% "! "!
"# "!
35
B FB B B B B FB P L L
C $ ( & & ( & (
H B B B B B B FB D FB FB B B B B F B B FB B B D FB B B F D
Turnaround preparando para o auge do solo...
C $
D &
"
&
&
&
&
&
38
FB
G &
H H H B FB B B B B B B FB BH H H H B BBBB B B B B B B D F B B B B F L L L
C $ G & $ $ # # & $ & $ " " ! !
41
FB
$
B B B DB B B B
$ ! ! " " # #
FB
C $
B DB B FB B FB
$ " " ! ! $
&
&
H FB B
$ $
DB B B B B FB B L L L
$ # # $ $ % %
44
FB
G &
B FB B B B B L
L
$
L
#
H FB B
& &
Exercite isso!!!
B FB B B B B B DB B B B BH FB BH B BH B B B L
D & & $ & $ ( & ( ' & ' & $ $ # # & $ &
&
&
47
FB
C $
B DB B FB B B B FB B B DB B FB B B FB FB FB BH B FB DB B B B B FB DB
H H H
Turnaroud para a sada do solo...
C $
D &
"
"
"
&
&
&
&
&
"
50
B B FB B B B
G $ $ # # & &
Variao #4 - final...
H FB
&
FB
$
B FB B B B
C $ & $ # #
FB
&
B FB DB B
L
& & $ &
FB B B B B B B B F
H FB
&
&
&
&
53
H FB B FB DB B H H H B B F B B F B B B B B B D B B B B F L B B FB B DB B L H H H H H
C $ $ $ ! ! " " # # $ # # & & & $ & $ $
56
FB
G $
BB BB BBBB
H
$ # # & & # ! #
FB
&
B FB B B B DB BH B BH FB BH B BH B B B L L L
D & & $ $ # # ' ' & $ $ # # & $ &
"
"
59
FB P P
C $
Ateno na parada!!!
FB
G &
Finalizao...
B FB B B B DB BH BH P Q FB DB FB L
L
$ & $ #
L
#
D &
G &
'
'
Levada de Blues N3
Blues em Gm Blau Araujo
Moderate
1
; 12 8
c
h= 120
EE
P HB B BH P HB B BH P H B B BH P HB B BH B B B B B B B B
Padro da levada... G $ $ " $ "
H B P B B BB
C $ $ " $
L
"
H B P B BB B
$ $ " $ "
"
"
P H B B BH P H B B BH B B B B
G $ $ " $ " $ $ " $ " Repare que no tem um turnaround...
"
"
"
"
10
H H B P B B B B B P B B B B B P BH B B B B P BH B B B L L
D & C $ G & $ & $ $ " $ " $ $ " $ " $ $ " $ "
14
H H H H P H B B BH P H B B BH P H B B BH B B B B B B B B B B B B FB B
Variao #1 - com aproximaes cromticas G
18
H B P B BB B
C $
"
"
L
"
H B P B BB BB
$ $ " $ " $
"
"
P H B B BH P H B B BH B B B B
G $ $ " $ " $ $ " $ "
"
"
"
"
"
22
H B P B B B B B P B B B B B P BH B B B B BH H B BHEB BH L FB B L
Pode ajudar a criar uma tenso... D & C $ G & $ & $ $ " $ " $ $ " $ " $ $ ! ! " " # #
26
H H H H P H B B BH P H B B BH P H B B BH B B B B B B B B B B B B FB B
Variao #2 - pode ser no solo... G
30
H H H B P B B P B B P BHEB P BH B P BH B B B B P BH B B B
C $ G $ " " ! !
"
"
"
"
"
"
"
"
34
H B P B BB B
D &
L
$
H B P B BB B
C $ $ " $
"
"
"
"
&
&
L
"
H H H H P H B B BH B B B B FB B B B EB B
G $ $ " $ " $ $ ! ! " " # #
38
H H H H P H B B BH P H B B BH P H B B BH B B B B B B B B B B B B FB B
Variao #3 - no climax do solo... G
42
H H B P B B P B B P BHEB P BH B P BH B B B B P BH B B B B B B
C $ G $ " " ! ! % % $ $ " $ " $ $ " " " $ $ "
"
"
"
"
"
"
"
"
46
B P BB BBBB
D &
H H H P B B B B B B B B P BH B B B B P BH B B B L
C $ G $ " " $ " $ $ $ " $ " $ $ " $ "
&
$ &
&
50
H B B P B BB
D &
L
$
H P B BB B B
C $ $ " $ "
&
&
P H B B BH P H B B BH B B B B
G $ $ " $ " $ $ " $ "
54
H B B P B BB
D &
L
$
H B P B BB B
C $ $ " $ "
&
&
P H B B BH P H B B BH B B B B
G $ $ " $ " $ $ " $ "
58
H B P B BB B
D &
L
$
H B P B BB B
C $ $ " $
&
&
L
"
H H H H P H B B BH B B B B FB B B B EB B
G $ $ " $ " $ $ ! ! " " # #
62
=
$
Levada de Blues N4
Rock Blues "Latinizado" em C Blau Araujo
Com balano
1
;4 4
c
h= 150
B Q BH Q BH DB B B Q BH Q BH DB B B Q H Q H DB B B Q H Q H DB B B B B B
F $ C $ $ $ " # $ ! ! " #
10
B Q BH Q BH B DB
G & & & & % Variao #1
"
"
B Q BH Q BH DB B
F $ ! ! " #
B Q BH Q BH DB B
C $ $ $ " #
B
$
HQ
P P P
14
B Q BH Q BH DB B B Q BH Q BH DB B B Q BH Q BH DB B B B B B DB B B B
C $
18
B Q BH Q BH DB B B Q BH Q BH DB B B Q H Q H DB B B Q H Q H DB B B B B B
F $ C $ $ $ " # $ ! ! " # $ $ " # $ $ $ " #
"
"
"
"
"
22
HQ B B B B B B B DB B B H H Q Q B B DB B B B B B B DB B B P P P
G & F $ C $ & & $ & & & % $ ! ! " " # # $ $ " # $ Variao #2 - boa para solos...
26
B B DB B B B
C $ $ " $ " #
B B DB B B B
$ $ " $ " #
B B DB B B B B B B B DB B B B
$ $ " $ " # $ $ ! ! " " # #
30
B B DB B B B
F $ $ " $ " #
B B B B DB B B B
$ $ ! ! " " # #
B B DB B B B
C $ $ " $ " #
B B DB B B B
$ $ " $ " #
34
B B B B B B B DB B B B B DB B B B B B DB B B B
G & F $ C $ & & $ & & & % $ ! ! " " # # $ " $ " # Variao #3 - boa para incendiar a galera...
B
$
HQ
P P P
38
B B B DB B B B B B B B DB B B B B B B B DB B B B B B B B B DB B B B
C $ $ $ " $ $ " # $ $ $ " $ $ " # $ $ $ " $ $ " # $ $ ! ! " " # #
42
B B B DB B B B B B B B B DB B B B B B B DB B B B B B B B DB B B B B
F $ C $ $ $ " $ $ " # $ $ ! ! " " # # $ $ " $ $ " # $ $ $ " $ $ " #
46
B B B B B B B DB B B B B DB B B B B B DB B B B B B B B DB B B B
G & F $ C $ & & $ & & & % $ ! ! " " # # $ " $ " # $ $ ! ! " " # #
50
FB B D B Q B FB B B B DB Q B FB B B B B B DB Q B B B B B FB B B B D L L L
Variao #4 - todo mundo j perdeu a noo!!! $ $ $ $ # & $ $ $ $ # & $ $ $ $ # & $ $ " " ! !
54
Q B FB B D B B B
" " " " ! $
Q B B D B D B B B
" " " " " #
B Q B B DB FB B D B B DB Q B B B L L
$ $ $ $ # & $ $ $ $ $ % Final....
58
HQ B B B B B B B DB B B B B DB B B B B B B DB B B B B B P P P
G & F $ & & $ & & & % $ ! ! " " # # $ $ $ " $ $ " # $
Levada de Blues N5
Texas Shuffle em E Blau Araujo
Lively
1
; 12 8
c
h= 160
DDDD
B B B BH B BHB BH B B B BH B BH B BH B B B BH B BH B BH L L L
Padro da levada... E ( ( % & ( ( % ( ( ( % & ( ( % ( ( ( % & ( ( % (
H H B B B B B B B BH B BH B BH B B B B B B B B L B FB L B FB L L L L
Note como essa passagem soa mal... A ( ( ( % & ( ( % ( ( % & ( ( % ( ( ( % & ( ( % %
B B B BH B B B B L
E ( ( % & ( ( % (
B B B BH B BH B BH B BH B BH B BH H B B L
E essa tambm... B ( ( % & ( ( % % ( ( & & % % # #
11
B B B B FB B DB B L
A ( ( % % & & ' ' Variao #1 - Na verdade, mais usada...
DB B B B B B B B L L L L
Turnaround padro... E ( ( ' ' ( ( ) )
B B DB B B B B
B *
L
(
L
*
L
*
14
B B B BH B BH B BH B B B BH B BH B BH B B B BH B BH B BH L L L
E ( ( % & ( ( % ( ( ( % & ( ( % ( ( ( % & ( ( % (
17
B B B B FB B DB B
L
(
L
%
L
&
&
'
B B B FB B B B B B B B BH FB BH DB BH L L L L L
No melhor assim? A ( ' ( % & ( ( % ( ( ( % % & & ' '
20
B BB BB B B B L
E ( ( % & ( ( % (
B B B BH B BH DB BH B BH B BH B BH H B B L
E aqui? B ( ( % % & & ' ' ( ( & & % % # #
23
B B B B FB B DB B L
A ( ( % % & & ' ' Variao #2 - Ligando aproximaes...
DB B B B B B B B L L L L
Turnaround padro... E ( ( ' ' ( ( ) )
B B DB B B B B
B *
L
(
L
*
L
*
26
B B B BH B BH B BH B B B BH B BH B BH B B B BH B BH B BH L L L
E ( ( % & ( ( % ( ( ( % & ( ( % ( ( ( % & ( ( % (
29
B B B B FB B DB B
Ascendente..
L
(
L
%
L
&
L
'
B B FB B B B B B L
Descendente... A (
L
&
L
%
&
'
&
L
(
B B B BH FB BH DB BH L
Ascendente... ( ( % % & & ' '
32
B BB BB B B B L
Descendente... E ( ( % & ( ( % (
B B B BH B B DB B L
Ascendente... ( ( % % & & ' '
B B B B B BH B BH
Descendente... B ( ( & & % % # #
35
B B B BH FB B DB B L
Ascendente... A ( ( % % & & ' '
DB B B B B B FB B DB B B BB BB B L L L L L L L L
Turnaround para emendar no solo... E ( B * ( ' ' ( ( ) ) * "" "" "# "# "$
"$
38
B B FB B B B B B L
Variao #3 - Comeo do solo... E
B B FB B B B B B L
L L
"% "% "# "# "" "" "%
B B FB B B B B B L
L L
"% "% "# "# "" "" "%
"%
"%
"#
"# ""
""
41
B B FB B B B B B L
L L
"% "% "# "# "" "" * *
"%
"%
"%
"%
B B FB B B B B B B B B BH FB BH DB BH L L L L L L
A ( ( & & % % ( ( ( ( % % & & ' '
44
B BB BB B B B L
E ( ( % & ( ( % (
B B B B B B DB B L
H
( ( % % & & ' ' Pratique isso!!!
B B B BB BB B L L
H
B ( ( ' ' * * ' *
47
B B B B B B DB FB DB B B F B B D B B B B B B L
H
A E ( & & % % & & ' ' ( ' ( ' ( ' ( ) ( )
B B DB B B B B
B *
L
(
L
*
L
*
50
B B FB B B B B B L
Variao #4 - Finalizao... E ( ( & & % % ( (
B B FB B B B B B L
( ( & & % % ( (
H B B FB B B B B BH L
( ( & & % % ( (
53
B B B B FB B DB B
L
(
L
%
L
&
L
'
B B FB B B B B B L
A (
L
&
L
%
&
'
&
L
(
B B B BH FB BH DB BH L
( ( % % & & ' '
56
B B B BH B BH B BH B B B BH B BH DB BH B BH B BH B BH H B B L L
E ( B ( % & ( ( % ( ( ( % % & & ' ' ( ( & & % % # #
59
B B B B FB B DB B B B B B B B B B DB FB DB L
H
Pratique isso!!! A ( ( % % & & ' ' E (
L
(
B FB DB B Q Q B B B L B
B * ( ) * * * ( !
'
'
'
62
Levada de Blues N6
Chicago Shuffle em E Blau Araujo
Lively
1
; 12 8
c
h= 160
DDDD H
H FB B B B HB B FB B B B H B B FB B B B B BB B B B B B L L L
Padro da levada... E ! ! ( ( & & ( ( ! ! ( ( & & ( ( ! ! ( ( & & ( (
B B
! !
HB
(
H B B FB B B B H B B FB B B B B FB B B B L B B L L L L B B L L H
A ! ( & & ( ( ! ( ( & & ( ( ! ! ( ( & & ( (
B B
E ! !
HB
(
B
(
FB
&
BB B
L
( & (
B B
! !
HB
(
B
(
FB
&
BB B
L
( & (
B B
B ( (
HB
*
BB BBBB
L
*
L
(
11
B B
A & &
HB
(
B
L
(
FB
&
BBB B
L
& ( & (
Turnaround padro...
B B
E ! !
HB
(
B
(
FB
&
B B B
& ( (
B B DB B B B B
B ( & ' ( ( ( (
B B
E ! !
HB
(
H H H H H H B B B B B FB B L B B B B FB B L B B B B FB B B B L H
( & & ( ( ! ! ( ( & & ( ( ! ! ( ( & & ( (
17
B B B B FB B DB B B B
A ! ! ! # # $ $
HB
(
B FB B B B L L L
( & & ( (
B B
! !
HB
(
B FB B B B B
L
(
L
&
20
B B
E ! !
HB
(
H H HB B B B B B B H B B F B B B F B B B B B BB B B DB B B L L H H
B ( & & ( & ( ! ! ( ( & & ( & ' ( ( * * ( ( * ( *
&
&
23
B B
A & &
HB
(
B FB B B B B
L
(
L
&
&
&
B B
E ! !
HB
(
B FB B B B DB
( & & ( & '
B B DB B B B B
B ( & ' ( ( ( (
B B
E ! !
H B FB
( &
H B FB B B B B B H B FB B B B B B B BBBB B B B B
&
29
B B
! !
H B FB
( &
H B FB B B B B B B BBBB B B B B B B BH B FB B B L L L L
A ! &
&
&
&
&
&
&
&
32
B B
E ! !
H B FB
( &
H B FB B B B B B B BH B B B B B B B B BBBB L L B B H H H
B & ( & ( ! ! ( & & ( & ( ( ( * * ( ( * ( *
&
&
&
&
&
&
&
35
B B
A & &
HB
(
B
L
(
FB
&
BBBB
L
& ( & (
B B
! !
H B FB
( &
B B B B B B BH B BH B BH B BH
& ( & ( ( ( ( ( ( ( ( (
Variao #3 - estacato...
38
B >
E !
H Q H BH Q
B >
! (
H H Q H B FB B
>
&
> Q B B
L
( (
B >
!
H Q H BH Q
B >
! (
H H Q H B FB B
>
&
> Q B B
L
( (
L H
40
&
&
42
B >
A !
H Q H
!
&
&
B >
!
H Q H H Q
B B >
! #
B FB >
# $
H H Q H H Q
B D> B
$ %
B
%
B >
!
H Q H H Q
B F> B
! $
B B >
$ #
H H Q H H Q
B F> B
# "
B
"
44
B >
E !
H Q H BH Q
B >
! (
B >
( &
H H Q H FB B
&
> Q B B
L
( (
B >
!
H Q H BH Q
B >
! (
B >
( &
H H Q H FB B
&
> Q B B
L
( (
46
B
B (
H Q H
(
B Q B B B B Q B B B L L L L
* * ( ( * ( *
B
A &
H Q H
&
Q B FB Q B B B B B B L L L L
( ( & & ( & (
B
E !
H Q H BH Q
B
!
H H Q H B FB B
( & &
B Q B
L
( (
H Q H H Q B B B
B ( ( %
H H Q H H Q B FB B DB
% & & '
B
'
50
FB B B B FB B B B FB B B B B B B B B BB B B B B B L L L L L L L L L L L L
Variao #4 - uma oitava acima e final... E (
53
FB B B B B B H B B FB B B B B B L L L B BH B B FB B B B L B B L L L L L L
A ( ( * * ( ( * *
56
B B
E ! !
HB
(
H H H B B B FB B L B B B B FB B B B DB H
( & & ( ( ! ! ( ( & & ( & '
&
&
&
&
&
&
&
&
B B
B ( (
HB
*
BB BBBB
L
*
L
(
59
B B
A & &
HB
(
B FB B B B B
L
(
Finalizao...
L
&
&
&
B B
E ! !
HB
(
B FB B B B L
( & & ( (
B FB DB B Q B
B ( & ' ( !
62
Levada de Blues N7
Slow em Cm Blau Araujo
Muito Lento
1
; 12 8
c
h= 56
B
C $
Padro da levada...
B DB
$ "
B DB B B B B B
$ " $ $ $ " $
B DB
$ "
B DB B B B B B B DB BDB B B B B
$ " $ $ $ " $ $ " $ " $ $ $ "
B B DB B DB B
$ $ " $ " $
B B B
$ " #
B B BH B B DB B B BH H DB B B B BB
F $ $ $
B B
C $ $
DB
"
B DB B B B B
$ " $ $ $ "
B B
$ $
"
"
D B
"
B DB B B B DB
$ " $ $ " #
B BH B B B DB B
G $ & & & & & %
"
"
"
11
B B BH H DB B B B DB B B B DB B B B DB B BBBBBB B BB
Turnaround padro... F $ C $ F $ C $ G $ $ " " $ " # $ " # $ " # $ $ " $ $ $ $ " #
14
B B DB B DB B B B B B B DB B DB B B B B B B DB B DB B B B B
C $ $ " $ " $ $ $ " $ $ " $ " $ $ $ " $ $ " $ " $ $ $ "
17
B B B B DB B B B
L
( $ $ & & ' ' (
B B DBH B B B B
F ) "! ' ) ) ) '
B B DBH B B B DB B
L
) ) "! ' ) "! ) *
20
B B B B DB B B B B B B B B B B B DB B B B B B B B B B H B B B DB B
C G & "! "! "! "! ) * "! "! "! "! ) * "! "! "! "! ) * "! "! "! "! "! ) & & & & & %
23
B B BH H DB B B B DB B B B DB B B B DB B BBBBBB B BB
Mesmo turnaround... F $ C $ F $ C $ G $ $ " " $ " # $ " # $ " # $ $ " $ $ $ $ " #
26
B B DB B DB B B B B B B DB B DB B B B B B B DB B DB B B B B
C $ $ " $ " $ $
Variao #2 - Finalizao...
29
B B B B DB B B B
L
( $ $ & & ' ' (
"
"
$ " $
B B DBH B B B B
F $ & " $ $ $ "
"
"
$ " $
B B DBH H DB B B B B
$ & "
"
32
B B DB B DB B B B B
C $ $ " $ " $ $ $ "
B B DB B DB B B B DB
$ $ " $ " $ $ $ %
B B BH H B B DB B B
G & & & $ $ & & %
"
"
"
35
H B B B B B B DB B B B B DB FB B DB B B B B DB B B B B B B
Finalizao super simples... F $ C $ F C $ G $ $ " " $ " # $ $ # " " " # $ $ " $ $ $ $ " #
38
=
$
Levada de Blues N8
Shuffle em A (com fast four) Blau Araujo
Moderately
1
; 12 8
c
h= 110
DDD
Padro da levada...
B BB BB B
A & & & & &
HQ H HQ H HQ H B B B H
& * ( *
D &
QBBQBBQBBBB BQBBQBBQBBBB B B B B BB BB B
HQ H HQ H HQ H B
& & & & & *
HH
&
HH
&
HH
&
&
& &
HH
&
& &
& *
( *
D &
HQ H HQ H HQ H B B B Q B B Q B B Q B B B B B B B BB BB B B BB BB BB L LL LL L
A
&
&
&
&
&
&
&
&
HQ H HQ H HQ H B
& & & & & *
E (
&
&
&
&
&
&
&
( ""
* ""
11
BQBBQBBQB
D & & & & & &
H H
H H
HB
*
B B B B FB B B B FB B B BH DB B B B B L L
1. A (
L
%
L
)
E (
&
&
L
(
L
(
&
'
2.
14
B Q FB DB B Q B L L
E ( & ' ( &
Levada de Blues N9
Rock Blues em C (com fast four) Blau Araujo
Lively
1
; 12 8
c
h= 160
B B B B DB B FB B B B B B B B DB B B B B B B B B B L L L
Padro da levada...
C $
C $
"
"
B B DB B FB B B B L
& & $
L
$
L
#
&
B B DB BH FB BH B BH B B B BH DB BH B BH L L L
F $ & $ " " ! ! $ $ $ $ ! ! " " # #
"
"
"
"
&
&
B B DB B FB B B B
C $ $ " " ! ! $ $
H B B B B B B B B D B B B B B B B B L L L L L L H
G & $ $ # # $ $ % % & $ $ # # & &
11
B B B BH DB BH B B L
F $ $ ! ! " " # #
DB B B B D B BB B B B B BB BB B L L L L L L L
Turnaround... C $ G & $ # # $ $ % % $ % & & & &
14
B B DB B FB B B B
C $ $ " " ! ! $ $
Variao #1
B B B B DB B B B
F " " ! ! " " # #
H H B B DB B FB B B BH
C $ $ " " ! ! $ $
17
B B B B DB B B B
$ $ ! ! " " # #
B B DB BH FB BH B BH B B B BH DB BH B BH L L L
F $ $ " " ! ! $ $ $ $ ! ! " " # #
20
B B DB B FB B B B
C $ $ " " ! ! $ $
B B B B B B DB B
H
$ $ ! ! " " # # Turnaround...
B BB BB B B B
H
G $ $ # # & & # &
23
B B B B DB FB DB B B DB B B B B B B B B B B B B B L L L B B L L L
H H
F C $ G & " " ! ! $ $ ! ! $ # # $ $ % $ % $ % & & & &
26
H H H H B B B B B B B B H B B B B B B B B B B B B B B L B B L L L L L
Variao #2
C $
C $
&
&
29
B B DB B FB B B B L
& & $
L
$
L
#
&
B B DB BH FB BH B BH B B B BH DB BH B BH L L L
F $ & $ " " ! ! $ $ $ $ ! ! " " # #
"
"
&
&
32
H H B B B B B B B B B B B B B D F D B B B B B B B B B B B B L L L L L L L L H
C $ G & $ # # & & # # $ $ # # $ $ % $ % & $ $ # # & &
35
H H H H B B B BH DB BH B B B B BH H H L B B B B DB FB DB B B B B DB B B B
Turnaround... F $ C $ G $ ! ! " " # " # $ ! ! " " # " # $ $ & & ' ' ( (
38
B B B B B B DB B FB B B B B B B B B B B B B B L B B L L L L L L L L L L
Variao #3
F )
41
B B B B DB B B B
L L
(
"!
"!
L
)
L
*
B B DB B FB B B B L
F
"!
"!
"!
"!
L
)
L
(
"!
"!
"!
"!
B B B B DB B B B L
"! "!
"!
"!
L
(
L
)
L
*
"!
"!
44
B B DB B FB B B B L
C
L
)
L
(
B B DB B FB B DB B L
L
)
L
(
"!
"!
"!
"!
"!
"!
'
B B B B B B B BH L L L L
G & ' & $ $ # # & &
47
H H H H B B B BH DB BH B B B B BH H H L B B B B DB FB DB B B DB B B B B B
Turnaround... F $ C $ G $ ! ! " " # " # $ ! ! " " # " # $ " # $ $ $ $
50
H H H H H H H B B B B DB B FB B B BH B BH B B DB B B B B B B B B B L L L
Variao #4 C $ F C $ $ " " ! ! $ $ " " ! ! " " # # $ # # & & # #
53
H H B B DB B FB B B B B B H B B H H D B B F B B B B L BBB B B D B B L L L L L
F $ & & $ $ # # & & $ " " ! ! $ $ $ $ ! ! " " # " #
56
H B B DB B FB B DB B B B B B B B B B B B B B B B B B L L L L L L L L L L H
C $ G & $ # # & & # # & & $ $ # # ' ' & $ $ # # & &
59
B BB B B B BBB D L
H H
F $ $ ! ! " " # " #
DB FB DB B B B B B B L L
Finalizao... C $ $ # # $ $ % $ %
B DB B B Q B L
G & $ % & $
62
; D 12 D8
c
h= 135
B BB BB B B B BB BB B B B BB BB B B
B ( ( &
Padro da levada...
HB H
( &
HB H
( &
HB H
( &
B BB BB B
( ( & & ( (
HB
(
B
&
& (
H H B BB BB B B B B BB BB B B B L L L L L L
E ( ( & & ( ( ( & ( ( & & ( ( ( &
( &
& (
( &
& (
B BB BB B
B ( ( & & ( (
HB
(
B
&
B BB BB B
( ( & & ( (
HB
(
B
&
F# *
B BB BB B B B L
L
*
L
(
L
*
11
B BB BB BB B L L L
E ( ( & & ( ( ( &
B BB BB B
B ( ( & & ( (
HB
(
B
&
1.
B BB BB B
( ( & & ( (
HB
(
B
&
2.
14
B B DB B B B
( & ' (