Você está na página 1de 73

15 a anj

para i l l
Sobre
Este e book reúne 15 obras do repertório popular arranjadas para violão solo. Estes arranjos foram
elaborados como parte da pesquisa artística do violonista Rafael Thomaz e sua busca por ampliar o
repertório do instrumento, bem como manter o contato com grandes músicas. Todos os arranjos
encontram se gravados no canal do youtube e os links estão listados em cada partitura.

Este e book é gratuito e não tem intenção comercial. Pode ser acessado por qualquer pessoa
através do link: www.rafaelthomaz.com ebook arranjos

O autor
Rafael Th ma é doutor em música pela UNICAMP. Atua como
violonista, arranjador, professor e produtor musical. Foi premiado em
concursos nacionais de violão, apresentou se como concertista em
importantes séries de concerto e como solista à frente de orquestras e
grupos de câmara. Possui seis álbuns autorais lançados: com o grupo
Algaravia Alga a ia 2009 e M ica B a ilei a de C ce 2016
em duo com Guilherme Lamas Ida e Vi da 2018 e os autorais
Pai age I e i e 2015 , Ai da dá em 2018 com o Rafael
Thomaz Septeto e I e ç e a a Vi lã e Pe c ã 2019 .

www.rafaelthomaz.com

rafael rafaelthomaz.com

www.youtube.com rafaelthomaz1

www.instagram.com rafaelthomaz1

www.facebook.com rafaelthomaz.violao

Ouça:
clique na capa para
acessar o spotify
Arranjos

Bola de Meia, Bola de Gude Mil Na cime e Fe a d B a

Choro Bandido Ed L b e Chic B a e

Chovendo na Roseira T m J bim

Doce de Côco Jac b d Ba d lim

Eu te amo T m J bim e Chic B a e

Falando de Amor T m J bim

João e Maria Si ca e Chic B a e

Last Train Home Pa Me he

Passarim T m J bim

Por una Cabeza Ca l Ga del

Rio Amazonas D i Ca mmi

Samba do Avião T m J bim

There will never be another you Ha Wa e

Uma valsa em forma de árvore A d é Mehma i

Vai Passar F a ci Hime e Chic B a e


Bola de Meia, Bola de Gude como gravado em
https://youtu.be/aw4bWDQM0nY

Arranjo e editoração:
Rafael Thomaz Fernando Brant e Milton Nascimento

   
        
          
pizz.

        
p p


                     
3

  
3

   

        
     
5

          

                   
7 3

           

    
                 
9

         

www.rafaelthomaz.com
2 Bola de Meia, Bola de Gude

  
        

             
11

    

                                     


13



 
                                
16

  

  
         
           
CIII

     
CIII

  
19

      

      
CVII

              
        
CIII CV

  
21

      

   
                    

 
    
23

     

www.rafaelthomaz.com
Bola de Meia, Bola de Gude 3

              
             
 
25

      

                       

CIII

      

27

 

                  
CVI
   

CVII

    
29

    

                       
 
      
31

 

                     
  
    
33

    

  
      
1

     
0

      02 
3 0 1 0
2 1 0


0 0 0

 0  
2 2 0

   
35 2
1 1

2
     
0 0

www.rafaelthomaz.com
4


Bola de Meia, Bola de Gude

          
      02         
37 1

       
0 

  
    
                                    
1 0
39 1
2

  
        
                                   
41

   


  
2

  
        
    
3

      
0

 
43

               
    

   4 
        
3 0 1 0 1 0

2        
0

      0             
45

      

4    
4


1

         
0

            
47

               

www.rafaelthomaz.com
 
                   
Bola de Meia, Bola de Gude 5
3 3 3

  
harm. XII
4


        
49

 
          
   
               
51
3 3

               
  
          
53
3 3

 


         3
   4
harm. VII

  
XII VII

 
2


55

 

                        4 3
3   5
harm. XII VII VII
XII

  
57

                        3
 2 4
harm. VII XII VII

 
XII

 
59
4

www.rafaelthomaz.com
6

                       harm.
Bola de Meia, Bola de Gude

 VII
3 4 3 5
XII VII
XII

  
61

                           2 1 3

harm. VII XII VII

 
XII


63
4

                
2 4 3 VII 
 4 6 5 
XII VII XII


XII VII XII


65
5

  
                   
                   
67

  
                    
      
                        
69

      
     
             
                
71

     

www.rafaelthomaz.com
Bola de Meia, Bola de Gude 7

       
              
73

   
           

   
                  
  
75

            


                                  
77

     
     

               
                    
80


 

   
82

  

        
                         
84

www.rafaelthomaz.com
8 Bola de Meia, Bola de Gude

      simile
                                
87

                                   

                                
89

                                

                                
91

                   

     
93

           
      


 harm. VII XII VII XII VII XII
harm. 8va

   
  
94

 


 2 2 4 3 5 4  2
2

www.rafaelthomaz.com
Choro Bandido como gravado em
https://youtu.be/a36wiYS783k

Arranjo e editoração:
Rafael Thomaz Edu Lobo e Chico Buarque

   
 
4

   
CV 2 4

3 1  
2 3 1

           
    
Ad libtum 2 CIV

 
3


3 1 3 2 3 1


3

 

           
CI

                   
    
CIII


5 4 3
3 4

 

CIII

                  
a tempo

      
2

     
4 4 3 4 3

     
1 4 0

   3
9 0

 
4

  
3
2

         
1

   3 1 3 1 3 1
2

           
1 4

     
4 1 3 CVII

   
2

  
4 3
4
13 1

  

                     1      
CII 4 4 2 3 2
CII

 
4 3

  2   
2 4 1

   
17 1 1 2 1 2 4

     
4
3
3

www.rafaelthomaz.com
2 Choro Bandido

                     3        
1 2

     
1 4 4 1 0 1 4

    
20 1 1 1

    3
2

     
                           
23
CIV CIII CII CI 1 4 1 4 1
3 4 4

    

     
4 1 4

              
1 4 2

            
3 1 3

           
1 3 1
1 4 CII

  
26 3

 
   

 
    
                        
     
29 4


3

 
3   

            
                  
33

   
 

                      
           
36

   
rit.

www.rafaelthomaz.com
Choro Bandido 3

   
CX a tempo

                                 
3 4 2 CV
2 3


1 3 4 1

   
40

2
accel.

                     3 1 3
CV


     
3 2


CV 4 4

 
1 3 1 3


1 2 1

 3 
44 4

 

           
CII


6

             
3

 
6


48 3

    
3


CIV

           
      
4 3


            
4 3

       
51 1 3 6
2 1 3 1 3 1 4 1 3 5


6
6
  3 2 3
2 3
4

       
     
CIII

               
CIII 6

 
54 4 1 4 1
3 3 2
3 4 3

2    
2
 
2
6

4        4                         


CI a tempo

     
CII 6

 
57


2 3

 
2 3

  rit. 
6

www.rafaelthomaz.com
4 Choro Bandido

          

             

60 3

  

  
       
              
  
62 3

  


               
      
                   
65

   
   

 
   
 
             
CI 4 1 3

  
69

   

          
 
CVII CV CV

  
  2  
4

  
72 3 3


 3
2
6

          0
 
CVIII 4 1

      
2

  
75 4
2


rit.
1 0
2

www.rafaelthomaz.com
Chovendo na Roseira como gravado em
https://youtu.be/E04cx9O-N28

Arranjo e editoração:
Rafael Thomaz Tom Jobim

 3    2  0 1 2 
        
 = 164

   11          

3

 0 1 3
3 0 0

      3

2 
          1 
    
3

            
5

  
3

      3
3

   0 2
  2   1   
          
4

         
2 CIII

  
9 3 1
0

       

    1    2
    1  
                 
13 2 4

      43    

    
                    
17 1
0 4

     

www.rafaelthomaz.com
2 Chovendo na Roseira

 
  
                 1  
4

   
2

      
21 4 1 1 2


3 1 0

    
0

 3 4
  3      4  3
      03 
   
               
1


25 4

   0
1
0

      
          
      0      
CVII

    
4 1 2 1 1

      
3

   
29

 
 

 
  
           1   
  
4

       
2


0 3

 
34 2 4 4


0 4 0

  
0



   3 1  4 1
    
          3   
2 1 2

        
4


38 1 1

    
2

 
3

 

 
     
CVII

            
43

    
 
  

www.rafaelthomaz.com
Chovendo na Roseira 3

 
    4     4    

CII

            
47 2 2

       
0

  4 0   4 
     
         1    
51

  43    1       
1 4

2 2

 4 
    
         CVII
    
       
3 2 0 4

 
55 2 CV

   
4


     
CVI


 23              
    
  
59 2 0
3 0

  To Coda    
 
D.S. al Coda

   
     





 1         
    
3

 2 0 0 
63

   1   


3  
  2
 1
       
       
1. e 3. 2. e 4.

 
67

   
3 3

     

3
3 3 3

www.rafaelthomaz.com
Doce de Côco
como gravado em
https://youtu.be/IbuAHjaa0bc

Arranjo e editoração:
Rafael Thomaz Jacob do Bandolim

  
    
4 3

           

   
      
4 4 2


1 4 3 CVII

   
1


0 1
3 CVII CVI

               
3

 
5
0


3 1 1 1 4 2 1 0 0 4 0 0 0
1 0 4 2 4
4 1 0 4 1

 
    
    
CIV

                3 2    1 1  


0

 
        
9

   

4 1
5
1

                  
                 
CXI CX CIX

 
          
13

      0 43
      
3

      
3


3 4 3

     
    
17

    

1
0 1

www.rafaelthomaz.com
2 Doce de Côco

      4
2

       
4 4

1   
4 4 1

 4  
1 4

  
0

 0            
21

  
  
1
0
0
0 1 0 2
5
2 1 3

       
CVIII

  4        
4 4

 
4 3 3

  
2


4

         
4 4

 
25

3 2
1
2 1 2 3 3
1 3 0
5 4


      CVI 
             
3

  
CII

 
To Coda

    
2 3

3 
4 4 1
0 1 2

      
4

             1
4

  
29

 1
     
2
1 1 3 1 2
2 1

  
3

     CV      
4 CVII

    
0 3
33 0 3


 1
3 1
3
1
2
4
3
3        
3 3

      
    
  
         
36


   

        
                    
              
40

    

www.rafaelthomaz.com

Doce de Côco 3

                           
CII

  
   
4

   
44


     

  
              
3

 
3

    
48 3

       
 

             
 2   
             
52

       
2

 
3 3

         
           
3 3

    
          
        
56


                            
3

  
          
61

  
  


             

   
64

      
3

       1

www.rafaelthomaz.com
         
4 Doce de Côco

   
4 4 CX 3 1 4 4

   
1

 
    
  
    
68

       
1 3 1 1 3 1

    1 0 2

3 3
2 4

           42
           
CVIII CX

     
CV

       
0

          
72

     
3

              
              
CV


3

         
76

 3    
 

             2    
CIX


        
4 4 2
4 4 CIX 4 3

  
3 4

 
4

 
2
   3 
 
   
80

 
1
2
0
1

      
CV

 
      222       
CVII

         
2 4 3 3 3

             


3
4 4 1 0

     
83

       
1 1

                
                
  
            
 
87

  

www.rafaelthomaz.com
    1 3
Doce de Côco 5

     2    
 
2 3 2

   
4
1

          
91 4

  
     0       1  
2
1  1
1 2 3 2 4
pizz. (1ª vez)

          
1 2
4 2 CVII

          


2 1 4 3

2   
1

2  
3 CV3 CVI 3

   2               
4 CV


95

   
 
1
0
1


5
3
3

   
       
 
991. 2.

     
3 3 3

   

 
     
102 pizz.


           
D.S. al Coda

  3 2 1 0 4 3 2 1 0 3

a tempo

    CV    3              


3 CVII
4

              0 
0

      
105 4 3
0 2 1 CII

 13 1      


1 3
3 2 0 4 3 2
3 3 3 2 1 0 4 3 2 1 0 4

www.rafaelthomaz.com
Eu te amo como gravado em
https://youtu.be/dWPBoGwPDOE

Arranjo e editoração:
Tom Jobim e Chico Buarque
Rafael Thomaz

Rubato expressivo


4           2  2 3 1 3 4
CIII


CV

   
          
4 3 2 4 4

  3 
1 3 3 1


3 4 2 1

   
0 
6ª corda em Ré

               
3 3

                   
1 2

  
2 4 1 2


4 3
5 1 2 4 1

 
1 1 3 4

0  
rall.

   
3  1             4 
2

         
1 2
CIX CVII

  2 
CVII 1 2 4 2

1 
2 1

  
3 2 1 1 3 2 4

  
1 1

  3 
9 4

         

 
3
2

   2 CV 2
          
1

    
1

        1    
 3
13 4


4 4 4
4

  0   


1 1
3 3

2 2 2
2

  4  1  1
      
CII

   3     
    
3

 
2

     
4 4

 
18 4
1 2 1


2

  
4
1 3
2
0

www.rafaelthomaz.com
Eu te amo


2

              
         
  
2
CIV 4 4 CVII


2 4 2 4

  
4 1 1

  
4

 
22 4 1 4

    
  
1
 1

   
1                   
2

   
CII 4

2  
2

   
0

   
26


2
2 0 4

    
1

1
4
 3

 
  
2

         43   0               


1 3
0 4 4 4 CI


30 3 4 2 2

4   
2 2

 1   
2

 3 4 4
4         
CVII


4

           2    
4

      
4 4
CII

 14        
2 1


35 3 0 2
2 4
2


2


1
2

                3 
CV

  
2 4 CII

 
1

  0
 2 

39 4

1 
0 1

0   4
 4
 
1 3 4

    
                            
          
43


     
 

www.rafaelthomaz.com
Eu te amo 3

  
               
      
47

  


                 
                     

  

51 3




      
               
   
   
55

  
  

     
                        
59 CIV 5 5

              4 0  1
3 4 CII

0  
1 1 3 0 1 3

2 
4 2 1 1 4

p         1 
3
2


4
4
 2 
4 1       
    
3

        1 

4 3

    


64

    
1
2 1 0


 
4

0 4 

2

0  
0 1

0 rall.

www.rafaelthomaz.com
Falando de Amor como gravado em
https://youtu.be/Db9XLfIh7vA

Arranjo e digitalização:
Rafael Thomaz Tom Jobim

 
   
CVIII

3
CIII CIII

       0
  
1

    
2


4 1
3
3 4
3
3 4
3 3
4 3 3 3

         
        
4


3

 
5

 
3 1 4 3
4 2 1

2 1
3

 CV 
 
        
 4   1 3 
CVIII

    
CIII CIII CVI

  
1

   3     
5 3

 
2
3
3 4 0
4 3 2
3 3
3 3


 CIII
    4  2
CX

 1 4  2   4 3
                3      
CIII CIII 42

   
4

 3  
1

     
8 4


1

2
4    1
3

    4 3 
   3               
       
13 1 2

     
4

    
0


        
3

    
     
      
CIII

     
4 3
17 1 3 3 CV

 
3
   2 4 1

www.rafaelthomaz.com
2 Falando de Amor

  
                     
3

         
21 1 2

       
        

            
       0 2 2     
1 4


CIII CIV

      
25 3


3

    
   
2

 1 3

     4   4    
          
CV

   
CIII CV
CIII


CIII 3

 
4 3 3

     
29

         

  CIII3 4 CI  
CV

 
                 1      
4 3
3 CII CI

            
4 3


3

 1

33 2 4


3 4

  2         
3

    4    4 
 3     3 CVII 
3

1   2 1  
4

  
4


2 4 4


2

  
37 3


2

   

 
              4 3  4 3
   
CVI

    
3 4 CV
CIII 3

  
CIII 3

   
4 4

   
41


2 1

   
 

www.rafaelthomaz.com
Falando de Amor 3

   4    3
       
CVII

      
3

    
45 CVII CVIII 3 CVII

   
2

 
 
    
2

3  

 2    
  
1 4

  3        3               
3 2 1

 
49 3 3 2 3

0
3

   3  3
1

     
4 1

2 1 4 1 1 3
3

                        
CIII CV 4
CIII CIII 3 CV

 
3 3

         
53

        

  
    
                         
CV CII CI
CIII 3

    
3

       
57

    
1

   
3

    1 1  
                  
61 4


  
    

1 2


  
                 2   
CIII


65 3


3

  1 
   1 2
3

www.rafaelthomaz.com
4 Falando de Amor

    
4

  4                
2

 
3 CIII CV


1

1 
CIII 4 3

 3
68 4

 1  
3

  
2

0
                   
3
2 4 2 4

       
    
4


71 3

        
1 1


0
1 rit.
6 2

www.rafaelthomaz.com
João e Maria
como gravado em
https://youtu.be/aEeC74Y_i38

Arranjo e editoração:
Rafael Thomaz Sivuca e Chico Buarque

   0 
              3 4  
     
        
 p  1 1 1
4

 
    0       
          
 2 
5 4

         


0
3

 
                 
CII CII 4 2 1

     
4 0 4
9

        
2 3 2
0
1
 2
3
4

 
               4 
4 3 4
4 4 CV

      
 
13

        
0 2
3
0
  3
6 1 3
2 3
1

 CV 3  0 1
      
           
4 2

 
17

  
4 1 0

 
4

     
0

2 2 1 3 2
2 1
1 4
1 2

www.rafaelthomaz.com
 2
2 João e Maria

 4   0 1 
       
 1           
21

   2 1
4

 
0 3
 0
2

 
  1   1        
                 
25 4 2 4 0

 
3 0

  2 
2   2

  3 2     
    
CI 3

   
30 4

 
3

   
1

2
  2 1
2
4 0

2 2  3 2
                         4
2 4 1

        
3 0
34

 
2 2 0

1 1 4 1 2
1 1 3
3 3

        4   
2


         
3 2


2
38

      
0

  
1
4
 4 2 1 3 2
1
5

 0 
               
2 1 1

 3 
0

  
42 4

    
1 1


0

4
2
3
2
1
3
 

www.rafaelthomaz.com

João e Maria 3

      1 3 
      
       
46 4

  
  
3


1

   4
       
4 CIII

  
4


4


50 4 4
3 2 3

       
   
2
1 3
3 2
4
1

      0 1
         
4 3 1

  
CIII 2

     3   
 
0 3

 
54 0

   
1 0 2 2 2


4 4

2
   4
2 4
4 1 3 1 3
1 3

 0  
    
         
  
4 3 CIII

         
CI

 
59 4 1 0 4 3 3

 
1 1


3
3
2 2
2



   3     
CIII

                
3 CI

   
1 3

    
3 4 3

      


63 CI


4


1
rit.

2  3 
                 2
1 4

  3 

2

    
3 1

 
671 4

4 2 2
1

www.rafaelthomaz.com
4 João e Maria

 4 
 1           3     
2 1 2 CIV
4

 
4 2

  2
2

   
71 4

3 1 1
 
2

   
              
75 4
4 3

 
1 1 1

  
1

 4 
6
3

  
     

CVIII

 
3

 3 2      
78 3


CI 3

 
3 3


3

  
 4 3 1
1
3 4 1 2 1 4 1 1 4 3
3 1
1 4
1 2 5
1

1  
    1 
 
2 
4

  
3

      
81
3 3

 
4 2 1 3 2 1 4 4


1

   
    
  
                 
  
84

  

 
     
     
         
  
88

         


www.rafaelthomaz.com
João e Maria 5

 
       
             
92

      


         
      
96

   
  

4
 3 
 2 
1

 4

  
99

   
rall...

www.rafaelthomaz.com
Last Train Homecomo gravado em
https://youtu.be/pCZEm-wtSSw

Transcrição:
Jean-Bernard Poublan
Arranjo, revisão e editoração:
Rafael Thomaz Pat Metheny


  
Livremente

                       
 3 0     2   
1


        
5

          

       
                                
9 4 2

         

    
                  
14 4

       

         
3

    3 
   0 
19 1 3 CIII

     
3 4

0
1

www.rafaelthomaz.com
2 Last Train Home

    
     3        
CV

     
3

   
23 1 1

0  
1 3

    
4
1

2 2 4 1
3 3 3

 4 
              1   
 
27 4 1

     
3


0

 
3

 
   
    
CIII

        
3 3


3

   3
 3 
32 3

  
 0

4
3
3

      
  
3

  
CI

       
3 4
36 3

 
3

0  1    

          

             
41 a tempo

   
4

0  


   0
    

   
         
47

   
                          

www.rafaelthomaz.com
Last Train Home 3

          
               
52 2

         
3

     

 
       

        
  
57

    
       

  
               0   
61

          
4 2

  

         3 1 1
                
65

   3
3

         
      
    
69

   
     


             
 
73

      
     

www.rafaelthomaz.com
4 Last Train Home

   

       
78

      
                    

   1 3 

          
             
82 2
4 0 1 3

    

       0        
  
4

  
CIII

     
86 4 3 1

 
1

 
4

1
  
4

 3 
  
         3
      
CIII

 
3

      
89 CV


3 2

   2 3 3

 1 3  3 2              
CI

 1   
93 3

    
4 2

  

2

    
CI

   3 4  
      
4

 
4

 
1

 
1 4 4
98

 0   0
 

www.rafaelthomaz.com
Last Train Home 5

  
      4            
CV 3 CX


    
CIII CV 4

   
101 CV

 3 3

4
   CVI
    3   
    3
4
CV CI

     
106

2    
 
2
4 2

 
  
      
CV

 
CIII

 
4 4

 
111
3

2                         

 
   



 

 
  
115

                  


        
       
CIII

 
3 CIII
CIII

 
119

3 
4

   0

      3  
  
3


      
4


123 2

 0 2  
0

www.rafaelthomaz.com
6 Last Train Home

    3  4
        
 
3 3

 
127

0

3

3 1 4
2

CIII

        
  4      
131
3

   
3

      
              
135 Pizz.

           



       

      
     
139

   
    

    
               
normal

 
143


       
 
   
 

             
        
   
148


 3
3

www.rafaelthomaz.com
Last Train Home 7


     

        
152

 
      

          

 
156

      
  

  
         
160

      
                    


   
      
     
164

         
     

           
            
168

           

        
                 
172

        

www.rafaelthomaz.com
8 Last Train Home

      
                  
176

     


      
 
                 
179

     
rall.

        
a tempo lento

             
182

    


rall.

www.rafaelthomaz.com
Passarim como gravado em
https://youtu.be/4hU8yTvQbOw

Arranjo e editoração:
Rafael Thomaz Tom Jobim

       
CIII
CIV

         3             2     
  
CIII 4

     
CIII

   
4

              
1 1 2 3

3
4 2
   2 4
1 1
 
3 4 4 4

                
CVI CVII


4 1 4

           
     
4


5

    
     3  
1 1 2

                
2


3

       
4 2 4 3 3

 
2 1 4

  
CVIII


2 1 3 4 3 1

     
9

   
1 3 2
5


CX

   
CIII

  2    
3

 
3

    
2

           
4 3 1
4 4 3 4

    
4

    
13 4

  
 


               
   
2

             
17 1 3

   
1 0 3

  
4

 2 
3
2
2

www.rafaelthomaz.com
2 Passarim

          4       
             
CI 1 1

3 
3 4 1 1

 
21

      
      
4
2

2 0
1 4 2 1 3
3
2

     2 
                         
   
CII 3
1 1

     
25 2


4

       
0  

4 3


      2    
CIII

        
CV 3 CV

       
4 4 3 3
1

     
CI 3

    4 
0 3 4

 
      
29


1

 
1

 
1
4

3 2
4 2 3 4 3 To Coda
3

     1 CIII 2
                1
  
1

      2      3 


2 CIII
33

   
3 3 3

3
3
3 3 3 3 3

1  1 
     3  
  3           
       
1
1

    
2 1

 
2 CII 3 4

 
36 1 2

    
3

 
3 3 3 3 3 3
3
3

      
CVI

         
4 CV

 
CV

      
40

4
  D.C. al Coda
3

www.rafaelthomaz.com

Passarim 3

        
1

 
4

     
3

        
42 4

                
2



   
CX

      
  
                   
46

   

            
1

  
4 3 CVIII 4 3
3

         
2


      
50

       


CVII CIII

          
4

       
4 2 CVIII

  
2


          
54

         

                    
3

      
4 CVIII 4


3

     
 
58

         

      
CVII

     
CIII

       
       
62 CIII

          

www.rafaelthomaz.com

4 Passarim
CI

      43                  
CIII 4

 
3

 
4


4 3

       
0

       
66

       
3

  
1

CVII

                       
4 3

            
4

      
1

   
4

  
70

 
4 1

     

        
                  
4 4 4

      
CV

 
3

      
4

 
74

       
 3

    
CVIII

 
        
CVIII 3 3

       
CV

             
3 3

 
2

       
78


                                    
                        
82

      

                        
      
    
87

    
     

www.rafaelthomaz.com
Passarim 5

     
    
        
  
3 3 3

     
91

     

       
                      
3


3

          
95

 
  

             
            
0 4
4 0

        
99 3

  
3 2 
1 1
3 2

                                  
CI CV 3 CV
4 4

       
4

   
           
103 3 1

    0
2

   

 CII 
                4
     
4

       
CVI

          
4 4

      
  
107

   
       

   1 3  2 
3

            
4 3

         
CV 3 3 1 CV
4

    
   
3


111

  3 3 3 4
3

www.rafaelthomaz.com
6


Passarim

       
CVI

    
CV

  
4

           
        
115

   


        
   
CIX

3

 
4

  2     
1

 
118

      
1


0    
         
121


4 3 2 1

L.V.
rit.

www.rafaelthomaz.com
Por una Cabeza como gravado em
https://youtu.be/EQtw8avPybQ

Arranjo e editoração:
Rafael Thomaz Carlos Gardel

    
 
3

0   0
                


       
4 1 2 4
CIX CVII 3

  
                
3 2 3

  
4 1

 
CII 1
3 3 2 2


4 2
3

        

 pizz. (2ª vez)  

        
1

   1 4 4 0 


3 4
CV

    
3


3 3


CII

   
7

  
   

2

         
2 1 2

        
1 3

     
1 3 3
3


3


2 4 3
1

  
10 CII


2

     

13
                         
CV 3 4 CV 4 4

  
    2 

      
3


 

www.rafaelthomaz.com
2 Por una Cabeza

   
2

         
4 1 CV

 
4 1 1 1


1

     
3 2

3
 0    
2 3 2 4 2 3

  
3


16


1 4 0

    
1

     


   1   
CVII 3 4 1
harm. VII

  
19


gliss.

 
  

3 3
5 4

  4   gliss.       3
   
CV 1

   1 
4

1
   
CI 1

0   
4


21 2

  
4

  
0
3 3
2 2
5 1

      
4      
3 CV

  
3 3 4


1 4

 0       
24 4 3
2 0

    2 1  


                   
4 3 CV

 
CVII

         
3 3

 
27

    
        
  
3


           
 

CI

             
30

      
 3    

www.rafaelthomaz.com
Por una Cabeza 3

   
     
To Coda

         
CV

   
CVII 4 1


3 3

      
33

    

1        
harm. VII

 
36

 
pizz.

 3
5
3
4
  

  3 4
 1 
 
harm. VII

        
3 2

 
39

 
    
D.S. al Coda

www.rafaelthomaz.com
Rio Amazonas como gravado em
https://youtu.be/6DruyY_DbHI

Arranjo e editoração:
Rafael Thomaz Dori Caymmi

   1         
3 a

 
3 m 1

1 
i

  3 21   4      4  2    
p 2

2 4 3   3 
Livre - rubato 4

1
4 4 4 4 3

   3   p 


p p p
p
p 0

 3 
 4   1    2 1    
3

  2 
3 3

  
4 
m


i

 0 3
m i a

4 
m

 0
5 4 i

1    
2 a

0
m m

2 i
4 1 m1


0 0 4 1



3 0 3
3
1 p
3
p p

 i m0 i m2 1i m2  i 0 m m2 i  


i

         
0

   
1 3 4


9 4 3 i 2 m 4 m


2 m 1 m m i 1 3

 

  
      
4 i

    0  
5 6

40  
12 3 3 m
3 1 i 2

                2 1 3 
1 m i m 2
m i m m 3
i m 1 i 1

1 

 
  
₵VII

    2 1 
     
 
4 3 1 3 1 4

 i m a
4 4 3 1

 
6 5 2 1 2
2 1 4 2 4 3 3 3
4 1 2 3 6 5 4 1 2


17 6 5 1 4

p i m i m i m i m i m i
1 2 3 1


4
1 1 2 4 1 2 3 4

p
p
m i m i p pimimi m i m i m

www.rafaelthomaz.com
4  
2 Rio Amazonas

  
        
m

 
4

    
3 4


121 010 2 1

 
2 3

  
3 4 3 4

 
20 3
3 2 12

 
1 2 3 3 1 2 1 2 1

i m i m i m i
p i m p
i m p i
m p i m
a m p

artificial harm.

     
 = 120 XIX
i i
a tempo m a
simile

                  
3 m
m1

   0       
i p

  p       
23 i a
4
4 0
p
p
5 3
2

 
   
CII

                    
                    
2

3
  i 4  
26 i m

p
  

im i 4 2 a m 
₵II

     i 
 i   4    
CV

 3             0  
3

      3 
i m i 3 0 1

1 
30 m a m

   4     3  
4

0

1

p 3
6 p i p 6
i p
2 3 2
4
1


  2                       
0 m a
a m a CII m a

     4   
₵II c 4 0 0

    
m


34

       23  
0 2

0    
 i  
4
3


1


a
m
p

a m

 4              
1. CIII

  4        
a c a

 3   02     3  2  3
0 
a m 0 1 1 CII
2

    
37 m

   3   4 
3

2
2

www.rafaelthomaz.com

Rio Amazonas 3

 a m a 3 m0 a 4
CV

          
m m

      4              2
m
2.

  
3 a 4 a 4 CIV

  02           
    
2

   p         
40


m

1 p       
 
2


1

p m
i

CIV

        3  
CII

    
a a

 
4 a

   3 
4 3 m a CIII 4 4


i m 4

        
m

          
4

  
43 1

  
            
2
2 2

 
3

CI CIII

 3         3        3            


a m a
i 4 4 4 1 1

       
46 2

     
     
2 2

 3

0 1

         
CIII CVIII

  
4 1 4 4 3

      3   
4

             
2

   2  
49

         
2

  
4

 
2

    4  
CVI

 3         2    23   
CVII

    
4 4 1 4 CIV

 
4 4

2      3    2    1
m i


52

          
   
3

 
    2          
  
4 1 1


4

0 
 0      
55

3    
3

     
2


3
2
0

www.rafaelthomaz.com
4 Rio Amazonas

  0 0                  
2 0 4


0 4 1 4

   3        
m i a

4 2        
1


57 0

3 
m i

 
 
3

2         

1

           
To Coda

  
  32                  
i m a


3 1 3 0 i

    
60 0 0

  1     
0

 m
i
1 p i p 2

   0   1          2     
1.

    


m i m

0  2
0 4 1 1
63

  0       
  
4

3
 3


artificial

    2.
m i m harm. XIX

   1     
1 4 1 4

           2   0 
      
m i
0 4 2 m

3 
65 0

          4 

4

3
i

2 1
2
0

2 4
      
              4    3    3 
CII


CII


68 2 0 0 2 0 4

    1  1   2   2 5
4 2 2 0 4 1 2 1 1

  0 3   
1 0  3
1 0

 3 4 3 
  1  1    4      m
m

1 
  4   32    31       4    0 2
2

 3 
73 4 4

2 
1

     

2 2
0
5

www.rafaelthomaz.com
Rio Amazonas 5

  
 
         
      i                  
3


77 1 0 3 3 3

         2 1 3  
4

     
            
81

     
          
D.S. al Coda


 

   

artificial

             0
 
m i harm. XIX

       
m

    42     
0 4 2

       
84 0

  

1 rallentando...

 
3 1  1 
artificial

3 1  
 
harm. XIX

3    i
₵VII

  
4

0 
 
4 3

0 
5

   
6 2 2

 0 
1 1

p p
88 2 4
1 1

  


m m m m 4
i m a i i i i i

1
com ímpeto

www.rafaelthomaz.com
Samba do Avião como gravado em
https://youtu.be/Crvf96LPJQ0

Arranjo e editoração:
Rafael Thomaz Antonio Carlos Jobim

 
                         
 = 92

                    
                    
6ª corda em Ré

            
     
         
4 4

          
3

           
1

                  
1

 
      


       
       
    
8


            
                  

   
              
      
            
      
12


4


3

      
2
1

         
4

  
3

            
4

      1  0 
16 2

     12   
            
1
3 2

www.rafaelthomaz.com
2 Samba do Avião

  2     
                      
CIII

   
21 0 0 2 2 2

1   2 1 2
       
1 3

  
 0      3   
3

     
CII

 
1

 
1 3

   
2 4 0


4


25

   
0

   1    4  

4
3

      
CIX

      
4 3 3 1 4 4

         
CVII

       
2 3 4 3

       
1

      11  
29

          
   2     
0
0

                
4
CII

      
CII

          40     2   
3 1
34 CIII
1

    3     
2

1    
3
4

                 
     
2 4 0 3

  
2

 
CIII 2 2 4


38 0

 
3 4

  
 1   1 0 1 2 1 2 0
   
3 3

           
3 CIII

 
                 
1 4 2 0

        
0 1 0 0

    
43

   
0 2 0 4

 
3

         3
1
1
1

www.rafaelthomaz.com
Samba do Avião 3

                
CIII

  
            
4 4

 
48


            

   4          
CVII

             
CII CII 4 4 CI

  3      
2 4


0 1 CII

     42   2 
51

        
      
3

  2
3 1

CVII

   3  4   
4

  
1

            3 2 1 
     
2 3 2 1

          
55 3 3 2
0 0 1


3 2 1 3 2 1
3 2 1


                     
4
1.


3 3

                       
58

2         2 4 1         
3

            3    
   
2. CVII

 43       
CVI

1  
4

         1
    
 2   
62

         
                 

        
  

 


  

     
  
66

             
                  

www.rafaelthomaz.com
4 Samba do Avião

         
                   
            

70


          

                
                
74


   
          



            
CI

    
78

 
        3 1 
0

www.rafaelthomaz.com
There will never be another you
como gravado em
https://www.youtube.com/watch?v=LJP1SuIXbr0

Arranjo e editoração:
Rafael Thomaz Harry Warren

  1
 

        1 2   3
1
          
CIII CV 1 4

  23     
4 2

1
4

 
4

   
1 3

   

2 1
4 1

  
4      4  CVI   1  
       3   
CVIII 1 4 CV

            
CV 4 4

    
5 CIII 4 2

   
 1
3 2

  3 4 
    
     3 1 3 4 
 
1

   311    
1 4 CVI

     
2

 
1

3 
CIII

       
9

 
    
1

        
 
2

   
    3 4   2  
    43      
CVI

  2 1     
4

  3 3
CVIII

  
4

1
2

   21      
4

      
3 4 3

1
4

    
13

    

1

2  
1
2

      
   
    
 
         
2

   3   3  
1

     
17

     1 1 
 2  
2

www.rafaelthomaz.com
 

2 There will never be another you

      4      
      
CVIII

   
CV

             
CVI

      
21

   
 3 3 3

      
            
            3 

CVIII CX

           
4

  
2

 
25

   1
 2 

  2 4   4 
1.

            
CX CII

       
3 CIII

2  0   
CI

     
29 2 4
4


3 1

 4
1
4 0
3
1

 2   
             
CIII

               2
2
      
2. 4


33

  
  

   
     
    
 
      


 

CV

    20 
37

  
4

   
0
1

www.rafaelthomaz.com
Uma Valsa em Forma de Árvore como gravado em
https://youtu.be/UeD0GRXxFQU

Arranjo e editoração:
Rafael Thomaz André Mehmari

4 
Harm. XII

   
Harm. VII 4 Harm. VII Harm. VII

      
1 1 1

 
1 1 4

 1 3
6ª corda em Ré
3 Harm. VII Harm. IX 2
Harm. IX Harm. V


Harm. IV

   2       
             
5 1 2

    
 
 3 1 
3

  
      
         
9

  
CII

 3
4


2 1 4 4


2

 3
3


          
CIII

  
2

   
2

 
13 4

  
CII

 
   
3

   
     
4

      4     
 1  
17 CII 3


1 2 CI

   2 
3
  
1

www.rafaelthomaz.com

2 Uma Valsa em Forma de Árvore

   3 
    
        2 
2

   
1 4 4
21
CIV CIII


2

   

1
3

  2 1
        
CII

  
4           
CIV

   
25 4
1

 
4

3 1  

  2  4 CII  CIII  1 1
      1               2   
CI

  
29 2

   
4 4

 3   3 
1

 4  2 1
       CIII
4

          


2

  
3

 
2 3 1
33 1 CII

 
2

3     
5 

 1     4
    42     4        
CIII

    
CI

 
37


CII

  
1

  
1

 
1

                      


To Coda


3 CIV CIII CIV

 
41 4

     
2


1

www.rafaelthomaz.com
Uma Valsa em Forma de Árvore 3

   2        
              
45
CIII 1

 
  

 
   
 1
CXI

           
CVI

 
4

       
1 1 4 4 3
1


4
49 1. 2. 2

  
 
2


     3
CVII

       2  
CVII

  
3

   
4

       
3 4


4 4 1 3
1


53 4 1 4 2 2

  3 4
   


   
           
4

        
3 CII

    
57 CVI CIII

 
    
4

3

   CVII
CX

   
         
4 4

         
2
2 CIX

  
2


1


61 1

 
4


3

 4CII
 2          2            
4 CI

 
65
0

  
D.S. al Coda

1  

www.rafaelthomaz.com

4


Uma Valsa em Forma de Árvore


                      
         
CIII

  
CIV CIV

     
70 CIII

           
    
    
0

   
74 1 3

    
2


    

 
  
                 
CIV

   
78

      
      

  
                
CII CII

       
82

     
  

 
Harm. XIX

  1
  

CXII Harm. VII

  
85


1

 rit. 3
Harm. IX

www.rafaelthomaz.com
Vai Passar como gravado em
https://youtu.be/Mbv-3Y8CACo

Arranjo e editoração:
Rafael Thomaz Francis Hime e Chico Buarque

      
                 

 
a a a a a a

     p      p             
m m m m i m m i

41
3 i

5 p
 p
  

 
 
                      1
2
a

4
6 m

           
i

  
 p 2   

           1 
a

       


m
a

                    42 
a 0 m 1 1 i
10 i i m

0
  
2

   
3
3

                 
                     
14




  

   
              3
3 CII

  
4


1 4 3 m a

 0 
0 i a 4

   43     
m

 0 
2

  
18 0 2

  13  
1

1  m i m
p 4
4 2 m 0
3 i 2

     
3

    
1 4 3

     
2ª vez:


m


i

 
m

     
i

  m i m

www.rafaelthomaz.com
2 Vai Passar

      
             
m

  
i

 
23 a 1


3 2 0 m i


0 3

   2 1 3 m i m i
2 2

 01 0  m
i

   
 0  3                
a a

 2
   4  
m


0

 
26 a m 1 a i a a m
1

       
4
m m m i
i

          3  3           
1 a m

  2
CV


2 3 4 3

 0       00 
30 a 3

 0 1 
m

 
4

p a
m i
 m m
 
m p i
m i 3 2
p i 5 1 1
2 i
2

     
a


CIII

         
4

          2
   3 
34

 
   
0
0
0
1
2
a i p m
m i i

         
3 1

    
0 1 1 2

    
4

             
38 3

 2  
2    

     0a               1    


a ₵VI a
a 4 3 1 3 4 3 3
m 0 1

              2 2  
a a
42 i m p i m i

0
    
3
4
3
p 3
a
p m i p m
i

www.rafaelthomaz.com
Vai Passar 3

  
   
CV

      
m


     
CIII

     i m a 3
4


46

 
4


4
i

  
3

 
2
1

p 3
p 3
2
p p 3

  
          3  m4  0i CI
CIII

   
   3   
m i m
m i 4 m
2 i 2

    
4 3 1

  
50 1 4

     
2

       a  m 1 m i  p 
4

    
4 3

 
CI 2

  2           
3 2

4 
54 3


2 4

  3     
4

  1 1
2

                
1 1 4 1 1


i m i m

       
4 3 m

         
1 m
58 4

 
      
0

   
     4    
3      
CIII

       4   
62

   
    
2


m a i
4 1 0 2
p i 3 3
3
2
3

                 2           
a 3

4 
4 m a

     
m 2 4 2 m

  3   
66

  
    
1 a

              41        


2 4
a 3 m i

      
2 4 m m 1

      
70 4

3     
 
2

www.rafaelthomaz.com
4 Vai Passar

  
2

                
a

   
a m 1 i

   
0 3 0 4 m 4

  
m 2

    
74

   
3

   02 0 i
3
m a
1 4
p 2 3
0
3

3 4      
CVI

  
a m CV

      2     
a


a m


m

      
78 4

        
3
1

2
1

    
    
CV

  2         


CIII

  
m 3 m a m a

      
4
82

      

CIII

  4          3 4 3      
   
m a

2 
      2 
  4 
a m m

 

86

       
2

     
         
CVIII

4   
  
m


   3 
    
90 4 3

  
i


3

     
1
1 4


m a
i 2
3
p
p 2
3

           
i

  
i m

     
1 2 4 CVI

2   3
m a 4
i i


2 m 4


1 1


94 1

           1 
3

www.rafaelthomaz.com
Vai Passar 5
CIII

              34  
a

 
i i

  
4

  
i m 4 m

    m a 2  
4 3 m
1 2 CI


98

   2 
  i
3
p 1
p
3

          3 4  
   3  4     4   
4
CI


3 3

 
2 1

3
1 
1 2 3

  1 1  
102

     1 
    2  
Harm. Harm. 2 
Harm.

  
XIX XIX VII

 4       
2 i

4
1 i m m

   4    


3 i m CII


2 4 i
4 3 4 1 2 1 1 4 a


107 4 1

 
4 1

 
2
a a m
i i i

  3        3  4             
0 0

            3   3
   
0
111


        0
1

     
   3   0  2  4  21    0  4    0  
 2   4231
115

        
   0
    p
p
i m
a m

       
i m i
₵II

       2   
4 1 2 4

2 
m 2 3

3  2  1  
4

 
1       1 
119 i

3  
 2  
4 0

0
4


0
2

   
i a

 4
m i m

     
2 1 1 1 4

    
CIII m

  
    
0 i


m


123 0 1 4

 
0


2

1       1  
4
3
2

www.rafaelthomaz.com
6 Vai Passar
a

  2    
0

      
1

      4  
3 a m 1

        43    
4 1 0 4 1 0 3 2
127 2 0

    
0
  
1
3 4 3
2

 
CIII

   
CVIII

       
m

 
3 m

3 
a 4

3
2 4 a

2  
4

   1   
3 m m


131 0

1
i

 
0

0
 2    

     
a CVI

 4  4     
CVIII


m i a

  
4 4

       
m m

  
a m ₵III 4 a 4 m a i 1
i m a 2 3 1 3 4

 
m i 4 2
135

  0    0
2 0

    
m

 4
4

      m1  4    
i CVIII


CIII 4


CVIII


1

3
  2   
i m
140 i

 2
1 3

   
1

 3 2
1

Harm. XII

 
a

   
₵X 2 3


m 1 m

 
a m ₵V

    4 1
i m i

       
2 1 4 1 2 i m a

 3
3 i m i a 2 4 4
2 m

     1   3  
1 3 1 2
144 4

  
2 2 

D.S. al Fine

 Fine

www.rafaelthomaz.com

Você também pode gostar