Piano Boranda

Disc: Energized (1979)

Sonora Ponceña Edu Lobo


Preludio
Pianista de Grabación: Enrique "Papo" Lucca
(E)
Salsa

  
 = 186

     

  


    
dim.


  
C () F () E ( ) D (  ) C (,)

Intro
      
        
7
Tutti
     
 

 

   


         
       


C () F () 

B♭ () E ( ) D (,)
                
     
 
12

           
 
      
                  

  


C () F () 
  D (,)
B () E ( )
              
       
17

      
           
    
          

      
 


Giovanni Miranda 1
Piano
Cipriano Armenteros
Disc: Este es Ismael Miranda (1975)
Ismael Miranda Rubén Blades


Pianista de grabación: Willie Mullins
Son Cubano Intro

      
 = 150
G C
      
                           

                                          


 
D
 A
                            
G

6

  
  
                              


   
D

                            
G

10

 
 
                              


(Voz)
 
D

C G
                
14

       
   
                  
 
    
  

Giovanni Miranda 1
Piano
Cucala
Celia Cruz, Disc: Tremendo Caché (1975)
Wilfredo Figueroa
Johnny Pacheco Arr. Original: Enrique "Papo" Lucca


Intro Pianista de Grabación: Enrique "Papo" lucca
   E♭ 
Salsa

                      
 = 195
D
                
 
                   
            
     


   
   
Am () D G
  
  
    
  
    
5

  
 
      
  

   
  
   
              
  


Tutti
     
G (G)
            

8

  
 
         
        
    


 Estrofa 1
             C   D              
G G ()

               
11

   
               
                           
   

Giovanni Miranda 1
Piano La Esencia Del Guaguanco
Disc: La Perfecta Combinacion (1970)
Johnny Pacheco,
Pete "Conde" Rodríguez Catalino Curet Alonso

Intro
 
        
Salsa

    
D m Dm C B♭ A D m
   
 = 175

 
            
 
    

       
                      
 
Tutti

              
D m B♭ B♭ Em (,) Dm
   
          
5

     
    
         
  
       
   
Estrofa

         
D m B♭
   
          
9

  
      
                
   
Tutti
   
      
B♭ B♭ E♭ D m

      
   
12

      
     
          
  
  

( Gm ) ( Gm ) Dm ( Dmmaj )  ( Dm ) ( Dm )

To Coda
                 
( Gmmaj )

                              
15 Gm

  
    
                   
           

Giovanni Miranda 1
Piano
Mañoño D.R.,
Tipica '73 Disc: Tipica '73 (1973) Arr. Original: Louie Cruz


Salsa
 = 205 Intro Pianista de Grabación: Sonny Bravo

       B♭
        C    A 
                  
             
F B♭
  
  
                        
             
 


         
C () Fine
              
5 No Chord
Tutti C

           

                     
       
      
 



  Dm    G    C    
Coro

                               
9 C

   

       
                       
           


 Dm     G   C  
Tutti
  
                             
C
  
13

    
   
                           
            


Estrofa 1, 2
G()
          C          C   D.S.
 
1. 2.

                             


18

         
                        
       
      
 
Giovanni Miranda 1
Piano
Pa' Bravo Yo
Justo Betancourt Disc: Pa Bravo Yo (1972) Ismael Miranda


Intro
          
Pianista de Grabación: Alfredito Rodriguez

             
Salsa
C
 
Fm 
       
 = 180


                   

     
                           
    


 
             
Fm 
        
C
        
   
5

 
  
        
                
     


  Tutti  
      
Fm

    
   
8

  
     
          
      


Estrofa 1
Fm 
                  
                                     
12

   
                                  




E D♭
 C
     
C ()
     
            
          
16

  
  
        
                 
    

Giovanni Miranda 1
Piano Señora Ley
Conjunto Clasico, Disc: Llego La Ley (1985)
Feat. Tito Nieves Ramon Rodríguez


Intro

 
Tutti
 m  
Salsa
D

G B♭m () E♭

   
 = 170 C Cm
               
 


            

        
  
  



A♭  D G Cm
       
 
6

         

       
   
      



          
( Cm )
            
 
10

        
          
   
 


Tutti

         
( Cm ) Cm
             
14

  
3

       
          
     
 


 Cm 
          
3
Estrofa 1

     
B♭
             
A♭
   
      
18


    
            
 
   
             

Giovanni Miranda 1