Vários Arranjos ParaOrquestra e Coro

Composição,
Arranjo e
Orquestração
Por Marcelo Rauta

Volume 1
Compilação
Robson José dos Santos Junior
Vila Velha
2011
Apresentação
Este material que vem sendo compilado por Robson Junior,

é de grande valia para todos os alunos que querem
aperfeiçoar a cultura musical no meio em que vive. Contém
alguns arranjos do CD Louvai ao Senhor – Jesus Virá!
Direção Janne Gonçalves. Todos os direitos reservados.
Pr. Everaldo Cavalcante Lima

Marcelo Rauta
Nasceu em 05 de março de 1981 em
Guarapari/ES. Possui graduação e mestrado
em música: composição - pela Universidade
Federal do Rio de Janeiro.
Aos 10 anos de idade começou a estudar
piano na classe de Angela Cruz em um
projeto social implantado na cidade de
Anchieta-ES e depois na EMES (atual
FAMES-Faculdade de Música do Espírito
Santo).
Tem experiência na área de Artes, com
ênfase em Música (composição) e direção
musical.
Suas obras têm sido tocadas em importantes
salas de concertos tais como a Sala Cecília
Meireles (Rio de Janeiro-RJ), Sala da
Congregação (Rio de Janeiro-RJ), Salão
Dourado (Rio de Janeiro-RJ), Teatro Leopoldo Miguéz (Rio de Janeiro-RJ), Teatro
Carlos Gomes (Vitória-ES) e Universidade East Caroline (EUA).
Tem participações em Bienais de Música Contemporânea Brasileira e Panoramas
da Música Brasileira Atual, além de estreias de obras por artistas de renome.
Como compositor possui obras premiadas em concursos tais como o Concurso
Nacional de Composição Prêmio Sesiminas de Cultura - Para Orquestra de
Câmara, com sua obra “Sinfonietta n.2”; Concurso de composição Niemeyer - em
comemoração ao seu primeiro centenário, com sua obra “Trio n.3”; Concurso
Quintanares de Quintana - em comemoração aos 100 anos de nascimento do
poeta Mário Quintana, com sua obra “Ah! Os Relógios”; e Concurso Nacional de
composição Cláudio Santoro - categoria coro e orquestra sinfônica, com sua obra
“Psalmus 67”.
Suas obras atualmente são publicadas pela Editora Periferia Sheet Music com sede
em Barcelona-Espanha e pela Academia Brasileira de Música com sede em Rio de
Janeiro/Brasil. Sua Obra “Salmo 100” para coro infantil ou coro feminino com
solo, está em turnê pela Europa com o conceituado Coral “Canarinhos de
Petrópolis”.
Índice
A teus pés, Jesus – Coro e Orquestra

A vida no mundo é Cruel – Coro e Orquestra
Aleluia! Glória ao Rei! Coro e Piano
Amo ao Senhor por que ele me ouviu – Coro
Ao Deus de Abraão Louvai – Orquestra
Bem de manhã – Orquestra de Cordas e Coro
Como posso me calar – Coro e Orquestra
Desejei ardentemente – Coro e Orquestra
Eis que está perto – Coro e Orquestra
Eu me prostro – Coro e Piano
Fala Senhor – Coro (Janne Gonçalves)
Orquestra (Marcelo Rauta)
Guia-me – Coro e Orquestra
A teus pés, Jesus
Arranjo e orquestração de Marcelo Rauta
Música de David Fellingham
      
Moderato q = 74
                
2 Flutes  
          
p f
          
                     
     
2 Clarinets in Bb
p f
                         
2 Alto Saxophones
          
p
f
                   

2 Trumpets in Bb  
3 f
mf
  
3
        
2 Trombones
      
f
mf
  
      
Choir
      
 
 
      
Piano
  
 
Moderato q = 74
   
                  
Violin I                

p f
   
          

Violin II
p 
f
                 
Viola
p f
             
Violoncello  
p f
             
Contrabass
  
p f
2
            

    
6
Fl.       
mf
         
Cl.              
    
Alto Sax.
               
            
Tpt.          
  
           
Tbn.
     
   mf
   
         
Choir A teus pés, Je - sus, nos pros -
     

       
              
   


mf

Pno.
            
 
         
Vln. I 
    
   
Vln. II         

Vla.     
      
    
Vc.
     
   
      
Cb.

3
 
11
          
        
Fl. 
   

     
Cl.           

   
           
mf
     
Alto Sax.
 
 
Tpt.      
     
Tbn.

       
                  
  
Choir tra - mos, tu que_a mor - te já ven - ces - te com po - der;
     

                      

    
           

Pno.
 


 


     


  


            
      
Vln. I 
     
Vln. II 
Vla.      
Vc.
     
     
Cb.

4
  
16
Fl.       

 
      

Cl.
     
Alto Sax.
 
      
Tpt. 
     
Tbn.

   

te-a - do - ra - mos
             
 
   
Choir pe - lo_es - pí - ri - to, te_a - do - ra - mos, tua pre -
     


               

    
Pno.
  




   
3
3 3
  3  3 


 
3
 




          
 3
3
3 3 3
 3 
 
 3
3 3 3
   
pizz.
    
Vln. I 
         
mf
  
pizz.
    
          
Vln. II
mf
           
pizz.
    
Vla.
mf


pizz.
    
Vc.    

      
mf

pizz.
    
Cb.
    

      
mf
5
 
21
Fl.     

Cl.     
    
Alto Sax.
 
     
Tpt. 
    
Tbn.

     
       
   
  
Choir sen - ça_a - qui po - de - mos per - ce - ber.
    

 
          
   
      
Pno.
     


3

       
 

3
  




 
   

  
arco
  
Vln. I        
 
arco
     
Vln. II     
       

arco
Vla.   
 
arco
   
Vc.
  
 
arco
   
Cb.
   
6
       

3 
                      
3
 
25
Fl.     
f 3 3 3 3 3 3 3 3 3 3
           3   3   3   3   3   3  3  3  3
             
                    
             
Cl.
f 3 3 3
                                    
3 3
Alto Sax. 
 3 3 3
 
f 3 3 3 3 3 3 3
  3 3 3 3 3 3 3 3 3 3
3   3
                        
                         
   
        
Tpt.
   
f
      3  3 
                                  
3 3 3 3 3 3

Tbn.
                      
f
      3 3
3 3
  f
 

         
  
Choir Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi -
 f            
   
    
         

                             
3 3 3
                 

3 3 3 3 3
f
 
Pno.
     
   
  
     
                       
3 3 div.
   
Vln. I 
      
3 3
f
     
3  
              
3
Vln. II        
3 3
f
 
     3     
      3    


3 3
Vla.                
f 3 3
3 3
   
pizz.
Vc.
    
f
   
pizz.
   
Cb.
 
f
7
 
28
               

 
Fl.        
3 3 3 3
  3  3     
3 3
              
           
Cl.
              







 
Alto Sax.   

3 3 3 3
   3   3   3  3
            
Tpt.                
            
               
Tbn.
   
3 3 3 3
       
        
Choir tó - - ria, se - ja o lou - vor, po - -
         
 
            
                            
3 3
 
          

3 3
 
Pno.
     
   

     
           
glis
    
s. div.
Vln. I 
      
glis
s.

  
    
Vln. II         
3    
                              
3 3 3
3 3
Vla.               
3 3 3 3 3 3
       
Vc. 
       
Cb.
 
8
 3   3   3   3 
                  

31
   
Fl.
            
3 3 3 3
 3   3   3   3 
    
       
 
Cl.
  3     3     3     3   mf
    
3 3 3 3
              

 
Alto Sax.
             
3 3 3 3
    3   3   3   3 
                 
Tpt.   
           
3 3 3
 3   3   3   3 
3
  
     
Tbn.
   
           
3 3 3 3
 
     
 

 
  
der_e gló - ria.
Choir
 
En - tre_os cas - ti - çais
     mf 
       
   
 
             

3
   
3
         
  

3

3 mf
Pno.
             
    
  
   
     
Vln. I   
      
Vln. II   
          
3 3
  
Vla.               
3 3
     
Vc.
  
     
Cb.
   
9
 
35
 
      
    
Fl.       

mf
  
Cl.          
                    
Alto Sax.
            
mf
 
Tpt.      
     
Tbn.

      

  
Choir
   
nós te ve - mos, co - mo cha - ma for - te é o teu o -
             
   
                            


            
  
Pno.
 


   


 


    


  


      
Vln. I 
     
Vln. II 
Vla.      
Vc.
     
     
Cb.

10
      
40
Fl.      


Cl.      
  
Alto Sax.
      
  
       

    
  
Tpt.   
mf
     
Tbn.

      

Choir

lhar; bran - cos co - mo_a lã, teus ca - be - los,
                 

   
teus ca - be - -
                  

  
Pno.
        
   
      3  3       
   
3
3
3

 
3

 
3
3
   
3 3
3 3
    
pizz.
   
Vln. I 
      
mf
  
pizz.
          
 
Vln. II
mf
      
pizz.
      
Vla.
mf


pizz.
       
Vc.      
mf

pizz.
       
Cb.
      
mf
11
 
45
Fl.      

Cl.      
     
Alto Sax.
 
       
              
 
Tpt.
     
Tbn.

      

  
Choir

vós de mui - tas á - guas é o teu fa - lar.
  
       
   
    
los,
   
          
   
     
 
Pno.
  
  
3

3

 
 3 
     
3

3
 
 
 

 3   

 

  
 
 





   
  
   
arco
   
Vln. I            
  
arco
     
Vln. II        
       
   
arco
Vla.    
       
arco
Vc.   
     
arco
   
Cb.
   
12
       

3 
                      
3
 
50
Fl.       
3 3 3 3 3 3
f 3 3 3 3
           3   3   3   3   3   3  3  3  3
             
                    
             
Cl.
f 3 3 3
                                    
3 3
Alto Sax. 
 3 3 3
 
f 3 3 3 3 3 3 3
  3 3 3 3 3 3 3 3 3 3
3   3
                                   
                               
Tpt.
f
      3  3 
                                    
3 3 3 3 3 3
        
Tbn.
                    
f
      3 3 3 3
  f
 
      
      
Choir Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi -

f
           
   
    
 
    
3 
                   
            
3 3
          



3 3 3 3
f3
 
Pno.
     
    
 
     
                       
3 3 div.
    
Vln. I 
      
f 3 3
  
3    
3  
                      
Vln. II

f 3 3
     3     
      3    


3 3
Vla.                
f 3 3
3 3
   
pizz.
Vc.
    
f
   
pizz.
   
Cb.
 
f
13
 
53
               

 
Fl.        
3 3 3 3
  3  3     
3 3
              
           
Cl.
                

 
Alto Sax.
       
3 3 3 3
   3   3   3  3
            
Tpt.                 
            
               
Tbn.
   
3 3 3 3
   
       
    
Choir tó - - ria, se - ja o lou - vor, po - -
         
 
            
                            
3 3

          


3 3
 
Pno.
     
   

     
           
glis
    
s. div.
Vln. I 
      
glis
s.

      
Vln. II          
3    
                              
3 3 3
3 3
Vla.               
3 3 3 3 3 3
       
Vc. 
       
Cb.
 
14
 3   3   3   3 
                   

56
   
Fl.
            
3 3 3 3
       3   3 
  
3 3
   
       
 
Cl.
  3    3    3   3 
3   3   3   3  
   
                  
     
           
Alto Sax.
3 3 3 3
    3   3   3   3  

                  
Tpt.    
           
33  33  33  33 
      
   
Tbn.
   
           
3 3 3 3
 
   
   
   
  
Choir der_e gló - ria.
  
Tu és o fi - el
      
   
    

  
           
     
3
 
3
          
   

3 3
Pno.
              
    
  
   
      
Vln. I   
       
Vln. II   
          
3 3
   
Vla.              
3 3
      
arco
Vc.      
      
arco
    
Cb.
 
15
     
    
       
60
Fl.    

          
           
 
  



Cl.
           
       
    
Alto Sax.
        
      
Tpt.  
     
Tbn.

       
   
            

          
Choir ca - va - lei - ro que sa - iu vi - to - ri - o - so_e vai vol -
    
        
                   

       
    
        

Pno.
 


    
     


                  
 
      
Vln. I 

Vln. II      

Vla.       

Vc.     

Cb.
     
16
      
65
Fl.      

   
Cl.            
   
Alto Sax.
      

  
             

    
Tpt.

mf
    
Tbn.
      
mf
   

ver - da - dei - ro,
           

Choir tar
    
jus - to Juiz tu és ver - da - dei - -
     

       
  
           

      
   
Pno.
           



 
3

3

 
3
3


3

3
 3

3

              
3 3

3 3
    
pizz.
   
Vln. I      
 
 pizz.
 
          
 
Vln. II
       
pizz.
Vla.        
   
pizz.
         
Vc.
 
    
pizz.
   
Cb.
         
17
 
70           
   
Fl. 
   
 
             
Cl.            
      
Alto Sax.
  
        

            
Tpt.
  
      
     
Tbn.
       
    

     
   
            
-
Choir ro, que os vi - vos e os mor - tos vai jul - gar.
              
     
     
             
   
      

Pno.
   
3

3
 
 3 
3
          

3
    


3
 
 



     
  
   
arco
   
Vln. I            
  
arco
         
Vln. II        
       
        
arco
Vla.    
     
arco
   
Vc.   
     
arco
   
Cb.
     
18
    
  
75
Fl. 
   
Cl.      
  
Alto Sax.
  
 
Tpt.   
 
Tbn.

  

Choir
 

   
    
        
Pno.
 
ff



       















    
Vln. I    
 
Vln. II      
Vla.        
  
Vc.  
 
Cb.

19
     
 
76
 
Fl. 
     
Cl.      
  
Alto Sax.
  
 
Tpt.   
 
Tbn.

  

Choir
 

 
       
 
 
       



Pno. legato

           
   
    

       
Vln. I   
  
Vln. II       
       
Vla.
 
   
Vc.     
 
Cb.

20
                 
77
Fl.    
3 3 3 3
f
   
           3 

Cl.                  
f3 3 3
                  

Alto Sax.
      
f3 3 3 3
    
  3 3 3 3
              
       
Tpt.
 
3 3 3 3
            
            
       
Tbn.
f
    
  f
      
Choir Ao cor - dei - ro,_ao
         
f
 
   
3   
            
    
3
       

            

3 3
legato f
   
Pno.
       

     
   
 
 3    3   
       
         
Vln. I    
f 3 3
      3      3    

Vln. II     
f 3 3
   3   
            
3 
   
 
 

Vla.
3 3
f
       
pizz.
  

Vc.
f
        
pizz.
  
Cb.
  
f
21
              
3 
               
3
 
80
Fl.        
3 3 3 3 3 3 3 3 3 3
  3   3   3   3   3  3  3  3  3  3
         
3 3
                       


   
   
       
Cl.
                                    
3 3
Alto Sax.   
  
3 3 3 3 3 3 3 3 3 3
  3 3 3 3 3 3
3   3 3 3
 3  3
                                    
Tpt.
                              
3        3  3            
3    
                                    
Tbn.
          
3 3 3 3 3 3
3 3
   
     
     
Choir Rei que_al - can - çou na cruz vi - tó - - ria,
          
   
    
             
              

3 3 
              
        

3 3
   
Pno.
   
      
       gliss.
                gliss.
div.

Vln. I       
      
Vln. II        
3    
               3    

3 3
Vla.
                         
3 3 3 3
     
Vc.  
      
Cb.
 
22
      
  
83
Fl. 
   

        

Cl.
       
    
Alto Sax.

       
Tpt.       
       
Tbn.
 
   
      
   
Choir se - ja o lou - vor, po - - -
       
 

    

           
         
3 3

   
      


3 3
Pno.
   
   

   
               
div.
Vln. I          
 
   
Vln. II           
     3
               
3 3 3
Vla.                         
3 3 3 3
     
Vc. 
     
Cb.
 
23
           
rall.
 
3 3 3 3
 
85
               

Fl.  
            
3 3 3 3 ff
           
 
3 3 3 3
      
    
      
            
Cl.

            ff
 3   3   3   3 
3 3 3 3
                  

  

        
Alto Sax.
3 3 3
  
3
ff
     3    3    3    3  
                


Tpt.
           
3 3 3 3 ff
  3    3    3    3 
               

  
Tbn.
             

            ff
3 3 3 3
ff
  
     
 
  

Choir der_e gló - - ria.
    

   
   

   
            
3
  
3
       




3 3 ff
Pno.
   

  
    

  
rall.


     
Vln. I 
ff
     

Vln. II  
ff
          
3 3
  

Vla.              

3 3 ff
 
arco
Vc.      
ff

arco
    
Cb.
  
ff
2 Flutes
A teus pés, Jesus
      
                        
Moderato q = 74
 
p f
                  
    
6
     
mf
      
           
12
       

17
                        

f 3 3 3 3 3 3 3 3
3  3                
                          
27
     
3 3 3 3 3 3
  3   3   3   3 
31
  
              
 
  
  
  
3 3 3 mf
3
       
     
  
38
        
 
2 2 Flutes
                        3  3     
                               
                         
50
    
3 3 3 3 3 3
f 3 3 3 3
            
               
 
53
      
3 3 3 3
   3    3    3    3 
  
                
56
  
            
3 3 3 3
 
  
          

   
59
    
  
           
        
67
   
 
                      
    
75
   
3  3     
                                    
79
   
3 3 3 3 3 3 3 3 3 3
f
                

         
82
       
3 3 3 3
 
rall. 3    3    3    3 
  
               

85
    
            
3 3 3 3 ff
2 Clarinets in Bb
A teus pés, Jesus
          
Moderato q = 74
    
   
    
          
        
p f
6
         

                    
 
mf

       
13
 
               
           3   3   3   3   3   3  3  3  3 
25
                                
             
3 f 3 3
 3  3  3    
28
3
                     
              
           
 
32 3 3 3 3
                  
             
            mf
3 3 3 3

35 
     
2 2 Clarinets in Bb
           3   3   3   3   3  3 3  3
50 3
                                   
             
3
f 3 3
 3  3  3
53
        
3
         
           
 3   3   3   3 
 
56
       
 
  
           
3 3 3 3
                  
59
       

      
 
   
         
65
      
          
       

     
73

      
               3   3   3   3   3 
78
                           
     
f 3 3 3
 3 3  3   3    
81 3 3
                    
3 3
       
                  
    3   3   3 
 
84 rall.3
      
  
    

            ff
3 3 3 3
2 Alto Saxophones
A teus pés, Jesus
                         

Moderato q = 74
         
p
f
6
                    

     
   

3 3 3 3
f
                                   
26 3 3
         
3 3 3 3 3 3 3 3 3 3
  3   3   3   3  
30
                    
     
 

3 3 3 3
   
      
                 
37
          
mf
42
                         
 
f3 3 3 3 3 3 3 3
                       
52 3 3
          
 
3 3 3 3 3 3
  3   3   3   3 
55
 
                        
       
           
3 3 3

3
59

    
          
       

      
      

65
      
   
2 2 Alto Saxophones
                                 
79 3 3
     
f3 3 3 3 3 3 3 3 3 3
                   
82
      
3 3 3 3
           
  
rall. 3 3 3 3
              

85
      
            
3 3 3 3
ff
2 Trumpets in Bb
A teus pés, Jesus
 
Moderato q = 74

                    
 
3 f

mf
         
7 3 3 3 3
             
 
f
 3 3 3 3 3 3    3 3  3
26 3 3 3
                                        
30
                  
3 3 3 3 

                


 


3 3 3 3
    
           
42
   
        
 
mf


48

3 3 3 3 3 3 3 3
                             
                       
f
 3 3   3 3  3    
52 3 3 3
                    

         
   
       
   3   3   3   3  
    
55
              
      
           
 
3 3 3
        
3
       
59
  

 
mf
     

71
 
          
     

2 2 Trumpets in Bb
     3
78 3 3 3 3 3 3 3
                          
           
f
  3   3     3 3  3
81 3 3 3
                         
                 
      3   3   3 
rall.3

  
84
                



            
3 3 3 3 ff
2 Trombones
A teus pés, Jesus
Moderato q = 74 3
      
               
 
f
mf
7 3 3 3 3
  
     
   
             
f
26 3 3       3  3                
                       
      
      
3 3 3 3 3 3 3
3
29
 3   3   3   3 
                          
    
     
3 3 3 3
34 3 3 3 3      
 3 3 
  
                 
f
      3 3
3 3
52
                       
          
                
3 3 3 3
3 3
55
 3   3   3   3 
      
    
       
           
3 3 3 3
59  
     
        

mf
72  
        
     
2 2 Trombones
3 3 3 3 3 3
79 3 3              
                          
       
             
f 3 3
3 3
82                  
             
  
3 3 3 3
rall. 3 3 3
85
           3 
             

    
            

            ff
3 3 3 3
Choir
A teus pés, Jesus
 
Moderato q = 74

 mf
 
           
   


 A teus pés, Je - sus, nos pros - tra - mos, tu que_a
      
 
   
13
      
te-a -do -
        
          
       

mor - te já ven - ces - te com po - der; pe - lo_es - pí - ri - to, te_a - do -
      

  ra          
19
- mos
 
     
          

ra -

mos, tua pre - sen - ça_a - qui po - de - mos per - ce - ber.
    

  f  
25
              
         
     
Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi - tó - ria, se - ja o lou - vor, po -
                   
  
f
         
  
   
31
   
    
    
der_e gló - ria.
 
En - tre_os cas - ti - çais nós te ve - mos,
   
        
mf
     
    
V.S.
2 Choir
 
37
      
  
    
co - mo cha - ma for - te
é o teu o - lhar; bran - cos co - mo_a lã,
                 


         
 
43
      
       
teus ca - be - los, vós de mui - tas á - guas é o teu fa - lar.
                
     
  
teus ca - be - los,
    
49
f
    
          
  
Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi - tó - ria,
  
f
            
         
   
  
54
 
            
    
se - ja o lou - vor, po - der_e gló - ria.
 
Tu és
              
         
 
59
 
 
 
             
       


ca - va - lei - ro que sa - iu vi - to - ri - o - so_e vai vol-
          
     
o fi - el
  
        
Choir 3
 
65
   ver - da - dei - ro,
 
     
       
 
tar ver - da - dei - ro, que os
 
jus - to Juiz tu és
         

        
 
 
  
    

71

          
     

vi - vos e os mor - tos vai jul - gar.
             
        
 

  
      
78
   f         
        
Ao cor - dei - ro,_ao Rei que_al - can - çou na cruz vi -
         
f       
       
    

ff
 
82 rall.
              

       


tó - ria, se - ja o lou - vor, po - der_e gló - ria.
                 

    
   

Piano
A teus pés, Jesus
     
    
Moderato q = 74
       
         

mf
    
 
      
 
  
11
                    
    
      
 
          
   
            

15
      
     3  3 
            
       
      3
3 3 3
3 3
      
     
19
     

    3      
3
   
3
  

      
   

  
         
3 3 3
 3  
3 3 3
    3   
              
   
  
23
               
  
3 3 3
f

      
      
V.S.
2 Piano
     3     3         

                       

               
26
 
3 3
      
      

   3   
              3    

           
             
29 3 3
                      

3 3 3 3
     
    
   
            
   
32
        
  

mf
     
     
    
  
36
                  
    
       
       
           
   
  
             
40
 
    3  3 
           
  
    
      3
3 3 3
3 3
Piano 3
     
       

44
  
   
3
 3
  
        
 
     3
   
              
   
3
3
3
3 3 3 3 
          3    



48
               
         
3 3 3
f

    
      
       3    3         
51

                   
   
      

     
       
3 3
       
   3   
          3     3    
                           
54 3
            
           
  
3 3 3 3
     
    
   
          
         
57
        
 
 
            
    
V.S.
4 Piano
       
              
       
61
 
    
               
   
       

       
65
   
    
           
  
  
  
 
      3
3 3 3
3 3
3 3
            


69
  
 
                 
       
3 3
  
             
   3 
3
3
3
3 3 3 
3
 
   
73
     
     
 
      
     
  
75
    
         
ff    
     
       
       
 
Piano 5
 
   
76
  
      

legato

       

  
 

  
      
77
   
      
legato
  
         
    
   
 

        
                    
3  
79 3 3
     3    
                     
3 3 3 3
f     
      
   

                      
   
82 3 3
         
 
 

 

3


3
             3     rall.


          
          
84 3


 

3

3 ff
     
     
   

Violin I
A teus pés, Jesus
   
Moderato q = 74
  
              

p f
5 
                  
 
   
17
    
pizz. arco
              
mf  
     
                       
3 3 div.

23
   
       
3 3

f
  gliss.       
   gliss.      
          
28 div.
        

 
   
33 pizz.
   
    
  
mf  

3   
           
46 3
      
arco
  
f 3 3
      

glis
         
div. s.
   
51
          
glis
s.
      

            
  
55 div.
             
59
 

2 Violin I
       
67 pizz. arco
               
 
   
73
             
 
         3    

3 div.
          
      
78
         
 
    
f 3 3
   

    
rall.
  
gli
 
              
ss.
  
82 div.
        
gli
ss.
ff
Violin II
A teus pés, Jesus
Música de David Fellingham Arranjo e orquestração de Marcelo Rauta
 
Moderato q = 74

         
p  
f
       
  
6
   
pizz.
  
  
mf 
 
19
  
arco
             
 


    3    
  
            
25 3
   
 
3 3
f
  
   
30
      
   
  
    
42 pizz. arco
       
           
mf  
      3      
48
   
3
    
       
f 3 3
      
53
     
   
57
  
   

2 Violin II
  
67 pizz. arco
                  
 
       

73
        
 
    
               
78 3 3
        
   
f 3 3
       
rall.

82
       
  
ff
Viola
A teus pés, Jesus
Moderato q = 74
       
         
p f
6  pizz.

                  
mf
18 arco   
               
  
 
   3    3 3
           
24 3
 
          
              
3 3
f 3 3
28      3     3     3     3     3    

3
                                    
3 3 3 3 3 3
3 3
31              

             
3 3
2 Viola
42 pizz. arco
    
                     

mf
48          3     
3 3 3
         
                
f 3 3
3 3
53      3     3     3     3     3    

3
                                    
3 3 3 3 3 3
3 3
56              
               
3 3
59  pizz.
          

    

71 arco    
     
          
76
 
        
   

   
79     3     
3 3 3 3 3

                          
                 
3 3
f 3 3 3 3
3 3 3      3    
83     
     
  
                         
3 3 3 3
3 3
85           rall.
   
            
  
3 3 ff
Violoncello
A teus pés, Jesus
Moderato q = 74
              
  
 
p f
8  pizz.
arco
               
    
mf
22 pizz.
     
        
f
29  pizz.
       
          
mf
43 pizz.
arco
    
             
     f
51
         
        
58 arco
       
      
66 pizz.
             arco
 
       
74
  
            
      
79 pizz.
         
  
f
83 rall. arco
      
    
 
ff
Contrabass
A teus pés, Jesus
Moderato q = 74
              
  
 
p f
8  pizz.
arco
               
    
mf
22 pizz.
     
        
f
29  pizz.
       
          
mf
43 pizz.
arco
    
             
    
f
51
         
        
58 arco
       
      
66 pizz.
arco
            
    
   
73
  
             
79 pizz.
         
  
f
83 rall. arco
      
    
 
ff
3326 - A vida no mundo é cruel Música de Jair Pires
Moderato q=90 Arr.: Marcelo Rauta
           
                  
Flute  
mf

  
 
  
      
   

   
     
  
Alto Saxophone
  
mf
   
   

 
Bassoon
      
mf
       
Trumpet in Bb  
       
Trombone
 
       
SOPRANO
ALTO  
       
TENOR
BASS  
            
                
mf
Piano

                  
         
         
  
Moderato q=90
          
      
Violin I
 
mf

             
 
Violin II
mf
 
Viola               
mf
   
     
Violoncello 
mf
   
     
Contrabass
 
mf
2
  
7
            
        
Fl.  
  
      
  


 
 
   
Alto Sax.

           
Bsn.
   
        
Tpt. 
       
Tbn.

       
S.
         
     
A.  
A vi - da no mun - do_é cru - el, tor - men - tos e
T.        
B. 
     
            
     
   
Pno.
                          

        
 

 
Vln. I         

         

Vln. II
Vla.            
Vc.
          
          
Cb.

3
 
14      
     
Fl.  
 
Alto Sax.      
 


  
      
Bsn.

       
Tpt. 
      
Tbn.

     
S.
A.              
lu - tas sem fim; ca - mi - nho al -
me - jan - do_o céu;
T.       
B. 

        


       
Pno.
   
     
 
 
  
  
 

        

 
Vln. I       

Vln. II       
Vla.       
Vc.
      
      
Cb.

4
          
   
20
Fl.     

Alto Sax.           
      
        
Bsn.

         
Tpt. 
        
Tbn.

 
pp
S.
                    
A.  
Je - sus, tu te lem - bras de mim! Je - sus, tu te lem -bras de mim!
pp
              
 
T.
B. 
     
                  
        


 
      
pp
     
Pno.
           
            
      
   
  
 
Vln. I        
pp

            
Vln. II

pp

Vla.           
pp
 
pizz.
   
Vc.     
pp
 
pizz.
   
    
Cb.

pp
5
        
  
28
      
Fl.  
mf
       
Alto Sax.           
     
mf
 
              
Bsn.
       
mf
         
Tpt. 
        
Tbn.

 
mp mf
               
          
S.
A.

Je - sus tu te lem -bras de mim! na vi - da, na mor - te_e na dor:
mp
      
mf
 
               
T.
B.    
  
        
   
  


 
    

mp
Pno. mf
                 
       
       
  
             
Vln. I
  
mp mf

           
Vln. II
        
mp mf
 
Vla.                
mf
     
     
arco
Vc.
mp mf
     
     
arco
Cb.

mp mf
6
          
    
36
Fl.     
f
 
      
   
  
        
   
  
Alto Sax.
f

mf
        
        
Bsn.
            
f mf
 
Tpt.        
       
Tbn.

  f
S.
               
A.  
Je - sus, tu te lem - bras de mim!
           
f mf
     
T.
B.             
Na - ve - gan -do vai mi - nha
  
                         

  
f mf
Pno.
  
           
  
  
        
 
          
 
    
Vln. I                 
f
   
            
Vln. II
f
 
Vla.              
f
   
Vc.
      
f
   
      
Cb.

f
7
 
43
Fl.       
       
 
        
  
Alto Sax.
     
     

        
Bsn.

       
Tpt. 
      
Tbn.

       
S.
A. 
           
 
T.       
B. 
nau no mar des -ta vi - da a - qui; a -
       
 
        
  
Pno.
   
       
  
         

 
Vln. I       

Vln. II       
Vla.       
Vc.
      
      
Cb.

8
 
49
Fl.       
  
Alto Sax.          
     
              
     
Bsn.

       
Tpt. 
      
Tbn.

       
S.
A. 
              
T.      
B. 
bri - ga -me no tem - po - ral; Je - sus, tu te lem - bras de
                 
               
Pno.
  
  
   
    

  

  

  

   
     

  
       

      
Vln. I
 
mf

           
  
Vln. II
mf
 
Vla.              
mf
   
    
arco
Vc.
mf
   
    
arco
Cb.

mf
9
         
 
55
 
   
        
Fl.   
pp
mp
  
          

         
Alto Sax.
 
pp
mp
  
         
Bsn.
 
         
Tpt. 
        
Tbn.

   
pp mp
     
        
     
S.
A.   
Je - sus, tu te lem -bras de mim! Je - sus tu te lem -bras de
   
pp mp
  
            
     
T.
B. 

mim!


           
    
        
     

 
mp
pp
       
Pno.
 
              

   
  
  
 
Vln. I          

          

Vln. II
Vla.             
Vc.
           
           
Cb.

10
    
                
63
Fl.    
  
mf f
 
    
      
 
  
   

  
Alto Sax.
     
   f
  
 
mf
Bsn.
                
f
        
Tpt. 
       
Tbn.

   mf

f

S.
  


            
A.
 
mim! na vi - da, na mor - te_e na dor: Je - sus, tu te
mf
   f
  
  

            
T.
B.     
 
                   
           
Pno.
  
     
  

mf
   
 

         
  

   
   
f
     
       
Vln. I
  f
mf

     
Vln. II
      f
 
mf
 
Vla.            
mf f
     

arco
Vc.  
mf f
 
arco
    
 
Cb.

mf f
11
     
   
       
70
   
Fl.   
    
                
      
Alto Sax.


   


 

            
Bsn.
      
          
Tpt.     
           
                 
Tbn.
 
        
S.
             
A.  
lem - bras de mim! Je - sus, o que hei de fa -

   


  
            
T.
B.      
 
                       

  
            
                           
Pno.
    

  
Vln. I                             
 
                  
 
Vln. II
           
                      
Vla.
             
Vc.
                  
             
                  
Cb.

12
        
            
76
  
Fl. 

          

    
       
Alto Sax.
          
        
Bsn.
         
               
         

Tpt.
                              
                                           
Tbn.
                                
         
               
S.
        
A.  
zer se_o mun - do es - tá con - tra mim? en - vi - a -me
           
T.
B.             
              
          

 
                            
Pno.
                                       

                   
 
                         
                     
 
Vln. I
                       
           
           
Vln. II

         
                              
Vla.              
                            
                       
Vc.
 
                            
                       
Cb.
  
13
          
         
83
 
Fl. 
ff
            
             
 
      
Alto Sax.
ff
          
     
          
Bsn.
        
ff
           

Tpt.           
 
 
                                    
 
      
Tbn.
   
          

ff
S.
A.           
 
o teu po - der; Je - sus, tu te lem - bras de mim! Je -
           
ff
                  
T.
B.     
   
       
      
    

  
                
Pno.
                   

  
                   
             
            
                   
Vln. I
           
                
                 
Vln. II
                      
Vla.                  
                
                            
Vc.            
                
                            
Cb.
            
14
             
    
90
  
Fl. 

             
 
 
 
    
Alto Sax.
        
           
Bsn.
  
                   
            

 
Tpt.
ff
        
             
              
Tbn.
  
ff
         
S.
A.        
     
sus tu te lem - bras de
sus, tu te lem - bras de mim! Je -
               
T.
B.       
                     
                      
   
     

    
Pno.
  
ff



 





   
     


   
 

 

  
  


  
 

   
          
       

Vln. I
ff
  
   
      
       

Vln. II
ff
    
                

Vla.
ff
        
         
   
Vc.
ff
     
            
    
Cb.
ff
15
       
        
96
Fl. 
 
  

         


        
Alto Sax.
 
    
          
Bsn.
        
      
Tpt.             
      
             
Tbn.
        
       
S.
A.         
mim! na vi - da, na
mor - te_e na dor:
 
    
          
T.
B.  
 
        
      
     
Pno.
  

 

  




    
 

          

     
Vln. I          

Vln. II            
Vla.       
     
   
    
Vc.  
   
 
Cb.
      
16
       
          
101
 
Fl. 
 
  

 
 





 
   
     
Alto Sax.
       
         
Bsn.          
       
     
  
   
Tpt.
 
          
           
  
Tbn.
 
    
       
  
   

S.
A. 
Je - sus, tu te lem - bras de mim!
          
           
  
T.
B.  
           
            
   
    

Pno.

                           
      

           
Vln. I            

               
Vln. II
 
Vla.                
  
Vc.
       
  
       
Cb.

Flute
3326 - A vida no mundo é cruel
Música de Jair Pires
 
Moderato q=90
               
Arr.: Marcelo Rauta
            
 
mf
              
 
8
          
 
18
              
   

   
            
                
32
  
mf f
         
    
   

41
     
 
pp
mp
     

                   
  
63
   

f
72
                     
    
 
 
                          
81

ff
90
                  
     
    
99
                
    
 

Alto Saxophone

Arr.: Marcelo Rauta
   
Moderato q=90
   
                     
     
mf
             
        
7
       
  
17
          

      
    
mf
33
                 
                     
    
f mf
                  
    
42
             
       

               
52
       

mf pp
mp
                  

     

     
62
             
f
      
                    
72
      
                    
 
81
                            
ff
91
              
        
            
            
     
99
                    
Bassoon

      
    
 
    
 
      
mf
9 
       
             
     
mf f
38
    
                


    
 
mf
46
    
    
             
  
54  mf
    
           
 
67
                 
            
 
f
74
     
 
                   
82             
                     

ff
90
      
 
               
98             
          
                  
Trumpet in Bb

Arr.: Marcelo Rauta
   
Moderato q=90
          
     
           
78
       
            
                       

86
    
         
ff

             
94
           

     

   
100
      
         
 
Trombone
                    

  
                 
77                    
  
                   
         
82

      
 
 
 
 
 
        
           
 
    
87                              
             
                
ff
94         
     
                 
       
100          
           
    

  
Moderato q=90
 
Arr. para coro e piano: Marcelo Rauta
SOPRANO
      
ALTO
      
TENOR
BASS  
Moderato q=90
            
            
Piano
 mf
      
    

         
 



 
 

 
6
        
S.
A.         
A vi - da no mun - do_é cru - el,
T.       
B. 
  
           
  
   
  

 
Pno.
               
         
 

 
12
           
      
S.
A. 
tor - men - tos e lu - tas sem fim; ca - mi - nho al
T.       
B. 
        
         

Pno.
      

 
   
        
 
 
  
   
2
 
18
             
   
S.
A.
me - jan - do_o céu; Je - sus, tu te lem - bras de mim!
T.       
B. 
                   
               
Pno.
   
    

  

  

  

   
     

    
    
 
24 pp mp
                 
      
S.
A.   
Je - sus, tu te lem - bras de mim! Je - sus tu te lem - bras de mim!
 
pp
          
mp      
       
T.
B. 
    
   
  
    

     
        


Pno. pp mp
         
        
         
  mf f
32
             
   
S.
A.
 
na vi - da, na mor - te_e na dor: Je - sus, tu te
     
 
mf f
T.
              
B. 
             
    
          
Pno.
 


mf
 

 
 
 

              
 

f
3
 
38
   
S.
         
A.

lem - bras de mim!
       
mf
       
        

T.
B. 
Na - ve - gan - do vai mi - nha nau
 
                 
      
mf
 
Pno.
       
          
      

 
44
S.
      
A.
        
T.          
B. 
no mar des - ta vi - da a - qui; a - bri - ga- me
    
            
  
Pno.
     

 
   
        
 
 
  
 
  
 
50
S.
      
A.
           
T.      
B. 
no tem - po - ral; Je - sus, tu te lem - bras de mim!
                   
               
Pno.

 




            
 

       
  
    
4
 
56 pp mp
                 
     
S.
A.   
Je - sus, tu te lem - bras de mim! Je - sus tu te lem - bras de mim!
         
pp mp
T.
              
B.
 
 
          
      
 

          
  


pp mp
 
Pno.
                 

         
  mf f
64
             
   
S.
A.
 
na vi - da, na mor - te_e na dor: Je - sus, tu te
     
 
mf f
T.
               
B.
             
    
          
Pno.
 
   



mf
   

 

      

 
 


 
  
f
   
70
                
  
S.
A.

lem - bras de mim! Je - sus, o que hei de fa -
 
   
              
T.
B.     
    
                   


               
Pno.
     
         
       
 
5
   
76
          
     
S.
A.  
zer se_o mun - do es - tá con - tra mim? en -
         
T.
B.           
         
        

 
                       
         
Pno.
   

            
 
  
82
           
S.
A.       
vi - a - me o teu po - der; Je - sus, tu te lem - bras de
        
                
T.
B.  
    
              

 
Pno.
               

             
                                   
                   
 
88 ff
             
 
S.
A.   
mim! Je - sus, tu te lem - bras de mim! Je -

        
ff
T.
       
B. 
                 
                           
 


     
 ff
      
Pno.

     
                  
            
 
6
  
94
           
   
S.
A.
sus tu te lem - bras de mim! na vi - da, na
     
      
T.
       
B.
       
                  
        
 
Pno.
     

 
     

  
   
  
   
  

   
 
99
       
S.
A.    
mor - te_e na dor: Je - sus, tu te
      
           
T.
B.  
            
        
  
Pno.
                  
    
 
 
103
S.
A.     
   
   

lem - bras de mim!

  


  
 


 

T.
B.  

       
   
   
 
  
Pno.
 
            
 
Violin I

   
   
               
mf
   
       
 
9
 

  
pp
mp
     
32
                 
f
mf
40
   
     
      
mf
54
 
                
mf
   
68
                          
f
                

74
   
         
             
      
80
                    
           
     
               
86
       
        
ff
             
93
         
 
                  
100
     
Violin II


             
       
mf
9
 
                
   
pp mp

32
         
 
        

mf f
41
 
                
mf

56
 
   
            
mf f
 
                   
71
    
  
                          
78
                            
           
84
 
                   
     
             
90
          

ff

98
            
        
Viola
 
                   
mf
9    
            
pp
33
 
                  
mf f
41          
        
mf
56        
         
mf f
71
                       

         
78
                                   
           
84
            
                      
90
       
                 

ff
98
                        
Violoncello

      
       

mf
9  pizz.  
          
pp mp
32 arco 
      
      
mf f
41  arco 
          

mf
57  arco 
          
mf f
73
                      
      
   
       
79                          

           
     
85           
                
            

ff
91
        
                   

98       
        
Contrabass
      
       

mf
9  pizz.  
          
pp mp
32 arco 
      
      
mf f
41  arco 
          

mf
57  arco 
          
mf f
73
                      
      
   
       
79                          

           
     
85           
                
            

ff
91
        
                   

98       
        
Aleluia! Glória ao Rei
(para solo, coro e piano)
Música e arranjo de Marcelo Rauta
     
Andante q = 64
            
             

Piano
      

    
         


4 Solo masculino
     
        
 Oh!

vem Se - nhor meu Deus, Der - ra -
     
    

 
   


   
                














7
   
                    
- ma teu po - der, der - ra - ma teu a - mor nes - te lu - gar. Res -plan

           

     
       
         
           


10
  
1.
                             

de - ça no me - io da i - gre - ja, pois, Se -nhor meu Deus, que -re -mos te_a - do - rar. Oh!

     
1.
           

 

       
     
            
   
             
Copyright © Marcelo Rauta, Vitória-ES

2

14 2. Solo feminino
                    

Oh! vem Se - nhor meu Deus, ma -ni - fes - ta teu po - der, der -
     
       
Vem Se - nhor e Deus, teu po -
      
           

 2.   
          

 
           
   
     
   
    
   


17
 
1. 2.
               
- ra - ma teu a - mor nes - te lu - gar. Oh! gar. A -le
      
 
der.

      

 
 
1. 2.
           
                   
       
   
       
     
  
   
3
          
20
       
lu - ia! a - le - lu - ia! a - le - lu - ia! a - le - lu - ia! a - le -
               
 

A - le - lu - ia! a - le - lu - ia! a - le - lu - ia!
               
 

Gló - ria ao rei. A - le - lu - ia! a - le - lu - ia! a - le - lu - ia!
   
      
  
Gló - ria_ao rei, gló - ria ao rei. A - le - lu - ia!
    

A - le - - lu - ia! gló - ria_ao rei,
              
   
           
      
     
          
 
                       
23

lu - ia_a -le - lu - ia! A -le - lu - ia! a le - lu - ia! a le - lu ia! a lelu - ia! a le
         
    
     
gló - ria_ao rei. A lelu - ia! a lelu - ia! a lelu - ia!
           
        
 
   
gló - ria_ao rei. Gló - ria ao rei. Ale - lu - ia! a le - lu ia! a lelu - ia!
       
 
gló - ria_ao rei. Gló - ria_ao rei, gló - ria aorei. A - le - lu - ia!
        
  
gló - ria_ao rei, A - le - lu - ia! gló - ria_ao rei,
         
               
          

   
              
          
4
               
27
     
              

lu - ia_a -le - lu - ia! lu - ia! a - le - lu - ia! a - le-
    
  
gló - ria_ao rei. A - le -lu - ia! a - le -lu - ia!
  
             

gló - ria_ao
 
rei.
 
Gló - ria ao rei.
 
A - le - lu - ia! a - le-
   
 
gló - ria_ao rei. Gló - ria_ao rei, gló - ria ao rei.
      
   
gló - ria_ao rei, A - le - lu - ia!
       
         
    
    

               
       
   

                
30
     
lu - ia! a - le -lu - ia! a - le - lu - ia_a -le - lu - ia! A -le - lu - ia! a - le-
              
 
a - le -lu - ia! gló - ria_ao rei. A - le -lu - ia!
  
                
lu - ia! a - le -lu - ia!
  
gló

- ria_ao

rei.

Gló - ria ao

rei.

A - le-
   
A - le - lu - ia! gló - ria_ao rei. Gló - ria_ao rei,
      
   
gló - ria_ao rei, gló - ria_ao rei, A - le -
           
                   

        
         
         
5
33
                 
   
 
   
lu - ia! a - le - lu - ia! a - le - lu - ia! a - le - lu - ia_a -le - lu - ia!
          
        
   
a - le - lu - ia! a - le - lu - ia! gló - ria_ao rei.
   
   
lu - ia! a - le - lu - ia! a - le - lu - ia! gló - ria_ao rei.
       

   
gló - ria ao rei. A - le - lu - ia! gló - ria_ao rei.
     

lu - ia! gló - ria_ao rei, gló - ria_ao rei,
                 
               


             

            
  
36
   
 
A - le -
   

   
    
   
 
      
         
           

                
        
6
  
rall.
      
39 ff

cresc.
  
lu - ia_a -le - lu -ia! Gló -ria_ao rei.

  cresc.
     
ff
  
Gló - ria_ao rei. Gló -ria_ao rei.
 ff 
    
cresc.
    

cresc.
     
ff

  
  
cresc.
  
ff 
 
  
Gló - ria_ao rei. Gló -ria_ao rei. 
 
       
rall.

    
     


cresc. ff
  
          
   
  

Dedicado à Igreja Cristã Maranata de Riviera da Barra IV
Amo ao Senhor
Música de Mariana Martins Barros
Arranjo vocal de Marcelo Rauta
q = 80
  
D B‹
3
SOPRANO
                     
ALTO
  
3
A -mo_ao Se - nhor, por -que E - le me ou - viu, in -cli -nou os seus ou -
                     
3
TENOR
BASS  
3
  
3 G A D
            
          
3
        
3
vi - dos e as -sim me a - ten - deu. O Se - nhor que é jus -to_e pi - e -
      
3
                        
     
3
 
6 B‹ G A
     
                    
    
do - so pos -so ne - le con -fi - ar, cer -ta -men -te me gui_a - rá. An -da

                       
     
   
9 B‹
 F©‹ B‹

               
            

rei pe -ran -te_a su -a fa - ce, (an - da - rei) Sou seu ser - vo, pois me li -ber
                
(an - da - rei)
                    
    
An -da -rei pe -ran -te_a su -a fa - ce, sou seu ser - vo, pois me li -ber
2
   
12 F©‹ E‹ A E‹ A
  
                   
tou. Lou -vá -lo - ei e - ter -na men - te, fa -rei a
                   

    
tou, me li - ber - tou. nos á -tri_os da su - a ca - sa,
 
15 G A D B‹

                      

 

De - us sa - cri - fí -cios de lou - vor. An -da -rei pe - ran -te_a su - a
     
                    
      
An -da -rei pe - ran -te_a su - a
 
18 F©‹ B‹
 F©‹

          
              

fa - ce, (an - da - rei) Sou seu ser - vo, pois me li -ber - tou. Lou -vá -lo
       
            
(an - da - rei)
     
   
fa - ce, sou seu ser - vo, pois me li -ber - tou, me li - ber -
  
21 E‹ A E‹ A
         


    

ei e - ter - na - men - te, fa - rei a
             
      
   
tou. nos á - tri_os da su - a ca - sa,
  
23 G A D
     
       


De - us sa - cri - fí - cios de lou - vor.
      
        
 
Ao Deus de Abraão Louvai
    
       
Moderato q = 80
               
Flute    
mf
     
Oboe                 
mf
   
Clarinet in Bb                     
mf

         
      
Bass Clarinet
in Bb   
mf
                
Alto Saxophone
   
mf
        
Horn in F        
mf
      
                 

Trumpet in Bb
mf
     
Trombone
         
mf
  
Drum Set        
p f
     
                       

    
      

mf
Piano
     
            
              
  
Moderato q = 80
     
                   
Violin

mf
     
        
Violoncello

mf
2

              
7
Fl. 
      

                
Ob. 

Cl.                 

             
 
B. Cl.
               
Alto Sax.

 
Hn.                 
     
Tpt.             
   
     
Tbn.

               

Dr.       

 
           
   
    

Pno.
  



        
        

 
 
       


                        
           
 
Vln.
       

                
   
Vc.

3

              
13
Fl. 
   
  
             
Ob. 

Cl.              

  
     
    
B. Cl.
          
  
Alto Sax.
 
 
     
Hn.
            
          
Tpt.               
          
Tbn.
      
Dr.       

               
 
   

              
                
        
   
Pno.
  
               
                                  
                
             

             
 
      

   
      
         
                        
        
Vln.
               

       
          
           
                          
Vc.
  
4

          
19
Fl. 
   
 
    
Ob.       
   
Cl.        
 
B. Cl.           
           
Alto Sax.

        
Hn.        
         
             


Tpt.
       
Tbn.

      
   3
       
6
Dr.       
p f
             
        
 


  
Pno.
 
  

     
 




 




   

    
      
      
   

Vln.
          
     
     
Vc.
5
  
         
24
Fl.    
 
Ob.      

  
Cl.   
B. Cl.   
 
Alto Sax.     
 
Hn.        
    
Tpt.      
       
Tbn.
 
3 6 3 6
                            
Dr. 


    
Pno.
 
   

   





 


  
Vln.  
       
Vc.
 
6
  
         
26
Fl.     
 
Ob.

      
 
     
Cl.  
B. Cl.    
     
Alto Sax.
 
 
         

Hn.
     
         
Tpt.
 
      
  
Tbn.
  
3 6 3 6 3 6
                     
Dr.       


     
Pno.
  
       

                     
Vln.  
       
 
Vc.
  
7
  
         
29
Fl.     
 
Ob. 
      
 
     
Cl.  
B. Cl.    
  
Alto Sax.
     
 
Hn.         
       
Tpt.        
      
Tbn.
  
3 6 3 6 3 6
                   
Dr.       


     
 
  
Pno.  
     
      

     
         
Vln.           
    
     
     
Vc.
 
8
       
      
    
32
Fl.      
   
Ob.     
    
Cl.

   
B. Cl.
 
  
Alto Sax.


Hn.        
          
Tpt.  
     
Tbn.
   
3 6 3 6
                
Dr.     
       
            
   
    

 
     
 
       
Pno.
        


      


              
      

Vln.
 
     
 
      
    

Vc.
9
           
 
        
34
     
Fl.  
3
          
Ob.      
3 3
              
Cl.

3 3
 
3

3
   
B. Cl.
        
              
Alto Sax.
 
3 3
  
        
 
Hn.
       
     
Tpt.
 
      
Tbn.
        
3 6 3 6 3 6
                      
Dr.       
  
              
 
    
3 3
            
      
Pno.
                
             
      
    
      
      
                
   
Vln.
    
    
     
               

  
Vc.

10
           

37
Fl.  
     
Ob.    
 

     
Cl.      
 
       
B. Cl.

       
    
Alto Sax.
 
 
          
Hn.
  
        
 
Tpt.
       
Tbn.
   
3 6 3 6 3 6
                  

Dr.      
    

     
 

 
      
 
   
           
Pno.
           
       
 
        
      
          
Vln. 
 
       
      
        
Vc.

11
        
       
40
Fl. 
   

                        
Ob.


Cl.               

            

B. Cl.
                   
Alto Sax.
 
 

            
Hn.
   
  
   

     

Tpt.
           
Tbn.
 
3 6 3 6 3 6 3 6
                   
Dr.         
        

        


  
Pno.
  





  
  






  
 
             
 
        
Vln.

           
Vc.
 
12
   
      
44
Fl. 
    
 
                                      
Ob.


Cl.         

       

B. Cl.
                       

Alto Sax.    
 
Hn.         
  
     
 
  
 
Tpt.
      
Tbn.
  
3 6 3 6 3 6
                   
Dr.       
      
        

Pno.
  










 


          
Vln.      
       
Vc.
 
13
            
   
47
Fl. 
   

             
Ob.
   

Cl.            

       
  
B. Cl.
                  

Alto Sax.
    
 
      
    
Hn.

     
          
 
Tpt.
       
Tbn.
   
3 6 3 6 3 6
                 
Dr.       
              
   

Pno.
   

 

    


    

 
 
     
     

 
 
    
    
  



         
               
     
   
    
Vln.
  
   
           
        
       
Vc.
14
 
50
      
     
Fl.   
                           
Ob.   
 
Cl.            

     
      
B. Cl.
                
Alto Sax.
 
 
 
         
Hn.
   
Tpt.        





 

     
Tbn.        
3 6 3 6 3 6
                 
Dr.       
          
       
Pno.
   
   



   
  
   


 

 
  
     
    
 

   
     
  
   


           
                 
  
Vln.

    
  
    
            
 
Vc.
    

15
  
           
53
Fl. 
  
 

 
                     
Ob.

    

Cl.          
 
B. Cl.     
     
                 

Alto Sax.
  
  
        
Hn.
  
     

       
Tpt.
    
  
        
Tbn.

3 6 3
   

             
Dr.     
p ff
            
              

   


   
          
         
    
Pno.
     
        
    

   
           
    
                  

Vln.
   
             
     
   
Vc.

Flute
Moderato q = 80          
   
                     
    
mf

          
  

       
8
    
  
     
        
15
   


  
  
 
     
 
   
       
23
    
  
   
    
30
   
       
      
     
32
  
     
  
        
34
               
   
3
39
            
          
       
46
                      
          
 
                 

52
  
  

Oboe
Moderato q = 80
                 
        
mf
              
8
  
    
        
15
      
    
           
23
    
  
       
30
 
           
3 3
35

 
                         
 

42
                               
 
45
                                     
                               
49
         
53
              
       

Clarinet in Bb Ao Deus de Abraão Louvai
    
Moderato q = 80
  
               
mf

7
                  
14
 
              
   

 
21
    
   
    
    
26
        
   
31      
   
     
 
3 3

38
                  


44
                      

51
               
55
        

   
Bass Clarinet in Bb Ao Deus de Abraão Louvai
 
Moderato q = 80
        
           
mf

8
             
     
15
  
       
    
23  
  
3 3
  
      
 
38
         
         

44
    
                 

51
   
       
 
 
55
   
  
Alto Saxophone Ao Deus de Abraão Louvai
 
Moderato q = 80
                    
mf
            
8
   

14
             
      
       

22
       

27
        
        
3 3
35
                        
    
      

41
  
                           

45
      
                       
49
      
          
53
   
      
Horn in F Ao Deus de Abraão Louvai
Moderato q = 80
   
           
mf
7
   
          

15
         
           

21
     
             
27
                  

33

                        

39
                      

45
                    

52
 
      
         
Trumpet in Bb Ao Deus de Abraão Louvai
  
Moderato q = 80
    
              
mf

7
        
       
            
   
15
           
   
             
            
21
    
     
             
             
27
 
            
   
       
33
                 
       
38
     
                 
  
 
44

       
 
              

   

50
      
            
54
         

       
Trombone Ao Deus de Abraão Louvai
Moderato q = 80
      
        
mf
7 
            
     
15
         
      
21
                   
27
             
  
 
33
                 
   
39
        
             
45
     

               
52
  
   
       
Drum Set

Moderato q = 80
      

       
p f p f
23 3 6 3 6 3 6 3 6
   
                        
27 3 6 3 6 3 6 3 6
   
                        
31 3 6 3 6 3 6 3 6
   
                        
35 3 6 3 6 3 6
                                          
38 3 6 3 6 3 6
                                          
41 3 6 3 6 3 6 3 6
                        
45 3 6 3 6 3 6 3 6
                        
49 3 6 3 6 3 6 3 6
                        
53 3 6 3 
   
                        
p ff
Piano
Moderato q = 80
  
         
            
  
   

     
  
mf
         
       
        

            
  
6
     
 
  

      





   
   
   
   

 
 
        
12
        
   

               
     
       
                       
             
 
  
16
  
       
 
  
                
     
                       

      
            
          
19
  
  

   
   
         
    
 
 V.S.
2 Piano
 
 
23
    
    
 
 
 
 
26
    
 
  
   


 
 


  

30
   
       

       
          
  
       
      
        
32
  
  
     

     
  

     
    
33
          

   
3 3
             
                         
                 
    
Piano 3
36
      
 
  
                    
                 
          
  
39
                    
    
         
      
      

     
     
   
  
     
    
                  
45
      
 
 

 

 
               
 
                        
    

   

      
           
50
  
    

    

  
       
            
       
                      
   
             

              
         
54
 
  


   
 
         

  

   

Violin

 
Moderato q = 80
    
                
   
mf
         
7
          
   
12
              
 
                   
     
                  


 
                 
                 
17


      
         
  
22
27
      
                       
            
      
 
         

33
                  
              
      
       
            
38
     

         
                          
43

     
     
       
       
49
 
                   
       
   
          
                   
53


Violoncello

Moderato q = 80
  
  
               
mf

8
               
                  
 
14

       
        
               
                     

18  
                    

    
23
        
                  
31                   

       
    
           

35
                  
                     
  
 
   
39
       
                 


47
               
         
   
 
       
  
 

                 
  
52
        
 
                  
   
     
À Sra. Jurama Gueiros
Bem de Manhã
(para coro e orquestra de cordas)
Arranjo e orq. de Marcelo Rauta
 
Andante q = 60
solo
 tutti solo

Violin I   
   
  
fp mp fp mp
Violin II   
  
 
  
fp fp
            
tutti
 
solo solo

 
Viola
    
 arco

fp mp fp mp
  
arco
pizz. pizz.
  
Violoncello      
fp mp fp mp
       
pizz. arco
   arco
pizz.

Double Bass
     
fp mp fp mp
    
               
7
Vln. I  

 
tutti



                      
mf
     

Vln. II
mf
   
                   
tutti
Vla.  
mf
                  
  
Vc.    
      
mf

            
 



 
 
Db.        
mf
      
13
Vln. I  
 
     
  


f p subito
            
 
  

   
Vln. II
 p subito
 
    
f
     

Vla.  
     p subito
  
f
 
                  
Vc. 
f p subito
              
Db.
        

f p subito
2
     
20
Vln. I         
mf

Vln. II                
mf
div.(solo-tutti) 
   
   
solo
Vla.         
mf
        
Vc.
  
mf

Db.
    

mf
 
  
div.(solo-tutti)
   
25

Vln. I         
 solo

cresc. poco a poco
 
Vln. II        

cresc. poco a poco

    
Vla.   
     
 


cresc. poco a poco
div.(solo-tutti)
     
           
  
solo
    
Vc.
  
cresc. poco a poco
Db.
    

cresc. poco a poco
  
          
div.(tutti)
       tutti

30
Vln. I     

  
  
 
  tutti
Vln. II     
 
  


tutti
 
div.
Vla.  
   
 
tutti
div.
            tutti

 
Vc.
   
    

    
 
Db.
 
3
 
mp
     
34
     
           
            

1.Bem de ma - nhã, em - bo - ra_o céu se - re - no pa - re - ça_um di - a cal mo_a -nun - ci -
Choir di - a,e quan - do_os sons da ter - ra a - ba - fam mais de Deus a voz de_a
            
fim, a - pós os teus li - da - res, re - lem - bra_as ben - çãos do ce - les - te_a

          
mp
       
   
                
Vln. I        
ff mp
   
  
Vln. II  
     
         
ff


mp
  
                     
Vla.
ff mp

    
          

Vc.
ff mp


    
          

Db.

ff mp

      
38
    
cresc. poco a poco
          


       


ar, Vi - gi - a-e o - ra:o co - ra - ção pe - que - no um tem - po - ral po - de_a - bri -
mor, Re cor -re-à o - ra - ção e - vi ta_a guer - ra, e go - za paz com o Se -
Choir
mor e con - ta_a Deus pra - ze - res e pe - sa - res, dei - xan - do_em su - as mãos a
  
       
cresc. poco a poco
            
       
                  
   
Vln. I 
cresc. poco a poco
    
             

Vln. II
           
cresc. poco a poco
Vla.
  
cresc. poco a poco
         
Vc.      
cresc. poco a poco
          
Db.
     
cresc. poco a poco
4
f
42 mp
rall. A tempo 1.2.
     
Bem de ma - nhã,
                                
 
     f

gar. 2.Ao mei - o
Choir Bem de ma- nhã, e sem ces - sar vi - gi - ar, sim, e_o - rar!

3.Do di - a_ao
        
nhor.
 
mp
          
dor.
  
f
               
  
   
rall. 1.2. A tempo
Vln. I               
  
f
  
Vln. II     
                    

f
  
                    
 
Vla.

            
f
       

 
Vc.  

f
  
               
    
 
Db.


f
47  A tempo
3.
      
 f
  


Choir rar! 
f   
      

 
      
 A tempo     
3.
 
Vln. I          

mf cresc. poco a poco
     
            
Vln. II

mf
     
cresc. poco a poco
           
 
Vla.
 mf  cresc. poco a poco
  
  
        

Vc.
 mf
   
  
       
cresc. poco a poco

   
Db.
  mf
   
cresc. poco a poco
5
51
   


Choir
   
         
Vln. I          
Vln. II        

                    
Vla.

        
Vc.       

        
Db.
        
54

   
Choir
   

  
 
Vln. I    


   
div.

div.
    


Vln. II 
 
         
Vla.
  
    
div.
Vc.  
 
 
Db.
   
 
6

            
f p subito
 
57
            

           

E sem ces - sar, vi - gi - a_a to - do_ins - tan - te, que_o i - ni - mi- go_a - ta - ca sem pa
Choir
f              
p subito
 
             
       
 

       
      
pizz.
Vln. I         
ff p
tutti
  
pizz.
Vln. II                 
ff p

          
pizz.
Vla.          
ff p

         
tutti
     
pizz.
Vc. 
ff p

f
               
pizz.
Db.

ff f p
      
    
62
  
            
     

 
rar, Só com Je - sus em co - mu nhão cons - tan - te, po - de_o mor - tal ao céu che -
Choir
      
mf
                
cresc. poco a poco
   
   
    
       
                    
arco
Vln. I   
mf

cresc. poco a poco
                   

arco
Vln. II

     
arco           
Vla.
               

arco
Vc.
               

arco
Db.

7
ff
  
66
               
Bem de ma - nhã,
      
     ff 
Bem de ma - nhã, e sem ces - sar vi - gi -
       
Choir gar
      
ff 
  
           
 
           
Vln. I 
    

ff
 
                    

Vln. II
ff
                   
Vla.
 
ff
   
             
Vc.

ff
     
Db.
            

ff

 
rall.
  
69
      
 
     


ar, sim, e_o - rar! A - - mém.
Choir
  
      

 


 
   
rall.
      
Vln. I  
   
Vln. II           
 
Vla.          
      

Vc.    
      

Db.  

Violin I Bem de Manhã
solo
 solo

Andante q = 60
    
tutti
    
tutti
  
 
fp mp fp mp
mf
     
   
    
8
 
   


        
14
 





  
 p subito
f
 div.(solo-tutti)
    
21
          solo
  
 
mf
 cresc. poco a poco

div.(senza solo)
  
         
27
       
  
 
 
        tutti 
      
 
32
  
 
 
mp
 ff
        
  
36
   

cresc. poco a poco
41         rall.
     
    
f V.S.
2 Violin I
      
A tempo 3.  A tempo     
46
              
1.2.
 
       
 
51
          
   
        
  pizz.
       
57
     
ff p

62
            
               
arco

66
             
  

ff
  
rall.

69
  
   
Violin II Bem de Manhã
Andante q = 60
 

          
  
 
fp fp mf
   
9
              


 
  

15
         
      
   
 p subito
21 
 
         
 mf cresc. poco a poco
28
    
       
        
  ff
  
35
      
             


mp cresc. poco a poco
39
                     

rall.

42
                     
 
f
A tempo 3.  A tempo   

46
  
1.2.
       
          
mf
cresc. poco a poco
   
51 div.
         
   
 V.S.
2 Violin II
55
     
 
div. tutti
         

 
 ff
         
59 pizz.
             
arco
  
p
   
64
                 
   
 ff
 
68 rall.
                 
 
Viola Bem de Manhã
Andante q = 60
solo tutti solo
 
               
fp mp fp mp
7
tutti     
             
     

mf
13
 
 
       f     
     
p subito
  
f
21
div.(solo-tutti)
 
solo 
     
          
  
div.(senza solo)
27  tutti    
      
   
 
 



   
ff
35      

              
mp cresc. poco a poco
40
     
                  

f
45 rall.
1.2.
 A tempo 3.  A tempo  
              
     
mf
49
     
            
cresc. poco a poco

V.S.
2 Viola
53
                 


57 pizz.
 
         
           
ff p
62
arco          
         

67 rall.
 
                  

ff
Violoncello Bem de Manhã
Andante q = 60 pizz. arco pizz. arco
    
                
    
mp mp mf
fp fp
8
    
         
      
      

14
            
      

f p subito
21
           

div.(solo-tutti)
 
27 solo
               div.(senza solo)


           
   

32
      tutti 

                
ff mp

38
                  
 
cresc. poco a poco
42 rall.
    
               
f
461.2. A tempo 3. A tempo

       
       

      
        
mf V.S.
2 Violoncello
52 div.   
           
tutti

      

58 pizz. arco
            
       
ff f p mf
cresc. poco a poco
64
            
            

ff
68 rall.
      

      
Double Bass
Bem de Manhã
Andante q = 60
 arco
pizz.
 pizz.
arco

            
 
  


     
mp mp

fp fp mf
9
           
   
   
          
16
          
    
f p subito mf
24
        
      

  
cresc. poco a poco
33
  
                 
    
ff mp
 cresc. poco a poco
40 rall.
             
 

         
f
46 1.2. A tempo 3. A tempo cresc. poco a poco

  
   
     
      
        
 

  mf    
cresc. poco a poco
52   
           
     

ff
59
pizz. arco
              
       
f p mf cresc. poco a poco
65
       
            

ff
68 rall.
         

 
Choir
Bem de Manhã


Andante q = 60
 mp
          
          
  
1.Bem de ma - nhã, em - bo - ra_o céu se -
di - a,e quan do_os sons da
fim, a - pós os teus li -
  mp 
    
       

       
36
   
cresc. poco a poco
    
          

  
re - no pa - re - ça_um di - a cal mo_a - nun - ci - ar, Vi - gi - a-e
ter - ra a - ba - fam mais de Deus a voz de_a - mor, Re - cor -re-à
da - res, re - lem - bra_as ben - çãos do ce - les - te_a - mor e con - ta_a
       
cresc. poco a poco
  


          
       
    
39
 
           
            

o - ra:o co - ra - ção pe - que - no um tem - po - ral po - de_a - bri -
o - ra - ção e - vi - ta_a guer - ra, e go - za paz com o Se -
Deus pra - ze - res e pe - sa - res, dei - xan - do_em su - as mãos a
          
   

   
      
2 Choir
f
42 rall.
     
Bem de ma - nhã,
           

     
  
          
f
gar. Bem de ma- nhã,e sem ces - sar vi - gi - ar, sim, e_o -
nhor.
                
dor.
          

f
      
 A tempo  A tempo       
46 mp
1.2. 3. f
   
              
f
     
 
rar! E sem ces
2.Ao mei - o
rar! 3.Do di - a_ao
 mp 
   f    f 
    
     

       
    
 

   
p subito
   
59
 
          
    

sar, vi - gi - a_a to - do_ins - tan - te, que_o i - ni - mi - go_a - ta - ca sem pa -
   
         
p subito
      
   
  
   
 
mf
    
62 cresc. poco a poco
    
                   
        

 
rar, Só com Je - sus em co - mu- nhão cons - tan - te, po - de_o mor - tal ao céu che -
  
mf
                       

cresc. poco a poco
       
Choir 3
ff
 
                  
66 Bem de ma - nhã,
   
       ff 
Bem de ma- nhã, e sem ces - sar vi - gi -
           
gar
    
        
ff
      

 
rall.

69
    
            


ar, sim, e_o - rar! A - - mém.
     
       




Como posso me calar
Arranjo de Marcelo Rauta Música de Silvano Rangel
q = 70 
   
         
Flute           
mf 3 3
 3 
 
3
 
        

Clarinet in Bb
mf
  
 
Drum Set      
pp
 
SOPRANO
    
ALTO
    
 
TENOR
BASS
       

          
Piano


mf

   
   


   
    















    
Electric Bass 
q = 70
    
Synthesizer
 
5   
    
Fl. 
      
Cl.


Dr.     
ff C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7
mf
 
              
                 
S.
A.
Co -mo pos - so me ca - lar dian - te do que te- nho con -tem - pla - do, dian -te do que Deus tem re -a - li - za - do nes -tes
T.      
B. 
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7
                    

                   
Pno.
     
      
        
  
E. Bass
     
    
Synth.

2
10
     
Fl. 
    
Cl. 
     
    
Dr.  
p 6
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7 mf

   
C2 C7
              
           
S.
A.
 
di - as, ma -ra -vi - lhas! o san -gue de Je-sus tem si - do der - ra - ma -do so -bre_a_i -gre - ja e_o es pí - ri - to tam - bém.
T.      
B. 
C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7 C2 C7
                            

           
Pno.
      
      
          
 
E. Bass
     
Synth.
     
     
 
15             
Fl.   
      
       
Cl.
  
                        
                            
Dr.
     
mf
F C G C C/B A‹ A‹/E D‹ F G
A re - a - li - da - de_é que o meu Se nhor é vi - vo_e seu po - der, que_a ou - tro não pos - so
           
S.
A.           

           

A re - a - li - da - de_é que o meu Se - nhor é vi - vo_e seu po - der, não
A re - a li - da -de_é que o meu Se - nhor é vi - - vo_e seu
      
            
     
T.
B.  opc. 
A re - a - li - da - de_é que_o - Se - nhor tem
 
F C G C C/B A‹ A‹/E D‹ F G

             
Pno.
  


 

 


  

  


  

 


  

  




  


  

  
     
E. Bass
         
mf
    
           
Synth.
   
mf
3
    
            
18
Fl.   
      
                           
 
Cl.
    
                                       
                
     
     
      
Dr.
C©º C7/B¨ F C G7 C C/B A‹ A‹/E D‹ F G7

com -pa - rar tem ma ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia com e - le su - bi - rá.
 
                                 
 
S.
        
A.       
pos - so com - pa - rar tem ma -ni - fes - ta - do, pre - pa - ra - do, su - a_i - gre - ja su - bi -
tem ma -ni - fes - ta - do, pre - pa - ra - do, e - le su - - bi -
    
po - - der
   
        

     
T.
B.         
opc.
po - - - der tem ma - ni - fes - ta - do, e - le su - - - bi -
       
C©º C7/B¨ F C G7 C C/B A‹ A‹/E D‹ F G7
  
                                                
Pno.
   







          

          
 


  

  
     



  



   
    
E. Bass
             
  

   

        
   
Synth.
      
22
   
Fl. 
  
Cl.
       
    
                 

            
 
            
 
                

Dr.
6
p mf
C C2 C¨6/A¨ Dm2 G7/B G7
mf
 
                 
S.
A.
Co -mo pos - so me ca lar dian -te do que te - nho con -tem

- rá.
rá.
T.       
B. 
rá.
 
C A‹7 F G7 C2 C¨6/A¨ Dm2 G7/B G7
                                      

      

     
 
                     
Pno.
         
   
     
      
E. Bass                
   

Synth.
    


 

 


4
26
    
Fl. 
   
Cl.

       
                                                   
Dr.     



 



 



 



      
           
         
S.
A.   
pla - do, dian -te do que Deus tem re -a - li - za - do nes -tes di - as, ma -ra - vi - lhas! o san -gue de Je - sus tem si - do der -ra
T.     
B. 
                
               

      
Pno.
      
   
       
 
        
E. Bass                      
Synth.
   
 

 
 


 

 

  
    
30
    
Fl.    
Cl.          
    
                                  
                                 
Dr.
 
p 6
mf
C2 C¨6/A¨ Dm2 G7/B G7 C2 C G
C7
A re -a - li - da - de_é que o
     
      
F
S.
              
A.

ma -do so -bre_a_i - gre - ja e_o es- pí - ri - to tam - bém.
A re -a - li - da - de_é
A re -a li - da -de_é que o
    
         
T.
B.    
A re - a - li -
    

C2 C¨6/A¨ Dm2 G7/B G7 C2 F C G
C7
            
                  

 
 
Pno.
   
       
  
    
       
 
      
E. Bass                     
 
      
  
    
Synth.
  
5
              
     
34
Fl.   
Cl.
              
   
                            
         

           
Dr.
     
C C/B A‹ A‹/E D‹ F G C©º C7/B¨
meu Se nhor é vi - vo_e seu po - der, que_a ou - tro não pos - so com -pa - rar
   
S.
      

           
   
      
A.
  
que o meu Se - nhor é vi - vo_e seu po - der, não pos - so com - pa - rar tem
meu Se - nhor é vi - - vo_e seu po - - der

       
      
   
T.
B.  opc. 
da - de_é que_o - Se - nhor tem po - - - - der
    
C C/B A‹ A‹/E D‹ F G C©º C7/B¨
 
        

         
  
Pno.
 

 

 


 

   


 

 


  

  



 

 


  

  
      
E. Bass       
 
        
Synth.
        
    
      
37
 
Fl. 
                
Cl.
            
   
                               
                                      
      
Dr.
F C G7 C C/B A‹ A‹/E D‹ F G7 C
tem ma ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia com e - le su - bi - rá.
                              
S.
                
A.  
ma -ni - fes - ta - do, pre - pa - ra - do, su - a_i gre - ja su - bi - rá.
tem ma -ni - fes - ta - do, pre - pa - ra - do, e - le su - - bi - - rá.
      
     

        
T.
B.        
opc.
tem ma - ni - fes - ta - do, e - le su - - - bi - rá.
 
F C G7 C C/B A‹ A‹/E D‹ F G7 C A‹
 
                       
Pno.
  
 
    
           
 
   
   


 



 




 


                
  
E. Bass
                 
   
          
 
Synth.
  
6
     
41
          
  
Fl. 
       
Cl.
              
  
                             
                     
Dr. 
          
   
p 6 mf
     
S.
A. 
T.      
B. 
                  
           
F G7 A A7 G‹ G7 C7 D7
                              
Pno.
                               


 

 

 

 









 


 
      


        
 
E. Bass
                   
      
    
  
Synth.
    
  
45
Fl.      
      
Cl.

                            
Dr.                
G D C D E‹ G D©º D D7
A re -a - li - da - de_é que o meu Se nhor é vi - vo_e seu po - der, que_a ou tro não pos - so com -pa- rar
                                        
S.
             
      
A.
  
A re -a - li - da - de_é que o meu Se- nhor é vi - vo_e seu po - der, não pos -socom - pa-rar tem
A re -a li - da -de_é que o meu Se - nhor é vi - - vo_e seu po - der
      
                 

T.
B.         
opc.
A re - a - li - da - de_é que_o - Se - nhor tem po - - der

G D C D
 E‹ G D©º D D7
            




 

 





Pno.
                      
      
 

          
              
E. Bass
 
  

                
Synth.
       
7
    
       
49
 
Fl. 
             
           
 
Cl.

   
                                               
                 
      
Dr.
G D A D A B‹ E‹ A7 D A B‹
tem ma ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia com e - le su - bi - rá.
                                  
S.
A.                    
ma -ni - fes - ta - do, pre - pa - ra - do, su - a_i gre - ja su - bi - rá.
tem ma -ni - fes - ta - do, pre - pa - ra - do, e - le su - - bi - - rá.
      
       

        
T.
B.         
opc.
tem ma - ni - fes - ta - do, e - le su - - - bi - rá.
            
G D A D A B‹ E‹ A7 D A B‹
                      

Pno.
 

  


         




    
        
 


  




 


                 
        
E. Bass
          
          

Synth.
           
  
53
   
Fl. 

              
Cl.
  
  
                       
                              
Dr.
     
E‹ A7 D A7 B‹ E‹ A7
com e - le su - bi - rá. com e - le su - bi - rá.
     
               
            
S.
A.
su - a_i - gre - ja su - bi - rá. su - a_i - gre - ja su - bi -

su - - bi - - su - - bi - -
  
rá.
    
     
T.
B.
su - - - - bi - rá. su - - - - bi -
                 
E‹ A7 D A7 B‹ E‹ A7
                     
Pno.
 

 

  


 

   




  


  

   


 

  


  

 
    
E. Bass
    
        

Synth.
       
8
           
56 rall.
Fl.  
ff
      
Cl.
 
 ff
           
        

      
Dr. 
   
p 3 3 3 3 3 3
ff 3 3
B¨ G‹ D(“4) D
   ff
S.
A.         
 
- rá, su - bi - rá, su - bi - rá.
rá.
    ff
     
T.
B.
rá.
        
B¨ G‹ D(“4) D D
                            


 
Pno.
 

        






       




     

ff

  

                  
E. Bass
    
ff
   
rall.

  

 

    
Synth.
  
ff
Flute
Como posso me calar
q = 70 

     
      
   
       
mf 3 3
 
5             
 
  
                         
16
 
     
          
20
 

33
                             
  
            
  
36
 

        
          
41
  

45
            
    
           
53 rall.
  
ff
Clarinet in Bb
Como posso me calar
q = 70
   3     
 
3
        
     
mf
6
  
        
       
17
    
               
     
20
  
                  
24
 
        
         
35
  
           
  
   
38
             

       
41
                
45
  
  
2 Clarinet in Bb
                      
           
49
 
                  
53
 
 
 
rall.
   
56
   
ff
Drum Set
Como posso me calar
q = 70
    

  
pp ff
 
14
                 
 
            
  
     
   
p 6 mf
mf
  
                       
   
17
                              
     
  
                       
   
20
                              
     
23      
                         
         
       
p 6 mf
26         
                             
    



 



 

     
29
                                      
               
 
32
                 
 
                                   
 
p 6 mf
  
35
                       
   
                                 
   V.S.
2 Drum Set
  
38
                       
   
                                 
  
 
41
                 
 
                                   
6
 
p mf

       
44
               
                  


47
                         
         
    
   
  
                                   
   
50
             
    
  
                                   
   
53
             
    

56
        
         
    
p
58 rall.
  
  

      
3 3 3 3 3 3
ff 3 3
SOPRANO ALTO
TENOR BASS
Como posso me calar

C2 C¨6/A¨ Dm2 G7/B G7
q = 70 mf
 
              


Co -mo pos - so me ca -lar dian -te do que te - nho con -tem
   
8 C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨
          

               

pla - do, dian -te do que Deus tem re - a - li - za - do nes -tes di - as, ma -ra -vi - lhas! o
  

11 Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7 C2

 
C7
   

      
          
san -gue de Je -sus tem si - do der -ra - ma -do so -bre_a_i -gre -ja e_o es -pí - ri -to tam - bém.
    

F C G C C/B A‹ A‹/E
A re - a - li - da - de_é que o meu Se - nhor é vi - vo_e seu po - der,
     
15

   
     
              
   
A re - a - li - da - de_é que o meu Se - nhor é
A re - a li - da -de_é que o meu Se - nhor é

      
        
 
    
 opc.  V.S.
A re - a - li - da - de_é que_o - Se -
2 SOPRANO ALTO, TENOR BASS
D‹ F G C©º C7/B¨
que_a ou - tro não pos - so com -pa - rar
 
17

   
             
          
vi - vo_e seu po - der, não pos - so com - pa - rar tem
vi - - vo_e seu po - - der
       

   
nhor tem po - - - der
F C G7 C C/B A‹ A‹/E
tem ma- ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia
      
19
 
                   


ma - ni - fes - ta - do, pre - pa - ra - do,
tem ma - ni - fes - ta - do, pre - pa - ra - do, e - le

      
          
     
opc.
tem ma - ni - fes - ta - do, e - le
D‹ F G7 C C2 C¨6/A¨
com e - le su - bi - rá.
 
21 mf
           
         


Co -mo pos - so me ca -lar
su -a_i -gre - ja su - bi - rá.
su - bi -
rá.
        
  
su - - bi - rá.
SOPRANO ALTO, TENOR BASS 3
25 Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7
    
     

          
dian -te do que te - nho con -tem - pla - do, dian -te do que Deus tem re -a - li - za - do nes -tes
   

28 C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨
       

  
                
di - as, ma -ra -vi - lhas! o san -gue de Je -sustem si - do der -ra - ma-do so -bre_a_i -gre -ja
   

Dm2 G7/B G7 C2 F C G
C7 A re - a - li - da - de_é que o
  
      
31
       

  
e_o es - pí - ri - to tam - bém.
A re - a - li - da - de_é
A re - a li - da -de_é que o
    
        
   
A re - a - li -
C C/B A‹ A‹/E D‹ F G
meu Se - nhor é vi - vo_e seu po - der, que_a ou - tro não pos - so
    
34
        

           

        
que o meu Se - nhor é vi - vo_e seu po - der, não
meu Se - nhor é vi - - vo_e seu
   
      
  opc.   
V.S.
da - de_é que_o - Se - nhor tem
C©º C7/B¨ F C G7
com -pa - rar tem ma - ni - fes - ta - do, pre - pa -
     
36

           
      
     
 
pos - so com - pa - rar tem ma - ni - fes - ta - do,
tem ma - ni - fes - ta - do, pre - pa -

    
po - - der
         
     
po - - - der tem ma - ni - fes -
C C/B A‹ A‹/E D‹ F G7 C
ra - do sua i - gre - ja que um dia com e - le su - bi - rá.
         
38
      
     

           
pre -pa -ra - do, su - a_i -gre - ja su - bi - rá.
ra - do, e - le su - bi - - rá.
   
        
  opc. 
 
ta - do, e - le su - - bi - rá.
G D C D

A re - a - li - da - de_é que o meu Se nhor é vi - vo_e seu po -der,
                     
41
              

A re -a - li - da - de_é que o meu Se - nhor é
A re -a li - da -de_é que o meu Se - nhor é
         
         
      
opc.
A re - a - li - da - de_é que_o - Se -
E‹ G D©º D D7
que_a ou - tro não pos - so com -pa - rar
    
47
 
       

            
  
vi - vo_e seu po - der, não pos - so com - pa - rar tem
vi - - vo_e seu po - - der
        

   
nhor tem po - - - der
G D A D A B‹
tem ma- ni - fes - ta - do, pre - pa - ra - do sua i - gre - ja que um dia
              
49
   
  
         

      
ma - ni - fes - ta - do, pre - pa - ra - do,
tem ma - ni - fes - ta - do, pre - pa - ra - do, e - le

      
      
     
     
opc.
tem ma - ni - fes - ta - do, e - le
E‹ A7 D A B‹ E‹ A7 D A7 B‹
com e - le su - bi - rá. com e - le su - bi - rá.
                     
51

                   
su -a_i -gre - ja su - bi - rá. su -a_i -gre - ja su - bi - rá.
su - bi - rá. su - bi -
    
rá.
       
    
V.S.
su - - bi - rá. su - - bi - rá.
rall.
E‹ A7 B¨ G‹ D(“4) D
com e - le su - bi - rá.
           
55 ff

         
    
   
rá, su - bi - rá, su - bi - rá.
su -a_i -gre - ja su - bi -
su - bi - rá.
       ff
      
su - - bi - rá.
Piano
Como posso me calar
q = 70
       

          
 

mf
                 
             
5 C2 C¨6/A¨ Dm2 G7/B G7
            

                   
    
  
      
8 C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨
            

                  
  













11 Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7
            

               
     
  
       
                     
14 C2 C7 F C G C C/B A‹ A‹/E
        
    
   
 
                       
     
  V.S.
2 Piano

17 D‹ F G C©º C7/B¨
                       
  
 
     
 
          
   
  
 



19
    
 
 
 



                        
   

21 D‹ F G7 C A‹7
       
        
 


 




                    
  
 
23 F G7 C2 C¨6/A¨ Dm2 G7/B G7
                   

           

              
   
     

26 C2 C¨6/A¨ Dm2 G7/B G7 C2 C¨6/A¨
    
                   

        
   
   
     

29 Dm2 G7/B G7 C2 C¨6/A¨ Dm2 G7/B G7
            

               

  
   
    
       
Piano 3

C2 F C G C C/B A‹ A‹/E
           
32
         
C7
    

    
           
                    
 
  
  
  
35 D‹ F G C©º C7/B¨
                   
 



 

                        



37
 
      
                    
 



 


     

39 D‹ F G7 C A‹
            
 


                  




 



 
  
41 F G7 A A7
          
       
 







                      



 
  
43 G‹ G7 C7 D7
       
                  
   
       
   

     

      
   
 V.S.
4 Piano
45

G D C D
 E‹ G D©º D D7
            


    
 



         
             
         
         
 
            
49 G D A D A B‹
         
 










                     

              
51 E‹ A7 D A B‹
     
     
  











                     

     
53 E‹ A7 D A7 B‹
       
     
    
 








                     
  
             
  
55 E‹ A7 B¨ G‹
    
   
       

     
 
   
    
 
rall.
57

D(“4)
 
D D

    
    
    

 
             
ff

      
   
Electric Bass
Como posso me calar

Arranjo de Marcelo Rauta Pr. Silvano Rangel
q = 70

       
          
mf
19
             
       
24
    
                        
28
    
                        
32
            
         
37
            
        
42
     
                     
45 
   

2 Electric Bass
48
            
              
53
            
      
57 rall.
             
  
ff
Synthesizer
Como posso me calar
q = 70
      

   
  
        
    
mf

20
    

   
 



 
      
         
 
27
           
  
          

34
      
  



 

    
 
   



 




40
          

   
     
45
      
                
     


        
 
51
        

      
  
      
     
56 rall.
     
    
 
ff
4464 - Desejei Ardentemente
Música de Everaldo Cavalcante Lima.
Arranjo de Marcelo Rauta
q = 70

            
Flute  
   
mf
            
Alto Saxophone
        


mf
 
      
Choir
      
 

                       


mf
            
Piano
   
     

 


    
     
q = 70
               
Violin  
  
mf
             
Violoncello
     
mf

     
   
5
Fl.          


              
        
Alto Sax.
mulheres
           
mf
  
        
De -se - jei ar - den -te - men - te con - vos -co ce - ar po - vo meu. De -se
Choir
 
mf 
homens
      

                        

Pno.
  
    

    

    

    


   
   

 
         
  
        
Vln. 
 
     
Vc.
            
2
     
     
10
Fl.   

      
f
           
Alto Sax.   
            
f
           
f
             
 
Choir jei ar - den -te - men - te con - vos -co ce- ar po - vo meu. To - mai a -
        
             
f
    
      
      
           

  
f
  
Pno.
      
                  
    
      
                           
Vln. 

f
              
Vc.
                
f

               
      
15
Fl.    
                 
 
     

Alto Sax.
             
                   
     
         
Choir go -ra_o pão que re - pre - sen - ta o meu cor -po que_é da - do por
                        
           

     

         
         
Pno.
 

          
 

 
                
      
      

                 
Vln. 
                        
Vc.
      
3
 
20
          
Fl.    
    
Alto Sax.
         
   
            


  
         
Choir vós, o meu cor -po que_é da - do por vós.
 
         

    

      
                
 
Pno.
                   

                      
     
                     
Vln.  

Vc.
                        
 


             

25
Fl.     
ff
                  
Alto Sax.    


ff

    
ff
  
       
          
    

Choir A - le - grai - vos, vós que_es - tais à me - sa.

             
      
ff
   
  

 
re - go - zi - jai - vos,

                       


ff
                
Pno.
 
       
   

                     
Vln.     
ff
 
      
         
Vc.
    
ff
4
      
29
        
Fl.      
mf
                 
Alto Sax.
   
  

mf
mulheres
       
mf
 
De -se
Choir
     
 
      
      
           

mf
           
Pno.
             
            

                       
Vln. 

mf
 
Vc.
   
     
   
    

  
mf

      
   
34
Fl.          


               
       
Alto Sax.
 
           
         
jei ar - den -te - men - te con - vos -co ce- ar po - vo meu. De -se - jei ar - den -te
   
Choir
mf homens
     
 
       
      
             
Pno.
     
 
 
   


          
      
 
                         
Vln. 
 
      
Vc.
             
5
      
  
39
Fl.           
 f
    
             
      
Alto Sax.
        
  
f
             
 
Choir men - te con - vos -co ce - ar po - vo meu. To - mai o cá - li - ce

                  
f
       

     

                


  
   
                 
Pno. f
      
 
   
 
    

                            
Vln.  
f
                
Vc.
                    
f

 
44                  
Fl.    

  

                 
 

Alto Sax.
             
                 
   
          
Choir que re - pre - sen - ta o meu san -gue ver -ti - do por vós,
                   
          

          
             
Pno.
   
 
  


                 
 

      
                      
Vln. 

Vc.
                          
6
  
49
              

Fl.    
ff
      
Alto Sax.
       
 
ff
ff
    
           

 

   
   
  
         
o meu san -gue ver -ti - do por vós. A - le grai - vos,
Choir
  
          
 
ff
     
 
re -
 
    
                
 
    

ff
                            

Pno.
       
       
                      

Vln.  
ff
        
Vc.
           
ff

              
    
54
Fl.        
mf
         
        
Alto Sax.
  mf
             
     
Choir vós que_es tais à me - sa.
      
            
 
 
go - zi - jai - vos,

                    

  
mf
                
Pno.
           
   
                  
   
Vln.  
mf
   
      
Vc.
          
mf
7
          
   

58
Fl.    
              
Alto Sax.
  

     
ff
    
     
A - le - grai - vos,
    
Choir
ff
   
  

     

          


 
               
Pno.
  

         
      

         

Vln. 
           
Vc.
         

 
62         

Fl.   
ff
         

Alto Sax.
  
ff
       

      
   

vós que_es tais à me - sa.

Choir
   
   
      
 
  

    
   
  
       
     


ff 
     
ff

Pno.
     
   

          

Vln.   
ff
  
   
Vc.
   
ff
Flute 4464 - Desejei Ardentemente
q = 70
                
   
        
mf
   
              
6
        
 
           
         
12
     
f
                 

19
        
ff
26
                          
     
mf
          
 
30
           
      
        
35
  

      

 
                
         
41
    
f
                 
 
48
 
    
ff
                  
    

55
  
mf
                 

 
59
  
ff
Alto Saxophone
q = 70
             
          
 
mf
      
         
6
         
      
         
11
          

f

   
                
17
    
             

   
24
      
ff mf
        
     
30
          
         
           
35
  
                
40
            
f
                  
46
   
                  
   
53
     
ff mf
                 


59
  
ff
Choir
q = 70

        
mulheres
     
mf
        
De -se - jei ar - den -te - men - te con - vos -co ce - ar po - vo

      
  
   
9

f
            
           
   
mf
meu. De -se - jei ar - den -te - men - te con - vos -co ce - ar po - vo meu. To mai a-
        
                
homens f
   
    
  
15
   
                   
 
 
 
 
  
     
          
go -ra_o pão que re - pre - sen - ta o meu cor -po que_é da - do por vós,
    
                     
       
         
21
         
ff
   
        
          
o meu cor -po que_é da - do por vós. A - le - grai - vos,
  
          
ff
         

re -
 
26 
            
    
vós que_es - tais à me - sa.
           
       



2 Choir
        
mulheres
  
33
mf
  
      



De -se - jei ar - den -te - men - te con - vos -co ce - ar po - vo meu. De -se
 
mf homens
       
  
38
         
f
       
         

jei ar - den -te - men - te con - vos -co ce - ar po - vo meu. To mai o cá -li - ce
       
                 
f
         
          
44
  
         
 
       
 
          
que re - pre - sen - ta o meu san -gue ver -ti - do por vós, o meu

                        
  
        
        
50
         
ff
 
        
  
san -gue ver -ti - do por vós. A - le grai - vos,
    
              
      
ff
    
  

re - go - zi - jai - vos,
 
55
         
   

vós que_es - tais à me - sa.
          

 
 
61 ff
  
       
           
  

A - le - grai - vos, 

vós que_es tais à me - sa.
       
          
ff
 
 
Choir
Piano 4464 - Desejei Ardentemente
q = 70
  mulheres mf
        

De -se
       
 
q = 70
 
                           
  
       
mf
 

   
 
 

       
  
     
 
  
6
           
         
jei ar - den -te -men -te con - vos -co ce - ar po - vo meu. De -se
 
mf

homens
    


                    

      
  

   


   
 

          
10

f
          
    
        
jei ar - den -te -men -te con - vos -co ce -ar po - vo meu. To - mai a-
              
f
     
      
     
           
  
      
 

        
          
      
f
V.S.
2 Choir, Piano
  
15
         
                
     
         
go -ra_o pão que re - pre - sen -ta o meu cor -po que_é da - do por
                        
             

         
                
 

          
  
  
      

 
         
  
20
           
    

vós, o meu cor -po que_é da - do por vós.
          
 
         
       

                     
 

                  
               
      
  ff 
25
                  
     
 
    
A - le -grai - vos, vós que_es -tais à me - sa.
              
                   
ff
 
    
re - go - zi -jai - vos,
                      
          
 
mf
   
ff
                  
        
   

Choir, Piano 3
mulheres
 
30
mf
     
    
De -se - jei ar - den -te
     
 

                         
 

  

 



 


 
 
        


   
  
35
             
        
men -te con - vos -co ce - ar po - vo meu. De -se - jei ar - den -te
 
mf
  
homens
   
   

 
     

             
 
      


          
      
 
  
39
         
f
            
  

 
men -te con - vos -co ce -ar po - vo meu. To - mai o cá -li - ce
                  
f
          

     

                
   
 
           
          
    
f


   
V.S.
4 Choir, Piano
  
44
         
             
    
          
que re - pre - sen -ta o meu san -gue ver -ti - do por vós,
                       
        

                        
      
   
 

 
                 
 

   
   
49

ff
            

     
    
  
         
o meu san -gue ver -ti - do por vós. A - le -grai - vos,
  
          
 
ff
        
 
re

                         

ff
                

                      
  
 
54
           
    
 
vós que_es -tais à me - sa.
      
   
        
  
  
 
     

                  

   
   
mf
                 
    
     

Choir, Piano 5
  
59
ff
   

   
   
 
ff     
   

           


       

              
  
  
62
           
  



vós que_es -tais à me - sa.
   
   
      
  
   
      
        
       

 
     
ff ff
    
    

Violin
q = 70
                         

 
      
mf
                              
 
7
   
13
                                
 

f
                            
18

                        
   
24
      
ff mf
                           
 
30
  

                            

36
  
                                 

42


f
                         

47

53
                               
   

ff mf
                 


59
  
ff
Violoncello 4464 - Desejei Ardentemente
q = 70
       
          
 
mf
7
             
          
13
             
             
f
18
        
     
23
          
          
   
ff
29
       
          
mf
35
                 
          
41
            
               
f
46
        
     
51
          
                
ff
57
 
  
       
      
   
mf
61
   
       
ff
Eis que está perto
(povo forte)
Pr. Bill
(2a. Versão)
  
Andante q. = 60
          
Flute  
    
          
    
Alto Saxophone
       
     
SOPRANO
ALTO  
     
 
TENOR
BASS
               
Andante q. = 60
     
  
Violin SOLO   
F B¨/F B¨m/F F7 E¨(#5)/G Emb5 F
       
                    


  
Piano
                                       
        
  
         
5
   
Fl.  
             
Alto Sax.
              

F
  
S.
   
        
A.   
Eis que_es - tá per - to o gran - de
            
   

T.
B. 
              

   
         
Vln.

       
F B¨/F B¨m/F F7 E¨(#5)/G Emb5 F
                  

        
Pno.
                                
                
2
                   

10
Fl.       
  
       
                 
Alto Sax.
     

   
Gm7 F#Ø D/F#Gm/D Gm Gm/B¨ Gm/D Gm B¨/F Em/G B¨/D C4/E C7/E
        
S.
                    
     
A.
di - a do Se - nhor, e so - bre_a ter - ra
    
já se ou - ve o cla - mor.
      
            
         
  
T.
B.
 
                
Vln.        
               
       
       

    

Pno.
        
                   
        
          

16
  
Fl.       
     
      
    

Alto Sax.
           

  
  
  
F Gm7 F#Ø D/F#Gm/D Gm Gm/B¨ Gm/D
        
                 
S.
    
 
A.
Po - vo_es - co - lhi - do, for - te_e sem com - pa - ra - ção está pre - pa -
    
     
             
T.
B.           


  

              
Vln.  
     
             
           

    

Pno.
        
  
                         
3
           
               
21
          
  
           
Fl.
             
                     
Alto Sax.
   
           
F
 
Fo - go de - vo - ra - dor, à fren -te_a - bre_um ca -
       
Gm B¨/F Em/G B¨/D C4/E C7/E
     
S.
            
  
   
 
A.
ra - do pa - ra cum - prir su - a mis - são.
               

 
     
T.
B.
          
   
        
Vln. 

      
          

          

  
Pno.
         
        
        
                       
        
26
                 
             
                       
Fl.
                       
       
Alto Sax.                    
                       
F C4/E Gm7 F Gm
mi - nho ca - da lu - ta_e vi - tó - ria traz no - vos fi - éis ao Se -
              
S.
    
   

   
A.
 
um ca - mi - nho,
         
T.
  
B.
um ca - mi - nho
     
     
Vln.       
       
     
       

       
Pno.
     
        
  

  

  

  
    
4
          
               
       
      
                    
 
   
30
                     
        
   
                 
Fl.
                             
        
Alto Sax.
                               
                             
C/E B¨/D Dm7 C/E F F C/E
nhor. Seus va - len - tes guer - rei - ros cor - ren - do por to - da a ter - ra,
                
S.
            

A.
 
ao Se - nhor, to - da_a
              
 
T.
B.
ao Se - nhor, to - da_a
   
          
Vln. 
              
  
 
          

      
  
Pno.
                        
   
                       
     
 
35
                
                
Fl.
                             
                          
     
                    
Alto Sax.
             
                             
Gm7 F Gm C/E B¨/D Dm/F C7/E F

Pe - los ci - mos dos mon - tes sem - pre pron - tos a tra - ba - lhar.
                   
S.
           
A.
 
ter - ra, tra - ba - lhar. Di - an - te
                   

T.
B.    
ter - ra, tra - ba - lhar.
 
      
Vln.           
 
                   
    

    

              
Pno.
          
                 
5

              
41
        
Fl.         
       
Alto Sax.
       

          
      

 

Gm7 F#Ø D/F#Gm/D Gm Gm/B¨ Gm/D Gm B¨/F Em/G B¨/D C4/E C7/E
           
   
S.
                         
  

   
A.
de - les há um mun - do sem o Se - nhor em su - as fa - ces mar - cas de tris - te - za_e dor,
   

            
                 
      
T.
B. 

         
                
Vln.   
 
             

 
   
      


        
Pno. 
            
    
                          
     
          
48
            
Fl.
        
        
    

Alto Sax.
             

  

  
 


                
F Gm7 F#Ø D/F#Gm/D Gm Gm/B¨ Gm/D Gm B¨/F Em/GB¨/D

S.
                        
A.
       
mas,seus va - len - tes em fi - lei - ras mar - cha - rão com a men - sa - gem de he - ran - ça_e sal - va-
      

                              
T.
B.            
                            
Vln.     
            

 

 

 
     
   

        

Pno.
             
         
                         
6
                            
     
55
                       
                  
                            
Fl.
                            
                                
Alto Sax.
     
                            
C4/E C7/E F F C4/E Gm7 F Gm
Com a for - ça_e po - der e_ar ma - du - ra de Deus a - van çam, Pois,o sol e_as es - tre - las e-
   
S.
                    
   
     
 
A.
  
ção. Sim! a - van - çam,

                


T.
B. 
Sim! a - van - çam,
      
 
Vln.         

                     
        

       
Pno.
            
      
    

           
                                   
         
       
               
61
             
Fl.
                             
              
                       
Alto Sax.   
                                
                                   
ne - gre - ce - rão em sua luz Le- van - tan - do sua voz de - cla- ra_o Se - nhor aos seus san tos:

         
                
        
S.
A.      
su - a luz, aos seus
T.                
B. 
  
     
Vln.          
                        
   
     

    
Pno.
                
         





     

     
7
                      
              
       
67
                 
                  
          
Fl.
                         
     
                   
Alto Sax.
          
                            
Gm7 F Gm C/E B¨/D Dm/F C7/E

Con- ver - tei - vos a mim de to - do vos - so co- ra - ção
                      
   

S.
A.
     
san - tos, co - ra - ção.
                
 
 
T.
B.
  

  
Vln.         
   
                   
      

 

Pno.
    
                  
                

 

73
Fl.      
     
Alto Sax.

F B¨m Dm4/A Dm/A Gm/B¨ Gm7/B¨ Gm Dm
     
       
        
   
S.
A.      
Sim, eu te ser - vi - rei, sim, eu te ser - vi - rei, sim, eu te
                 
T.
B.         

                                                  
Vln. 
          
        
             
   

     
Pno.
       
        
         
8
78
                
              
Fl.  
               
         
Alto Sax.
 
Gm

Dm Dm/A C7/G C7/B¨ F B¨m
 Dm/A Gm/B¨ 
S.
 
     

   
     
     
A.
 
eu te ser - vi -rei, eu te ser - vi -rei,
ser - vi - rei,
                 
        
                   
T.
B.
sim, eu te ser - vi - rei.
                  


                
Vln.

    
             
         

    
   
Pno.
                    
          
      
                          
85
  
Fl.

              
                
Alto Sax.
       
      
B¨ Am Gm Dm7 G7 Csus4 C
 
S.
                 
    
A. 
       
     
       
T.
B.
           
     
Vln.     
   F B¨/F B¨m/F F7 E¨(#5)/G Emb5
                
             
              

    
       
Pno.
                                    
     
9
  
            
92
Fl.   
         
                    
 
Alto Sax.
Com a
       
S.
A.  
     
 
T.
B.
         

          
Vln.        
F F B¨/F B¨m/F F7 E¨(#5)/G Emb5 F C7
    
  
     
             
     

 
Pno.
                                        
         
                             
 
97
                      
                
                             
Fl.
                             
 
Alto Sax.
                              
                             
F F C4/E Gm7 F Gm
for - ça_e po - der e_ar ma - du - ra de Deus a - van - çam, Pois,o sol e_as es - tre- las e -
      
                
    
S.
A.     
        
  
 
T.
B.
   
     
Vln.         
  
                      
         

  
Pno.
      
     
    
       
10
                                 
       
102
                       
                
Fl.
                                   
              
                       
Alto Sax.

                               

                                   
ne - gre - ce - rão em sua luz Le- van - tan - do sua voz de - cla- ra_o Se - nhor aos seus san tos:
    
                
   
           
S.
A.    
               
 
T.
B.
    
 
    
Vln.        
                  
        
 
         

    
Pno.

                         
          
                             
                    
 
108
                  
                  
           
Fl.
                          
     
                    
Alto Sax.
         
                             
Gm7 F Gm C/E B¨/D Dm/F C7/E
   
Con- ver - tei - vos a mim de to - do vos - so co - ra - ção
F B¨m
     
    
          
       
 
S.
A.
      
Sim, eu te ser - vi - rei,
                      
     
T.
B.
   
Vln.          
 
                     
   

  

                 
Pno.
        
             
11
115
   
Fl.         
        
Alto Sax.
  
Dm4/A Dm/A Gm/B¨ Gm7/B¨ Gm Dm Gm Dm Dm/A C7/G C7/B¨ F
       
S.
      
         
A.
       
eu te
sim, eu te ser - vi - rei, sim, eu te ser - vi - rei,
 
                   
             
T.
B.
  
Vln.         
        

 
Pno.
          
    
                 
   


122
       
Fl.    
    
        
     
Alto Sax.
 
B¨m
 Dm/A Gm/B¨
 B¨ Am

Gm
              
           
S.
A. 
ser - vi - rei, eu te ser - vi - rei, eu te ser - vi - rei,
           
          
T.
B.
                                                  
Vln. 
          
    
    
    
 
 
 



    


                                                      
Pno.
       
12
      
       
127
    
Fl.  
        
Alto Sax.
 
 
  
             
 
 
Dm7 G7 Csus4 C
   
S.
A.          
eu te ser - vi - rei,
      
      
 
T.
B. 
       
            
Vln.   
 
F B¨/F B¨m/F
   
  




              


                   
Pno.
                   
  
    
  
     
131
Fl.   
  
Alto Sax.
      
       
    
S.
A. 
   
 
T.
B.
            
      
Vln.   
F7 E¨(#5)/G Emb5 F F
          
       
 

 
Pno.
            
                        
13
      
 
134
 
Fl.      
          
Alto Sax.
     
    
  F  
         
S.
A.     
Eu te ser - vi - rei.
     
     
    
T.
B.
   
Vln.          
 

     
B¨/F B¨m/F F7 E¨(#5)/G Emb5 F
      
       
             


Pno.
    
                                
     

Flute
Eis que está perto
(povo forte)
(2a. Versão)
Pr. Bill
   
                
Andante q. = 60
   
    
 
              
8
   
     
   
       
        
15
           
       
                       
                              
22
  
                       
                             
                             
 
28
  
                              
                             
33
    
     
                             
           
     
        
38
      
     
    
   
  
           
        

45
  
       
    
49
           
     
2 Flute
                       
54
 
                              
                           
                             
                             
 
60
   

                             
                             
65
    
     
                             
           
                        
  
70
          

           
              
                           
84
  
     
   
                
91
  
     
                             
98
    
    
            
                 
                             
    

103
    

                             
                             
   
 
108
   
                  
           
113                         
               
  
Flute 3
         
      
127
   
 
  
         
133
      

Alto Saxophone Eis que está perto
(povo forte)
(2a. Versão)
Pr. Bill
      
         
  
          
Andante q. = 60
   
      
   

                 
7
           


              

         
14
            
    
                   
  
                        
21
   
                    
                             
                              
27
            
                 
                             
                              
32
                              
                     
                        
37
     
        
           
      
       
         
44
            
           

49
         

2 Alto Saxophone
                         
54
                               
     

                        
                             
                              
60
                              
                             
                              
65
                              
            
                   
70
                  
     
          
                 
84
        

      
       
              
91
      
 
                             
                              
97
                              
                             
                              
102
                              
                             
                              
107
  
                             
     
      
        
112
       
           
Alto Saxophone 3

125                 
  
        
          
 
        
   
                
132
   
   

SOPRANO ALTO
TENOR BASS Eis que está perto
Arranjo de Marcelo Rauta (povo forte)
(2a. Versão) Pr. Bill
Andante q. = 60

     
               
   
per - to o gran - de di - a do Se - nhor,
  
Eis que_es - tá
  
             
        
   
12
  
                            


        
e so - bre_a ter - ra já se ou - ve o cla - mor. Po- vo_es - co - lhi - do,
               
for - te_e
      
              
         
 
Fo- go

            
18

            

           
 
sem com - pa - ra - ção está pre - pa - ra - do pa - ra cum - prir su - a mis - são.
          
                     
      
  
à fren- te_a - bre_um ca - mi - nho


de-vo - ra - dor, ca - da lu - ta_e vi - tó - ria traz
    
24
      
     
     
 
    
um ca - mi - nho,
           
    
um ca - mi - nho V.S.
no - vos fi - éis ao Se - nhor. Seus va - len - tes guer - rei - ros cor - ren - do por to - da a
29
    
  
     
                    

ao Se - nhor,
           
 
ao Se - nhor,

ter - ra, Pe - los ci - mos dos mon - tes sem - pre pron - tos a tra- ba - lhar.
34
               
        

            
to - da_a ter - ra, tra - ba - lhar.
                   

to - da_a ter - ra, tra - ba - lhar.
   
         
40
            
        
    
 
Di - an - te de - les há um mun - do sem o Se - nhor em su - as fa - ces mar - cas
  

               
          
       
 
 
46
         
     

        
        
   
      
              
de tris - te - za_e dor, mas,seus va - len - tes em fi - lei - ras mar cha - rão

  
   
      
    
Com a for -ça_e po - der e_ar - ma
    
52


                         
     
com a men - sa - gem de he - ran -ça_e sal - va - ção.
           

                  
        
du - ra de Deus a - van çam, Pois,o sol e_as es tre- las e - ne - gre - ce - rão em sua
      
57

    
                     
 
        
    
luz Le- van - tan - do sua voz de - cla - ra_o Se - nhor aos seus san - tos:
                
62
 
             

 
            
   

Con - ver - tei - vos a mim de to - do vos - so co - ra - ção
 
67

                  
        
               
 
 
V.S.
73
            
               
               
            
Sim, eu te ser - vi - rei, sim, eu te ser - vi- rei, sim, eu te ser - vi - rei,
     
                  
sim, eu te
     
80

  
                    
  
      
 
   
    
eu te ser - vi - rei, eu te
                    
eu te ser - vi- rei, eu te ser - vi- rei,
   
               

ser - vi - rei.
     
Com a for - ça_e po - der e_ar - ma - du - ra de Deus a -
               
88
      
 
     
ser - vi - rei,
  
 
van çam, Pois,o sol e_as es - tre - las e - ne - gre - ce - rão em sua luz
99

                     
 
    

    
   
Sim! a - van - çam, su - a
          
 
Sim! a - van - çam, su - a
Le- van - tan - do sua voz de - cla - ra_o Se - nhor aos seus san tos: Con - ver
               
104

             
     
 
 

            
luz, aos seus san - tos,
   
luz, aos seus san - tos,

tei - vos a mim de to - do vos - so co - ra - ção
109
  
            
          
      
co - ra - ção.
Sim, eu te ser - vi- rei,
                  
     
co - ra - ção.
115
   
                  

          
eu te

       
sim, eu te ser - vi- rei, sim, eu te ser - vi- rei,
              
              
sim, eu te ser - vi- rei.
 
   
122

             
                 
eu te

ser - vi - rei, eu te ser - vi - rei, eu te ser - vi - rei,
               
          
   
128   
          
    
 
       
ser - vi - rei,
    
       
Violin SOLO
Eis que está perto
(povo forte)
             
       
Andante q. = 60
       
    
6                           
       
   
           
            
12
  
         
             
     
19
   
     
          
 
25
 
      
          
     
32
          
    
                      
38
   
                        
46
        
                
   
53
        
2 Violin SOLO
            
   
60
 
        
       
     
66
      
                            
74
 
      
77
          
                  
80    
          
         
             
         
91
   
        
 
    
 
95
  
    
          
     
101
         

       
   
107
    
                             
121

  
    
Violin SOLO 3
      

 
124
     
      
   
                    
127
  
  
             
         
131
   
           
      
135
    
Piano
Eis que está perto
Arranjo de Marcelo Rauta (povo forte)
F B¨/F B¨m/F F7 E¨(#5)/G Emb5
 Andante q. = 60
   
    
           
        
                             
     
    
4 F F B¨/F B¨m/F
  
          
 
                              
     
7 F7 E¨(#5)/G Emb5 F
           

  
         
       
                
                        
12

  

 
      
    

   

       
        
    
17
         
     
 

 

 
   

     

        
               
     V.S.
2 Piano

          
22

            
          
       
      
      
27

     
           
 
       
                        
       
32
  
                     
       


 
                    
  


    
37
    
        
   
   
  
 

     
               
       
 
42
                  
        
    

    
  
   
             
Piano 3
47
  
     
             
     
         
 
                          
    
52
           
   
          

     
             
           
57
 
             
       
 

        
                     
        
              
62
  
   
        
  
                     

    

67
     
         


             

                     
      
V.S.
4 Piano

72
        
          
         
       
                 
               
       

78
 
                     
             
    
                          
                     
   F B¨/F B¨m/F
  
86
       

  
                  
      
                          
    
91 F7 E¨(#5)/G Emb5 F F
          
       
   
        
                        
B¨/F B¨m/F F7 E¨(#5)/G Emb5 F C7

        
94
                 
     
                     
          
Piano 5
98
 
                    
       


  
                     
      
               
103
  
 
       
   

                     
      
108

              
 
  
          
         
     
  
111
 
 
     
  
   
          
6 Piano
121

  





 
 

 


                               
     
124
 
    
 





    




                                          
    
 F B¨/F B¨m/F
 
128
    
 
 
 
 
         

                
                   
131 F7 E¨(#5)/G Emb5 F F
          
       
   
                            
     
  
     
134 B¨/F B¨m/F F7 E¨(#5)/G Emb5 F
                
  
 
  
    
                               
      

Eis que está perto
(povo forte)
Pr. Bill
(2a. Versão)
Andante q. = 60
     
SOPRANO
ALTO  
     
 
TENOR
BASS
Andante q. = 60
        
                    


  
Piano
                                       
       

5
      
S.
         
A.  
Eis que_es - tá per - to o gran - de
       
     
T.
B.     
    
                    

         
Pno.
                                
                
                 
10
 
S.
                 
A.
    
 
   
di - a do Se - nhor, e so - bre_a ter - ra já se ou - ve o cla - mor. Po - vo_es - co-
   

                           
T.
B.               

         
 
 
    
       

         

Pno.
             
                     
            
2
 
17
  
      

           
     
S.
  
 
A.
lhi - do, for - te_e sem com - pa - ra - ção está pre - pa - ra - do pa - ra cum
           
    
     
          
T.
B.
 
         
   
 
 
     

     

Pno.
         
           
                
     
Fo - go de- vo- ra dor, à fren -te_a - bre_um ca - mi - nho
       
22 ca -da
     
      
          
S.
A.
    
prir su - a mis - são. um ca - mi - nho,
                   

  
 
T.
B. 
um ca - mi - nho
                
              
      
 


Pno.
                    
              
lu - ta_e vi - tó - ria traz no - vos fi - éis ao Se - nhor. Seus va -

  
28
S.
                 
A.      
ao Se - nhor,
T.           
B. 
ao Se - nhor,

             
    
    



Pno.
                
               
3
len - tes guer - rei - ros cor - ren - do por to - da a ter - ra,
32
          
S.
A.          
 

to - - da_a
      
 
T.
B.
to - - da_a
 
     
           

      
Pno.
          
     
   
Pe - los ci- mos dos mon- tes sem - pre pron - tos a tra - ba - lhar.
 
35
           
   
                
S.
A.
    
ter - ra, tra - ba - lhar. Di - an - te de - les há um

                        
T.
B.     
ter - ra, tra - ba - lhar.

               
   
    

     

              
Pno.
           
                
        
  
               
42

S.
                      

A.
   
mun - do sem o Se - nhor em su - as fa - ces mar - cas de tris - te - za_e dor, mas,seus va-
  

       
                      
   
   
T.
B. 
         
 
 
    
       

         

Pno.
            
                      
           
4
Com a

               
49
 
S.
         
 

        
A.
     
 

len - tes em fi - lei - ras mar - cha - rão com a men - sa - gem de he - ran - ça_e sal - va - ção.
 
                             
T.
B.      


     
            

 
 
      
      

       

Pno.
            
                
                  
for - ça_e po- der e_ar ma - du ra de Deus a - van çam, Pois,o sol e_as es-tre - las e - ne- gre - ce - rão em sua
56
                
        
  
S.
A.        
           
T.
     
B.
  
                        
       
          

 
Pno.
  
          
  



     
      
luz Le- van - tan - do sua voz de - cla - ra_o Se- nhor aos seus san tos: Con- ver

62
        
                
      
S.
A.
     
su - a luz, aos seus san - tos,
                 
T.  
B. 
                  
   
        
      

 
Pno.
 
                            
      
5

tei- vos a mim de to - do vos - so co- ra - ção
 
68
     
          

        
 
S.
A.       
co - ra - ção.
Sim, eu te ser - vi - rei,
            
         
T.
B.         
co - ra - ção.
  
             
   
         
 

  
Pno.

                
          

                 
  
 
75
 
      
              
      
                  
S.
A.
      
sim, eu te ser - vi - rei, sim, eu te ser - vi - rei,
       

                         
T.
B.                
     
                        
           

        
Pno.
                                 
               
              
85
S.
                   
A.
       
     
       
T.
B.
            
     
                                    

  
       
Pno.
              
                           
6
Com a
92
       
S.
A.   
     
 
T.
B.
    
  
                   
       
Pno.
                                        
         
for - ça_e po- der e_ar ma - du ra de Deus a - van- çam, Pois,o sol e_as es- tre - las e - ne - gre - ce- rão em sua
97
              
         
  
S.
A.       
        
T.
    
B.
  
                             
       
 

  
Pno.
              
   
           
luz Le- van - tan - do sua voz de - cla - ra_o Se- nhor aos seus san tos: Con- ver

103
        
S.
                  

 
A.       
                 
T.
  
B.
              
  
   

          
      

 

Pno.
                              
            
7

tei- vos a mim de to - do vos- so co - ra - ção
109
      
S.
          
         
      
    
A.             
co - ra - ção.
Sim, eu te ser - vi - rei, sim, eu te ser - vi - rei, sim, eu te
                           
                 
T.
B.
co - ra - ção.

                  
     



           
Pno.
    
                  
 
                
118

S.
           
 
  
                         
A.
  
eu te ser - vi -rei, eu te ser - vi -rei, eu te ser - vi -rei, eu te ser - vi -rei,
ser - vi - rei,
                       
        
   
              
T.
B.  
 
                           
                         

 
       
Pno.
               
                     
129

S.
A.     
    
 
T.
B.
    
                    


    
Pno.
                               

         
8
133
   
S.
           
A.     
           
    
T.
B. 

          
                  
   
       

  
Pno.
               
                                

Eu me prostro
Música e arranjo: Marcelo Rauta
q = 64 Dm7
 
Voz          
  
  
Quan -do tu - do pa - re - ce_es - tar per -
  
 
Coro
    
Violino      
q = 64
              
    

       
Piano
      

     

4 C7M Gm9/B¨ A7/9 Dm7


voz     
            
  
di - do, quan -do_as for - ças pa - re - cem se_a -ca - bar, eu me
    
                
 
       
Pno.
  
      


    

7 Dm7 C7M B¨7M


voz            
              
pros - tro di - an - te do Se - nhor, cla -mo pe -lo teu a -mor e e - le vem me_am -pa -
         

                
 


Pno.
      
     
2
10 A4/9 A7/9 Dm7 C7M

voz             
    
rar. Quan -do tu - do pa -re - ce_es -tar per - di - do,
 
  
quan -do_as

vl.             
             

                 
Pno.
       
     
     
13 Gm9/B¨ A7/9 Dm7 Dm7


voz        
             
for - ças pa - re - cem se_a ca - bar, eume pros - tro di - an - te do Se -
              
vl.  
             

                  
Pno.
      
 
   
 

C7M B¨7M A4/9

16
voz    
           
nhor, cla mo pe -lo teu a -mor e e - le vem me a - ju - dar.
  
vl.                 
               


            
   
Pno.
     
   
       
3
rall. q. = 64
 
19
     
voz  
A A7
  D  
                  
Oh!meu Se - nhor
             
Coro do teu rei - no ou -ves to - do meu cla
         
    
  
    
        
     
vl.       
rall.
      
q. = 64
           
                  
 
   
     
Pno.
                   
 
  
   

 
23
voz      
  
F#m Em
                    
      
mor, me_e -di - fi - ca, me res - tau - ra, me re - no - -
       
Coro
         
    
  

me_e -di - fi -

ca,
  

me res - tau - ra, me re -
                   

vl.              
               

        
  

    

 
Pno.

     
                 
    
    
   
4
   
28 C Em/B Am7 Em/G
      
voz 
             
Só em ti há sal -va - ção. To -da mi - nha es -pe - ran - ça es - tá em

G/D
      
   
Coro va.
   
  
 
             
  
no - va.
vl.              
      
 
      
 
                  
    
                           
Pno.
    
    
     
2.
 
1.
 
33 A4/9 A4/B
    
   
ad. libtum (recitado e lento)
voz 
   
ti.

A Meu am -pa -ro_é Je
 
A A7
            
 
     
   



Coro
  
Es - tá em ti. Oh! meu Se - ti.
 

                 
 
       
     
  
vl.    
  
  
1. 2.
          
       
Pno.
    
           
          



  

  
5
q = 64
   Dm7
39
voz     
 
         
sus!
vl.          
q = 64
                  
                  
Pno.
         

      

      
43
vl.          
      
                     
 
Pno.
  
  

  
    

     
    
46
vl. 
      
                         
Pno.
     
   
       
6 q. = 64
rall.
  D  
49 A7

voz                   
Oh!meu Se - nhor do teu rei - no ou -ves to - do meu cla
A A7
  D  
                 
Oh!meu Se - nhor do teu rei - no ou -ves to - do meu cla
      
Coro
                
     
   
   
   
        
vl.      
rall.
      
q. = 64
          
    
            

   



      
                   
Pno.
    
 
   

   
53 F#m Em
voz               
 
mor, me_e -di - fi - ca, me res - tau - ra, me re - no - -
  
F#m Em
    

   
 
     

       
           

Coro mor, me_e -di - fi - ca, me res - tau - ra, me re - no - -
    
    
  
       
me_e -di - fi - ca, me res - tau - ra, me re -
     
    

vl.              

               

        
  

    

Pno.
 









                              
7
 
58 C Em/B Am7 Em/G
        
voz              
va. Só em ti há sal -va - ção. To -da mi - nha es -pe - ran - ça es - tá em

G/D
      
Coro va.
   
   
  
 
               
no - va.
vl.              
           
 
  
            
       
 
Pno.
     

                          
 
 






A B¨7M B¨7/G
 
63 A4/9 A4/B D7M/9
   
voz      
     
  
ti.
Meu am -pa -ro_é Je - sus, mi -nha vi -da_é_o Se - nhor!

 
   
           

Coro

Es - tá em ti.
             



 
          
vl. 
    

Nas fermatas: livre para arpejos
    
               
Pno.
    
    
    


 
 













Voz
Coro Eu me prostro
Piano
q = 64 Dm7
 
   
       

Quan -do tu - do pa -re - ce_es -tar per-
    
    
 
q = 64

              
      

      
     

     

4 C7M Gm9/B¨ A7/9 Dm7

  
              
  
di - do, quan -do_as for - ças pa -re - cem se_a -ca - bar, eu me
    
                
  
   
   
   
      


    

7 Dm7 C7M

              
 
pros - tro di - an - te do Se - nhor, cla - mo
  
    


         
     

     V.S.
2 Voz, Coro, Piano
9 B¨7M A4/9 A7/9

                
 
rar. Quan -do
pe - lo teu a - mor e e - le vem me_am -pa -
        
           
    
   
   
     
11 Dm7 C7M Gm9/B¨ A7/9

 
                    
tu - do pa -re - ce_es -tar per - di - do,
  
quan -do_as for - ças pa -re - cem se_a -ca
               

              
       
 
     
14 Dm7 Dm7 C7M
   
           

bar, eu me pros - tro di -an - te do Se - nhor, cla -mo
           

                   
        
  
     

17 B¨7M A4/9

               
pe - lo teu a - mor e e - le vem me a - ju - dar.
 

          

      
   
   
    
Voz, Coro, Piano 3
rall.
q. = 64
 
19

    
A A7
   
D

    
         
 
Oh! meu Se - nhor do teu rei - no ou -ves
            
         
    
rall.

         
q. = 64
       
             
 
      
                
 
  

 
22
     
   
F#m

       
               
     
       
to - do meu cla - mor, me_e -di - fi - ca, me res - tau - ra, me re
               
   
me_e -di - fi - ca, me res - tau - ra,
                   
               

 


                              
    
    V.S.
4 Voz, Coro, Piano
 
27 C Em/B Am7
                    
Só em ti há sal -va - ção. To -da mi - nha es -pe

Em G/D
         

      
no - va.
   
  
me re - no - va.
            
     
 
 
       

                     
                 
 
    
2.

1.
 
32 Em/G A4/9 A4/B
    
       

ran - ça es - tá em ti. A

A A7
                
         

   
Es - tá em ti. Oh! meu Se - ti.
        
          


          
1. 2.
    
              

    
   
       
                 
           
Voz, Coro, Piano 5
q = 64
 
38 ad. libtum (recitado e lento)

Dm7
       
 
 Meu am - pa -ro_é Je - 
sus!
   

      
q = 64
       
    
      

   
   
   
   

41
    

         
         

             
      
 
     
44
  
                        
  
 

     
     

V.S.
6 Voz, Coro, Piano
 
47 A7
 rall.
       
Oh!meu Se -
A A7
 
       
     
Oh!meu Se -
    
 
rall.
   
         
                   
   
       
    
    

q. = 64
    
50 D F#m
               
   
nhor do teu rei - no ou -ves to - do meu cla - mor, me_e -di
  
F#m
  
D
     
            
    
   
nhor do teu rei - no ou -ves to - do meu cla - mor, me_e -di
   
                     

   
              
q. = 64
    
                  

  
                            
  
  
 
Voz, Coro, Piano 7
   
55 Em C
                    
fi - ca, me res - tau - ra, me re - no - va. Só em ti há sal -va
  
Em G/D
                  
   
fi - ca, me res - tau - ra, me re - no - va.
            
     
     
me_e -di - fi - ca, me res - tau - ra, me re - no - va.
                    
      

    
     
               
                 
     
 
 
60 Em/B Am7 Em/G A4/9 A4/B
  
             
ção. To -da mi - nha es -pe - ran - ça es -tá em ti.
 
     

    
 
Es - tá em
          
   
          
          
           
        

              
         
         V.S.
8 Voz, Coro, Piano
A B¨7M B¨7/G
 
65 D7M/9
   
        
    
 Meu am - pa - ro_é Je - sus, mi - nha vi -da_é_o Se - nhor!

       


ti.
    
   


    
Nas fermatas: livre para arpejos
    
   
      
    
     
  
    

Violino Eu me prostro
q = 64
        

        

                  
13
   
  

rall.
            
17

      
   
q. = 64
            
   
     
20
         

     

26

                 
         

      
 
              
31 1.
     
      
  
36
 
2.
      

q = 64

39
  
2 Violino
              
40
             
                       
45

 
      

q. = 64
               
rall.
 
49
    
         

            
55
            
       

59
        
          
      

 
63 



    
Fala Senhor.
Arranjo vocal de Janne Gonçalves e arranjo instrumental de Marcelo Rauta
   
q = 90
         
Flute   
   
        
   
Alto Saxophone
            
  
          
Violin 1  
   
pizz.     
   
Violoncello
    
 
        
Choir
      
  
     
q = 90
                          
                           

Piano
    
    
  


 
 
 
 
 
 





  
7
   
Fl.          
    
Alto Sax.
          
   
Vln. 1            
           
Vc.
    
  Mulheres          
3
              
Fa - la Se nhor, fa - la co - mi - go, fa - la Se - nhor, pre - ci -so mui -to te ou - vir.
Choir
       
 
                             
               
                   

Pno.

    


  
 
 
      
       

   
   

 
 
 
   
 

2

     
14
         
Fl.    
   
Alto Sax.
   

 
         

    
    
Vln. 1
            
 
         
arco
Vc.
        
    
     
3
                        
    
3
Fa - la Se nhor, tua do -ce voz eu que - ro_ou - vir, fa - la Se nhor, eis -me a -
       
Choir
      
3
                 
         
3
         

    
         

            
               

     
Pno.

  


     
  

  
 
  
 
   
        



  
  

  
  
      
21
Fl.   
 
   
   
Alto Sax.
  
 
Vln. 1         
      
Vc.
  
            
           
Pros -tra -do_es -tou em teu al tar, hu -mil -di -men -te_a te_a -do - rar,
       
 
 div. (contraltos) 
     
qui. uh! uh! uh! uh! bem sei que_es - tás pre
    
Choir
   
  
         
    
     
          
   
                        
    

  
  
   
Pno.
     
           
    
3

                  
27
Fl.       

                
Alto Sax.
   
    
      
Vln. 1              

               
Vc.
 
      
pois, pos -so te sen - tir.
 
     
     
Mulheres
           
             
sen -te_a - qui pois, pos -so te sen - tir, pos -so te sen - tir. Fa - la Se - nhor, fa -la que_o teu ser -vo ou - ve,
Choir pos - so te sen tir.
                  
                  
pois, pos - so,
  
Homens
 
  
pois, pos -so te sen - tir, pos -so te sen - tir.
                  
                                   


 
Pno.
             
 
            
            
     
  
34
Fl.       
3
           
Alto Sax.
       
3
            
Vln. 1      

3
  
       
arco
       
Vc.  
3
     
  
3
              


          
fa -la Se nhor, a - ten -to_es -tou a tu - a voz. Fa - la Se - nhor do mo -do que qui
     
Choir
  
    3  
   



    
     
  
fa -la Se - nhor, tu - a voz.
                    
         
 
                              

Pno.
  
  
   
   

 
 






   
  
 

    
 
 
  
 

4

  
     
41
Fl.   
 
Alto Sax.
      
   
 
            

Vln. 1
       
Vc.
   
       
tua voz a - le -gra o meu ser
                               
      
div. (contraltos)  

Choir ser fa - lar, fa -la Se nhor que_a -le -gre_a -ten -do_a teu man - dar. uh! uh!
      
     
        

            

                      

                     
             

  
Pno.
      
                
             
          
           
48
Fl.     

           
Alto Sax.
     
     
Vln. 1              

Vc.

  
             

       
3
                     
me_a -ni -ma es -te meu vi ver,
   
       
            
3
    
uh! uh! con -for - ta quan -do tris - te_es - tou, me en -che de a - mor. Ó Deus fa -la co

Choir
    
                    
3
 
          
3
  
                                       
  

  
            
Pno.

           

5
 
55
 
Fl.          

Alto Sax.
         
  
         
Vln. 1  
         
pizz.
Vc.  
    
                             
         
   
mi - go com su -a voz de_a - mi go os teus con - se -lhos si - go fa - la co - mi - go.
                 
Choir
             
           
              
        
             
       
          
 



 
                   
Pno.
                   
      
          
63
Fl.   
  

      
Alto Sax.
         
     
   
        
Vln. 1   
     
Vc.
   
    
 
       
Choir
      
 
 
                           
                             

Pno.
 

 


 
 
 
 
 
 




 

6
 
69
Fl.        

Alto Sax.
       
 
Vln. 1       
     
Vc.
 
                
Pros - tra -do_es -tou em teu al - tar, hu - mil - di - men -te_a te_a - do - rar,
   
 
 
            
 div. (contraltos) 
uh! uh! uh! uh! bem sei que_es -tás pre -
    
Choir
  
 
         
    
             

                    
       

   
             
Pno.
          

       
74
Fl.       
          
Alto Sax.
 
           
Vln. 1  
         
arco

Vc.
 
      
pois, pos - so te sen - tir.
 
      
           

      

sen -te_a - qui pois, pos - so te sen - tir, pos - so te sen - tir. Fa - la Se nhor.
Choir pos - so te sen - tir.
     
                        
pois, pos - so,
      
  
pois, pos - so te sen - tir, pos - so te sen - tir.
        
                         


  
Pno.
 
 






    

    
    


Flute
Fala Senhor.
    
q = 90
        
 
7
         

    

      
 
16
    

    
              
24
  
 
 
           
30

 
3
    
38
  
      

  
        
46

  

55
        
 
  
  
 
66
   
Alto Saxophone
Fala Senhor.

q = 90

                
         
 
6
           
   
 
15
              
     

23
 
    

30   
          
3
41
     
     
  
       
51
  
                    
63

  

67
          
 
Violin 1
Fala Senhor.
q = 90
     

   
  
10
    
         
    

18
            
28
          
  
  

3

39
                    

   
47

              

      
55

 
67
 

        
Violoncello
Fala Senhor.
q = 90
pizz.
        
           
8   arco
         
      
17
     
       

26 
            
  
35 arco
               
  
3
42
           

52  pizz.
                


64
     
      
69  arco
      

Choir Fala Senhor.
Piano
q = 90
       
 
     
  
  
q = 90
                        
  
                         
          
           
      
 
6

Mulheres
         
Fa - la Se - nhor, fa - la co - mi - go,
    
 
                 

                   


   
       
  
  
     
 
10
   
3
    
       
fa -la Se -nhor, pre -ci -so mui -to te ou - vir.
     
 
                      

                     
 
    
        


   
   

 
 
 
   
   
 

 
  V.S.
2 Choir, Piano
         
15
      
  
 
       
          

       
Fa - la Se - nhor, tua do -ce voz eu que - ro_ou - vir, fa -la Se -nhor,
           
   
     
                      

 
                 

  
  
   


   
  

  
     




  
  
   
20
 
3 Pros -tra -do_es -tou em teu al - tar,
             


 
div. (contraltos)
3
eis -me a - qui. uh! uh!
3
     
  

  
 

 
3
         

                 
   

     
     
           
     
 
24
   
       
hu -mil -di -men -te_a te_a - do - rar,
   
            
 

       
uh! uh! bem sei que_es -tás pre - sen -te_a -qui
              
    
   
                        

  
        
     

Choir, Piano 3

        
28
   
 
Mulheres
        

pois, pos so te sen - tir, pos -so te sen - tir. Fa - la Se - nhor,
pos -so te sen - tir.
           
        
pois, pos so,
   
 
Homens
  
pois, pos -so te sen - tir, pos -so te sen - tir.
        

                   


 
           
     
  
 
32
              
fa -la que_o teu ser -vo ou - ve, fa - la Se - nhor,
            
 
 
fa - la Se - nhor,
                    

                 



 
 
   



   
   





 
36
         
3
   
     
 3        
a - ten -to_es -tou a tu - a voz. Fa - la Se - nhor
  
 
tu - a voz.
                  

                   
 
   



 
 
 
   
  




  
      
 V.S.
4 Choir, Piano
       
40

          

        

       
do mo -do que qui - ser fa - lar, fa - la Se - nhor

           
    
  
          
 
        
            

   
  

 
 
  
 



  
   
   

 
 
 
 
           
44 tua voz a - le -gra o meu ser
         
     
div. (contraltos)  


que_a -le -gre_a -ten -do_a teu man - dar. uh! uh!
             

         

         

                
   

     
     
        
        
 
48
   
       
me_a -ni -ma es - te meu vi - ver,
          
 
   
       
uh! uh! con -for - ta quan -do tris -te_es -tou,
              
    
   
                        

  
        
     

Choir, Piano 5
         
52
   3   
               
              
 3
me en -che de a - mor. Ó Deus fa -la co - mi - go com su -a voz de_a
  
                          
3
              
3
              

       
      
  
 





  


  
 








  
57
             
      
  

mi - go os teus con -se -lhos si - go fa - la co - mi -
 
          
         
            
   
      
       
 



 
   
          
          
 
 
62
     

go.
  
    
 
                              
          
           
 
  
 
  


 
 
 
 
   
 V.S.
6 Choir, Piano
    
67 Pros -tra -do_es -tou em teu al - tar,
          

 div. (contraltos) 
uh! uh!
    
 

 
   
       
          
  
  

    
    
         
  
 
  
71
          
hu -mil - di -men -te_a te_a do - rar,
  
            
 

       
uh! uh! bem sei que_es -tás pre - sen -te_a - qui
              
    
        
                 

  
         
    


       
75
  
                  

pois, pos so te sen - tir, pos -so te sen - tir. Fa -la Se -nhor.
pos -so te sen -tir.
   
                 
pois, pos - so,
     
  
pois, pos so te sen - tir, pos -so te sen - tir.
            


      
   
     

   
 




         

Guia-me
Andante q. = 60
     
      
                     
       
  
  
2 Flutes
f

       
2 Alto Saxophones
    


   


                
f     

            
          

2 Trumpets in Bb
          
Trombone
 
f
       

Choir
      
 
    
   
                    
                  
     

  


Piano f
            
             
   
Andante q. = 60
 
        
      
Violin
f

 
 

      
     
Violoncello
f

2
 
7
    
Fl.  
mp subito
  
Alto Sax.
 
 

mp subito

Tpt.      

 

mp subito
   
Tbn.

mp subito

   
Choir
   

          
               
  
Pno.
mp subito
      
 
legato
         
  
   
Vln.   
mp subito
 
   
Vc.  
mp subito
3
  
10
Fl. 
     
      
Alto Sax.
  
Tpt.

      
    
Tbn.
  

      
Choir
      


         
 
Pno.
    
  
 
     
  pizz.
Vln.          


 
      
pizz. arco pizz.
         


Vc.   

4
 
16

           
Fl. 
 

mf
   
Alto Sax.



         
Tpt.
   
mf
   
Tbn.
      

mf
 mf  
            
    
Choir Gui - a me pe - las du - nas do de - ser - -
    

   
                                           
   
Pno. mf
  
            
   
                 
 arco
     
Vln.  
mf
  
 
Vc.

mf
5
 
20
Fl.    
   
Alto Sax.
              

       
Tpt.      
 

   
      
Tbn.


     
             
Choir to; Gui - a - me sin - to_o teu a - mor bem
    

                                               
Pno.
   
 
        
   
   
            
 
Vln.   

Vc.
      
6
24
 
          
Fl.    
     

  
             
     
Alto Sax.
 

       
Tpt.

    
Tbn.
 
  
      

           
 
Choir per - to. Gui - a - me pe - las ru - as des - ta
    

                                               
   

Pno.

          
 
   
           
Vln. 
    
  
Vc.
  

7
 

28


  
       
Fl.   
f
 
           
Alto Sax.
     
f
  
       

   
Tpt.
      
Tbn.
    
f

f

          

      
Choir vi - - - da; Gui - a - me a - té a
    

    
                                    
      
f
 
Pno.
 
         
  
 
    
     unis.
          
div.
Vln. 


f
  
Vc.
      
f
8

32 
         
   
Fl. 

 
   
             
Alto Sax.
 
Tpt.

   
Tbn.
   

    
             
 
Choir ter - ra pro - me - ti - - - da.
   

                                   
Pno.
  

      
  
  
    
Vln.         

Vc.
    
9
            
             
35
Fl.          
   
Alto Sax. 
                 
             
      
                  
Tpt.
            
            
Tbn.
           

ff Gui

- a - me
    
   
   
   
    
Gui - a - me, gui - a - me dá - me for - ças
Choir
 Gui - a - me
    
  
ff
   
  
        
Gui - a - me, gui - a - me
           

           
ff
Pno.
legato
     
             
  
                              
Vln. 

   
ff
 arco
Vc.
                                  
ff
10
           

      
38
Fl.      

               
Alto Sax.
            
     
Tpt. 
           
           
           
Tbn.
         


 
         
     

Choir de ti pre - ci - so tan - to_as -
 
          
         
         

          
Pno.
   

              
  
                                    
Vln. 

Vc.
                                    
11
           
          
41
Fl.          

Alto Sax.  
                
            

Tpt.  
                 
           
           
Tbn.

             

U - sa - me
  

    
  
 
 
    
U - sa - me, u - sa -
Choir sim (Oh! Se - nhor)

U - sa - me

          
          
U - sa - me, u - sa -
       

            
 
   
  
Pno.

legato
 
        
     
          

Vln.     
      


Vc.
              
12
              
               
44
Fl.       
  
Alto Sax. 
                 
               
         
 
      
Tpt. 
                
              
Tbn.
         


 
  
        
     
me,
Co - mo qui - se - res por - que tu
Choir
           
           
me,
               
          
Pno.
     
             
 
                                   
Vln. 

Vc.
                                   
13
         


         
47
Fl.    


Alto Sax.                 
          


                
Tpt.
         
       
Tbn.
      
 
  


    
        

és par - te de mim.
Choir
        
     
      

                 
Pno.
  
           
   

                         
Vln. 

Vc.
                          
14
  
50
 
          
Fl. 
 

mf
 
          
Alto Sax.

mf

     
Tpt.   
mf
Tbn.
      

mf

mf
  
     

             
Choir (Oh! Se - nhor), Oh! Se - nhor, teu ca - ja - do me con -
     
mf  
  
   
   
       
     
 
          
mf
Pno.   
         
 
    
                


Vln.
mf
     
Vc.
 
mf
15

  
54
Fl.   
   
Alto Sax.
         
Tpt.

    
Tbn.
    


    
 
Choir so - - la.
       
   
 
on - de for o meu
                                              
   
 
Pno.
          
 
   
Vln.

    
Vc.
    

16
58  
Fl.          
    

  
Alto Sax.
                 

Tpt.

    
Tbn.
    

 

      
    

Choir Faz - me ser um ma -
      
         
 
 
  
cá - li ce trans - bor - da.
                                               
Pno.    


         
  
   
Vln.

    
Vc.
    


17
       
   
     
62
Fl.     
 
f
  
      
Alto Sax.
            
  
f
Tpt.

    
Tbn.
    

 
     
       

         
 f

Choir nan - ci - al de á - guas; faz cor - rer
         
    
    
   
f
    
                              
            
f

Pno.
 
           

  
   
Vln.

    
Vc.
    

18

66
  
             

Fl.  



          
Alto Sax. 
            

 
       
Tpt.

    
Tbn.
    


          
     

     
Choir á - guas vi - vas de mi - nha_al - - ma
            
      
   

          
(gui - a - me)
                                 

   
  
 
Pno.


          
 
   
Vln.

    
Vc.
    

19

 
70
Fl. 
   

p subito
   
Alto Sax.
 
 
p subito
Tpt.

    
Tbn.
    

p subito
 
Gui - a - me
      
   
   
     
           
dá- me for - ças
Choir p subito de ti pre
  
     
Gui - a - me
      
   

             
                       
                        
p subito
Pno.
      

                
     
violino solo
 arco
Vln.     
 
pp
Vc.
    

20
74
Fl. 
    
Alto Sax.
    
Tpt.

    
Tbn.
    

f
      
            
   
Choir ci - so tan - to_as - sim (Oh! Se - nhor)
  
f
          
             
                       
                        
f
Pno.
    
                      

Vln.            
f
  
Vc.
    

21
78
Fl. 
       
      
Alto Sax.

Tpt.

       
Tbn.
       

  
U - sa - me
   
             
         
       
 
      

  
U - sa -me, u - sa - me,
Choir Co - mo qui - se - res por - que tu és par - te de mim.
 U - sa - me
               
             
         
                

         
Pno.
       
         
Vln. 
Vc.
       

22
       
       
85
Fl. 
       
f
 
            
Alto Sax.
        
f
 
Tpt. 
             
       
f
        
Tbn.       

f

U - sa - me
  

   
   
 
  
  
U - sa - me, u - sa - me,
Choir Co - mo qui -

U - sa -

me
  
       
   
      
U - sa - me, u - sa - me,
   
 

        
      

Pno.
legato
      
         
 
         
Vln. 

              
 
arco
Vc.
                        
f
23
           
           
88
Fl.        
  
Alto Sax. 
               
            
    
Tpt. 
              
           
           
Tbn.
        


      
        
Choir se - res por - que tu és
         

        
             
      
  
Pno.
   

              
  
                                       
Vln. 

Vc.
                                    
24
       
    
91
Fl.   
         
Alto Sax.
      
          
Tpt.       
      
Tbn.
  

        
    
Choir par - - - te de mim,
   
     

 
        
 

   

 

Pno.
   
               
 
                
Vln. 

Vc.
                
25
                
     
95
Fl. 
 
    
    
     
Alto Sax.
     

     
    
     
Tpt.
    
   
Tbn.
     
par - te de mim.
 
   
    
     
   

  
par - te de mim, par - te de mim.
Choir

par - te de mim.
        
         

par - te de mim.

      
    
     
 


   
Pno.
       
         


        
Vln. 
     
Vc.
   
2 Flutes
Guia-me

Andante q. = 60   

        
         
        
  
 
   
f 
  
          
6
 


mp subito
      
  
16

           
 
   
    
mf

27 
       
                    

    
f
                    
                                
34
     
                         
                  
40
         
                 

                   
46
      
 
mf
          

    
         
53
   
     
  

64  
           
            
  

     
 f p subito
             
                 
71
 
f
               
                
89
 
2 2 Flutes
                 
   
96



2 Alto Saxophones
Guia-me

Andante q. = 60
          
              
 

      
 
   
       
 
f mp subito
11
 

   
               
 


                   
25
   
                   
       
f
                    
                               
33

      

                   
                 
40
                  
    
                 

            
46
            
   



mf
53
    
                  
    

  

62
                          
               
         

             
f
 
       
69
          
         
f
    psubito
          
       
89
    

96
                
    
 
2 Trumpets in Bb
Guia-me

Andante q. = 60  
        
             
 

f mp subito
 
            
12
 
 

mf
22
     
    
    
      
   
f
                                   
35
                      
               
41
       
                              
     
                        

46
                
 mf
52
     
        
                   
f
  
       
90
            

       
97
          



 
Trombone
Guia-me
Andante q. = 60
             
 
f mp subito
11          
   

mf
21 
          
  
f
31                    
   
39 

                         
      
45
                     
        
51              
      
mf f
89       
         
   
96
  
    
Choir
Guia-me
Andante q. = 60
   
mf
 
               
      
 
 Gui - a me pe - las du - nas do de - ser - to; Gui - a - me
      
 

22
 
                            



    
sin - to_o teu a - mor bem per - to. Gui - a - me pe - las ru - as des - ta vi -
       


f
 
ff Gui - a - me
 
       
29
    
                

         
   
Gui - a - me, gui - a -
da; Gui - a - me a - té a ter - ra pro - me - ti - da.

Gui - a - me

 
ff
        
    
Gui - a - me, gui - a -
36  
                 
                       
     

me
dá - me for - ças de ti pre - ci - so tan - to_as - sim (Oh! Se - nhor)
                           
                        
V.S.
me
2 Choir
  
U - sa -me
   
43
       
      
  
      
       
 
      

U - sa me,
- u - sa - me,
Co - mo qui - se - res por - que tu és par - te de mim.
 U - sa - me
             
             
          
             
- u - sa - me,
U - sa me,

50
 
mf
             

       

     
(Oh! Se - nhor), Oh! Se - nhor, teu ca - ja - do me con -so - la.
              
mf
    
   
on - de for
57
  
    
          


  

 
Faz - me ser um ma - nan - ci - al de á -
              

  
     
     
  
   
o meu cá - li ce trans - bor - da.

         
64
 
       
       

        



  
f
á - guas vi - vas de mi - nha_al - ma

guas; faz cor - rer
                       
   
  
               
f

(gui - a - me)
Choir 3
p subito
  
Gui - a - me

70 f
                   
     
                    

  

Gui a -me, gui - a - me
dá me for - ças de ti pre - ci - so tan to_as - sim
p subito
          f      
Gui a - me
      
    
                         
Gui - a -me, gui - a - me
  
U - sa - me
77

       
   
 
 
           
 

          

       
(Oh! Se - nhor)
Co mo qui - se - res porque tu és par - te de
 U - sa me
              
               
                           
  
U - sa - me
       
84

        
       
                  
     
U - sa -me, u- sa - me,
mim. Como qui - se - res por - que tu és par -

                     
U - sa me
          
   
             
      
U - sa -me, u- sa - me,
par - te de mim.
        
93
             

     
   


 
par - te de mim, par - te de mim.
te de mim,

par - te de mim.
  
              
        

par - te de mim.
Piano Guia-me
Andante q. = 60
    
         
                
       

       


   

  
f
         
           
   
          
7


legato
   
      
 mp subito
    

 
         
   
9
 
    
  


 
  
  

       
     
16
           

  
mf   
         
  
  
                       
19
    
  

      
  
    V.S.
2 Piano
   
       
22

  
 
      
  
  
   
25

  
  
        

  
    
    
                                   
  
28
 
f  
         
  
 
    
     
               
32
   
 
       
 
  
  
               
   
35
 
legato

 
ff


 
    

 
    


 
           

38

  
  

 
 
 
  
    

  
    


  
Piano 3
        legato     

    
41
         







 
 




 
    

 
  
          
   
    
   
45
  



 
 
  
    


    


  
               

        
48
     





mf
   
       
     
   
  
 
        
52

   
 
         
  
                           
55
    
   
 
       
 
  
    
     
58
     
  
 
       
 
 

V.S.
4 Piano
    
61
                   
                   

 
 
          

   
  
65
           
                
  
f   
       
 
  

                
                          
68



  

p subito
        

 
 
72                              
     
   
f
  
           
      

77
 legato
          
 

   

  
 

 
  
                  
87

  
  

  

 
    
 
  
    

  
  
Piano 5
              
90

  
 





    

  
          
      
  
93
     
 

 




 






 

98
 
    
    
   
    
     
Violin
Guia-me
Andante q. = 60

                  
      
  
f

 
mp subito
12

  pizz.
   
arco
           
     
 mf
                
div.
20
      
         
   
    unis.
29
                     
             
f
ff
                                              
36
 
40
                              
    
            
                                              
44
 
48
       
   
      
mf
70
      
violino solo
                        
                    
arco
 f

pp
          
       
76
       
        
                                              
87
 
91
                       

Violoncello
Guia-me
Andante q. = 60
   
 
        
     
f
mp subito
9
pizz. arco  pizz.
    
          
        
16
 
          
 
mf
28
arco
  
                      
f ff
36

                                              
40

                                     
45

                                                  
50  arco
   
                      
mf f
88

                                               
92
     
     

Vários Arranjos ParaOrquestra e Coro

Enviado por

Dados do documento

Direitos autorais

Formatos disponíveis

Compartilhar este documento

Compartilhar ou incorporar documento

Opções de compartilhamento

Você considera este documento útil?

Este conteúdo é inapropriado?

Direitos autorais:

Formatos disponíveis

Vários Arranjos ParaOrquestra e Coro

Enviado por

Direitos autorais:

Formatos disponíveis

Composição,

Por Marcelo Rauta

Este material que vem sendo compilado por Robson Junior,

Pr. Everaldo Cavalcante Lima

A teus pés, Jesus – Coro e Orquestra

                   

            

                      

       

         

  3     3     3     3   mf

                            

       

                 

                  

       

    3   3   3   3  

                   

             

     

           

           

        

       

      3      3    

                

       

                         

                    

                 

         

              

            

                      

          3    

       

            

       

28      3     3     3     3     3    

53      3     3     3     3     3    

                          

       

                                       

           

          

                   

3326 - A vida no mundo é cruel

       

                  

3326 - A vida no mundo é cruel

                       

           

me - jan - do_o céu; Je - sus, tu te lem - bras de mim!

   

sus tu te lem - bras de mim! na vi - da, na

3326 - A vida no mundo é cruel

                

3326 - A vida no mundo é cruel

3326 - A vida no mundo é cruel

      

           

              

                   

       