Escolar Documentos
Profissional Documentos
Cultura Documentos
ARVATOV, Boris, “Everyday life and the culture of the Thing (Toward the Formulation
of the Question)”, trad. Christina Kaier, in OCTOBER 81, Cambridge, MA, MIT Press,
Summer 1997.
_____________, Diário de Moscou, trad. Hildegard Herbold, São Paulo, Companhia das
Letras, 1989.
_____________, Ensaios sobre Brecht, trad. Claudia Abeling, São Paulo, Boitempo,
2017.
_______________, “Moscou”, in Rua de mão única, trad. José Carlos Martins Barbosa,
São Paulo, Brasiliense, 1987.
_____________, Passagens, trad. Irene Aron et al., Belo Horizonte, Editora UFMG,
2009.
______________, “Sobre Alguns Temas em Baudelaire”, in Charles Baudelaire, um
Lírico no Auge do Capitalismo, trad. Hemerson Alves Baptista, São Paulo, Brasiliense,
1994.
BOWLT, J. E. (org.), Russian art of the avant-garde: theory and criticism, 1902-1934,
Thames and Hudson, 1988.
BRETON, André; TROTSKY, Leon, Por uma arte revolucionária independente, São Paulo,
Paz e Terra, 1985.
BRIK, Ossip, “Non una teoria, ma solo un slogan”, Péchat’i Revolutsia, in Luigi
MAGAROTTO e Gianni SCALIA (a cura di), L' Avanguardia dopo la Rivoluzione: Le Riviste
degli anni Venti nell'URSS: «Il Giornale dei Futuristi», «L'Arte della Comune», «Il Lef»,
«Il Nuovo Lef», Edizioni Immanenza, 1976.
BULGÁKOV, Mikhail, O Mestre e Margarida, trad. Zoia Prestes, Rio de Janeiro, Objetiva,
2009.
ENGELS, Friedrich; MARX, Karl, Cultura, arte e literatura, trad. José Paulo Neto e
Miguel Makoto, São Paulo, Expressão Popular, 2010.
FREUD, Sigmund, “Além do princípio de prazer”, in Obras completas Vol. XVIII, Rio de
Janeiro, Imago, 1996.
_____________, O futuro de uma ilusão, trad. Renato Zwick, Porto Alegre, L&PM,
2010.
_____________, “O mal-estar na civilização”, in Obras completas volume 18 (1930-
1936), trad. Paulo César Nogueira, São Paulo, Companhia das letras, 2010.
____________, “Totem e Tabu”, in Obras completas Volume 11, trad. Paulo César de
Souza, São Paulo, Companhia das Letras, 2013.
GRAMSCI, Antonio, Cuadernos de la cárcel, Tomo VI, trad. Ana María Palos, México,
1999 (Edición crítica del Instituto Gramsci a cargo de Valentino Gerratana).
LONDON, Kurt, The Seven Soviet Arts, New Haven, Yale University Press, 1938.
MALÉVITCH, K. S., Écrits - préséntés par Andrei Nakov, Paris, Édition Gerárd Lebovici,
1986.
MALEVICH, Kazimir, La Pereza Como Verdad Inalienable Del Hombre, trad. Jorge
Segovia e Violetta Beck, Maldoror Ediciones, 2006.
MIKHIENKO, Tatiana N.; VAKAR, Irina A., Kazimir Malevich: letters, documents,
memoirs, criticism, 2 Vols., trad. Antonina W. Bouis, Londres, Tate Publishing, 2015.
MOULLEC, Gaël; WERTH, Nicolas (org.), Rapports secrets soviétiques: la societé russe
dans les documents confidentiels, Paris, Gallimard, 1994.
PLATONOV, Andrei, “The Foundation Pit”, in Collected Works, trad. Thomas P. Whitney
et al, Ardis, 1978.
SCOTT, H. G. (org.), Problems of Soviet Literature: reports and speeches at the first
Soviet Writers' Congress.Londres, Martin Lawrence, 1980.
SIEGELBAUM, Lewis; SOKOLOV, Andrei (orgs.), Stalinism as a Way of Life, New Haven,
Yale University Press, 2000.
SPIELREIN, Sabina, Sabina Spielrein: uma pioneira da psicanálise, obras completas, vol
1, trad. Renata Dias Mundt, São Paulo, Livros da Matriz, 2014.
TRETIAKOV, Sergei, “Art in the Revolution and the Revolution in Art (Aesthetic
Consumption and Production)”, October, n. 118, Cambridge, MIT Press, Fall 2006.
_______________, “The new Leo Tolstoy”, in October, n. 118, Cambridge, MIT Press,
Fall 2006, pp. 45-50.
TROTSKY, Leon, A revolução traída, trad. Henrique Canary, Rodrigo Ricupero, Paula
Maffei, São Paulo, José Luís e Rosa Sundermann, 2005.
BOWLT, John E. (org.), Russian Art of the Avant-Garde: Theory and Criticism, 1902-
1934, London, Thames and Hudson, 1988.
______________,Vanguard/Avant-garde, disponível em
http://susanbuckmorss.info/media/files/vanguard-avant-garde.pdf.
______________, “Staging Soviet Art: ‘Fifteen Years of Artists of the Soviet Socialist
Republic,’ 1932-33”, in October 147 (Spring 2014).
CLARK, T. J., “God Is Not Cast Down”, in Farewell to an Idea: Episodes From a History of
Modernism, New Haven, Yale University Press, 1999.
COHEN, Yves, “Política e arte na verdade e na ficção do trabalho: elementos para uma
comparação histórica entre o oriente socialista e o ocidente capitalista”, in Braga, Ruy;
OLIVEIRA, Francisco; RIZEK, Cibele (org.), Hegemonia às avessas, São Paulo, Boitempo,
2010.
DICKERMAN, Leah, Aleksandr Rodchenko’s Camera-Eye: Lef Vision and the Production
of Revolutionary Consciousness, tese de doutorado, Departamento de Filosofia ,
Universidade de Columbia, 1997.
EGG, André Acastro, O debate no campo do nacionalismo musical no Brasil dos anos
1940 e 1950: o compositor Guerra Peixe, Programa de Pós-Graduação em História,
Universidade Federal do Paraná, Curitiba, 2004.
FITZPATRICK, Sheila, The cultural front, Londres, Cornell University Press, 1992.
GENTILE, E., Il Culto del Littorio: La Sacralizzazione della Politica nell’Italia Fascista,
Editori Laterza, 1993.
GOUGH, Maria, “Back in the USSR: John Heartfield, Gustav Klucsis, and the Medium of
Soviet Propaganda”, in New German Critique 107, Vol. 36, No 2, 2009.
GRESKOVIK, Robert, “Before Stalin Lowered the Curtain”, The Wall Street Journal, 30
de dezembro de 2008, disponível em
http://www.wsj.com/articles/SB123059673850341037.
GROYS, Boris, The total art of Stalinism, trad. Charles Rougle, New Jersey, Princeton
University Press, 1992.
JUNCO, Manuel Fontán del (org.), Aleksandr Deineka (1899-1969): an avant-garde for
the proletariat, Madrid, Fundación Juan March, 2012.
KATSNELSON, Anna Wexler, “My Leader, Myself? Pictorial Estrangement and Aesopian
Language in the Late Work of Kazimir Malevich”, in Poetics Today, Volume 27, 2006.
____________, “Was socialism realism forced labour? The case of Aleksandr Deineka
in the 1930s”, in Oxford art journal 28. Oxford University Press, 2005.
KIBLISTK, Joseph, “Arte soviética da época de Stálin”, in PETROVA, Ievguénia, 500 anos
de arte russa, São Petesburgo, Palace Editions, 2002.
MALLY, Lynn, Culture of the future: the Proletkult movement in revolutionary Russia,
Berkeley, University of California Press, 1990.
PESENTI, M. C., Narrare per immagini: La stampa popolare nella cultura russa del
Settecento, Bergamo University Press, Bergamo, 2002.
PICHON-BONIN, Cécile, “Peindre et vivre en URSS dans les années 1920-1930 :
commandes, engagements sous contrat et missions de création”, in Cahiers du monde
russe 49, 2008, pp. 47-74.
PIZIK, Agata, “Get real: why socialist realist painting deserves another look”, in Calvert
Journal, 18 de dezembro de 2014, disponível em
http://calvertjournal.com/articles/show/3475/socialist-realism-Soviet-official-painting.
REID, Susan E., “Socialist Realism in the Stalinist Terror: The Industry of Socialism Art
Exhibition, 1935-41”, in The Russian Review 60, 2001, pp. 153-184.
SILINA, Maria, “The Struggle Against Naturalism: Soviet Art from the 1920s to the
1950s”, RACAR, 41, 2016.
TAYLOR, Richard, “Boris Shumyatsky and the Soviet Cinema in the 1930s: Ideology as
Mass Entertainment”, in Historical Journal of Film, Radio and Television, 1986, pp. 43-
64.
ALBERA, François (introd.), Sergei Eisenstein, Wilhelm Reich. Correspondence, trad. Ben
Brewster, in Screen, 22, 4, 1981, pp. 79-86.
ANGELINI, Alberto, “History of the unconscious in Soviet Russia: from its origins to the
fall of the Soviet Union”, in Institute of Psychoanalysis n. 89, 2008, pp. 369-388.
BALL, Alan, “Private trade and traders during NEP”, in Sheila FITZPATRICK; Alexander
RABINOVICH (org.), Russia in the Era of NEP, Bloomington, Indiana Press, 1991.
BAUER, Raymond, The New Man in Soviet Psychology, Cambridge, Harvard University
Press, 1952.
CARR, Edward H., A Revolução Bolchevique: 1917-1923, Vol. 2, trad. Maria João
Delgado, Porto, Afrontamento, 1979.
CHRISTIE, James; Nesrin DEGIRMENCIOGLU (org.), Cultures of Uneven and Combined
Development, Londres, Historical Materialism Book Series, 2019.
DEUTSCHER, Isaac, Trotski: o profeta desarmado, 1921-1929, trad. Waltensir Dutra, Rio
de Janeiro, Civilização Brasileira, 2005.
FIGES, Orlando, A people’s tragedy: the Russian revolution (1891-1924), New York,
Penguin, 1996.
_______________, Terror and Democracy in the Age of Stálin, New York, Cambridge
University Press, 2007.
GUSEV, Alexei, “L’Opposition de gauche dans lês années 30”, in Cahiers Leon Trotsky,
n. 72, 2000, pp. 71-102.
___________, “The Bolshevik Leninist Opposition and the Working Class, 1928-1929”,
in BERN [etc], A Dream Deferred: New Studies in Russian and Soviet Labour History vol
11, International and Comparative Social History, 2008.
HARTZOK, Justus Grant, Children of Chapaev: the Russian Civil War Cult and the
Creation of Soviet identity, 1918-1941, tese de doutorado, orient. Paula A. Michaels,
Universidade de Iowa, 2009, pp. 137-154.
LENOE, Matthew, Closer to the masses: stalinist culture, social revolution and soviet
newspapers, Massachusetts, Harvard Press, 2004.
LINHART, Robert, Lenin, os Camponeses, Taylor, trad. Daniel Aarão Reis e Lúcia Aarão
Reis, Rio de Janeiro, Marco Zero, 1983.
LÖWY, Michel, The politics of combined and uneven development: the theory of
permanent revolution, Chicago, Haymarket books, 2010.
OINAS, Felix, “Folklore and Politics in the Soviet Union”, Slavic Review, Vol. 32, No. 1,
1973, pp. 45-58.
POSPIELOVSKY, Andrew, “Strikes during the NEP”, in Revolutionary Russia, Volume 10,
Issue 1, 1997.
PROCTOR, Hannah, “A Country Beyond the Pleasure Principle: Alexander Luria, Death
Drive and Dialetic in Soviet Russia, 1917-1930”, in Psychoanalysis and History 18(2),
2016.
ROSSMAN, Jeffrey J., Worker Resistance under Stalin: Class and Revolution on the Shop
Floor, Cambridge, Harvard University Press, 2005.
SCHLOGEL, Karl, Moscow, 1937, trad. Rodney Livingstone, Malden, Polity Press, 2012.
SOUZA, Paulo Sérgio (org.), A psicanálise e os lestes, São Paulo, Annablume, 2017.
ZAJICEK, Benjamin, Scientify psychiatry in Stalin’s Soviet Union: the politics of modern
medicine and the struggle to define “Pavlovian” psychiatry, 1939-1953, Department of
History, University of Chicago, Chicago, 2009.
outros
ARGAN, Giulio Carlo, Arte e critica d’Arte, trad. Helena Gubernatis, Lisboa, Estampa,
1988.
CLARK, T.J., Modernismos: ensaios sobre política, história e teoria da arte, São Paulo,
Cosac Naiff, 2007.
DARDOT, Pierre; LAVAL, Christian, A nova razão do mundo: ensaio sobre a sociedade
neoliberal, trad.Mariana Echalar, São Paulo, Boitempo, 2016.
FERREIRA, Glória; COTRIM, Cecília, Clement Greenberg e o Debate Crítico, trad. Maria
Luiza Borges, Rio de Janeiro, Jorge Zahar, 2001.
GENTILE, E., Il Culto del Littorio: La Sacralizzazione della Politica nell’Italia Fascista,
Editori Laterza, 1993.
KANT, Immanuel, “Da arte em geral”, in Crítica da Faculdade do Juízo, trad. Valerio
Rohden e Antônio Marques, Rio de Janeiro, Forense Universitária, 2008.
KLEIN, Naomi, The Shock Doctrine: the rise of Disaster Capitalism, Nova Iorque,
Metropolitan Books, 2007.
LEVI, Neil, “’Judge for Yourselves! The ‘Degenerate Art’ Exhibition as Political
Spectacle”, in OCTOBER, Vol 85, 1998.
_________; ENGELS, Friedrich, ‘Review May to October 1850’, in Collected Works, vol.
10, p. 500.
_________, O Capital (Vol 1): o Processo de Produção do Capital, São Paulo, Abril
Cultural, 1983.
_________, O Dezoito de Brumário de Luís Bonaparte, trad. Nélio Schneider, São Paulo,
Boitempo, 2011.
THOMAS, Peter D., “Modernity as ‘passive revolution’: Gramsci and the Fundamental
Concepts of Historical Materialism", in Journal of the Canadian Historical Association /
Revue de la Société historique du Canada, vol. 17, n° 2, pp. 61-78, 2006.