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dedicada a Cristiano Braga

Rua das Pedras

q ~ 68

com texto (adaptado) de Wandelson Miranda

expressive; unstable, fluid and profound

&

n n

> > > > > >

Sff-f

molto

Kr
b >
4

&

&

2 3

accel.

n > 5:4 > >

r

3 1 2

Kr
b
>

n > n rK > n rK >

1

>

sim. sempre

n n

>

> >
n > n
1

Sff

molto

[below the hole (r./l.h)]

[tap the strings anywhere against fingerboard (r./l.h.)]
[above the hole (r.h. thumb)]

meno mosso accel.

7

r
5:4

meno mosso
4

> >

Kr 1
b
>

n n n
n
Sf p

Kr
b
>

sim.
2 3

r
5:4

tempo primo
sim. 3
3
3
> 3
Kr n
>
n

n
>
>
>
F
1

r.h.

>f .

flL
S

l.h.

rit.

>
>
n
n
>
>
n n Sf f
n n Sf F
1

tempo primo

>

Paulo Rios Filho

~ 6'30''

>
n

n
p

l.v.

rit.

n .

>
fl
S

f n n n
>

\ n

\ - - \ SP

sim.

n >

n n

rall.
3

sim. 3

n n n
>
>
>
>
f

pauloriosfilho@gmail.com

n > rK > >

3

n
>

meno mosso accel.

tempo primo molto rit.
lento
string.
sim. 3
3
3
3
3
3
>
>
11
>
Kr >
rK >
rK n rK Kr
n n n n n n n n n n
n

>
>
>
>
>
n > .
n
n
& P
n >
n >
n
>
r
S
5:4
sF
sF

p cresc.
F
2

tempo primo
3

n n n n b n b n n
3

14

&

K
n n >
n

j
r
n >

n >

n
p
Sf
f

R
>

lip whistle
up gliss.
molto

Unn U
n > >

.
j
()

( )
()

R
>

tambora

nnn
>>
n

voice effect 'tkt' noise

+
l.h.

5
6
+ + + + +
n
n n
n

n n b
n

n n > b > > > > . P

n
>

fl
P

take your time | don't worry to playthis within the left half note

17

&
j
3:2

j
3:2

near the bridge

>l.h. >
f
>
P
S voice effect 'sss' sound
sub.
r.h.

r.h.

poco rit.

*rasp the fingernails over the 2 lower strings

from hole up to around the middle of the fingerboard

> .

19

&

22

&

rit.

n
n
n
.

Kr
n

a tempo

rit.

a tempo

3
n n
n b
sub.p

n
>

b b n

n n n

26

Kr
7:6

>
R

>

b nn b
R
>

n nn
n
R

>

>
n
Jb n n .
b
f
n nn
b
R

>

l.v.

n n b
p

n
b
n
n n
W

n
n
n
>
.
F
secco

molto vib.

n
b

n
f
P
n
f
5

b nn
b
R

n nn
n
R

>

n bn
n
R

>

*popping tongue

n n
b

b
n b
n n .
F

j ord.n
n
n
25
b b
b n n n n

n
n
n
b
b
b
b n >
& bn
n
n
n f
n l.v.
P p
molto vib.

a tempo

&

rit.

a tempo

>

n nn n b
n
n n
R
R
>

l.v.

>

n bn
n
R

>

b n nn
Kr n
n n
>

flowing | no more than 3 sec.

recite (descendent contour):

"Sobre essas pedras corre o tempo"

w/ both hands

* cloud of percussion effects on the strings

J
secco

-molto- vib.- -

n >
28
b
W n

&
nn
R
secco

()

&

flowing | no more than 2 sec.

recite (descendent contour):

nN .

31

*lip whistle

nN

"O corpo desatento que foi."

rK

n >

sim.

l.v.

#N

nN .

P echo

nN

#M
only percussive noise
near hole
...on the lower strings

* cloud of percussion effects below the hole

calm | about 12'' 15''

34

&
&

(do a kind of expressive/drmmatic rall)

recite:

"No cho, as flores amarelas dos ips negros | A rua cortada em luz e sombra das rvores | Zebrada pelo talhe, em seus troncos crispadas..."

multiple random tapping (w/ both hands) | around the first frets of the lower strings
[up near the hole]

fp

poco a poco cresc.

>

>

(off beyond the fingerboard)

35

&

>

>
>
>
>
38
# .
.
.
.
#

&
F
rit.

n n > > >

& # n
.
f
P

46

>

& # J

r
5:4

n #

tempo primo
>
>
U >
recite (almost whisper.):
n . .
"J no existem;"
F
p

molto vib.

42

ord.

>

>

>

>

cresc.

meno mosso accel.

molto vib.
> 3
> 3
> 3
n

n n

3
n > n n> n #
> n n > n
# .
3

>

#
J

>
#

r
5:4

>

r
5:3

n
fl

n # > n n
n

n #
# n
n
R
>

>

>

tempo primo
ord.
>
>
>
>
n

# .n . . .

n
n n

>

>

>

>

cresc.

n
Wn n n
# n
fl

> R

voice:
s
>
F
S

# > n

49

&

a tempo

n>

n n
n

#
p

# n > n n >
n # > n
& n
p
5:4

53

>
>
n

n # n n n n

3
3

>
n

molto vib.

n n
n
n
# n

n
>

ord.

n
J n n n
n b
fl

n# n n b
>
>
>
>
sub.

molto

molto

rit.

a tempo

>
#

n n
3

n
>n n # n #
n

&
n

n
# n
n

F
p
ord.
3

60

& # n

n
p

n n

n n

n n n

l.v.

tempo primo

meno mosso accel.

> > >

n

n n #
.
f

XII

Wn n n V V
n n
> >>

s
>

S >

molto rit.

rubato

molto vib.
56

Kr
10:8

>
# n

n n

#
F

65

&

n
3

70

& n

>

n n n

n n

>
n

molto vib.

# n

n #
3

>
#

n n

>
#

n n

>
n

n n
3

&

n n n n
n

n
n
n . b
>
f

11

77

&

n
>

n n >
#

n .

3
r
n > n n
# n
> n
3

n #

3 sim. sempre

n #

n #

# > n n n # n n n #

# n

n
>
pesante

j
n n
n

>
n # n I # n n
n # n
n
n
>
>
5

sim.

j
n

L n n #
n
>

n n n

n
>

n n n

# n

n n n n n # n n n

11

n n n n
b n n b

n n

dim.

cresc. poco a poco

74

>
#

ord.

11

H
K

>

H
K

>

H
K

>

11

sim.

11

11

sim.

8
80

&

5
j
j
n

n n
n L n
n # n > n # n I # n n # n n
>
n
n
>
>
5

11

sim.

n
>

n
n# n

83

&

n
>

n n
n

> n #
n

n
>

n
K n n n H n n n
b
b
n

# n n

11

11

H
K

>

rit.
5

11

sim.

H
K

>

n
>

vib.
- molto
- - -

.
near the bridge

near the f.board

tempo primo
88

&

>
.

"No
lugar,
um
imenso
muro"

>
>
>

n #
n

.
S >
P
-

R R> R

l.v.

recite:

sul tasto

>

H
K
>

flowing | no more than 6 sec.

n n n

11

sim.

K
fl n >
f
rK

sim.

R
>

>

"Apenas
quando
cai,

sul pont.

>
>
>
n

>

tal
um
campo
sombrio."

ord.

>
>
>
#
n
n .
-

flowing | no more than 8 sec.

92

&

n
J
>

# >
J

> J

+3

>

>

>
.
.

.
.

"Como
que
divisasse

>

>
. .

>

"Abandonado'entre
desertos

meno mosso accel.

n
>
>
n l.v.
3

& n n
n
n
p

permanentemente."

>
>sim.
>
f
4

>
>
4

tempo primo

# n n

almost whisper.:

>
F

n
4

n
>

>
4

rall.

sul pont.
3

ord.
5

n . n n .
>
>
>

99

rall.

sul tasto

&

uma
chuva
que'
chuva."

tempo primo
95

sim.

ord.

>

>
>
>

>
>
>
>
sim.
f
5

10
103

&

a tempo
sul tasto

>
>
4

n n n #
>
>
>

# . n
>

#
>

a tempo

&
n n

n
n
P
sul pont.

poco pi mosso
111

&

115

&

ord.

n > n
f

>
#
>
#

n # > n n n
3

# n
>
>
>
>
>
f
poco accel.

deciso

107

molto rit.

ord.

n
n

#
n
f
3
3
n n> n #
> n b b
> n n
3
>

U ~1''

n
n n n # # n
>
>
>
>
>
>
p

n

n
n
p
4

n

n
n

sim.

ancora pi mosso
U ~3''

n n n #
>
>

poco

U ~2''

n
n n n #
>
>
>
>
p
F
p

n
n
n > n > n > # > > # > n >

# n n
n n > # # > nn n # # V n n n
> # > n fl
> J
molto

117

&

#
n n n + # + n + # + n + n + +
>
>
>
>
>
>
>
>
p cresc.>

120

&

+
# >

+
#
> n

+
& n
> n

124

128

&

n n
p

+
n >

+ +
# > n
>n

n n #

+
n >

nu . .

+
n >
n

+
n >

+
n
> n

+
# bend
>

r
n
.

+
# >

sempre

+
n >
n

n .
U n n n n > U > ....
.

+
#
>n

.r
(
)
( )
R
>

R>
F
S

tempo primo

n . .

+
#
> n

calm | around 6''

+
n >

+
#
> n

+
# >

w/ both hands

nnn n
#

e deixado pela metade"

r
5:4

>

n o

XIX

o n o
o
n

n o n o n
XII

* cloud of percussion effects on the strings

+
j
# >

+
# >

tambora

recite

"Sacia a sede

+
n
> n

+
# >

11

>

o o o
o o ,

molto vib.

12
131

&

rK

n >

sim.

l.v.

whisper.:

"Ba-tu-ca-da"
almost inaudible

* cloud of percussion
effects below the hole

calm | about 10'' 12''

134

&

recite:

"Calcadas no cho | Do fundo do souto | O brao e o talhe nos olhos | As flores e sombra | A rua, seus troncos... | Crispadas"

only percussive noise

near hole
...on the lower strings

bit calmer | about 12'' 15''

136

(do a kind of expressive/drmmatic rall)

recite:

&

"Esse mesmo corpo vem subindo a rua de pedra para dizer-me: | Se a coisa no que habito Verdade | Ou apenas medo..."

multiple random tapping (w/ both hands) | around the first frets of the lower strings

&

[up near the hole]

fp
>

poco a poco cresc.

>

(off beyond the fingerboard)

137

&

>

recite (very conclusive):

"...do Nada."

parnaba, piau
maro de 2014