1a Questão (Ref.

: 202108276400)
Também chamado de flashbacks, a utilização de analepses nas narrativas é muito comum, não apenas na
literatura, mas também em outras expressões artísticas, como no teatro e no cinema. Basicamente, se
refere a um recurso narrativo que permite inserir uma lembrança do passado no presente da narração,
promovendo uma ruptura em sua cronologia. Chamamos as narrativas que fazem uso de tal recurso de não
linear pois não seguem uma sequência direta na descrição dos acontecimentos.

Em relação ao exposto, marque a alternativa correta.

As personagens se comportam de maneiras diferentes em cada volta ao passado em uma narrativa, uma
das principais características do gênero.
O espaço e o tempo não se misturam nas narrativas que fazem uso do flashback, apenas nas históricas.
Em uma história construída por meio de recordações, o domínio do tempo e de suas possibilidades de
variação é fundamental.
Não há como descrever um espaço físico com fidelidade em uma narrativa que faça uso de recuos ao
passado.
O narrador e o tempo são os únicos elementos narrativos que se transformam em uma narrativa que
recorra ao passado.

2a Questão (Ref.: 202108276308)

O assassinato em massa dos judeus pelos nazistas durante a Segunda Guerra Mundial foi um dos capítulos
mais perversos da história. Também conhecido como Shoah (catástrofe, em hebraico), é considerado o
maior genocídio do século XX, em que mais de 6 milhões de judeus foram mortos em nome de uma
ideologia de superioridade racial. Entre as vítimas, há alguns que se tornaram autores de relatos sobre os
horrores vividos nos campos de concentração. Primo Levi é um dos mais representativos destes autores,
nos trazendo histórias dolorosas e difíceis de descrever, como É isto um homem?, sua obra mais conhecida.
Como testemunha dos acontecimentos, ele fala em nome de si e dos que não têm mais voz.

Baseado no texto acima e tendo em vista a relação entre narrativa e memória, pode-se afirmar que a
memória contribui para:

definir o gênero literário para apresentar os eventos passados, de maneira que o narrador exponha suas
inquietações íntimas.
entender a influência do passado sobre a construção das narrativas, apesar das limitações de seus
recursos para compor uma estrutura.
reviver as sensações da experiência vivida, tornando mais fácil escrever uma história que convença o
ouvinte.
transmitir a experiência vivida, pois resgata do passado não apenas os eventos, mas também as
estruturas narrativas.
reconstituir o passado fielmente como aconteceu, independentemente da forma utilizada pelo narrador
para o relato.

3a Questão (Ref.: 202108261861)

Epic, long narrative poem recounting heroic deeds, although the term has also been loosely used to describe
novels, such as Leo Tolstoy's War and Peace, and motion pictures, such as Sergey Eisenstein's Ivan The
Terrible. In literary usage, the term encompasses both oral and written compositions.

Source: Encyclopaedia Britannica. Access on: https://www.britannica.com/art/epic.

I. The epic as a literary genre dates from the Middle Ages onward.

BECAUSE
II. No one had written any Epic in Anglo-Saxon or Old English before the Middle Ages.

Regarding these affirmatives, mark the correct option.

Affirmatives I and II are true, but II is not a correct justification of I.

Affirmatives I and II are false.
Affirmative I is false, and II is true.
Affirmative I is true, and II is false.
Affirmatives I and II are true, II is a correct justification of I.

4a Questão (Ref.: 202108261213)

The Sagas remain an intrinsic part of Icelander¿s identity to this day, their presence around the country
unavoidable. [There] is a physical document which traces the lives of its indigenous people during a most
tumultuous time, an era when the Vikings were changing the shape of society across Northern Europe and
Christianity, Catholicism and Paganism were all fighting it out to be the prevailing belief system. (MYERS,
2008)

Source: MYERS, Ben. "The Icelandic Sagas: Europe's most important book?". IN: The Guardian. Access
on: https://www.theguardian.com/books/booksblog/2008/oct/03/1

Considering the importance of the Icelandic Sagas, mark the correct affirmative:

The Icelandic Sagas are a contemporary literary form that reimagines the past of Northern cultures on top
of research about their major family trees.
The Icelandic Sagas deal with cultural inheritance and particular characters who were not to be exalted as
heroes of the nation.
The Icelandic Sagas were fundamental to the development of a narrative style that blended historical
fiction about its country¿s great families and folkloric beliefs.
The Icelandic Sagas were only passed on from kings to princes, to keep the royal lineage preserved.
The Icelandic Sagas were minor cultural manifestations discovered recently by scholars who wanted to
learn the old languages of the Northern cultures.

5a Questão (Ref.: 202108261217)

Fables and allegories are usually correlated. Read the statements below about the nature of allegories, then,
choose the correct option:

I- An allegorical story demands no interpretative effort on the part of the reader.

II- An allegory brings a microcosm- macrocosm relationship.

III- An allegory usually has some moral significance.

II and III are correct

I, II and III are correct.
I and III are correct
Only II is correct
Only I is correct

6a Questão (Ref.: 202108279610)

Hyperbole or auxesis is a figure of speech that emphasizes deliberately exaggerated language, whether in a
negative or positive sense, that is, it is a device employed to convey exaggerated or intensified meanings.
Hyperboles have a place in traditional legends, "as in, for example, D. T. Niane's 'Soundjata' (1960), in which
the legendary founder of the Mali empire is presented as capable of uprooting a baobab tree with his own
hands".

Extracted from: ONYEOZIRI, Gloria Nne. Shaken Wisdom: Irony and Meaning in Postcolonial African Fiction.
Charlottesville and London: University of Virginia Press, 2011.

In relation to the text above, choose the correct option:

Hyperbole is a literary device used to make value judgments of the characters presented, inducing the
audience to create empathy or not.
Since legends have no intention of narrating facts, hyperboles are used in abundance because the
audience is already aware of the fictional facet of the story told.
It is considered an exception the legend that uses hyperboles given the purpose of the legend in narrating
historical, evidence-based facts.
Hyperboles are utilized as writing tools which emphasize certain features and add emotive content,
triggering awe in the audience but also uncertainty regarding the veracity of the story told.
Hyperboles are only used in comic legends that have the intention to ironize features and produce humor
through over-exaggerated descriptions.

7a Questão (Ref.: 202108275716)

"Legends are prose narratives regarded as true by the narrator and his audience. It is set in a period less
remote when the world was such as it is today and present a human situation from which a problem arises or
is presented followed by its consequences or outcome. They also serve as a showcase and vehicles of the
culture and identity of a people, as part of the expression through language. They function as basic to social
tradition, which contribute part of the social heritage, or the "living mirrors of the past."

Retrieved from: GILBAS, Sherill A. Structural And Motifemic Analysis Of Legends. Journal Of International
Academic Research For Multidisciplinary, Sorsogon City, Philippines, v. 6, n. 1, p. 56-64, 1/2/2018.

Given the definition above, assess the following assertions and the relationship between them:

I. Legend is a contemporary genre which presents issues that concern those who listen or read.

BECAUSE

II. As folklore, legends illustrate people¿s identity, culture and knowledge, therefore serve as a form of
expression.

Assertion I is a true proposition, while II is a false proposition.

Assertion I is a false proposition, and II is a true proposition.
Assertions I and II are true propositions, and II is I's correct justification.
Assertions I and II are false propositions.
Assertions I and II are true propositions, but II is not I¿s correct justification.

8a Questão (Ref.: 202108285388)

Short stories are concise, and every word is important for the purpose of it. Precision and economy of words
are characteristics of short stories. The dramatic unit is what is relevant in the story, and only characters and
events involved in it matter. In terms of time, past and future keep lower or no significance. Why is this true?

Short stories have a predictable future.

Short stories do not mention past or future.
Past and future are told by the narrator.
Past is known through the digressions.
Short stories portray a moment in time.

9a Questão (Ref.: 202108285383)

The narrator is "the voice" of a narrative, telling the facts and development of it. There are different types of
narrators, and the narrative focus depends on these types. One of them is known as the first-person narrator.
In which case it is classified this way?

Observer-narrator
Narrator is the protagonist
Omniscient narrator
Narrator is the antagonist
Narrator is one of the characters

10a Questão (Ref.: 202109964784)

The work of Vladimir Propp, The Morphology of the Folktale (1928), was fundamental for the studies of fairy
tales as a genre. He identified 31 functions that defined a paradigm for this kind of short fiction. How did he
define `function¿ in his work?

The acts of the characters.

The relationship of the characters.
The mission designed for the hero.
The relation between events.
The magical elements in the story.