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 from Metallica - 72 Seasons

72 Seasons
Words and Music by Kirk Hammett, James Hetfield and Lars Ulrich
Intro
Moderately fast q = 160
* E5


     
(Bass & Drums)

*Chord symbols reflect overall harmony.

** G5 D5 E5 F5 E5 F5 G5 F5 E5

   

Gtrs. 1 & 2 (dist.)

      
Play 4 times

  
        
 
f

 5
5
7
7
5
4
2
2 3 2 3 5 3 2

3 5 0 1 0 1 3 1 0
**Bass plays E, next 28 meas.

1., 2.
Gtr. 2 tacet

 Gtrs. 1 & 2

G5 D5 E5 Bb5 A5 G5

        


 
   
Gtr. 1

 
    
   

 
 12
10
12
10
7
5
7
5
9
7 8 7 7 5

6 5 5 3

3.
Bb5 A5 G5 Bb5 A5 G5 Bb5 A5 G5 E5 μ


                
Gtrs. 1 & 2

  
           
Rhy. Fig. 1 End Rhy. Fig. 1

        

8 7 7 5 5 8 7 7 5 5 8 7 7 5 5 2
6 5 5 3 3 6 5 5 3 3 6 5 5 3 3 0 5 6

Faster q = 173
E5 A5 Bb5 D5 E5 G5 A5 Bb5 E5 A5 G5 A5
 Riff A

  
 
                 
P.M.  P.M.  P.M.  P.M. 

7 5
0 0 0 0 0 0 0 0 0 0 5 6 0 0 0 0 0 0 0 0 0 0 3 5 6 0 0 0 0 5 0 0 0 0 3 5

E5 A5 Bb5 E5 A5 Bb5 D5 E5 G5 A5

  
 
    
P.M.  P.M.  P.M. 

7 5
0 0 0 0 0 0 0 0 0 0 0 5 6 0 0 0 0 0 0 0 0 0 0 5 6 0 0 0 0 0 0 0 0 0 0 3 5

Copyright © 2023 Creeping Death Music (GMR)

International Copyright Secured All Rights Reserved 1

4
 Bb5 E5 A5 G5 A5 E5 G5 A5 Bb5 E5 A5 E5 G5 A5


 
                                  
P.M.  P.M.  P.M.  P.M.  P.M. 

6 0 0 0 0 5 0 0 0 0 3 5 0 0 0 0 0 0 0 0 0 0 0 3 5 6 0 0 0 0 5 0 0 0 0 3 5

Slower q = 168
E5 A5 Bb5 E5 A5 Bb5 D5 E5 G5 A5
 End Riff A Rhy. Fig. 2

  
 
                        
P.M.  P.M.  P.M. 

7 5
0 0 0 0 0 0 0 0 0 0 0 5 6 0 0 0 0 0 5 6 0 0 0 0 0 3 5

Bb5 E5 A5 G5 A5 E5 A5 Bb5 E5 A5 Bb5 D5 E5 G5 A5


  
   
                          
P.M.  P.M.  P.M.  P.M.  P.M. 

2 7 5
6 0 0 5 0 0 3 5 0 0 0 0 0 0 5 6 0 0 0 0 0 5 6 0 0 0 0 0 3 5

Bb5 E5 A5 G5 A5 E5 G5 A5 Bb5 E5 A5 G5 A5


                     
    
  
P.M. P.M. P.M. P.M. P.M.

2
6 0 0 5 0 0 3 5 0 0 0 0 0 0 3 5 6 0 0 5 0 0 3 5

E5 G5 A5 Bb5 A5 G5 A5 E5 μ


Gtr. 1
       EndFill 1
 
End Rhy. Fig. 2 Fill 1


          
      

     
P.M.  Harm.

2 8 7 7 5 7 2
0 0 0 0 0 0 3 5 6 5 5 3 5 0 3. 2 3. 2 3. 2 3. 2 3. 2 3. 2 3. 2 3. 2


Gtr. 2
       
 

           
      

     
P.M.  Harm.

2 8 7 7 5 7 2
0 0 0 0 0 0 3 5 6 5 5 3 5 0 3. 2 3. 2 3. 2 3. 2 3. 2 4 4 5

5
         
D5 E5 Bb(b5) A5 G5 A5 μ
  
Play 4 times

1. Feed - ing on the wrath of man.

       
  

Gtr. 1 Rhy. Fig. 3 End Rhy. Fig. 3
Play 4 times

        
         
 P.M.  let ring  P.M.   
  
 
let ring P.M. P.M. P.M. Harm.

 5 7 7 7 5 5 7

0 0 0 6 5 0 5 0 0 3 0 3 5 0 0 3. 2 3. 2 3. 2 3. 2 3. 2 3. 2 3. 2 4

     
  
  
Gtr. 2 Fill 2 End Fill 2
Play 4 times

        
         
 P.M.  let ring  P.M.   
  
 
let ring P.M. P.M. P.M. Harm.

 5 7 7 7 5 5 7

0 0 0 6 5 0 5 0 0 3 0 3 5 0 0 3. 2 3. 2 3. 2 3. 2 3. 2 3. 2 5 5

 Verse
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (8 times)
2nd time, Gtr. 3 tacet

D5 E5 Bb(b5) A5 G5 A5 D5 E5 Bb(b5) A5 G5 A5
          
            


Shot down, trau - mat - ic. Time haunt - ed by the past.

Shoot back, er - rat - ic. Mad sea - sons take their toll.

D5 E5 Bb(b5) A5 G5 A5 D5 E5 Bb(b5) A5 G5 A5
        
            


Long gone, dog - mat - ic. Al - though the die is cast.

New mask, cha - o - tic. Com - plete - ly lost con - trol.

   
D5 E5 Bb(b5) A5 G5 A5 D5 E5 Bb(b5) A5 G5 A5
            
         


Shot down, vol - can - ic. But what is done is done and done.
Shoot back, fa - nat - ic. With - er un - der loom - ing shad - ow cast.

   
D5 E5 Bb(b5)A5 G5 A5 D5 E5 Bb(b5) A5 G5 A5
             
       
Look back, psy - chot - ic. No chance be - fore this life be - gan.
Slip back, nar - cot - ic. Blind - ed by the ash - es of the past.

6
 from Metallica - 72 Seasons

Lux Æterna
Words and Music by James Hetfield and Lars Ulrich

Intro
Moderately q = 122
D5 Db5 C5 B5 Bb5 D5 Db5 C5 B5 Bb5
Rhy. Fig. 1 End Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)


          
                            
P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M.  P.M. 
f


7 6 6 5 5 4 4 3 7 6 6 5 5 4 4 3
5 4 4 4 4 3 3 3 3 2 2 2 2 1 1 3 5 4 4 4 4 3 3 3 3 2 2 2 2 1 1 3

D5 Db5 C5 B5 Bb5 D5 Db5 C5 B5

    
        
              


  
P.M.  P.M.  P.M.  P.M. 

7 6 6 5 5 4 4 3 7 6 5 4
5 4 4 4 4 3 3 3 3 2 2 2 2 1 1 0 5 4 3 2 X
5 4 3 2 X

Slightly faster q = 130

Double-time feel


A5

   


 

Gtr. 1

   
  

  

P.S.
let ring



2 4 12 14
2 4 12 14 X
0 X
X

 

     

Gtr. 2

    

     
fdbk. fdbk.

2 2 2
2 2 2
0 0 0

Copyright © 2023 Creeping Death Music (GMR)

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61
 μ A5 D5 Eb5 A5 D5 Eb5

   
Rhy. Fig. 2 End Rhy. Fig. 2 Rhy. Fig. 3 End Rhy. Fig. 3

       
Play 4 times

         
           

 
P.M.

 7 5 0
7
0 0 0 0 0 0 0
7
7
8
8  7
0
7
0
7
0
7
0
7
7
8
8

     
Play 4 times Rhy. Fig. 3A End Rhy. Fig. 3A

        
   

 
  7
0
7
0
7
0
7
0


Gtrs. 1 & 2: w/ Rhy. Fig. 2 (4 times)
2nd time, Gtr. 3 tacet

μ A5 D5 Eb5 μ A5 D5 Eb5 μ A5 D5 Eb5 μ A5 D5 Eb5

    

 Verse
2nd time, Gtr. 3: w/ Fill 1
A5 C5 D5 C5 G5 C5 B5
           
      
1. An - tic - i - pa - tion, in dom - i - na - tion.
2. Ex - hil - a - ra - tion, fren - zied sen - sa - tion.
3. E - man - ci - pa - tion, kill i - so - la - tion.

Rhy. Fig. 4 End Rhy. Fig. 4

 
Gtrs. 1 & 2

         
           
      
P.M.  P.M. 

5 7 5 5 4 4
7 3 5 3 5 3 2 2
5 5 5 5 5 5 0 3 3 3 3 3 3 0

Fill 1

    

7 7

62
 from Metallica - 72 Seasons

Chasing Light
Words and Music by Kirk Hammett, James Hetfield and Lars Ulrich
Intro
Moderately slow q = 89

      
μ G5 F#5 E5 G5 F#5 E5
     
There’s no light.

  
Gtrs. 1 & 2 (dist.)

  
Rhy. Fig. 1 End Rhy. Fig. 1

        
                     
 P.M.  let ring  P.M.   P.M.  let ring  P.M. 
f

 
P.M. P.M.

 5 
 3
5 4
0
4
3
2 2 2
2
2
0 2 0 0 0 0 0 3
5 5
0
4 4
3
2
2
2 2
0
2
2 0 0 0 0 0

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

   
G5 F#5 E5 G5 F#5 E5 G5 F#5 E5 G5 F#5 E5
 
    
   
Gtr. 3 (dist.)

    

f

 
w/ wah

 12
12
12
12
9
9
9
9
12
12
15
X
13
15
13


       


C5 B5 A5 C5 B5 C5 B5 A5 C5 B5 C5 B5 A5 C5 B5 A5 μ


    
Gtr. 3

        

   

8 17 16 14 17 16 14 14
10 9 7 10 9 10 9 7 10 9

 
Gtrs. 1 & 2

                  

            
steady gliss. 

5 4 2 5 4 5 4 2 5 4 5 4 2 5 4 2
3 2 0 3 2 3 2 0 3 2 3 2 0 3 2 0
5 11

Gtrs. 2 & 3 tacet

F#5 C5/G B5 A5 C5 G Gsus2

   

Gtr. 1
Riff A End Riff A


                              
 P.M.   P.M. 
 
P.M. P.M. P.M. P.M. P.M. P.M.

 4
3 3 3 2 0 3 2 0

0 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

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International Copyright Secured All Rights Reserved 1

76
 Gtrs. 1 & 2: w/ Riff A (2 times)


F#5 C5/G B5 A5 C5 G Gsus2 F#5 C5/G B5 A5 C5 G Gsus2

    

F#5 C5/G C5 B5 A5 C5 B5 A5

   

Gtrs. 1 & 2
Rhy. Fig. 2 End Rhy. Fig. 2

            
   
 
      
 
 
P.M. P.M.

 4
3 3
5
3
4
2
2
0
5
3
4
2
2
0

0 2 2 2 2 2 2 3 3 3 3 3 3

 Verse
2nd time, Gtr. 3 tacet


F#5 G5 A5 G5
        
    


1. Ooh, down and out as dark - ness falls.

2. Ooh, lost his way through wick - ed streets,


    
Rhy. Fig. 3 End Rhy. Fig. 3

  

        
        

4
5 5 5 5 5 5 5 7 5 5
0 2 2 2 2 2 2 3 3 3 3 3 3 3 5 3 3

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)

F#5 G5 A5 G5

        
      
So much more than he can take.
but he is some - one’s lit - tle boy.


F#5 G5 A5 G5
       
     


Oh, shakes the cage in deep with - draw’ls.

Oh, all the love a young one needs,

F#5 G5 A5 G5

         
       
Come on, give the boy a break.
thought - less eld - ers have de - stroyed.

77
 from Metallica - 72 Seasons

Inamorata
Words and Music by James Hetfield and Lars Ulrich

Intro
Moderately q = 121


C#5 Bm C D

       

  
Rhy. Fig. 1 End Rhy. Fig. 1


Gtrs. 1 & 2 (dist.)

   
Play 4 times







          

 
f

 
 9
9
11 9
9
11 9
9
11 9
9
11 11
9
5
7
5
7
5
7
7
8
7
8
7
8
9
10

    

C#5 Bm C D

   
   
Play 4 times

               
   
 
 
P.M. P.M.

 11 9 11 9 9 11 9 11 11 11 5 5 5 7 7 7 9

9 9 9 9 9 9 9 9 9 9 7 7 7 8 8 8 10

  
E5 C#5 μ C#5 E5 C#5 B5 C#5 Bm C E


 
Rhy. Fig. 2 End Rhy. Fig. 2

            
     
 
             
 

14 11 X X 11 14 14 11 11 9 9 11 11 0 5 7 11
12 9 X X 9 12 12 9 9 7 7 9 9 0 7 8 12

  
C#5 μ C#5 E5 C#5 B5 C#5 Bm C E


             
     

   
 
 

11 11 X X 11 14 14 11 11 9 9 11 11 5 7 11
12 9 X X 9 12 12 9 9 7 7 9 9 7 8 12

Copyright © 2023 Creeping Death Music (GMR)

International Copyright Secured All Rights Reserved 1

117
   
C#5 μ C#5 E5 C#5 B5 C#5 Bm C E

 
Gtr. 1

               


   

 

11 X X 11 14 14 11 11 9 11 11 5 7 11

  
12 9 X X 9 12 12 9 9 7 9 9 0 7 8 12

 
 
Gtr. 2

     


        
 
    
 

11 X X 11 14 14 11 11 9 11 11 5 7 11
12 9 X X 9 12 12 9 9 7 9 9 7 8 12

  
C#5 μ C#5 E5 C#5 B5 C#5 E5 C#5 Bm C E μ


 
Gtrs. 1 & 2

       

Rhy. Fig. 3 End Rhy. Fig. 3

           
               
 

11 11 X X 11 14 14 11 11 9 11 14 11 5 7 7 11
12 9 X X 9 12 12 9 9 7 9 12 9 7 8 8 12

 Verse


μ C#5 B5 C#5 μ C#5 B5 C#5

          


1. Wel - come, won’t you come in - side?

2. Ric - o - chets with - in my head.

 3
Rhy. Fig. 4
3

              
   
P.M.  P.M. 

4 5 4 2 6 4 6 4 5 4 2 6 4 6
4 2 4 4 4 4 2 4 4 4

 
μ C#5 B5 C#5 G5 C#5 F#5
 
         

Meet the ghosts where I re - side. De -
Con - ver - sa - tions nev - er said.

 3 End Rhy. Fig. 4

        
       
  
 
P.M. P.M. P.M.

4 5 4 2 6 4 6 6
4 2 4 4 4 4 5 4 4
3 3 3 2 2 2

118
 Gtrs. 1 & 2: w/ Rhy. Fig. 4 (3 times)

 
μ C#5 B5 C#5 μ C#5 B5 C#5 μ C#5 B5 C#5 G5 C#5 F#5
     
              


spite how they’re a - bus - ing me, lone - ly I will nev - er be.
Mag - ni - fy - ing ev - ’ry thought. That fam - il - i - ar pain she brought.


μ C#5 B5 C#5 μ C#5 B5 C#5 μ C#5 B5 C#5 G5 C#5 F#5
     
              




Com-fort in the hell I know. Re - sent - ment like a can - cer grows.
Seeps in - side e - ven - tual - ly. Mi - ser - y loves com - pa - ny.

To Coda 1 
μ C#5 B5 C#5 μ C#5 B5 C#5 μ C#5 B5 C#5 G5 C#5 F#5

 
                 
*

   


Long- ing for the day I’m free. Burn to get you out of me.
Sul - len, I cre - at - ed you. I sup - pose that I could end you too.
*Bkgd. voc. sung 2nd time only.

Pre-Chorus

 
G5 F#5 μ F#5 E5 F#5 μ F#5 G5 F#5 μ F#5 E5 F#5 μ F#5 E5 F5 F#5

                 
 
 
Ly - ing, sup - ply - ing the need. Shed - ding and spread-ing the seed.

 
Gtrs. 1 & 2


Rhy. Fig. 5

   
                  


P.M.

5 4 4 2 4 4 5 4 4 2 4 4 2 3 4
3 2 2 0 2 2 3 2 2 0 2 2 0 1 2

     
G5 F#5 μ F#5 E5 F#5 μ F#5 G5 F#5 μ F#5 E5 F#5 μ F#5 B5 C#5 E5

                  


Set - ting the trap with the thread. Spin-ning the web.



End Rhy. Fig. 5

   
                
   


1/4

5 4 4 2 4 4 5 4 4 2 4 4 7
3 2 2 0 2 2 3 2 2 0 2 2 7 9

119
 Outro
Gtrs. 6 - 8: w/ Riffs E, E1 & E2 (2 times)

     
G#5 F#5 E5 C#5


  

Gtr. 3

       

3
3
1 1/2 1 steady gliss.

19 16 16 19
18 18 18 16
11 11 9 11
14 12
14

  
  

Gtrs. 1 & 2


   
     
     
P.M. 
4 2 4 4
2 2 2 6 4 2 2 11 9 11 11
4 2 0 0 9 9 9

Gtrs. 1 & 2: w/ Rhy. Fig. 7 (last 3 meas.) Gtrs. 6 - 8 tacet

Gtr. 3 tacet


B5 C#5 E5 C#5 G#5 A5 G#5 F#5 E5 B5

   

Gtrs. 1 & 2: w/ Rhy. Fig. 7 (1st meas.) Gtrs. 1 & 2 tacet Gtrs. 1 & 2: w/ Rhy. Fill 1
Gtrs. 6 - 9 tacet


C#5 B5 C#5 E C#5 G#5 A5 G#5 A5




 
8va

 
Gtr. 9 (dist.)

  
mf 
12 14 16
9 12 14

Slower q = 111


G#5

μ B5/F#

 
Gtrs. 1 & 2

    
3 3

           
        
     
rit.

X
X
X
X 4 4 4 4 4 4
6 6 6 6 6 X 2 2 2 2 2 2
4 4 4 4 4 X 2 2 2 2 2 2

Free time


F#5 E5 C#5



 
     

rit. 

4 2
2 0 3 9

19

135
 SO
Li LO
br
o M
co U
To In m ES
do s ta pl TR
et A
cu gr o
rso am en
sv :
ip
20
22