Escolar Documentos
Profissional Documentos
Cultura Documentos
INSTRUCTION
MANUAL
2 S h l t t e r r e l e a s eD u t t o n A p e r t u r ed r r e c tr e a d o u (t A D R )w i n d o w z o
3 S h u t t e r e t e a s ef r n g e r g u a r d NI l*: nn CW
a$ire-,$$El;iffiis** F i l mr e w r n dk n o b z t
*ftt-
A
N e c k s t r a pe y e i e t (.) (:IJ L:J
S y n ct e r m r n a(l c o v e rp r o v i d e dz) z
J
D e p t ho f f r e l dp r e v r e wt e v e r L e n sm o u n t r n gr n d e x2 e
6 S e l lt r m e rri n e m o r yl o c k l e v e r L e n s r e l e a s eb u t t o n z q
7 L e n sm o u n t r n qt a n g e M e t e rc o u p l r n gl e v e r z :
I F o c u s r n sg c r e e nh o l d e rr e l e a s el a t c h R e f l e xm i r r o r z o
9 V r e wrfn d e r r e a d y i-gl h t F i l n ra d v a n c el e v e r 2 z
l0 Exposure
c o m p e n s a t r odnr a ll o c k F i l m s p r o c k e t sz a
$.ffi*stb*
1 r A S A / l S Of r l m s p e e dl n g
S e r i a ln u m b e r 2 e
w*q*trurihxr
1 2V r e w f r n d e
ery e p r e c e F i l m t a k e u ps p o o l s o
1 3 R e w r n df o r k
1 4 S h u t t e rc u r t a r n s
l5 F i l mc a r t r r d g ceh a m b e r
16F m g u r d ep r n
1 7 F r l mg u r d er a r l s
F i l ma n t i - c u rrlo l l e rJ I
1 8 D a t ab a c kc o n t a c t s
L o c k r n gc a t c h
2
3 4A p e r t u r e / d i s t a n csec a l e i n d e x F o c u s i n gr i n g
3 ! I n fr a r e df o c u s i n gi n d e x L e n sm o u n t i n gr i n g
3 6M e t e i ' c o u p l i nsgh o e A p e r t u r er i n g
s z M e t e rc o u p l i n gr i d g e A p e r t u r es c a l e
3 8M o n i t o rc o n t a c t A p e r t u r e - d i r e crte a d o u ts c a l e
s sH o t - s h o ec o n t a c t S h u t t e rs p e e d / m o d ei n d e x
+ oE x p o s u r ec o m p e n s a t i o n
dial M u l t i p l ee x p o s u r el e v e r
q t A S A / l S Of i l m s p e e d i n d e x F r a m ec o u n t e r
+ 2F i l m r e w i n dc r a n k F i l mp l a n ei n d i c a t o r
4 3C a m e r ab a c k l o c k l e v e r A ccessor ysh oe 6 l
+ zM o t o rd r i v es h u t t e rc o u p l i n g B a t t e r yc h a m b e rl i d 6 t
t e C a m erabac k F i l m p r e s s u r ep l a t e o Z
s oM e m o h o l d e r
\i]
iir,
f
.""
Notes;
1) When changtng lenses wrth frlm loaded rn the camera, be careful nol to expose the mrrror box
lo direct sunlrght
2) Thrs camera rs clesrgnedexclustvely for use with At /enses Non.At tenses cannol lle used
wilh a lew exceptrons. p/ease reter to page 19 f or more cletarls
10
11
12
fu,
'r+
T u r nt h e l e n s a p e r t u r er i n g u n t i lt h e d e s i r e df - n u m b e r Many blurred shots are caused by unsteady holdingof
i s o p p o s i t et h e a p e r t u r e / d i s t a n c e
i n d e xo n t h e l e n s T h e s e l e c t e d t h e c a m e r a B a s i c h o l d i n gp o s t u r e :U s e y o u r l e f t h a r r dt o c r a d l e
f - n u m b r e ar p p e a r s i n t h e v r e w f i n d e rt h r o u g h t h e A D R ( a p e r t u r e the camera, with your fingers wrapped around the lens and
d r r e c t r e a d o u t )w i n d o w f o r c o n v e n i e n tr e f e r e n c e I n t e r m e d i a t e elbow propped against your body for support, as you look
s e t t r n g so n t h e l e n s a p e r t u r er i n g c a n b e u s e d through the viewfinder Use you right hand's rndex frnger to
U s e t h e f o l l o w i n gs u g g e s t r o n sa s a g u r d e i n s e t t i n gt h e f / s t o po n d e p r e s st h e s h u t t e r r e l e a s eb u t t o n a n d y o u r t h u m b t o w i n d t h e
the lens (when a 50mm f/1 4 is used with ASA/ISO IOOfitm film advance lever Wrap the other fingers of your right hand
s p e e d) around the camera body You can adapt this basrc posture to
O u t d o o r s( c l o u d y ) :I l 2 B , - f l 5 6 b o t h h o r i z o n t a l a n d v e r t i c a l - f o r m a ts h o o t i n g T o h o l d t h e c a m e r a
O u t d o o r s( c l e a r ) f: / 5 6 - f / 1 1 steady, it is advisableto lean on or against something strong
O u t d o o r s( c l e a ra t t h e b e a c h o r r n t h e m o u n t a i n s ) f: / i l - f / 1 6 and stable(eg, a wall) Also, you can look through the view-
Note: Thedepthof freldas wellas the shutterspeedcan be controlledby f i n d e rw i t h t h e r i g h t o r l e f t e y e , w i t h t h e o t h e r e y e o p e n o r c l o s e d
your selectionof the shootrngaperture For more rnformatron, refer to
oaoes38-39
IJ
1L
Out of focus
15
ro
17
ffitffi
\-
Fold out the film rewind crank
a n d t u r n i t g e n t l y i n t h e d i r e c t i o no f t h e O p e n t h e c a m e r a b a c k b y p u l l i n gu p t h e
a r r o wu n t i l y o uf e e l a n i n c r e a s ei n t e n s i o n rewind knob and take out the film car
G i v e i t a f e w m o r e t u r n s u n t i lI h e t e n s i o n t r i d g e A v o i d u n l o a d i n gi n d i r e c t s u n l i g h t
i s g o n e a n d t h e c r a n k t u r n s f r e e l y ,t n d t l f t h e r e i s n o s h a d e a v a i l a b l e ,t u r n y o u r
cating the film leader is rewound com- back to the sun and use your own shadow
p l e t e l yb a c k i n t o t h e c a r t r t d g e t o s h i e l dt h e c a m e r a
Note: Do not open the cameraback beforefilm
rewindingis completed
F s h e y eN k L o r6 m m f / 5 6 Not usable
F s h e y eN k k o r 1 0 r n mf / 5 6 O P
P C N r k k o r2 8 m m f / 4 H t s c a m e r a s m e t e r c o u p l i n gl e v e r S e r i a lN o 1 B O 9 Oa1n d h l g h u s a b l e
Note: The modif icatron at reasonable cost of most non-Al /enses having a meter coupling
prong is avarlable for the convenience of Nikkor /ens users For further rnformation concernino
Al lens modification, please contact your local authorized Nrkondealer
tv
A (Autol :
T h e N i k o n F E 2 o f f e r s a p e r t u r e - p r i o r i t ya u t o m a t i c m o d e o p e r -
U sed for apertureprror ityautomati mo
c de shooi ingY ou
a t r o na n d m a n u a l c o n t r o l o f a l l s h u t t e rs p e e d s f r o m B t o 1 / 4 0 0 0
manual ly
set the f/stopfi rst:thenthe cameraautomati ca ll
s e l e c t s t h e m a t c h i n g e l e c t r o n i c a l l yc o n t r o l l e d s h u t t e r s p e e d
s e c , i n c l u d r n gt h e M 2 5 O( m e c h a n i c a l l yc o n t r o l l e d - 1 / 2 5 0 s e c )
and B (bulb) settings To set the desired shooting mode or s t e p l e s s l yb e t w e e nB a n d 1 / 4 0 0 0s e c , d e p e n d i n go n t h e s c e n e
shrrller sneed rotate the shrrttersneed/mode selector dial u P v v
b r i g h t n e s sa n d t h e f i l m s p e e d i n u s e
v v v v v .
s p e e d i n u s e r n s i d et h e v r e w f r n d e rr,t ' s n o t n e c e s s a r yt o l o o k a t 250 is indicatedwith red which means the fastest sync speed
t h e s h u t t e rs p e e d d i a l a s y o u t u r n i t T h e d i a l h a s t h e f o l l o w i n g f o r a n e l e c t r o n i cf l a s h u n i t A o n e - s t o p c h a n g e w i l l e i t h e r h a l v e
settinqs o r d o u b l e t h e e x p o s u r e ;e . g , a s h u t t e r s p e e d o I 1 1 1 2 5s e c l e t s
in twice as much light as a settingof 1/250 sec and half as
m u c h l i q h ta s 1 / 6 0 s e c .
20
M250
B( B u l b )
a1
al
LL
Shooting on auto
1) Setthe shutterspeed/mode selectordialat A.
Z) Setthedesiredf/stopon the tens
Withthe FE2setat A, yousetectthe f /stopandthe electronicarry
3) Lookthroughthe viewfinder andplacethe mainsublectin the
c o n t r o l l emd e t e r i n gc i r c u i tm a t c h e si t w i t ht h e c o r r e c ts t e p l e s s
s h u t t e rs p e e d T h e A m o d e i s e s p e c i a l l yu s e f u l ,b e c a u s ei t center of the f rame.
4 ) P u l lo u t t h e f i l m a d v a n c el e v e ra n d d e p r e s st h e s h u t t e rr e -
a l l o w sy o u t o c o n t r o dl e p t ho f f i e l dw h i l eu s i n gt h e c a m e r ao n
leasebuttonhalfway
automaticto assureperfectexposure.Deeperdepth of field
(or a greatetzoneof sharpfocusin frontof and behindthe marn 5 ) C o n f i r mt h e p o s i t i o o
n f t h e m e t e rn e e d l el.f t h e s h u t t e sr o e e o
i s a b o v e 1 / 3 0 s e c . ,b u t n o t o v e r 1 / 4 O OsOe c , d e o r e s st h e
subject)is achievedas you stopdownthe lensto smalleraper-
shutterreleasebuttonall the way The correctexposurewill
t u r e s( i n d i c a t e d
b y n u m e r i c a l l lya r g e rf - n u m b e r s )S. h a l l o w e r
be obtained.
d e p t ho f f i e l d( w h e r et h e f o c u si s r e s t r i c t etdo t h e m a i ns u b i e c t )
resultswhen largeraperturesare used (Referto page 38 for
m o r ei n f o r m a t i o)n
z5
When the meter needleis between 1/30 and B sec the ptc-
t u r e w i l l p r o o a b l yc o m e o u t b l u r r e d i f y o u a t t e m p t t o t a k e t h e
s h o t w h i l e h a n d h o l d i n gt h e c a m e r a I n t h i s c a s e , t u r n t h e
a p e r t u r e r r n g t o o b t a i n a l a r g e r a p e r t u r e l f a f t e r o p e n t n gu p
For shootingmovingsubjects,the FE2 also enablesyou to
the lens all the way, the shutter speed does not go above
selectthe shutterspeedon Autoeitherto f reezethe actionand
producesharpoutlineswith a fastershutterspeed,or to cause
1 / 3 0 s e c , u s e a t r i p o dt o s t e a d y t h e c a m e r a A s a l t e r n a t i v e s ,
an intentional blurby choosinga slowershutterspeed Tooper-
u s e e l e c t r o n i cf l a s h o r c h a n g e t o a h i g h e rs p e e d f i l m
l f t h e m e t e r n e e d l ei s i n t h e u p p e rw a r n i n ga r e a , u s e a s m a l l e r ate the FE2 in this way, depressthe shutter releasebutton
a p e r t u r e l f, a f t e r y o u h a v e s t o p p e d t h e l e n s d o w n a l l t h e w a y
halfway;thenmatchthe meterneedlewiththe speedyou desire
a n d t h e n e e d l es t i l lr e m a t n sr n t h i s a r e a , u s e a n e u t r a ld e n s i t y
ring
b yt u r n i n gt h e l e n sa p e r t u r e
f i l t e ro r c h a n g e t o a s l o w e rs p e e d f i l m
l f t h e m e t e r n e e d l ei s i n t h e l o w e r w a r n i n ga r e a , u s e a l a r g e r
a p e r t u r e l f , a f t e r y o u h a v e o p e n e dt h e l e n s u p a l l t h e w a y a n d
t h e n e e d l e s t i l l r e m a i n s i n t h i s a r e a , u s e e l e c t r o n i cf l a s h o r
s w i t c ht o t h e B s e t t i n gt o m a k e a t t m e e x p o s u r e
24
25
26
i1:i4:ii;t:ttil:,,::11;:y:2,::,11;,1tt1ttt
A slowerspeedallowseverythingto blur.
27
28
29
3O
161r 8 564 28 2
Section C
I
,l
o L+){
f,4 |
l, // ,/
-J't 14
c -1,, ' |tooo:' /'
(D
El
(!
tr
LlJ
I
t
32
;1\i
250--
32v-
The scale on the ASA/lSO dial has settings for speeds from T h e A S A / l S O i s a n u m e r i c a l r a t i n g o f t h e f i l m ' s s e n s i t i v r t yt o a
A S A / l S O 1 2 t o 4 O O OT w o l i n e s b e t w e e n e a c h n u m b e r s t a n d f o r g i v e n a m o u n t o f l i g h t T h e h i g h e r t h e n u m b e r ,t h e g r e a t e r t h e
r n t e r m e d i a t es e t t i n g s ,s u c h a s 6 4 , 8 0 , e t c T h e d i a g r a m a b o v e s e n s i t i v i t y a, n d v i c e v e r s a T h e f i l m ' s A S A / l S O i s i n d i c a t e do n t h e
grves the speeds for all intermediatesettings To set the film c a r t r i d g ei t s e l fa s w e l l a s o n t h e f i l m c a r t o n a n d t h e d a t a s h e e t
speed in use, lift up the dial and rotate it until your desired packed insrde
n u m b e r( o r l i n e r e p r e s e n t r n tgh e f i l m s p e e d )c l i c k s t o p s o p p o s i t e
t h e r e d i n d e xd o t
34
+ 2 w h i t e b a c k g r o u n d ,s n o w s c e n e
+ 1 w h i t e b a c k g r o u n do c c u p y i n g h a l f o f
v r e w r n ga r e a
- 1 s p o t l i g h t e ds u b j e c t , b l a c k b a c k g r o u n d
occupyinghalf of viewingarea
-2 black background
36
37
< X
40
ll
I
I
V
w h e n y o u s h o o t i n f r a r e df i l m , n o t e t h a t t h e p l a n e o f s h a r p e s t T h e f i l m p l a n ei n d i c a t o(r* ) i s e n g r a v e do n t h e t o p d e c kj u s t
f o c u s i s s l i g h t l yf a r t h e r a w a y t h a n t h a t i n v i s i b l e - l i g hpt h o t o - behindthe shutterspeeddial lt indicatesthe exactpositionof
graphy As a rule of thumb, you can compensatefor this shift t h e f i l m p l a n ei n s i d et h e c a m e r aa n d i s u s e dt o m e a s u r et h e
i n f o c u s b y r e f e r r i n gt o t h e i n f r a r e d c o m p e n s a t i o ni n d e x ( i n t h e exactdistancebetweenthe subjectand film plane,such as in
f o r m o f e i t h e ra r e d d o t o r a r e d l i n e )n e a r t h e f o c u s i n gi n d e xo n macrophotography. The distancebetweenthe film planeand
t h e l e n sb a r r e l ( S o m e l e n s e s ,i n c l u d i n gt h e R e f l e x - N i k k odr ,o n o t lensmountingf lange@ is exactly46 5 mm
n e e d c o m p e n s a t r o n)
A ft e r f o c u s i n gt h e i m a g e s h a r p l yt h r o u g h t h e v i e w fi n d e r ,c h e c k
t h e f o c u s e dd i s t a n c ea n d t u r n t h e f o c u s i n gr i n g t o t h e l e f t u n t i l
t h e r e d i n fr a r e d c o m p e n s a t i o ni n d e x l i n e su p w i t h t h e p r e f o c u s e d
d i s t a n c e B e s u r e t o s h o o t w i t h t h e a p p r o p r i a t ef i l t e r , s u c h a s
t h e R 6 o , e t c ( t n t t r i s p h o t o , t h e s u b j e c t - t o - c a m e r ad i s t a n c e i s
setat-)
42
C l o s e - U pL e n s e s
43
44
::
7a!l; i4!l
F ?: +::
:::
|:?! ::l
..::
,!:
1
:::.
:!
!:: I
'l
",1
it:
t1
distance
T h e F E z , p r o v i d e do n l y w i t h a n X - c o n t a c tf o r s y n c h r o n i z a t i o n ,
s y n c h r o n i z e sw i t h t h e s p e e d l i g h tw h e n t h e s h u t t e r s p e e d s e t i s
.1/250
s e c o r s l o w e r F l a s h b u l b sc a n a l s o b e u s e d a t t h e f o l l o w -
i n g s h u t t e rs p e e d s y n c r a n g e s
M F Pa n dM F
Flashbbus
__l
l- Cannotbe used
Note; When ust n g a spe cral el ectron r c fla sh un it with pr o vr ston for t rme
lag, an elec trontc fla sh u ntt wi th lon g illu m rn a tto nttme , th e M e dical-Nr kkor
120mm f/4 lF, or t he NrkonRe pe a trng Flash Unit SB 6 a t 1 /2 or full out put,
adlus t s hutter spee d do wn to 1/1 25 se c o r slo wer I n d a y l i g h tf i l l - i nf l a s h ,a s y n c s p e e d o f ' l l 6 0 s e c d o e s n o t f r e e z e
t h e m o v e m e n to f t h e m o d e l a i r o l a n e
4()
B u t ,a t 1 1 2 5 s0e c , a l lm o v e m e nits s t o p p e d
4B
49
50
t-;-r
I (e) I
Split-imagerange-
finder/microprism
Has microprism collar around the
c e n t r a l s p l i t - i m a g e r a n g e fi n d e r s p o t .
With PC-Nikkoror lenses having a
maximum aperalure slower than f/4.5,
system
[Y] the split-imagerangeftnderor micro.
prism collar is dim. In this case, focus
on the surrounding matte area.
Works well for general photography,
close-up photography and duplication TypeK2lB2lE2 screens TypeK/B/E screens
work. Especially useful for people
who prefer lo focus on the matte
Mattesystem focusing spot at the center ol the
screen, or when it is inconvenient to
use the split-image rangefinderfor Caution: TypeK2/82/E2 focusingscreens have a notched tab. lf you use
focusing, as is the case with telephoto the TypeK/B/E screen, you must make exposurecompensationby setting
lenses. the exposure compensation dial to -1/3. However, no exposure com-
pensationls necessary when performing TTLauto flashphotographywith
Extremely useful in pictorial compo-
Horizontal and sition. Consists of Type 82 matte field
a TypeK/B/E screen installedin the FE2.
vertrcal line with etched horizontaland vertical
etched system l i n e s . E s p e c r a l l yh a n d y w h e n u s i n g
PC-Nikkor lenses.
51
Speedlight SB-15
F e a t u r e ss p e c i a l t i l t i n g f l a s h t u b em o d u l e f o r b o u n c e f l a s h o r
s h o o t i n gc l o s e - u p s G u i d e n u m b e r o f 2 5 ( n S n l t S O 1 0 0 a n d
m e t e r s )o r 4 1 ( A S A / l S O2 5 a n 1 f, e e t )
Speedlight SB-168
M o s t v e r s a t i l ed i r e c t - m o u n t i n gf l a s h f r o m N i k o n T r u l y c r e a t i v e
b o u n c e f l a s h p o s s i b l ew i t h t w o f l a s h h e a d s : m a i n h e a d h a s
z o o m s e t t i n g sf o r 2 8 , 3 5 , 5 0 a n d 8 5 m m l e n s e sa n d t i l t sb a c k 9 0 o
a n d r o t a t e s2 7 0 o ; s m a l l e rs e c o n d a r yh e a d f a c e s s t r a i g h ta h e a d SB-15
t o p r o v i d e a c a t c h l i g h ti n t h e e y e s S p e c i a l M D ( m o t o r d r i v e )
s e t t i n ga l l o w s s h o o t i n go f B c o n s e c u t i v ef r a m e s a I 4 f r a m e s p e r
s e c o n d P o w e ru f l g u i d en u m b er o f 3 2 ( n S n l l S O 1 O Oa n d m e t e r s )
o r 5 2 ( A S A / l S O2 5 a n d f e e t )
Speedlight SB-18
L i g h t w e i g h ta n d e a s y t o o p e r a t e C h o i c e o f T T L o r m a n u a l c o n -
t r o l G u i d e n u m b er o l 2 0 ( n S n l l S O 1 O Oa n d m e t e r s )o r 3 3 ( A S A /
I S O2 5 a n d f e e t )
\)
T h e s c r e w - t y p eA R - 3 m a k e s f o r v i b r a t i o n -rfe e s h u t t e r r e l e a s e
55
A t t a c h e d t o t h e v i e w fi n d e r e y e p i e c e , t h i s a c c e s s o r y e n l a r g e s
t h e i m a g e a t t h e c e n t e r o f t h e v i e w f i n d e rt o a s s u r e e v e r o r e c t s e
f o c u s i n g i n c l o s e u p p h o t o g r a p h y ,d u p l i c a t i o n w o r k , a n d t e l e -
p h o t o gr a p h y
DR.3
A c c e s s o r y l e n s e s t h a t s c r e w o n t o t h e v i e w f i n d e re y e p r e c e v
EyepieceCorrectionLenses
t o e n a b l e n e a r - a n d f a r s i g h t e dp h o t o g r a p h e r st o t a k e p i c t u r e s
without havingto wear eyeglasses Nine models are available,
o f f e r i n ga c h o i c e o f t h e f o l l o w i n gd i o p t e r s :- 5 , - 4 - 3 , - 2 , O ,
+ 0 5 , + 1 , + 2 a n d + 3 ; t h e d i o p t e r sr e p r e s e n tt h e c o m b i n e d
d i o p t r yo f t h e v i e w fi n d e r a n d l e n s o n l y F o r b e s t r e s u l t s ,c h o o s e
the eyepiece correction lens most suitablefor you only after
a c t u a l l yt r y i n go u t v a r i o u sm o d e l sa t t h e c a m e r a s h o p
56
ffiffiffi
Recommendedto prevent extraneous light from striking the
l e n s , N i k o n ' sl e n s h o o d s c o m e i n f o u r s t y l e s :s c r e w - i n ,s l i p - o n ,
s n a p - o n ,a n d c o l l a p s i b l e - r u b b eEr v e r yl e n s s h o u l db e f i t t e dw i t h
t h e l e n s h o o d s p e c i a l l yd e s i g n e df o r i t N o t e , h o w e v e r ,t h a t s o m e
l e n s h o o d s c a n b e u s e d i n c o m m o n b v s e v e r a ll e n s e s
57
CF-27 AN-6Y
A v a i l a b l ea r e t h e l e a t h e rn e c k s t r a pA N - t ( b l a c k ) ,w e b b e d n y l o n
neckstrapsAN-4Y (yellow) and AN 4B (black), and wider AN-4Y
w e b b e dn y l o nn e c k s t r a p sA N 6 Y ( y e l l o w )a n d A N - 6 W ( w i n e r e d )
A w i d e s e l e c t i o no f s i x t y p e s t o c h o o s e f r o m , r a n g i n g f r o m a
compact type to a largetype which can accommodate largeor
b u l k y c a m e r a e q u i p m e n t :F B - 8 , F B - 11 A , F B - ' 1 4 F, B - 1 5 ,F B - 1 6
and F3-17
qa
59
otJ
61
62
frh-
camera
back: i?il:ti swins-open
type;
removable;memo holderprovided
Tripodsocket: 1/4 inch
Dimensions(body only): Approx.ta2.5mm(W)x
9 0 . O m m ( H5
) x7 . 5 m m ( D )
Weight (body only): Approx.55Og
63