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TRAULITO

#7
Novembro de 2012
63
9 -11
7
Uma publicação da 21
SN
Companhia do Latão IS

A cultura da
fábrica ocupada
A volta do Bandido
da Luz Vermelha
Brecht por Jorge
Amado e Cavalcanti
João Gilberto de
Walter Garcia
NOTA EDITORIAL

Traulito 7JOUFHSBVNDPOKVOUPEFBUJWJEB-
EXPEDIENTE
EFTEFQFTRVJTBEP1SPKFUP05SBCBMIPEP Distribuição gratuita

-BUÍP DPOUFNQMBEPOB‹&EJÎÍPEP1SP- Edição


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HSBNB .VOJDJQBM EF 'PNFOUP BP 5FBUSP 3PCFSUB$BSCPOF

QBSBB$JEBEFEF4ÍP1BVMP&TUFOÞNFSP Projeto gráfico e diagramação


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Produção
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a Carta CapitalEFOVODJPVPFOWPMWJNFOUP Imagem da capa


*OTQJSBEBOPDBSUB[QBSBBQFÎBO inspetor geral de
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EFëMNBHFNEFLuz nas trevas – A volta do NÈSNPSF

Bandido da Luz Vermelha, filme que estreou Colaboração nesta edição


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OB *HOF[ /B FOUSFWJTUB DPN 8BMUFS (BSDJB  Agradecimentos


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PSHBOJ[BEPSEPMJWSPJoão Gilberto, ele fala so- Cooperativa Paulista de Teatro

CSFPMJWSPSFDÏNMBOÎBEPFEJTDVUFBQSPEVÎÍP Impressão gráfica


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Tiragem
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USP EB 'MBTLÙ SFBMJ[BEB QFMB DPPSEFOBEPSB EP Edição eletrônica


XXXUSBVMJUPDPNCS
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Contatos da publicação
PDVQBEB Traulito 7 UBNCÏN QVCMJDB PT UFYUPT $PNQBOIJBEP-BUÍP


EF +PSHF "NBEP F "MCFSUP $BWBMDBOUJ TPCSF P DPNQBOIJBEPMBUBP!HNBJMDPN
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2 t 5SBVMJUPtOt/PWFNCSPEF
A MÍDIA E O PODER PARALELO
Entrev ista com Cynara Menezes
Em abril de 2012 a revista Carta Capital lançou uma série de reportagens denunciando o
vínculo entre a revista 7FKB e o bicheiro Carlos Cachoeira. Uma das repórteres envolvidas na
investigação é a jornalista Cynara Menezes, que concedeu esta entrevista a Traulito.

Sérgio de Carvalho

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5SBVMJUPtOt/PWFNCSPEFt
“Roberto Civita é um cara que ainda acredita na
Guerra Fria, que é preciso parar o comunismo.”

Cynara – %FQPJT UFWF P +PTÏ


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da Veja, teria ido para o Supremo
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 (JMNBS .FOEFT GPJ "EWPHBEP(FSBM EB FN #SBTÓMJB F VN EPT SFEBUPSFT DIFGFT EB

Paulo Vieira de Souza, ou Paulo Preto, 6OJÍP OP (PWFSOP 'FSOBOEP )FOSJRVF revista.
2
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DPN B NJMJUÉODJB HBZ EP 15  RVF OP.ÏYJDP QSF QFOTBNPT RVF EFQPJT EF MÈ Cynara – "DIP  NBT UBN-
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professor travesti, ele vai virar au- "SHFOUJOB  WPDÐ UJOIB RVF QBHBS  DBCFÎB  NBT P RVF NF BDSFTDFO- DPN FTTBT QFTTPBT RVF UFNPT RVF
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“Se tirassem o futebol da Globo e pusessem na


TV Educativa, eles derrubavam o governo.”

5SBVMJUPtOt/PWFNCSPEFt
PROCURA-SE: TUDO-OU-NADA
“Elemento Pilantrópico da cleptocracia tropical”

Fotos de Gabriel Chiarastelli


Djin Sganzerl a e Andre Guer reiro Lopes em Luz nas trevas

Por André Guerreiro Lopes QBMBWSÍP PGPDPÏBFYQMPSBÎÍPEBQSØQSJBQFSTPOBMJEBEFEPBUPSBTFSWJÎP


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André Guerreiro Lopes é ator, diretor teatral e cineasta.

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Entrev ista com Walter Garc ia

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“Há muita resistência a chamar de ‘arte’ um
HVÏN RVF Ï DBOUPS F WJPMPOJTUB  DPNP FMF  BMÏN tipo de produção como a de João Gilberto.”

t 5SBVMJUPtOt/PWFNCSPEF
“O que João Gilberto faz é arte.
O que Racionais MC’s faz, também é.”
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“João Gilberto equilibra a melancolia com o ‘projeto utópico’


ancorado na promessa da modernidade capitalista.”

5SBVMJUPtOt/PWFNCSPEFt
“No trabalho de João Gilberto não há
nada próximo da sensibilidade populista.”
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QMP DPOUBTTF VNB IJTUØSJB  PV BMHVNB DPJTB BTTJN i5BM EJB GVMBOP GPJ MÈ
OBQSFGFJUVSB BRVFMFDBSBRVFNPSBMÈOBRVFMBSVBBTTJNBTTBEP GPJMÈOB
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BRVJOPOPTTPUFBUSP
Fernando o BDSFEJUP RVF EFWF GBMBS TPCSF P RVF BDPOUFDF DPN PT USB-
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FODPNCSFNUVEP OÍPGBMBNOBEBEFWFSEBEFJSPEPRVFBDPOUFDF/ÍPNPT-
USBNOBEB TØBQBSUFCPB"HPSBBSFBMJEBEF PRVFBDPOUFDFNFTNP FMFT
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RVBOEPGB[FNVNBSFQPSUBHFN BNBUÏSJBBQSPWFJUBVNBOPUB"QSØQSJB
BTTJTUJEP VNB QFÎB EF UFBUSP TØ VNB WF[ TØ  NBT FV OÍP DPOTFHVJB OFN SFQPSUBHFNFODPCSF PQFTTPBMEÈFOUSFWJTUBFFMFTDPSUBNUVEP0UFBUSP
PCTFSWBSEJSFJUP"RVJFN4VNBSÏOÍPUFNDVMUVSBUFBUSBM.JOIBDBCFÎB QPSJTTPUFNRVFBQSFTFOUBSBWFSEBEF PRVFBDPOUFDF"SFBMJEBEFEPRVF
FTUBWBFNPVUSPMVHBS OÍPDPOTFHVJBQSFTUBSBUFOÎÍP&VTØWJNBGB[FSUFB- BDPOUFDF MÈ GPSB OVODB Ï EJUP ² QSFDJTP BQSFOEFS B EJ[FS 0 UFBUSP Ï VN
USPFBBTTJTUJSBTQFÎBTEFQPJTRVFPDVQBNPTBGÈCSJDB5FNRVFSFBQSFOEFS NFJPEFFYQPSBWFSEBEFQBSBPQFTTPBM
BFEVDBSBNFOUF QPJTTFOÍPSFFEVDB PUSBCBMIBEPSëDBDPOEJDJPOBEPTØ Amaralo1PTTPDIFHBSFNVNBTQFTTPBTRVFFTUÍPOPBTTFOUBNFOUPF
DPNBOPWFMB RVFTØëDBFOHBOBOEPPQPWP&OPTTPUFBUSPGBMBDPNPÏB QFSHVOUBSRVBOUPTBOPTEFMVUBFMBTUÐNFTFQBSBSVNBTDJODPQFTTPBTRVF
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PDVQBÎÍPEBGÈCSJDB EFUPEBBDSJTFBUÏBPDVQBÎÍP DPNPÏRVFWJWFSBNTVBTWJEBT BFOUSBEBEBQSJNFJSBGB[FOEBRVFPDVQB-
Fernando o 5PEB B WJEB FV GVJ EFTMJHBEP EB BSUF 1BSB GBMBS B WFSEB- SBN BTEJëDVMEBEFTFPRVFBDPOUFDFVKÈEÈQSBUJSBSVNUFBUSPEJTTPEBJ
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RVBOEPFVDIFHVFJFN4ÍP1BVMPFVFSBNPMFDÍPFNFTNPBTTJNFVOÍPGVJ Ï WJEB EF VN USBCBMIBEPS  P UFBUSP F B BSUF RVF FV BDIP RVF TÍP JN-
USÐTWF[FTOPDJOFNB5FBUSPWJNDPOIFDFSBRVJOBGÈCSJDB"ÓEFQPJTRVF QPSUBOUFT RVFTÍPWÈMJEBT RVFOÍPTÍPTØFOUSFUFOJNFOUP NBTRVFMF-
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FNTFBQSFTFOUBSOB'MBTLÙ²QSFDJTPUFSVNBNÓOJNBJEFOUJGBDBÎÍPQP- NPEBNÓEJB RVFNVJUBTWF[FTNJTUJëDBNBSFBMJEBEF UFOUBOEPNPTUSBS
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WFSVNUFBUSPGBMBOEPTPCSFJTTP QPEFTFSRVFBQFTTPBQFOTFEJGFSFOUF FO- RVFJTTPQPEFNVEBS RVFÏJNQPSUBOUFTJNRVFBTQFTTPBTTFJOEJHOFN
UFOEBPTQPSRVÐT&VWJPUFBUSPEB.BSJF'BSSBS<Ele se refere à peça.BSJF DPNBTJUVBÎÍP"RVFMBQFÎBEFWPDÐTÏJOUFSFTTBOUFQPSRVFNPTUSBBP
'BSSBS QBSÈCPMBFNVNBUPBQBSUJSEFQPFNBEF#SFDIU que foi apresenta- NFTNPUFNQPBTJUVBÎÍPEB.BSJF RVFÏVNBTJUVBÎÍPEJGÓDJMEFTVQF-
da na fábrica dia 26 de maio>FFSBVNUFBUSPQBSBEFDJGSBSCBTUBOUF5JOIB SBS QPSRVFÏVNBSFBMJEBEFQFTTPBM EJGÓDJMEFTVQFSBSOBTDPOEJÎÜFTFN
BNVMIFSRVFKPHPVPëMIPOPNFJPEPMJYP BNFOJOBRVFOÍPRVFSJBUFSP RVFFMBFTUBWB NBTKVTUBNFOUFQPSRVFBÞOJDBTBÓEBTFSJBVNBTBÓEBEF
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WJTUPIJTUØSJBTEFTTFUJQP NBTQVEFSFìFUJS6NBDPJTBRVFFVOÍPTBCJBÏ DPNJTTP²VNCPNFYFNQMPQBSBNPTUSBSDPNPBTNB[FMBTEBOPTTB
RVFBHFOUFQPEFGB[FSVNBSFQSFTFOUBÎÍPDPNBTOPTTBTGBMBT DPNPRVF WJEBQFTTPBMTÍPNVJUPEJGÓDFJTEFTVQFSBS QPSRVFTÍPSFTVMUBEPEFVNB
B HFOUF NFTNP EJ[ ² NVJUP EJGFSFOUF EF NVJUPT UFBUSPT  PV EB OPWFMB  TJUVBÎÍPRVFBHFOUFWJWFFORVBOUPDMBTTFUSBCBMIBEPSB&RVFQBSBTV-
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UFBUSP0RVFFVBDIPEFMFHBMÏRVFBHFOUFQPSOÍPSFTQFJUBSVNUFYUP BJNQPSUÉODJBEBSFGFSÐODJBËRVFMFQFTTPBMRVFFTUBWBMVUBOEPOPPVUSP
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RVFFTUBNPTGB[FOEP DPNBIJTUØSJB&UBNCÏNVTBNPTOPTTPTQSØQSJPT PMIB JTTPÏPNBJTJNQPSUBOUF
JOTUSVNFOUPT  B HFOUF JOWFOUB OPTTPT JOTUSVNFOUPT 'B[FNPT BT OPTTBT
NÞTJDBT VTBNPTBTQSØQSJBTCPNCPOBT0NBUFSJBMRVFVTBNPTFNDFOB Sara Mello Neiva é estagiária da Companhia do Latão e
ÏPNFTNPNBUFSJBMRVFVTBNPTOPUSBCBMIP coordenadora de Teatro da Flaskô, junto com o Grupo Cassandra.

5SBVMJUPtOt/PWFNCSPEFt
B
MEU AMIGO BERTOLT
(Artigo do cineasta Alberto Cavalcânti, originalmente publicado na 3FWJTUB.BODIFUF, em 28 de junho de 1969.)
É natural que um dos escritores mais impor tantes do nosso século tenha encontra- Em dez dias de trabalho intensivo, a adaptação do Senhor Puntila e Seu Criado Matti estava
do HSBOEFOÞNFSPEFEFUSBUPSFT4PCSFUVEPUFOEPTJEP DPNP#FSUPMU#SFDIU VNHSBOEF UFSNJOBEB"TEJëDVMEBEFTFODPOUSBEBTQFMPTTFVTQSFEFDFTTPSFTOÍPFYJTUJSBNQBSBNJN ²WFSEBEFRVF
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/ÍPWBNPTEJTDVUJSBRVJPFWJEFOUFWBMPSEPQBQFMTPDJBMEFTFNQFOIBEPQFMPFTDSJUPS teatro, NBTBCTPMVUBNFOUFOÍPBENJUJBNPEJëDBÎÜFT1PSPVUSPMBEPOÍP DSJBWBEJëDVMEBEFTOBBDFJUBÎÍPEF
#BTUBOPUBSRVF MVUBOEPQPSTVBTJEÏJBT FMFGPJQFSTFHVJEPFFYJMBEPFRVF NFTNPEFQPJT OPWBTDFOBTNVEBT
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#FSMJN0SJFOUBM DJPOBMNFOUFBHSBEÈWFM
4PCSFBRVBMJEBEFEFTVBPCSB FTUFUJDBNFOUFGBMBOEP BTDSÓUJDBTBEWFSTBTTFSFTVNFNFN "NÞTJDBEBWFSTÍPUFBUSBMEBQFÎBUJOIBTJEPDPNQPTUBQPS1BVM%FTTBV$PNPUPEBTBTPVUSBTQBSUJUVSBT
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1BSBSFQVEJBSUBJTDSJUJDBTÏQSFDJTPMFNCSBSRVF#FSUPMU#SFDIU FTDSJUPS UFNUSÐTGBDFUBT EBTVBNÞTJDB UBOUPOPëMNFDPNPOPQBMDP.BTBDFEFVBPNFVQFEJEPFPSFTVMUBEPGPJRVFBQBSUJUVSB
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EF4IBLFTQFBSF&NUFSDFJSPMVHBS NVJUPJOGFSJPSBPTEPJTHÐOFSPTQSFDFEFOUFT UBOUPFN FYFDVUBOUFTFFTTBEJTDJQMJOB FTTBFDPOPNJB NFFODBOUPVQPSRVFDPSSFTQPOEJBFYBUBNFOUFËTNJOIBTJEFJBT
RVBMJEBEFDPNPFNRVBOUJEBEF WFNBOPWFMB a esse respeito.
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"PQFSFUBEF+PIO(BZ The Beggar’s Opera QBSPEJBOEPTJNQMFTNFOUFB»QFSB*UBMJBOB
EP4ÏDVMP97*** UÍPBQSFDJBEBQFMPTFTOPCFTFN-POESFT QPEFUFSOBTVBJOUFHSBBMHVOT Cada nada fi lme, durante a sua rodagem, traz dificuldades sempre diferentes: Puntila, com o seu
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E que importa que Kleider Kreis (O Círculo de Giz Caucasiano) seja inspirada no PTNBJTGSBDPTEPDPOKVOUP5BMWF[PGÓTJDPEF,VSU#PJT PQSPUBHPOJTUBRVFUJOIBSFQSFTFOUBEPPQBQFMDPN
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O Senhor Puntila e o Seu Criado Matti BPRVFQBSFDF UFWFPSJHFNOVNBBOFEPUBRVFMIF TFVTQBQÏJT
GPJDPOUBEBQPSVNBTFOIPSBëOMBOEFTB TVBBNJHB &NDBTPTTFNFMIBOUFT BUBSFGBEPEJSFUPS RVFEFWFFRVJMJCSBSUPEPTPTFMFNFOUPTEBJOUFSQSFUBÎÍPEFVNB
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VNEPTNBJPSFTQPFUBTEFOPTTBHFSBÎÍP PTFVQSJNFJSPëMNF FBHPSBBQSPWBWBPNFVUSBCBMIP RVFEFWJBTFSPÞMUJNPëMNFGFJUPEVSBOUFBTVBWJEBO
&N BFWJEÐODJBEBJODPNQSFFOTÍPEPTNFJPTDJOFNBUPHSÈëDPTFUFBUSBJTOP#SBTJMB Senhor Puntila e o Seu Criado Matti.
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Com a colaboração do cenarista francês Vladimir Pozner, preparei em Viena, na TFSWÈMJEBTPVQPTTÓWFJT"QSJNFJSBBTVCTUJUVJÎÍPEBNÞTJDBEF%FTTBVQFMBEF&JTMFS&BTFHVOEB UFSPëMNF
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t 5SBVMJUPtOt/PWFNCSPEF
UM SOLDADO DA
CAUSA DO HOMEM
(Artigo de Jorge Amado, originalmente publicado em &VSPQFn° 133-134, janeiro-fevereiro de 1957, pp. 24-27.)

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fiel ao povo e a ele mesmo.
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Uma vez ele disse –
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Tradução para o português de Marinilzes Moradillo Mello.

5SBVMJUPtOt/PWFNCSPEFt
Para
conhecer o
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Companhia
do Latão

Contato para pedido


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